Creep (TLC song)

' experience with a former boyfriend. After releasing their successful debut album Ooooooohhh... On the TLC Tip (1992), TLC began working on their second release called CrazySexyCool in 1993, and continued to work on the project through September 1994. One of the album's tracks, "Creep", was based on member Tionne "T-Boz" Watkins' experience. She recalled it for Billboard: Watkins shared this with the group's long-time writer-producer Dallas Austin. She had known him, and they had shared stories since they were teenagers. Austin wrote "Creep" from a female perspective, The "female point-of-view" on the track was something the trio appreciated because as a group they portrayed themselves as feminists, and the song reflects that perspective. The group denied being inspired by Radiohead's 1992 track with the same name. Andy Greene of Rolling Stone pointed out that the group took the term "creep" in a different direction from Radiohead's track or Stone Temple Pilots' 1993 single, because TLC's song is about getting revenge on a cheating guy by having an affair. The idea, however, was considered quite "controversial". According to Thomas, the theme did not come as much of a shock for them: Despite this, member Lisa "Left Eye" Lopes was opposed to it. She threatened to wear black tape over her mouth in the song's music video to express her disagreement with its message, and its selection as CrazySexyCool lead single, and in part because of the group's history of advocating for safe sex. Watkins stated that Lopes was especially worried that her then-boyfriend, Andre Rison, might get the wrong idea, even though the song was not based on their relationship. In the end, Lopes capitulated, saying: "If some people can creep, and in their minds, they can feel better by going out doing the same thing... Fine. I'm just not one of those people." The rapper later added a new rap verse on remixed versions of the song, which talks about the consequences of cheating. Watkins stated that Lopes initially intended for the rap to be included in the original version of the song, but Watkins and Austin disagreed with the rap and opted to have it removed. The Guardians Carol Cooper described the track as reflecting the darker side of TLC's "giddy hedonism". ==Musical style and composition==

"Creep" is a R&B song influenced by funk, jazz, soul and boom bap; a distinctive sound for the trio whose earlier works had a new jack swing sound. Similar to their past works, "Creep" includes hip hop samples—particularly two 1989 singles, Slick Rick's "Hey Young World" and Shinehead's "Who the Cap Fits"—a heavy beat, with "forthright sex talk" lyrics with a kind of "playful sensuality" and "street aggression". Its production was built on a "deep" and "infectious" groove, around a wafting "late night"-style trumpet sample with quietly "jiggling" funk guitar and scratching sounds—all adding depth to the subversively "poppy" vocal chorus and accentuating the song's "slinky" hooks. Michael Arceneaux of Complex called the track a "darker, mellower, and far jazzier" sound than any of its predecessors, which was "perfect" for Watkins's alto voice. "Yes, it's me again/And I'm back", Watkins introduces herself while opening the track in a "husky" voice. In the first verse, the singer counts her relationship's "twenty-second [sic] of loneliness" and expresses how she still loves her boyfriend while acknowledging that he has cheated on her. Moving on to the song's bridge, she suddenly uses a lower register to "nonchalantly" reveal: "I'll never leave him down, though I might mess around/It's only cause I need some affection." "So I creep/Yeah/And I'll just keep it on the down low." She lowers the key and sings the hook as if she is "confessing to a chosen few." Opening the second verse, Watkins again counts her "twenty-third of loneliness" and still talks of her love for her partner despite signs of a broken romance. After repeating the chorus, Watkins "sweetly" explains the reason that she is cheating: she needs some attention from her lover. She ends the track with the lines "I creep around because I need attention/I don't mess around with my affection" while fading out with the heavy beat and the horn sample. Billboard Larry Flick said that Watkins's vocals were "tightly woven" and "rife with raspy grit", which provided a nice contrast to the song's horn sample and funk guitars. ==Release and remixes==

Watkins recalled that LaFace Records' co-founder Antonio "L.A." Reid "flipped out" when he first heard "Creep" Many producers contributed their remixes to the song's release, including Austin and his "DARP Mix". The following year, in the UK and some European countries, it was re-issued or debuted as "Creep '96" on January 13, 1996, composed of mixes by Dupri, Maxx, Tin Tin Out, and a single-edit of "Waterfalls" (replaced by its "DARP Mix" on the vinyl version). Internationally, "Creep" appeared on most TLC compilations over the years, notably Now & Forever: The Hits (2003), The Very Best of TLC: Crazy Sexy Hits (2006) and 20 (2013). For the 2013 Japanese compilation TLC 20: 20th Anniversary Hits, Watkins and Thomas re-recorded "Creep", and a few other tracks, to celebrate the group's twenty years in the music industry. ==Critical reception==

"Creep" received widespread critical acclaim. Music critic Robert Christgau, AllMusic's Stephen Thomas Erlewine and Time magazine each declared the track one of CrazySexyCool best. Steve Baltin from Cash Box noted, "Infused with a slight bit of drama in the intro, 'Creep' just slinks through the airwaves, slithering into listeners’ minds where it wraps itself tightly, thanks to its low vocals and enticing backbeat. A monster hit." "In many ways, TLC at least musically, were best when they were the most subtle", commented Complex Michael Arceneaux, who found the track's content "refreshing" for displaying women who "muddy up right and wrong in a relationship". From the same publication, Benjamin Chesna and Edwin Ortiz credited the song with making infidelity sound "empowering" while praising Austin's "silky smooth production", adding: "[Watkins] forced you into the arms of another lady, now you just have to keep it on the down low". Simon Price from Melody Maker felt it "have hooks you could hang your coat on". Another Melody Maker editor, Andrew Mueller, named it Single of the Week. Ralph Tee from Music Week's RM Dance Update said, "It's not the anthem that 'Ain't Too Proud To Beg' was, but is still a quality mid-pacer with catchy tooting trumpet riff, scratch and static effects and cool laid-back vocals." Pan-European magazine Music & Media wrote, "Don't pass by such new jill swing of the highest calibre." Slant Magazine editor Sal Cinquemani was reviewing the greatest-hits album 20 when he observed that both girls' "finest" singles, 'Creep' and 'Ain't 2 Proud 2 Beg', had them "proudly flipping accepted modes of female sexual behavior and consent on their heads". Idolator journalist Robbie Daw explained the song's "staying power" was because it is a "provocative" track that dared to expose the "taboo, down-low" aspects of a relationship. In Charles Aaron's review for Spin, he used a short story: Aaron went on say the track marked a "commercial/artistic apex" for Austin's career. Including it on her list of best tracks that make people dance, Bernadette McNulty of The Telegraph claimed: "The Dallas Austin groove on this is so deep, it might give you vertigo." Music critic Smokey Fontaine called the track Austin's best work: "Here, the harmonies worked, the bass line was hard enough to compete in a hip-hop world, and for a moment, R&B didn't need a guest rapper." Accolades In 1995, "Creep" was nominated for three categories at the first Soul Train Lady of Soul Awards: Best R&B/Soul Single by a Group, Band or Duo; R&B/Soul Song of the Year; and R&B/Soul Music Video of the Year. It won the first of these awards. The song received two nominations at the 38th Grammy Awards, for Best R&B Song and Best R&B Performance by a Duo or Group with Vocals, winning the latter. "We were in shock! We just put out music so that people could find a connection with what were saying, so we didn't know exactly how people would feel about anything", Thomas said of TLC's winning moment. "So when you get that kind of recognition, it says so much. The Grammys is like the Oscars of music, so we were just beyond happy to get one." The song's publisher, EMI, later received the 1996 ASCAP Pop Music Award for Publisher of the Year. ==Commercial performance==

Two weeks after its release, "Creep" debuted at number 71 on the US Billboard Hot 100 chart of November 12, 1994. The following week, it jumped to number 25, then climbed to the top ten at number 8 on December 3. Within a month of its release the single received a gold certification from the Recording Industry Association of America (RIAA) for shipment of 500,000 copies. Combined with 100,000 sold in the following month, it became the 23rd best-selling single of 1994, according to Billboard. Soon after it became their third platinum single, it topped the Hot R&B/Hip-Hop Songs and Rhythmic charts, and peaked at number three on the Radio Songs chart and number nine on the Mainstream Top 40. "Creep" held the number-one position for four consecutive weeks before it was overtaken by Madonna's single "Take a Bow". Due to the song's commercial success, it won a Billboard Music Award for Top R&B Song and was nominated for the Top Hot 100 Song category in 1995. Retrospectively, "Creep" was listed at number 21 on Billboard Hot 100's decade-end list of the 1990s, and became the fourth-most-successful song on the chart by a girl group. In the United Kingdom, "Creep" peaked at number 22 on the UK Singles Chart and at number four on the R&B Chart. It reached the number four spot in New Zealand, becoming TLC's highest listed single in the country at the time. It went on to receive a platinum certification from Recorded Music NZ (RMNZ) with 15,000 equivalent units, and peaked at number 35 on their year-end chart. In other territories, "Creep" moved into the top-twenty in the Netherlands and Australia, while reaching the top-forty in France, Switzerland and Germany. The song appeared on Canada's RPM magazine Top Singles top-forty, year-end dance chart at number 35. It also charted in Belgium, Sweden and the European Hot 100 Singles. After its January 1996 re-issue as "Creep '96", it re-entered the UK Singles Chart at number 6, where it remained for seven weeks; it also peaked at number three on the R&B chart. The re-issue also helped the song surpass its original 1995 peak on the Scotland singles chart from number 44 to number 17. In Sweden the record peaked at number 56. ==Legacy==

The song was described by many publications as a "masterpiece" and a "classic", and became one of the group's signature hits. Almost a decade after its debut, Mimi Valdés of Vibe said that the song lifted their "girl power movement" to new heights, with its female-empowerment theme inspiring works by many artists at the time, including Aaliyah, Missy Elliott and Destiny's Child. The term "creep" still appears in rap music. "Creep" appeared on The Village Voices 1995 Pazz & Jop critics' poll at number eight along with "Waterfalls" at number five. Bruce Pollock listed the song in his book Rock Song Index: The 7500 Most Important Songs for the Rock and Roll Era (2005) for "establish[ing] the sound of chick hop". It also appeared on several best decade-end lists: Spin placed it in the third spot on its top twenty, The Boston Phoenix listed it among ninety other best tracks, music journalist Smokey Fontaine placed it at number eight on his top ten, and Pitchfork listed it at number 114 on its top 200 best tracks list. The Guardian and Paste both ranked the song number three on their lists of the greatest TLC songs. ==Music video==

Background and development after seeing his work for Salt-N-Pepa and "fell in love" with his filming style. In June 1994, TLC shot the first video for "Creep" in their hometown, Atlanta, but were dissatisfied with the result. Thomas later said "It didn't feel like we had evolved." The following month, they filmed a second version in Los Angeles with Lionel C. Martin, the director of most of their early videos. L.A. Reid and the trio decided to scrap both versions which did not show their growth as women, and had "grimy" images with bad lighting. The first also lacked sufficient footage for the song's length. Martin's version was later released in early 2013. The "blue-tinged" clip shows the girls sneaking away from their unsuspecting boyfriends to cheat, while other scenes show them performing in front of trucks and cars. "Not only is this 'Creep' more genre specific, it also feels more dated", Elan added. One involved the original routine created by Watkins, who had choreographed most of the group's early videos. She remembered Rolston's choreographer, Frank Gatson Jr., "locked" the girls out from providing ideas as they were practicing the new dance moves. Another dispute between TLC and Rolston was over their wardrobe. It opens with each girl, wearing different colored, barely buttoned and wind-blown satin pajamas, singing and dancing individually in front of a distinct brightly colored background. Watkins wears blue in front of a pink background, Lopes—red with a blue background, and Thomas—pink with a red background. In other scenes Thomas's colors have been color corrected to grey for artistic reasons. Added to these takes are a few close-up shots of a twirling blue trumpet. The trio and their accompanying female dancers are later shown in black-and-white shots, practicing the choreography and making fun of Lopes for trying to breakdance while walking on her hands. Throughout the clip, Watkins keeps giving the man an incredulous look that suggests he might be cheating. The video ends with the trio dancing arguing jokingly. This was Thomas's favorite scene. The group acknowledged one scene that showed the exposed left lower part of Watkins's breasts received public attention. An alternative cut for the video has also been made. The original version appeared on three of their video albums: CrazyVideoCool (1995), Now & Forever: The Video Hits (2003) and Artist Collection (2004). CrazyVideoCool included excerpts of previously-scrapped versions and commentary from TLC. Reception and impact Many publications considered the video "iconic" and "classic". Daniel Ralston, host of MTV's Videohead podcast said Rolston flipped the "paradigm" on "Creep", "Whatta Man" and many of his works, where the women were in control and men were shown in a way that women were often depicted in male artists' videos. Ebony Michael A. Gonzales reminisced about the time when the video debuted on MTV, TLC returned as the "lipstick liberators", much to the surprise of a public used to their tomboy style. The journalist then compared the "splashy" video to its previous versions as "less urban" and more "Madison Avenue commercial chic". In the book Experiencing Music Video: Aesthetics and Cultural Context, author Carol Vernallis felt the women's outfits in "Creep" suggested their "sexual availability" but the low-angle camera placement, and the texture and movement of billowing silk fabric suggest a "phallic sexuality". After the video's release, the pajamas created "a fashion stir". The group intended to create a low-price fashion line called "Creepwear" but it was ultimately scrapped. VH1's Seher Sikandar listed the video's choreography as one of the top-twenty R&B dance routines of the 1990s. It appeared at number six on Consequence of Sound fifty best 1994 videos list, and at number 30 on Complex top fifty R&B clips of the 1990s. The visual was one of several parodied in Blink 182's video "All the Small Things" in 2000. Keri Hilson's 2010 music video "Pretty Girl Rock" had the singer with two backup dancers dressed in silk pajamas imitating Watkins and the group from the original clip. In 2014, shot-for-shot re-enactments of the videos for "Creep", "Waterfalls" and "No Scrubs" were produced for their biopic CrazySexyCool: The TLC Story, with Keke Palmer playing Thomas, Drew Sidora as Watkins and rapper Lil Mama as Lopes, the three wearing TLC's original wardrobe from each video. In 2016, the pajamas were said to have inspired Thomas and rapper-actor Nick Cannon's outfits in his music video for "If I Was Your Man", where Thomas has a cameo role as Cannon's love interest. ==Live performances==

TLC first performed "Creep" on television for the Nickelodeon series All That on January 7, 1995, followed by a performance on the May 6 episode of Saturday Night Live along with "Red Light Special". Complex chose the All That performance as one of the best of the series, while "Red Light Special" appeared on the compilation SNL25 – Saturday Night Live, The Musical Performances Volume 2 (1999), though Billboard Michael Paoletta described it as "awful". Later in July, the trio joined other artists on the 16th Annual Budweiser Superfest Tour, with "Creep" added to their playlist. On stage, they performed the song to an audience of 3,000–6,000 in front of the letters "CrazySexyCool". Many girls wore cropped T-shirts with oversized jeans held up by thick belts. Chicago Tribune reporter Rohan B. Preston said their set "lit torches for female desire" their songs "Creep" and "Red Light Special". Complex chose their performance of "CrazySexyMedley"—which included "Ain't 2 Proud 2 Beg", "Kick Your Game", "Creep" and "Waterfalls"—at the 1995 MTV Video Music Awards as one of the ceremony's twenty best performances of all-time. Writer Edwin Ortiz declared: "Back in the '90s, no female R&B act could touch TLC." A "Hitmix" medley was put together for their September 28 appearance on Top of the Pops, made of three CrazySexyCool singles: "Creep", "Waterfalls" and "Diggin' on You". In October 1999, they performed the song in their famous silk pajamas during FanMail Tour's third act, which represented the songs of CrazySexyCool. Its January 29, 2000, show in Atlanta was taped for the March 18 pay-per-view special TLC: Sold Out, while a few clips of the January 23 concert at MCI Center, in Washington, D.C. were later included on the CD and DVD of TLC 20: 20th Anniversary Hits (2013), a Japan-only compilation. The duo added the song to their greatest-hits performance on the finale of their reality show R U the Girl, which aired on September 21, 2005. Seven years later, the two performed the song at the Japanese Springroove Music Festival on April 4, 2009, and at the October 17 set of Justin Timberlake's charity concert, Justin Timberlake and Friends, at the Mandalay Bay Events Center, Las Vegas. This performance marked their first live-concert US appearance in six years, however, the Las Vegas Review-Journal reported that the girls had been lip-syncing throughout the show. On October 16, 2013, TLC sang the song during their hit-medley on talk show The View with a separate televised live rendition of the track for VH1's Super Bowl Blitz concert at the Beacon Theatre on January 30, 2014, where they wore revealing black lace attire. Intermittently, "Creep" was added to many of their performances, notably the 2015 The Main Event tour with main act New Kids on the Block, and other shows across America, Canada, Australia, New Zealand, Japan and the Philippines. ==Cover versions and usage in media==

In 1996, American rock band The Afghan Whigs covered the song and included it on two of their extended plays, ''Honky's Ladder and Bonnie & Clyde EP''. Journalist Jason Ankeny from AllMusic said the rendition proved that "even if [band member Greg Dulli] doesn't possess a heart, he at least has a brain -- albeit in his pants". On the 2015 season of Idols South Africa contestants Mmatema Moremi, Busisiwe Mthembu and Nonhle Mhlongo performed the song during the show's Hell Week round. The X Factor UK's contestant Honey G covered the track during the bootcamp episode aired in 2016. "Creep" has been covered, sampled and recreated by many hip-hop and R&B artists. Two notable recordings were released on SoundCloud in 2013: Haitian-Canadian record producer Kaytranada's remix of the song called "Kaytranada's Creepier Edition" in January and GoldLink's rap rendition in December. In July 2015, American singer-songwriter Eric Bellinger re-wrote and recorded a new version of the track for his album Cuffing Season. He invited Watkins to contribute vocals for a new verse. "When I heard [the original version] flip I immediately knew I had to at least try to get T-Boz on it since that was her solo song with [TLC]! Luckily when she heard the record she loved it!" Bellinger said in a statement sent to MTV News. The track's new content finds Bellinger making promises to never cheat on his lover. In February 2016, singer Zendaya sampled the song for her single "Something New" with Chris Brown. She said: "The song, when I first heard it, already had that TLC sample in it. And that's kind of what I think made me want to record it." Watkins is confirmed to have a cameo on its music video, which remains unreleased. In other media, "Creep" was included on "CAT", an episode from season one of the television series New York Undercover, which first aired on February 23, 1995. In December of that year, the song was used on the soundtrack of the film Waiting to Exhale; TLC also recorded a new song, "This Is How It Works", for the film's soundtrack album. In 2010, "Creep" and "Waterfalls" were played in the comedy film The Other Guys, with a running gag that Michael Keaton's character would subconsciously reference TLC's lyrics without having any idea who the group is. In literature, South African poet and novelist Mandla Langa mentioned the trio's music video in his book The Memory of Stones in 2000, referring to them as "the legend". The song can be heard on the soundtracks for video games The Hip Hop Dance Experience, Everybody Dance and Dance Central Spotlight. ==Track listings and formats==

"Creep" European CD; US cassette; Japanese mini-CD single • "Creep" – 4:29 • "Creep" – 4:47 UK 12-inch single • "Creep" – 4:30 • "Creep" – 5:26 • "Creep" – 5:18 • "Creep" – 5:11 • "Creep" – 4:44 • "Creep" – 5:09 UK CD single • "Creep" – 4:28 • "Ain't 2 Proud 2 Beg" – 5:53 • "Creep" – 5:22 • "Creep" – 5:09 UK and Germany maxi-CD single • "Creep" – 4:29 • "Creep" – 4:42 • "Creep" – 5:09 • "Creep" – 5:09 • "Creep" – 5:18 • "Creep" – 4:50 US 12-inch single No. 1 • "Creep" – 4:27 • "Creep" – 5:09 • "Creep" – 4:47 • "Creep" – 5:09 US 12-inch single No. 2 • "Creep" – 5:22 • "Creep" – 4:50 • "Creep" – 5:23 • "Creep" – 5:23 • "Creep" – 5:18 US maxi-CD single • "Creep" – 4:30 • "Creep" – 5:11 • "Creep" – 5:26 • "Creep" – 4:44 • "Creep" – 4:51 • "Creep" – 5:18 "Creep '96" UK 12-inch single • "Creep" – 5:12 • "Creep" – 5:13 • "Creep" – 8:35 • "Waterfalls" – 4:32 UK cassette single • "Creep – 4:28 • "Waterfalls" – 4:21 European CD single • "Creep – 4:28 • "Waterfalls" – 4:21 • "Creep" – 5:11 • "Creep" – 8:35 ==Credits==

Credits adapted from the liner notes of the CD single, CrazySexyCool and CrazyVideoCool. Recording and management • Recorded and mixed at DARP Studios (Atlanta) • Mastered at The Hit Factory (New York City) • Contains a sample of "Hey Young World", written by Ricky Walters and performed by Slick Rick, published by Def American Songs, Inc., courtesy of Def Jam Recordings, Inc. • Contains a sample from "Who the Cap Fits", written by Edmund Carl Aiken Jr. PKA Shinehead, and performed by Shinehead, published by African Love Music/Def American Songs, Inc. under license from African Love Music • Managed by Hiriam Management • Published by EMI April Music Inc., Darp Music (ASCAP) Personnel • Dallas Austin – writing, production, instrumentation, executive production • Atvi Speights – record engineering, mixing • Leslie Brathwaite – record engineering • Carl Glover – record engineering assistance • Brian Smith – record engineering assistance • Sol Messiah – scratching • Rick Sheppard – MIDI and sound design • Debra Killings – background vocals • Chris Gehringer – mastering • Antonio M. Reid – executive production • Kenneth Edmonds – executive production • Perri Reid – executive production • Dah Len – photography • Davett Singletary – creative direction • Christopher Stern – art direction ==Charts==

Weekly charts Year-end charts Decade-end charts All-time charts ==Certifications==