Architecture Ancient Greece (
Crete), with some Minoan colourful columns The first great
ancient Greek civilization were the Minoans, a
Bronze Age Aegean civilization on
Crete and other
Aegean Islands, that flourished from c. 3000 BC to c. 1450 BC and, after a late period of decline, finally ended around 1100 BC during the early
Greek Dark Ages. At the height of their power, they built architecture ranging from city houses and
Minoan palaces. Exemplary of this construction was the palace at
Knossos, which was composed of two to three levels, had over 500 rooms, and many terraces with
porticos and stairs. The interior of this palace included monumental reception halls, vast apartments for the queen and bridesmaids, bathtubs with complete sewage and drainage systems, food deposits, shops, theatres, sport arenas, and other amenities. The walls were built of high-quality masonry that was covered with highly decorated
frescos. Later, the
Mycenaean civilization erected palatial structures at
Mycenae,
Tiryns and
Pylos. on the Agoraios Kolonos Hill (
Athens,
Greece), circa 449 BC, unknown architect After the
Greek Dark Ages, architecture developed into a style that, together with
Roman, inspired
Classical architecture and later
Neoclassical. Examples of this style were their
temples, such as the
Parthenon and
Erectheion which are both based in the
Acropolis of Athens, and theatres. Both temples and theatres used a complex mix of optical illusions and balanced ratios.
Classical Ancient Greek temples usually consist of a base with stairs at each edges (known as
crepidoma), a
cella (or
naos) with a cult statue in it,
columns, an
entablature, and two
pediments, one on the front side and another in the back. By the 4th century BC, Greek architects and stonemasons had developed a system of rules for all buildings known as the
orders: the
Doric, the
Ionic, and the
Corinthian. They are most easily recognised by their columns (especially by the
capitals). The Doric column is stout and basic, the Ionic one is slimmer and has four
scrolls (called
volutes) at the corners of the capital, and the Corinthian column is just like the Ionic one, but the capital is completely different, being decorated with
acanthus leafs and four scrolls.
Byzantine Greece Following the relocation of the capital of the Roman Empire to
Constantinople in 330 AD, and the fall of the
Western Roman Empire some 150 years later, the architects of the Eastern Roman Empire, or the Byzantine Empire, built city walls, palaces, hippodromes, bridges,
aqueducts, and churches. One of the more famous type of church constructed by the Byzantines was the
basilica, which was very widespread and received the most development of the churches that were built in the empire. Through modifications and adaptations of local inspiration, the Byzantine style of architecture was used as the main source of inspiration for architectural styles in
Eastern Orthodox countries. For example, in Romania, the
Brâncovenesc style is highly based on Byzantine architecture, but also has individual Romanian characteristics. (
Distomo-Arachova-Antikyra, Greece), circa 10th century AD (
Athens), 9th–13th century, unknown architect As with the
Parthenon, which was built in dedication to the
Ancient Greek religion, the
Hagia Sophia was considered an iconic church of
Christianity. The temples of both religions differ substantially in terms of their exterior and interior aspect. In Antiquity, the exterior was the most important part of the temple, because in the interior, where the cult statue of the deity to whom the temple was built was kept, only the priest had access. The ceremonies here held outside, and what the worshipers view was the facade of the temple, consisting of columns, with an
entablature and two pediments. Meanwhile, Christian liturgies were held in the interior of the churches, the exterior usually having little to no ornamentation. Byzantine architecture often featured marble columns,
coffered ceilings and sumptuous decoration, including the extensive use of
mosaics with golden backgrounds. The building material used by Byzantine architects was no longer marble, which was highly appreciated and utilised by the Ancient Greeks, instead opting for mostly stone and brick while using thin
alabaster sheets for windows.
Modern Greece (Athens), 1888, by
Theophil Hansen After the
independence of Greece and during the nineteenth century,
Neoclassical architecture was heavily used for both public and private buildings. The 19th-century architecture of
Athens and other cities of the
Kingdom of Greece is mostly influenced by architects like
Theophil Hansen,
Ernst Ziller,
Panagis Kalkos,
Lysandros Kaftanzoglou,
Anastasios Metaxas and
Stamatios Kleanthis. Meanwhile, churches in Greece, on the other hand, experienced a
Neo-Byzantine revival. In 1933, the
Athens Charter, a manifesto of the modernist movement, was signed and published by
Le Corbusier. The primary architects of this movement were: Ioannis Despotopoulos,
Dimitris Pikionis,
Patroklos Karantinos and Takis Zenetos. Following
World War II, and the
Greek Civil War, the massive construction of
apartment buildings in major Greek city centres, was a major contributory factor for the Greek economy and the post-war recovery. The first
skyscrapers were also constructed during the 1960s and 1970s, such as the
OTE Tower and the
Athens Tower Complex.
Cinema , seat of the
Thessaloniki International Film Festival. Cinema first appeared in Greece in 1896, but the first actual cine-theatre was opened in 1907. In 1914, the
Asty Films Company was founded, which started the production of long films in Greece.
Golfo (Γκόλφω), a well known traditional love story, is the first Greek long movie, although there were several minor productions such as newscasts before this. In 1931,
Orestis Laskos directed
Daphnis and Chloe (
Δάφνις και Χλόη), contained the first nude scene in the history of European cinema; it was also the first Greek movie which was played abroad. In 1944,
Katina Paxinou was honoured with the
Best Supporting Actress Academy Award for
For Whom the Bell Tolls. The 1950s and early 1960s are considered by many as the Golden age of Greek cinema. Directors and actors of this era were recognized as important historical figures in Greece and some gained international acclaim:
Michael Cacoyannis,
Alekos Sakellarios,
Melina Mercouri,
Nikos Tsiforos,
Iakovos Kambanelis,
Katina Paxinou,
Nikos Koundouros,
Ellie Lambeti,
Irene Papas, etc. More than sixty films per year were made, with the majority having
film noir elements. Notable films were
The Counterfeit Coin (
Η κάλπικη λίρα, 1955, directed by
Giorgos Tzavellas),
Bitter Bread (
Πικρό Ψωμί, 1951, directed by Grigoris Grigoriou),
The Ogre of Athens (
O Drakos, 1956, directed by
Nikos Koundouros),
Stella (1955, directed by Cacoyannis and written by Kampanellis). Cacoyannis also directed
Zorba the Greek with Anthony Quinn which received Best Director, Best Adapted Screenplay and Best Film nominations.
Finos Film also contributed to this period with movies such as
Λατέρνα, Φτώχεια και Φιλότιμο,
The Auntie from Chicago (
Η Θεία από το Σικάγο), ''
Maiden's Cheek (Το ξύλο βγήκε από τον Παράδεισο
), and many more. During the 1970s and 1980s Theo Angelopoulos directed a series of notable and appreciated movies. His film Eternity and a Day'' won the
Palme d'Or and the
Prize of the Ecumenical Jury at the
1998 Cannes Film Festival. There were also internationally renowned filmmakers in the Greek diaspora such as the
Greek-American Elia Kazan.
Music and dances Greece has a diverse and highly influential musical tradition, with
ancient music influencing the
Roman Empire, and Byzantine liturgical chants and secular music influencing
middle eastern music and the
Renaissance. Modern Greek music combines these elements, to carry Greeks' interpretation of a wide range of musical forms.
Ancient Greece that depicts a man holding a
lyre, circa 480 BC, in the
Metropolitan Museum of Art (New York City) The history of music in Greece begins with the music of ancient Greece, largely structured on the
Lyre and other supporting
string instruments of the era. Beyond the well-known structural legacies of the
Pythagorean scale, and the related mathematical developments it upheld to define western classical music, relatively little is understood about the precise character of music during this period; we do know, however, that it left, as so often, a strong mark on the culture of
Rome. What has been gleaned about the social role and character of ancient Greek music comes largely from pottery and other forms of
Greek art. Ancient Greeks believed that dancing was invented by the
gods and therefore associated it with religious ceremony. They believed that the gods offered this gift to select mortals only, who in turn taught dancing to their fellow-men. Periodic evidence in ancient texts indicates that dance was held in high regard, in particular for its educational qualities. Dance, along with writing, music, and physical exercise, was fundamental to the commenced in a circle and ended with the dancers facing one another. When not dancing in a circle the dancers held their hands high or waved them to the left and right. They held cymbals (very like the zilia of today) or a kerchief in their hands, and their movements were emphasized by their long sleeves. As they danced, they sang, either set songs or extemporized ones, sometimes in unison, sometimes in refrain, repeating the verse sung by the lead dancer. The onlookers joined in, clapping the rhythm or singing. Professional singers, often the
musicians themselves, composed lyrics to suit the occasion.
Byzantine Greece ,
aulos, and
lyre from a Byzantine villa in
Maryamin,
Syria The
Byzantine music is also of major significance to the history and development of European music, as
liturgical chants became the foundation and stepping stone for music of the Renaissance (see:
Renaissance Music). It is also certain that Byzantine music included an extensive tradition of instrumental court music and dance; any other picture would be both incongruous with the historically and archaeologically documented opulence of the Eastern Roman Empire. There survive a few but explicit accounts of secular music. A characteristic example is the accounts of pneumatic organs, whose construction was further advanced in the eastern empire prior to their development in the west following the Renaissance. Byzantine instruments included the guitar, single, double or multiple flute, sistrum, timpani (drum), psaltirio, Sirigs, lyre, cymbals, keras and kanonaki. Popular dances of this period included the
Syrtos,
Geranos,
Mantilia,
Saximos,
Pyrichios, and
Kordakas . Some of these dances have their origins in the ancient period and are still enacted in some form today.
Modern Greece at the left A range of domestically and internationally known composers and performers across the musical spectrum have found success in modern Greece, while traditional
Greek music is noted as a mixture of influences from indigenous culture with those of west and east. A few
Ottoman as well as medieval Italian elements can be heard in the traditional songs,
dhimotiká, as well as in the modern
bluesy
rembétika music. A well-known Greek musical instrument is the
bouzouki. "Bouzouki" is a descriptive Turkish name, but the instrument itself is probably of Greek origin (from the ancient Greek lute known as
pandoura, a kind of guitar, clearly visible in ancient statues, especially female figurines of the "Tanagraies" playing cord instruments). , popular composer and songwriter, introduced the
bouzouki into the mainstream culture. Famous Greek musicians and composers of modern era include the central figure of 20th-century European modernism
Iannis Xenakis, a composer, architect and theorist.
Maria Callas,
Nikos Skalkottas,
Mikis Theodorakis,
Dimitris Mitropoulos,
Manos Hadjidakis and
Vangelis also lead twentieth-century Greek contributions, alongside
Demis Roussos,
Nana Mouskouri,
Yanni,
Georges Moustaki,
Eleni Karaindrou and others. The birth of the first School of modern Greek classical music (
Heptanesean or Ionian School, Greek:
Επτανησιακή Σχολή) came through the
Ionian Islands (notable composers include
Spyridon Samaras,
Nikolaos Mantzaros and
Pavlos Carrer), while
Manolis Kalomiris is considered the founder of the
Greek National School. Greece is one of the few places in Europe where the day-to-day role of folk dance is sustained. Rather than functioning as a museum piece preserved only for performances and special events, it is a vivid expression of everyday life. Occasions for dance are usually weddings, family celebrations, and paneyeria (Patron Saints' name days). Dance has its place in ceremonial customs that are still preserved in Greek villages, such as dancing the bride during a wedding and dancing the
trousseau of the bride during the wedding preparations. The
carnival and Easter offer more opportunities for family gatherings and dancing. Greek
taverns providing live entertainment often include folk dances in their program. Regional characteristics have developed over the years because of variances in
climatic conditions,
land morphology and people's social lives.
Kalamatianos and
Syrtos are considered Pan-Hellenic dances and are danced all over the world in diaspora communities. Others have also crossed boundaries and are known beyond the regions where they originated; these include the
Pentozali from
Crete,
Hasapiko from Constantinople,
Zonaradikos from
Thrace,
Serra from
Pontos and
Balos from the
Aegean islands. The avant-garde choreographer, director and dancer
Dimitris Papaioannou was responsible for the critically successful
opening ceremony of the
2004 Olympic Games, with a conception that reflected the classical influences on modern and experimental Greek dance forms.
Painting Ancient Greece There were several interconnected traditions of painting in ancient Greece. Due to their technical differences, they underwent somewhat differentiated developments. Not all painting techniques are equally well represented in the archaeological record. The most respected form of art, according to authors like
Pliny or
Pausanias, were individual, mobile paintings on wooden boards, technically described as
panel paintings. Also, the tradition of wall painting in Greece goes back at least to the
Minoan and
Mycenaean Bronze Age, with the lavish fresco decoration of sites like
Knossos,
Tiryns and
Mycenae. Much of the figural or architectural sculpture of ancient Greece was painted colourfully. This aspect of Greek stonework is described as
polychrome (from
Greek πολυχρωμία,
πολύ = many and
χρώμα = colour). Due to intensive weathering, polychromy on sculpture and architecture has substantially or totally faded in most cases.
Byzantine Greece (ca. 1100) Byzantine art is the term created for the
Eastern Roman Empire from about the 5th century AD until the fall of
Constantinople in 1453. The most salient feature of this new aesthetic was its "abstract," or anti-naturalistic character. If classical art was marked by the attempt to create representations that mimicked reality as closely as possible, Byzantine art seems to have abandoned this attempt in favor of a more symbolic approach. The Byzantine painting concentrated mainly on
icons and
hagiographies.
Post-Byzantine and Modern Greece '' by
El Greco, an example of the
Cretan School The term
Cretan School describes an important school of icon painting, also known as Post-Byzantine art, which flourished while
Crete was under
Venetian rule during the late
Middle Ages, reaching its climax after the
Fall of Constantinople, becoming the central force in Greek painting during the 15th, 16th and 17th centuries. The Cretan artists developed a particular style of painting under the influence of both Eastern and Western artistic traditions and movements. The most famous product of the school,
El Greco, was the most successful of the many artists who tried to build a career in Western Europe. The
Heptanese School of painting succeeded the Cretan school as the leading school of Greek post-Byzantine painting after Crete fell to the
Ottomans in 1669. Like the Cretan school it combined Byzantine traditions with an increasing
Western European artistic influence, and also saw the first significant depiction of secular subjects. The school was based in the
Ionian islands, which were not part of Ottoman Greece, from the middle of the 17th century until the middle of the 19th century. Modern Greek painting, after the
independence and the creation of the modern Greek state, began to be developed around the time of
Romanticism and the Greek artists absorbed many elements from their European colleagues, resulting in the culmination of the distinctive style of Greek Romantic art. Notable painters of the era include
Nikolaos Gyzis,
Georgios Jakobides,
Nikiphoros Lytras,
Konstantinos Volanakis and
Theodoros Vryzakis.
Sculpture Ancient Greece '' at the
Acropolis Museum. Relics of the
polychromy are visible. Ancient Greek
monumental sculpture was composed almost entirely of
marble or
bronze; with cast bronze becoming the favoured medium for major works by the early 5th century. Both marble and bronze are fortunately easy to form and very durable.
Chryselephantine sculptures, used for temple
cult images and luxury works, used
gold, most often in
leaf form and
ivory for all or parts (faces and hands) of the figure, and probably gems and other materials, but were much less common, and only fragments have survived. By the early 19th century, the systematic excavation of ancient Greek sites had brought forth a plethora of sculptures with traces of notably multicolored surfaces. It was not until published findings by German archaeologist Vinzenz Brinkmann in the late 20th and early 21st century that the painting of ancient Greek sculptures became an established fact. Using high-intensity lamps,
ultraviolet light, specially designed cameras, plaster casts, and certain powdered minerals, Brinkmann proved that the entire
Parthenon, including the actual structure as well as the statues, had been painted.
Byzantine Greece The Byzantines inherited the
early Christian distrust of
monumental sculpture in religious art, and produced only
reliefs, of which very few survivals are anything like life-size, in sharp contrast to the medieval art of the West, where monumental sculpture revived from
Carolingian art onwards. Small ivories were also mostly in relief. The so-called "minor arts" were very important in Byzantine art and luxury items, including ivories carved in relief as formal presentation
Consular diptychs or caskets such as the
Veroli casket,
hardstone carvings, enamels, jewelry, metalwork, and
figured silks were produced in large quantities throughout the Byzantine era. Many of these were religious in nature, although a large number of objects with secular or non-representational decoration were produced: for example, ivories representing themes from classical mythology. Byzantine ceramics were relatively crude, as pottery was never used at the tables of the rich, who ate off silver.
Modern Greece , outside the
Panathenaic Stadium After the establishment of the
Greek Kingdom and the western influence of
Neoclassicism, sculpture was re-discovered by the Greek artists. Main themes included ancient Greek antiquity, the
War of Independence and important figures of Greek history. Notable sculptors of the new state were
Leonidas Drosis (his major work was the extensive neo-classical architectural ornament at the
Academy of Athens,
Lazaros Sochos,
Georgios Vitalis,
Dimitrios Filippotis,
Ioannis Kossos,
Yannoulis Chalepas,
Georgios Bonanos and
Lazaros Fytalis.
Theatre Ancient Greece continues to be used for staging ancient Greek plays. Theatre was born in
Greece. The
city-state of
Classical Athens, which became a significant cultural, political, and military power during this period, was its centre, where it was
institutionalised as part of a
festival called the
Dionysia, which honoured the god
Dionysus.
Tragedy (late 6th century BC),
comedy (486 BC), and the
satyr play were the three
dramatic
genres to emerge there. Athens exported the festival to its numerous colonies and allies in order to promote a common
cultural identity. The word τραγῳδία (
tragoidia), from which the word "
tragedy" is derived, is a
compound of two
Greek words: τράγος (
tragos) or "goat" and ᾠδή (
ode) meaning "song", from ἀείδειν (
aeidein), "to sing". This etymology indicates a link with the practices of the ancient
Dionysian cults. It is impossible, however, to know with certainty how these
fertility rituals became the basis for tragedy and
comedy.
Middle Ages During the Byzantine period, the theatrical art was heavily declined. According to Marios Ploritis, the only form survived was the folk theatre (
Mimos and
Pantomimos), despite the hostility of the official state. Later, during the Ottoman period, the main theatrical folk art was the
Karagiozis. The renaissance which led to the modern Greek theatre, took place in the
Venetian Crete. Significant dramatists include
Vitsentzos Kornaros and
Georgios Chortatzis.
Modern Greece , designed by
Ernst Ziller The modern Greek theatre was born after the
Greek independence, in the early 19th century, and initially was influenced by the Heptanesean theatre and melodrama, such as the Italian opera. The
Nobile Teatro di San Giacomo di Corfù was the first theatre and
opera house of modern Greece and the place where the first Greek opera,
Spyridon Xyndas'
The Parliamentary Candidate (based on an exclusively Greek
libretto) was performed. During the late 19th and early 20th century, the Athenian theatre scene was dominated by
revues,
musical comedies,
operettas and
nocturnes and notable playwrights included
Spyridon Samaras,
Dionysios Lavrangas,
Theophrastos Sakellaridis and others. The
National Theatre of Greece was founded in 1880. Notable playwrights of the modern Greek theatre include
Alexandros Rizos Rangavis,
Gregorios Xenopoulos,
Nikos Kazantzakis,
Angelos Terzakis,
Pantelis Horn,
Alekos Sakellarios and
Iakovos Kambanelis, while notable actors include
Cybele Andrianou,
Marika Kotopouli,
Aimilios Veakis,
Orestis Makris,
Katina Paxinou,
Manos Katrakis and
Dimitris Horn. Significant directors include
Dimitris Rontiris,
Alexis Minotis and
Karolos Koun. == Cuisine ==