High Cross,
Ireland (10th century) The Flight into Egypt was a popular subject in art, showing Mary with the baby on a donkey, led by Joseph, borrowing the older
iconography of the rare Byzantine
Journey to Bethlehem. Nevertheless, Joseph is sometimes holding the child on his shoulders. Before about 1525, it usually formed part of a larger cycle, whether of
the Nativity, or the
Life of Christ or
Life of the Virgin.
icon of the Flight into Egypt; the bottom section shows the
idols of Egypt miraculously falling down before Jesus and being smashed (17th century). From the
15th century in the Netherlands onwards, the non-Biblical subject of the
Holy Family resting on the journey, the
Rest on the Flight into Egypt became popular, by the late 16th century perhaps more common than the original traveling family. The family were often accompanied by angels, and in earlier images sometimes an older boy who may represent
James the Brother of the Lord, interpreted as a son of Joseph, by a previous marriage. The background to these scenes usually (until the
Council of Trent tightened up on such additions to scripture) included a number of apocryphal
miracles, and gave an opportunity for the emerging genre of
landscape painting. In the
Miracle of the corn, the pursuing soldiers interrogated peasants, asking when the Holy Family passed by. The peasants truthfully said it was when they were sowing their
wheat seed, causing the soldiers to abandon the chase as they thought that the Holy Family passed by months ago; however, unbeknownst to the soldiers, the farmers actually sowed their seed the day before and the wheat miraculously grew to full height overnight. In the
Miracle of the idol a pagan statue fell from its plinth as the infant Jesus passed by, and a spring gushed up from the desert (originally separate, these are often combined). In other less commonly seen legends, a group of robbers abandoned their plan to rob the travelers, and a
date palm tree bent down to allow them to pluck the fruit. During the 16th century, as interest in
landscape painting grew, the subject became popular as an individual subject for paintings, often with the figures small in a large landscape. The subject was especially popular with
German Romantic painters, and later in the 19th century was one of a number of New Testament subjects which lent themselves to
Orientalist treatment. Unusually, the 18th century artist
Gianbattista Tiepolo produced a whole series of
etchings with 24 scenes from the flight, most just showing different views of the Holy Family travelling. , 1923 A subject taking place after the arrival in Egypt is the meeting of the infant Jesus with his cousin, the infant
John the Baptist, who, according to legend was rescued from
Bethlehem before the massacre by the
Archangel Uriel, and joined the Holy Family in Egypt. This meeting of the two Holy Children was to be painted by many artists during the Renaissance period, after being popularized by
Leonardo da Vinci and then
Raphael with works like Leonardo's
Virgin of the Rocks. The "
Flight into Egypt" was a favorite theme of
Henry Ossawa Tanner, depicting the Holy Family's clandestine evasion of King Herod's assassins (Matthew 2:12–14). In it Tanner expresses his sensitivity to issues of personal freedom, escape from persecution, and migrations of African-Americans from the South to the North. Two plays of the medieval
Ordo Rachelis cycle contain an account of the flight into Egypt, and the one found in the
Fleury Playbook contains the only dramatic representation of the return from Egypt. A work by the artist Alessandro Fantera, created for the
Dicastery for Promoting Integral Human Development, was presented on 16 January 2026 at the conclusion of the
Holy Year. The ceremony took place in the splendid setting of
Palazzo San Callisto in Rome, in the presence of Cardinal
Michael Czerny SJ, Prefect of the Dicastery, and Monsignor Jozef Barlaš, Undersecretary of the same Dicastery. The work depicts a dramatic moment of the Holy Family's Flight into Egypt, symbolically setting it within the context of the
Gaza Strip. This is a project of profound spiritual impact, innovative even from an iconographic perspective: in art history, representations of this event are rare and more frequently tied to the theme of the "Rest" rather than the much more tragic theme of the "Flight" itself. ==In music==