Human Nature (Madonna song)

In 1992, Madonna released her fifth studio album Erotica, the coffee table book Sex, and starred in the erotic thriller Body of Evidence. Due to their sexually explicit nature, all three projects were negatively received by critics and fans alike, who called Madonna a sexual renegade, felt she had "gone too far", and that her career was over. In March 1994, Madonna appeared on CBS's Late Show with David Letterman. The appearance was noted for an extremely controversial series of statements and antics by the singer, which included many expletives. In particular, she said the word fuck fourteen times throughout the interview. This made the episode the most censored in American network television talk-show history while at the same time garnering host David Letterman some of the highest ratings he ever received. According to Billboards Joe Lynch, "for the first time in a decade of superstardom, people weren't shocked by her antics anymore — even worse, they often seemed exhausted by her". Madonna came to the conclusion that she needed to "soften" her image in order to reconnect with her audience. For her sixth studio album Bedtime Stories, Madonna decided to venture in the R&B and hip hop mania that was dominating the charts in the early-to-mid 1990s. The project saw Madonna working with high-profile producers such as Babyface, Dallas Austin, Dave Hall, and Nellee Hooper. The album was marketed as an apology; promotional spots aired on television proclaimed that it would be devoid of sexual references, with the singer adding that, "it's a whole new me! I'm going to be a good girl, I swear". Alongside Hall, she wrote an answer song to the backlash she had endured the past two years for "daring to deal with subjects that are taboo". Nonetheless, she also added that it was about "closing the book on the last 2 years of [my] life". == Recording and composition ==

Bedtime Stories was recorded at nine different studios: Axis, The Hit Factory, and Soundworks Studios in New York City; Los Angeles Chappel Studios; the DARP Studios and Tea Room in Atlanta; The Enterprise in Burbank; Hollywood's Music Grinder, and the Wild Bunch Studios in London. From The New York Times, Jon Pareles pointed out that "Human Nature" is the only song from Bedtime Stories that lacks its "melancholy nature", and does not employ a pentatonic melody. Deemed an "unintentional sequel" to "Express Yourself" (1989), its lyrics explicitly address the "media firestorm" Madonna faced with Erotica, Sex, and Body of Evidence. In the first verse, she sings in a thin, nasal voice "dripping with sarcasm", the lines "You wouldn't let me say the words I longed to say/you didn't want to see life through my eyes/You tried to shove me back inside your narrow room/and silence me with bitterness and lies". At one point, she directly nods to Erotica and Sex by asking, "Did I say something wrong?/Oops, I didn't know I couldn't talk about sex". In the refrain, Madonna stands unapologetic, and brushes off the "prudes" who faulted her for fixating on sex, pointing out that being interested in said subject—considered "taboo"—is simply human nature; "And I'm not sorry/it's human nature/I'm not your bitch, don't hang your shit on me", she sings. She also asks "Would it sound better if I were a man?", implying that if she were, she would not have been as criticized. Also present throughout the song are the sounds of slamming doors. == Release and remixes ==

In Australia, New Zealand, and most European countries, "Human Nature" was released as the fourth and final single from Bedtime Stories on May 5, 1995. Most of them were produced by American DJ Danny Tenaglia, who took the "face crackin' hip-hop jam" of the original and turned it into a "defiant house anthem", as noted by Billboards Larry Flick. The first mix, known as "Dance-Radio edit" was noted as being "more hip-hop than house" by Jose F. Promis from AllMusic. The Howie Tee remix, was also featured on Madonna's companion extended play Bedtime Stories: The Untold Chapter. == Critical reception ==

"Human Nature" received generally positive reviews upon release. From Billboard magazine, Larry Flick called it a "wickedly catchy jeep/pop jam in which La M unapologetically snaps at her more close-minded critics", and highlighted her "playfully snide and aggressive" vocals. Sal Cinquemani from Slant Magazine opined that, "whether licking her wounds over lovers or critics, Madonna has never sounded more emotionally vulnerable or more cerebrally plugged in than she does here". Similarly, author Mark Bego felt that on the song, "[Madonna] displays a fleeting touch of vulnerability". From The Baltimore Sun, J.D. Considine said that "Human Nature" and album track "Survival" were, "the closest thing you'll find [in Bedtime Stories] to career commentary". For Rolling Stone, Barbara O'Dair referred to "Human Nature" as an "infectiously funky [...] drive-by on her critics, complete with a keening synth line straight outta Dre". Lucy O'Brien, author of Madonna: Like an Icon, deemed "Human Nature" one of the "quirkiest" tracks on Bedtime Stories, "throbbing with a tightly restrained but devastating anger". Chris Wade opined that the song "lifted the sadness" emanated from the first few tracks from the album: "[T]here's a great beat to this, a brilliant vocal where Madonna answers herself with whispers and an unforgettable chorus". While Melissa Ruggieri from USA Today compared it to the work of TLC, Pitchforks Owen Pallett wrote that, "with its anti-slut-shaming slogan", "Human Nature" is one of Madonna's "most effective grooves" and one of her best songs. Mark Sutherland from NME declared it a "self-reverential 'steamy' Prince-esque romp". Barry Walters for the San Francisco Examiner, said that "Human Nature" has the catchiest chorus among all the other album tracks. Despite singling out its "clever" samples and interpolations, Quentin Harrison from website Albumism opined that the "petulant" "Human Nature" interrupts Bedtime Stories "demure [and] introspective" tone, and "would have been better served up as a B-side". Writing for The Boston Globe, Steve Morse wasn't impressed with the track: "'Express yourself, don't repress yourself', she purrs in the whispery 'Human Nature', but that's hardly a new thought for [Madonna]. She seems lost at this point". Entertainment Weeklys Jim Farber felt Madonna came across as "petty [...] self-righteous and smug [in 'Human Nature']". Rikky Rooksby, author of The Complete Guide to the Music of Madonna, gave an unfavorable review: "Musically, ['Human Nature'] wears out its welcome [...] [It's] a very bitter, put-down song". Matthew Jacobs from HuffPost placed the song at number 7 of his ranking of Madonna's singles, calling it an "R&B blitz that remains one of [her] most original songs". On Gay Star News ranking, the single came in at number 15; Joe Morgan called it the "ultimate middle finger to her critics". Jude Rogers, from The Guardian also named it Madonna's 15th greatest, and her "best excursion into the sounds of hip-hop and R&B". Nayer Missim from PinkNews considered "Human Nature" Madonna's 26th greatest song, and Entertainment Weeklys Chuck Arnold her 24th; the former said that, "sounding like Britney before Britney, Madonna gives her critics a deserved thrashing", while the latter deeemed it a "defiant declaration". In Parades ranking, where it came in at number 13, Samuel R. Murrian classiffied "Human Nature" as a "mesmerizing, funny and angry R&B earworm". Writing for The A.V. Club, Stephen Thomas Erlewine placed the track in the 36th position of the publication's ranking of Madonna's singles: "The opposite of an apology [...] Madonna rarely unleashed vitriol on record, which makes the nastiness of 'Human Nature' unusually thrilling". Joe Lynch saw the song as a precursor to Madonna's 2015 song "Unapologetic Bitch", and one that, "holds up as one of [her] finest '90s singles". Idolators Mike Wass referred to the song as a "razor-sharp feminist manifesto", and one of the most "autobiographical in the living legend's holy discography". For The Couch Sessions, "Human Nature" is a "dark, brooding masterpiece". == Chart performance ==

In the United States, "Human Nature" debuted on the Billboard Hot 100 at number 57, in the issue dated June 24, 1995, with 7,400 units sold. Twenty one days later, it peaked at number 46, spending a total of 15 weeks on the chart overall. From Billboard, Fred Bronson attributed the song's weak performance to it not being "radio-friendly". "Human Nature" found success on the Dance Club Play chart, where it reached the second spot. In Canada, the single debuted in the 90th position of RPMs 100 Hit Tracks chart on the week of July 10, 1995; one month later, it reached its peak at number 64. The single spent three weeks at number 17 on Australia's ARIA Singles Chart. "Human Nature" performed poorly in Germany, where it reached number 50. == Music video ==

Background and description , who did S&M-inspired drawings, him and Madonna decided to have the video focus on the "fun" aspect of the erotic subject; "S&M is a game, you know? It's dark, it looks dark, but I think people have fun", recalled the director. Jamie King was appointed choreographer, with Luca Tommassini serving as his assistant. Madonna wanted it to be more "dance-oriented" than the previous Bedtime Stories videos, something Mondino disagreed with; he's not be fond of clips where "[there's] five different cameras shooting a performance [...] too much editing. I like the steadiness because then you can really enjoy the movement of the body". In the video, Madonna dons a black latex catsuit, and bikini with stiletto boots. Her hair, which appears dark, was actually blonde at the time; she had leather strips painstakingly braided into her hair to blend with her dark roots. In some scenes, she is also shown wearing an afro hairpiece. The staff of Rolling Stone gave a description of the video: "Dressed in bondage gear, Madonna laughs, makes funny faces and disciplines her Chihuahua with a riding crop in a video that's kind of like 50 Shades of Busby Berkeley". In another scene, she uses a riding crop to whip, tickle, and laugh at a woman who's tied by her hands to a bar above her head, and at her ankles. Reception and analysis The music video received positive reviews from critics. Author Matthew Rettenmund deemed it among Madonna's best, "equal parts funny and sexy", and the one that "sum[s] up [her] Madonna-ness". Louis Virtel from The Backlot placed it at number 22 of his ranking of the singer's videos; "it's rare that Madonna gets a chance to be both harsh and hilarious in a music video, and in this tongue-in-cheek, pleather-heavy vid [...] she's a vision of coolness and sexual superiority". While Matthew Jacobs called it "iconic in its own right", Sal Cinquemani considered it Madonna's ninth best, naming it "about as subtle as a slamming door", and adding that, "['Human Nature'] feels like a Party City send-up of her Sex persona, with costumes that are decidedly latex rather than cold leather". For Samuel R. Murrian, it is one of Madonna's "most memorable" videos, an opinion that was shared by Mike Nied from Idolator, who praised the choreography and named it Madonna's 15th best. Julien Sauvalle from Out magazine considered "Human Nature" to be one of Madonna's "most stylish" music videos. The latex look from the video was named one of the singer's most "unforgettable" by People magazine. A negative review came from The Advocate, where Jeremy Kinser deemed the video "silly" and chastised Madonna for "dressing up like a dominatrix again". According to Mary Gabriel, in her book Madonna: A Rebel Life, the video shows the singer "at her most powerful. She has risen above sexuality. She now possesses and exhibits pure strength. It is the Madonna of Blond Ambition made razor-sharp by anger". Gabriel further compared the scenes in which the singer and dancers dance inside the boxes to comic strips; "just like 'Bedtime Story is a moving painting, ['Human Nature'] is a moving illustration", the author concluded. == Live performances ==

(2012) generated controversy, as it had Madonna doing a striptease. Madonna has performed "Human Nature" on five of her concert tours: Drowned World (2001), Sticky & Sweet (2008―2009), MDNA (2012), Madame X (2019―2020), and Celebration (2023―2024). On the first one, it was given a cowgirl theme: The singer donned an American flag tank top, rhinestones, cowboy hat, and bell-bottom leather chaps. On the tour's stop at Los Angeles' Dodger Stadium, on November 6, 2008, Spears herself joined Madonna for the performance. Reviewing the Vancouver show, The Provinces Stuart Derdeyn panned Madonna's vocals during the "brutal" number. The performance was included on the Sticky & Sweet Tour live album release (2010), recorded during the four concerts in Buenos Aires, Argentina. of "Human Nature" and "Crazy for You" during one of the concerts of the Celebration Tour (2023―2024) For the song's performance on the MDNA Tour, the stage was set up as a hall of mirrors. Madonna sang as she stripped down to her lingerie. While performing the song in Turkey, she briefly pulled down her bra and briefly flashed her nipple; in Rome, she mooned the audience. Writing for India Today, Deepti Jakhar felt Madonna came across "a bit desperate to regain her controversial stage presence", and compared the antic to Janet Jackson's 2004 Super Bowl incident. By contrast, BuzzFeed's Amy Odell defended the singer; "apparently now when that inevitable thing called aging happens, [women] have to worry about covering up enough so that we don't look 'desperate' [...] Heavens! Women who are 53 still have breasts and... sex drives!", Odell wrote. The performances of the song at the November 19–20 shows in Miami were recorded and released in Madonna's fourth live album, MDNA World Tour (2013). In April 2015, halfway through rapper Drake's set at the Coachella Festival, Madonna appeared onstage singing a medley of "Human Nature" and "Hung Up" (2005), wearing a t-shirt that read "BIG AS MADONNA". She then went on to "aggressively" kiss the rapper, whose shocked reaction became viral on the internet. Two years later, Madonna sang "Human Nature" at the Women's March on Washington, with added explicit lyrics aimed at Donald Trump. A jazz rendition was then done on the Madame X Tour. The performance saw the singer writhing "like a gymnastic clock inside a circular wall inset" surrounded by video imagery of pointing fingers, before doing a bongo solo. The number ended with Madonna surrounded by 11 black women —including her daughters, Stella, Estere and Mercy James— chanting, "I'm not your bitch!". The song was included on both the film that chronicled the tour and its accompanying live album. "Human Nature" was mashed up with "Crazy for You" (1985) on the Celebration Tour. Madonna sings "Human Nature" after being arrested by dancers dressed as cops. She's then "rescued" by her "younger self" —a dancer in the latex catsuit and braids from the music video— and begins to sing "Crazy for You" as a "touching recognition of her bravery", as noted by PopMatters Chris Rutherford. The number was criticized by Mikael Wood, writing for Los Angeles Times, who found it confusing. == Impact ==

" (2010) by Christina Aguilera (picture). The song's unapologetic feminist theme has influenced and can be seen in the work of contemporary artists, such as Christina Aguilera's "Can't Hold Us Down" (2003), Britney Spears' "Piece of Me" (2007), Beyoncé's "Flawless" (2013), and Demi Lovato's "Sorry Not Sorry" (2017). In 2023, Sam Smith included a cover of "Human Nature" on their Gloria Tour. The performance —praised by Madonna herself— sees Smith wearing glittering briefs, fishnets and nipple tassels. According to the staff of Indian magazine Verve, the "Human Nature" video inspired the dance sequence of the song "Kambaqt Ishq", from the 2001 Bollywood film Pyaar Tune Kya Kiya. Both Montgomery and Mike Wass felt that certain scenes of Rihanna's "S&M" (2011) recalled "Human Nature". On this note, Lynch wrote: Crafted as a challenge to those who thought she went too far by releasing an entire book devoted to erotic photos, and those are the people who don't want to discuss sexuality — they just want to chastise you for talking about it [...] ["Human Nature"] came at a time when the idea of an unapologetic woman was far too threatening for most — not just radio programmers and parents, but even many of her fans. To a Puritan, the only thing worse than a woman wearing a scarlet A is a woman proudly wearing a scarlet A. == Track listings and formats ==

• UK cassette single • "Human Nature" (radio edit) – 4:09 • "Human Nature" (Chorus Door Slam with Nine Sample) – 4:48 • UK and Germany CD maxi single • "Human Nature" (radio edit) – 4:09 • "Human Nature" (Human club mix) – 9:05 • "Human Nature" (The Runway club mix) – 8:19 • "Human Nature" (Master With Nine Sample) – 4:48 • "Human Nature" (I'm Not Your Bitch mix) – 8:11 • US, Canadian, and Australian CD maxi-single; digital single (2020) • "Human Nature" (radio edit) – 4:09 • "Human Nature" (Runway club mix radio edit) – 3:58 • "Human Nature" (Runway club mix) – 8:18 • "Human Nature" (I'm Not Your Bitch mix) – 8:10 • "Human Nature" (Howie Tee remix) – 4:47 • "Human Nature" (Howie Tee clean remix) – 4:46 • "Human Nature" (radio version) – 4:30 • "Human Nature" (Bottom Heavy dub) – 8:08 • "Human Nature" (Love Is the Nature mix) – 6:41 • US CD and 7-inch single • "Human Nature" (radio version) – 4:30 • "Sanctuary"  – 5:03 • Germany CD single • "Human Nature"  – 4:54 • "Bedtime Story" (Junior's Sound Factory mix) – 9:15 • "Bedtime Story" (Orbital mix) – 7:41 • US 12-inch maxi single' • "Human Nature" (Runway club mix) – 8:18 • "Human Nature" (I'm Not Your Bitch mix) – 8:10 • "Human Nature" (Runway club mix radio edit) – 3:58 • "Human Nature" (Bottom Heavy dub) – 8:08 • "Human Nature" (Howie Tee remix) – 4:47 • "Human Nature" (Howie Tee clean remix) – 4:46 • "Human Nature" (radio edit) – 4:07 • German 12-inch single • "Human Nature"  – 4:54 • "Bedtime Story" (Junior's Sound Factory mix) – 9:15 • "Bedtime Story" (Junior's Wet Dream mix) – 8:33 • Japanese mini CD • "Human Nature" (radio edit) – 4:09 • "La Isla Bonita"  – 4:02 == Credits and personnel ==

Credits and personnel are adapted from the Bedtime Stories album liner notes. • Madonna – lead vocals, songwriter, producer • Dave Hall – songwriter, producer • Shawn McKenzie – songwriter • Kevin McKenzie – songwriter • Milo Deering – songwriter • Frederick Jorio – mixing • P. Dennis Mitchell – mixing • Robert Kiss – assistant engineer • Joey Moskowitz – programming • Paolo Roversi – cover art, photographer, designer • Michael Penn – designer == Charts ==

Weekly charts Year-end charts == Release history ==