Early years In 1923, Crosby was invited to join a new band composed of high-school students a few years younger than himself.
Al and Miles Rinker (brothers of singer
Mildred Bailey), James Heaton, Claire Pritchard and Robert Pritchard, along with drummer Crosby, formed the Musicaladers, Crosby and Al Rinker obtained work at the Clemmer Theatre in Spokane (now known as the
Bing Crosby Theater). On August 14, 1925, Bing appeared at the Clemmer Theater as part of The Clemmer Trio (Frank McBride, Lloyd Grinnell and Harry Crosby) and they were shown as being presented with special stage effects.Rinker played piano in the pit. They continued at the theater alongside the film of the week for a very successful 12 weeks. They were initially billed as The Clemmer Trio and later as The Clemmer Entertainers depending on who performed. In October 1925, Crosby and Rinker decided to seek fame in California. They traveled to Los Angeles, where Bailey introduced them to her show business contacts. The
Fanchon and Marco Time Agency hired them for 13 weeks for the revue
The Syncopation Idea starting at the Boulevard Theater in Los Angeles and then on the
Loew's circuit. They each earned $75 a week. As minor parts of
The Syncopation Idea, Crosby and Rinker started to develop as entertainers. They had a lively style that was popular with college students. After
The Syncopation Idea closed, they worked in the Will Morrissey Music Hall Revue. They honed their skills with Morrissey, and when they got a chance to present an independent act, they were spotted by a member of the
Paul Whiteman organization. Whiteman needed something different to break up his musical selections, and Crosby and Rinker filled this requirement. After less than a year in show business, they were attached to one of the biggest names.
The Rhythm Boys in c. 1929-30 Success with Whiteman was followed by disaster when they reached New York. Whiteman considered letting them go. However, the addition of pianist and aspiring songwriter
Harry Barris made the difference, and
The Rhythm Boys were born. The additional voice meant they could be heard more easily in large New York theaters. Crosby gained valuable experience on tour for a year with Whiteman and performing and recording with
Bix Beiderbecke,
Jack Teagarden,
Tommy Dorsey,
Jimmy Dorsey,
Eddie Lang, and
Hoagy Carmichael. Crosby matured as a performer and was in demand as a solo singer. Crosby became the star attraction of the Rhythm Boys. In 1928, he had his first number one hit, a jazz-influenced rendition of "
Ol' Man River". In 1930, the Rhythm Boys appeared in the film
King of Jazz with Whiteman, but Crosby's growing dissatisfaction with Whiteman led to the Rhythm Boys leaving his organization. They joined the
Gus Arnheim Orchestra, performing nightly in the
Coconut Grove of the Ambassador Hotel. Singing with the Arnheim Orchestra, Crosby's solos began to steal the show while the Rhythm Boys' act gradually became redundant. Harry Barris wrote several of Crosby's hits, including "At Your Command", "
I Surrender Dear", and "
Wrap Your Troubles in Dreams". When
Mack Sennett signed Crosby to a solo film contract in 1931, a break with the Rhythm Boys became almost inevitable. Crosby married
Dixie Lee in September 1930. After a threat of divorce in March 1931, he applied himself to his career.
Success as a solo singer On September 2, 1931,
15 Minutes with Bing Crosby, his nationwide solo radio debut, began broadcasting. The weekly broadcast made Crosby a hit. Before the end of the year, he with both
Brunswick Records and
CBS Radio. "
Out of Nowhere", "Just One More Chance", "
At Your Command", and "
I Found a Million Dollar Baby (in a Five and Ten Cent Store)" were among the best-selling songs of 1931. Crosby's reputation and musical influence attracted other artists to Decca and helped ensure the company's success, which in turn prevented the phonograph record business from collapsing during the Great Depression. During
World War II, Crosby made live appearances before American troops who had been fighting in the
European Theater. He learned how to pronounce German from written scripts and read propaganda broadcasts intended for German forces. The nickname "Der Bingle" was common among Crosby's German listeners and came to be used by his English-speaking fans. In a poll of U.S. troops at the close of World War II, Crosby topped the list as the person who had done the most for G.I. morale, ahead of President
Franklin D. Roosevelt, General
Dwight Eisenhower, and
Bob Hope. The June 18, 1945, issue of
Life magazine credited Crosby as one of America's most influential and successful entertainers. Estimating since his first recording in 1931, roughly 60 million of his records had been sold, with "White Christmas" alone selling two million copies in the United States and 250,000 in Great Britain.
White Christmas '' (1954) The biggest hit song of Crosby's career was his recording of
Irving Berlin's "
White Christmas", which Crosby introduced on a Christmas Day radio broadcast in 1941. A copy of the recording from the radio program is owned by the estate of Bing Crosby and was loaned to
CBS Sunday Morning for their December 25, 2011, program. The song appeared in his films
Holiday Inn (1942), and—a decade later—in
White Christmas (1954). Crosby's record hit the charts on October 3, 1942, and rose to number 1 on October 31, where it stayed for 11 weeks. A holiday perennial, the song was repeatedly re-released by Decca, charting another 16 times. It topped the charts again in 1945 and a third time in January 1947. The song remains the bestselling single of all time. Crosby was dismissive of his role in the song's success, saying "a jackdaw with a cleft palate could have sung it successfully".
Motion pictures ,
Marquita Rivera, and Bing Crosby in 1947 In the wake of a solid decade of headlining mainly smash hit musical comedy films in the 1930s, Crosby starred with Bob Hope and
Dorothy Lamour in six of the seven
Road to musical comedies between 1940 and 1962 (Lamour was replaced with Joan Collins in
The Road to Hong Kong and limited to a lengthy cameo), cementing Crosby and Hope as an on-and-off duo, despite never declaring themselves a "team" in the sense that
Laurel and Hardy or
Martin and Lewis (
Dean Martin and
Jerry Lewis) were teams. The series consists of
Road to Singapore (1940),
Road to Zanzibar (1941),
Road to Morocco (1942),
Road to Utopia (1946),
Road to Rio (1947),
Road to Bali (1952), and
The Road to Hong Kong (1962). When they appeared solo, Crosby and Hope frequently made note of the other in a comically insulting fashion. They performed together countless times on stage, radio, film, and television, and made numerous brief and not so brief appearances together in movies aside from the "Road" pictures,
Variety Girl (1947) being an example of lengthy scenes and songs together along with billing. In the 1949 Disney animated film
The Adventures of Ichabod and Mr. Toad, Crosby provided the narration and song vocals for
The Legend of Sleepy Hollow segment. In 1960, he starred in
High Time, a collegiate comedy with
Fabian Forte and
Tuesday Weld that predicted the emerging gap between Crosby and the new younger generation of musicians and actors who had begun their careers after World War II. The following year, Crosby and Hope reunited for one more
Road movie,
The Road to Hong Kong, which teamed them up with the much younger
Joan Collins and
Peter Sellers. Collins was used in place of their longtime partner Dorothy Lamour, whom Crosby felt was getting too old for the role, though Hope refused to do the film without her, and she instead made a lengthy and elaborate cameo appearance.
Television The Fireside Theater (1950) was his first television production. The series of 26-minute shows was filmed at
Hal Roach Studios rather than performed live on the air. The "telefilms" were syndicated to individual television stations. Crosby was a frequent guest on the musical variety shows of the 1950s and 1960s, appearing on various variety shows as well as numerous late-night talk shows and his own highly rated specials. Bob Hope memorably devoted one of his monthly NBC specials to his long intermittent partnership with Crosby titled "On the Road With Bing". Crosby was associated with ABC's
The Hollywood Palace as the show's first and most frequent guest host and appeared annually on its Christmas edition with his wife Kathryn and his younger children, and continued after
The Hollywood Palace was eventually canceled. In the early 1970s, Crosby made two late appearances on the
Flip Wilson Show, singing duets with the comedian. His last TV appearance was a Christmas special,
Merrie Olde Christmas, taped in London in September 1977 and aired weeks after his death. It was on this special that Crosby recorded a duet of "
The Little Drummer Boy" and "
Peace on Earth" with rock musician
David Bowie. Their duet was released in 1982 as a single 45 rpm record and reached No. 3 in the UK singles charts. as well as the lesser-known show ''
Slattery's People'' (1964–1965). ==Singing style and vocal characteristics==