Early work and breakthrough (1983–1994) In 1983, 16-year-old Kidman made her film debut in a remake of the Australian holiday classic
Bush Christmas. She began gaining recognition during this decade after appearing in several Australian films, such as the action comedy
BMX Bandits (1983) and the romantic comedy
Windrider (1986). Throughout the rest of the 1980s, she appeared in various Australian television programs, including the 1987 miniseries
Vietnam, for which she won her first
Australian Film Institute Award. Kidman next appeared in the Australian film
Emerald City (1988), based on the
play of the same name, which earned her a second Australian Film Institute Award. She then starred alongside
Sam Neill in the 1989 thriller
Dead Calm as Rae Ingram, the wife of a naval officer who is menaced by a castaway at sea, played by
Billy Zane. The film proved to be her
breakthrough role, one of the first films for which she gained international recognition. Regarding her performance,
Variety commented how "throughout the film, Kidman is excellent. She gives the character of Rae real tenacity and energy." Meanwhile, critic
Roger Ebert noted the excellent chemistry between the leads, stating, "Kidman and Zane do generate real, palpable hatred in their scenes together." She followed that up with the Australian miniseries
Bangkok Hilton before moving on to star alongside her then-boyfriend and future husband,
Tom Cruise, in the 1990 sports action film
Days of Thunder, as a young doctor who falls in love with a
NASCAR driver. It was considered her international breakout film and was among the year's highest-grossing films. In 1991, Kidman co-starred alongside
Thandiwe Newton and former classmate Naomi Watts in the Australian independent film
Flirting. They portrayed high school girls in this
coming of age story, which won the
Australian Film Institute Award for Best Film. That same year, her work in the film
Billy Bathgate earned Kidman her first
Golden Globe Award nomination, for
Best Supporting Actress.
The New York Times, in its film review, called her "a beauty with, it seems, a sense of humor". The following year, she and Cruise re-teamed for
Ron Howard's Irish epic
Far and Away (1992), which was a modest critical and commercial success. In 1993, she starred in the thriller
Malice, opposite
Alec Baldwin, and the drama
My Life, opposite
Michael Keaton.
Critical acclaim and worldwide recognition (1995–2003) In 1995, Kidman played
Dr. Chase Meridian, the
damsel in distress, in the superhero film
Batman Forever, opposite
Val Kilmer as the film's
title character. That same year, she starred in
Gus Van Sant's critically acclaimed dark comedy
To Die For, in which she played the murderous newscaster Suzanne Stone. Regarding her performance,
Mick LaSalle of the
San Francisco Chronicle said "[she] brings to the role layers of meaning, intention and impulse. Telling her story in close-up – as she does throughout the film – Kidman lets you see the calculation, the wheels turning, the transparent efforts to charm that succeed in charming all the same." For her performance in the film, she received the
Golden Globe Award for Best Actress in a Motion Picture - Musical or Comedy. In the following years, she appeared alongside
Barbara Hershey and
John Malkovich in
The Portrait of a Lady (1996), based on the
novel of the same name, and starred in
The Peacemaker (1997) as nuclear expert Dr. Julia Kelly, opposite
George Clooney. The latter film grossed $110 million worldwide. In 1998, she starred alongside
Sandra Bullock in the romantic comedy
Practical Magic as two witch sisters who face a threatening curse that prevents them from finding lasting love. While the film opened at the top of the charts during its North American opening weekend, it was a commercial failure at the box office. She returned to the stage that same year for the
David Hare play
The Blue Room, which opened in London. For her performance, she received a
Laurence Olivier Award nomination for Best Actress. '' at the
2001 Cannes Film Festival In 1999, Kidman reunited with then-husband Tom to portray a couple on a sexual odyssey in their third film together and the final film of director
Stanley Kubrick. It was subject to censorship controversies due to the explicit nature of its sex scenes. After a brief hiatus and a highly publicized divorce from Cruise, Kidman returned to the screen to play a
mail-order bride in the British-American drama
Birthday Girl. In 2001, she took on the role of
cabaret actress and
courtesan Satine in
Baz Luhrmann's musical
Moulin Rouge!, opposite. Her performance and her singing received positive reviews; Paul Clinton of
CNN called it her best work since
To Die For, and wrote "[she] is smoldering and stunning as Satine. She moves with total confidence throughout the film ... Kidman seems to specialize in 'ice queen' characters, but with Satine, she allows herself to thaw, just a bit." She subsequently received her second Golden Globe Award for
Best Actress – Motion Picture Comedy or Musical, among several other awards and nominations, including her first nomination for the
Academy Award for Best Actress. Also in 2001, Kidman starred in
Alejandro Amenábar's psychological horror film
The Others (2001) as Grace Stewart, a mother living in the
Channel Islands during World War II who suspects her house is haunted. Grossing over $210 million worldwide, her performance earned her several award nominations, including for her second
BAFTA and fifth
Golden Globe.
Roger Ebert commented that "Alejandro Amenábar has the patience to create a languorous, dreamy atmosphere, and Nicole Kidman succeeds in convincing us that she is a normal person in a disturbing situation, and not just a standard-issue horror movie hysteric."
A. O. Scott of
The New York Times highlighted Kidman's performance, writing that she "embodies this unstable amalgam with a conviction that is in itself terrifying. The icy reserve that sometimes stands in the way of her expressive gifts here becomes the foundation of her most emotionally layered performance to date." The following year, Kidman garnered critical acclaim for her portrayal of
Virginia Woolf in
Stephen Daldry's
The Hours, co-starring alongside
Meryl Streep and
Julianne Moore. Kidman wore prosthetics, which were applied to her nose, to portray the author during the 1920s in England, making her look almost unrecognizable. The film was a critical success, earning several awards and nominations, including a nomination for the
Academy Award for Best Picture.
The New York Times wrote that "Ms. Kidman, in a performance of astounding bravery, evokes the savage inner war waged by a brilliant mind against a system of faulty wiring that transmits a searing, crazy static into her brain." She won numerous critic and industry awards for her performance, including her first, third
Golden Globe Award, and the
Academy Award for Best Actress, becoming the first Australian to win the award. That same year, she was named the World's Most Beautiful Person by
People magazine. '' at the
2003 Cannes Film Festival Following her Oscar win, Kidman appeared in three distinctly different films in 2003. The first of those, a leading role in director
Lars von Trier's
Dogville, was an
experimental film set on a bare
soundstage. Though the film divided critics in the United States, Kidman earned praise for her performance.
Peter Travers of
Rolling Stone stated, "Kidman gives the most emotionally bruising performance of her career in
Dogville, a movie that never met a cliche it didn't stomp on." The second film was an adaptation of
Philip Roth's novel
The Human Stain, opposite
Anthony Hopkins. Her third film that year was
Anthony Minghella's war drama
Cold Mountain, where she starred opposite
Jude Law and
Renée Zellweger, playing
Southerner Ada Monroe, a woman who falls in love with Law's character during the
American Civil War. Regarding her performance,
Time magazine wrote, "Kidman takes strength from Ada's plight and grows steadily, literally luminous. Her sculptural pallor gives way to warm radiance in the firelight." The film garnered several awards and nominations, most notably for the performances of the cast, with Kidman receiving her sixth
Golden Globe nomination.
Established actress (2004–2009) In 2004, Kidman starred in the drama film
Birth, which sparked controversy over a scene in which she shares a bath with her co-star
Cameron Bright, then aged ten. During a press conference at the
61st Venice International Film Festival, she addressed the controversy, saying, "It wasn't that I wanted to make a film where I kiss a 10-year-old boy. I wanted to make a film where you understand love." For her performance, she received her seventh Golden Globe nomination. That same year, she starred alongside
Matthew Broderick,
Bette Midler,
Christopher Walken and
Glenn Close in the
black comedy science-fiction film
The Stepford Wives, a remake of the
1975 film of the same name, directed by
Frank Oz. The following year, she starred opposite
Sean Penn in the
Sydney Pollack thriller
The Interpreter, playing UN translator Silvia Broome, and starred alongside
Will Ferrell in the romantic comedy
Bewitched, based on the
1960s TV sitcom of the same name. While neither film performed well in the United States, both were international successes., she and Ferrell won the
Razzie Award for Worst Screen Couple. In conjunction with her success within the film industry, Kidman became the face of the
Chanel No. 5 perfume brand. She starred in a television and print ads campaign with
Rodrigo Santoro, directed by
Moulin Rouge! director Baz Luhrmann, to promote the fragrance during the holiday seasons of 2004, 2005, 2006, and 2008.
No. 5 the Film, a three-minute commercial produced for Chanel No. 5, made Kidman the record holder for the most money paid per minute to an actor after she reportedly earned $12 million for the three-minute advert. During this time, she was also featured as the 45th Most Powerful Celebrity on
Forbes 2005 Celebrity 100 List. She reportedly earned $14.5 million between 2004 and 2005. On
People magazine's list of 2005's highest-paid actresses, Kidman came in second behind
Julia Roberts, with a $16–17 million per-film price tag. In 2006, Kidman portrayed photographer
Diane Arbus in the biographical film
Fur, opposite
Robert Downey Jr., and lent her voice to the animated film
Happy Feet, which grossed over $384 million worldwide, becoming her highest-grossing film at the time. The following year, she starred in the science-fiction film
The Invasion, a remake of the 1956
Invasion of the Body Snatchers, directed by
Oliver Hirschbiegel, and starred opposite
Jennifer Jason Leigh and
Jack Black in
Noah Baumbach's comedy-drama
Margot at the Wedding, which earned her a
Satellite Award nomination for Best Actress – Musical or Comedy. Also in 2007, she starred as the main antagonist
Marisa Coulter in the fantasy-adventure film
The Golden Compass, which grossed over $370 million worldwide, also becoming one of her highest-grossing films to date. The following year, Kidman reunited with
Moulin Rouge! director Baz Luhrmann for the Australian period film
Australia (2008), set in the remote
Northern Territory during the
Japanese attack on Darwin during World War II. Starring opposite
Hugh Jackman, she played an Englishwoman feeling overwhelmed by the continent. Though the film received mixed reviews from critics, it turned out to be a box office success, grossing over $211 million worldwide against a budget of $130 million. In 2009, she appeared in the
Rob Marshall musical
Nine, portraying the
muse Claudia Jenssen, alongside an
ensemble cast consisting of
Daniel Day-Lewis,
Marion Cotillard,
Penélope Cruz,
Judi Dench,
Fergie,
Kate Hudson and
Sophia Loren. Kidman, whose screen time was brief in comparison to the other actresses, performed the musical number "Unusual Way" alongside Day-Lewis. The film received several Golden Globe Award and Academy Award nominations, with Kidman earning her fourth
Screen Actors Guild Award nomination, as part of the
Outstanding Performance by a Cast in a Motion Picture award.
Biographical and independent films (2010–2016) in Sydney, Australia|35x35px Kidman began the 2010s by producing and starring in the
film adaptation of the
Pulitzer Prize-winning play
Rabbit Hole, alongside
Aaron Eckhart. Her performance as a grieving mother coping with the death of her son earned her critical acclaim, and she received
Academy Award,
Golden Globe Award and
Screen Actors Guild Award nominations. The following year, she appeared with
Adam Sandler and
Jennifer Aniston in
Dennis Dugan's romantic comedy
Just Go with It, as a
trophy wife, and subsequently starred alongside
Nicolas Cage in director
Joel Schumacher's action-thriller
Trespass, with the stars playing a married couple taken hostage. In 2012, Kidman starred alongside
Clive Owen in the
HBO film
Hemingway & Gellhorn, which depicted the relationship between journalist couple
Ernest Hemingway and
Martha Gellhorn. For her performance as Gellhorn, she received her first
Primetime Emmy Award nomination. That same year, she portrayed death row groupie Charlotte Bless in
Lee Daniels' adaptation of the
Pete Dexter novel,
The Paperboy (2012). The film competed at the
2012 Cannes Film Festival and Kidman's performance garnered her
Screen Actors Guild Award and
Saturn Award nominations, in addition to her tenth-overall
Golden Globe nomination. Also in 2012, her audiobook recording of Virginia Woolf's
To the Lighthouse was released through
Audible. The following year she starred as an unstable mother in
Park Chan-wook's
Stoker, which was released to positive reception and a
Saturn Award nomination. In April 2013, she was selected as a member of the main competition jury at the
2013 Cannes Film Festival. In 2014, Kidman starred as the
titular character in the biographical film , which chronicles the 1964 crisis in which
Charles de Gaulle blockaded the tiny principality, angered by Monaco's status as a tax haven for wealthy French subjects and Kelly's contemplative Hollywood return to star in
Marnie. Opening out of competition at the
2014 Cannes Film Festival, the film received largely negative reviews. She also starred in two films with
Colin Firth that year, the first being the British-Australian historical drama
The Railway Man, in which she played an officer's wife. Katherine Monk of the
Montreal Gazette said of Kidman's performance, "It's a truly masterful piece of acting that transcends Teplitzky's store-bought framing, but it's Kidman who delivers the biggest surprise: For the first time since her eyebrows turned into solid marble arches, the Australian Oscar winner is truly terrific". Her second film with Firth was the British thriller film
Before I Go to Sleep, portraying a car crash survivor with brain damage. Also in 2014, she appeared in the live-action animated comedy film
Paddington as the film's main antagonist. '' at the
2016 Toronto International Film Festival|36x36px In 2015, Kidman starred in the drama
Strangerland, which opened at the
2015 Sundance Film Festival, and the
Jason Bateman-directed
The Family Fang, produced by Kidman's production company,
Blossom Films, which premiered at the
2015 Toronto International Film Festival. In her other 2015 film release, the biographical drama
Queen of the Desert, she portrayed writer, traveller, political officer, administrator and archaeologist
Gertrude Bell. That same year, she played a
district attorney, opposite
Julia Roberts and
Chiwetel Ejiofor, in the film
Secret in Their Eyes, a remake of the
2009 Argentine film of the same name, both based on the novel
La pregunta de sus ojos by author
Eduardo Sacheri. After more than 15 years, she returned to the
West End in the UK premiere of
Photograph 51 at the
Noël Coward Theatre. She starred as British scientist
Rosalind Franklin, working for the discovery of the structure of DNA, in the
Michael Grandage-directed production from September 5 to November 21, 2015. The production was met with considerable praise from critics, particularly for Kidman, and her return to the West End was hailed a success. She received positive reviews for her performance, in addition to her first nomination for the
Academy Award for Best Supporting Actress (her fourth nomination overall), her eleventh
Golden Globe nomination, among several others.
Richard Roeper of the
Chicago Sun-Times thought that "Kidman gives a powerful and moving performance as Saroo's adoptive mother, who loves her son with every molecule of her being, but comes to understand his quest. It's as good as anything she's done in the last decade." Budgeted at $12 million,
Lion earned over $140 million globally. She also gave a voice-over performance for the English version of the animated film
The Guardian Brothers.
Television expansion and continued acclaim (2017–200) In 2017, Kidman returned to television for
Big Little Lies, a drama series based on
Liane Moriarty's
novel of the same name, which premiered on HBO. She also served as executive producer alongside her co-star,
Reese Witherspoon, and the show's director,
Jean-Marc Vallée. She played Celeste Wright, a former lawyer and housewife, who conceals an abusive relationship with her husband, played by
Alexander Skarsgård. Matthew Jacobs of
The Huffington Post considered that she "delivered a career-defining performance", while Ann Hornaday of
The Washington Post wrote that "Kidman belongs in the pantheon of great actresses". Kidman next played Martha Farnsworth, the headmistress of an all-girls school during the
American Civil War, in
Sofia Coppola's drama
The Beguiled, a remake of the
1971 film of the same name, which premiered at the
2017 Cannes Film Festival, competing for the
Palme d'Or. Both films were adaptations of a novel by
Thomas P. Cullinan. The film was an arthouse success, and Katie Walsh of the
Tribune News Service found Kidman "particularly, unsurprisingly excellent in her performance as the steely Miss Martha. She is controlled and in control, unflappable. Her genteel manners and femininity co-exist easily with her toughness." Kidman had two other films premiere at the festival: the science-fiction romantic comedy
How to Talk to Girls at Parties, reuniting her with director
John Cameron Mitchell, and the
psychological thriller The Killing of a Sacred Deer, directed by
Yorgos Lanthimos, which also competed for the Palme d'Or. In 2018, Kidman starred in two dramas,
Destroyer and
Boy Erased. In the former, she played a detective troubled by a case for two decades. Peter Debruge of
Variety and Brooke Marine of
W both found her "unrecognizable" in the role and Debruge added that "she disappears into an entirely new skin, rearranging her insides to fit the character's tough hide", whereas Marine highlighted Kidman's method acting. The latter film is based on Garrard Conley's
Boy Erased: A Memoir, and features
Russell Crowe and Kidman as socially conservative parents who send their son (played by
Lucas Hedges) to a
gay conversion program.
Richard Lawson of
Vanity Fair credited all three performers for "elevating the fairly standard-issue material to poignant highs". That same year, Kidman took on the role of
Queen Atlanna, the mother of the
title character, in the
DC Extended Universe superhero film
Aquaman, which grossed over $1.1 billion worldwide, becoming her highest-grossing film to date. Also in 2018, she was interviewed for a
BAFTA event
A Life in Pictures, where she reflected on her extensive film career.
Forbes ranked her as the fourth highest-paid actress in the world in 2019, with an annual income of $34 million. Kidman kicked off 2019 by reprising her role in the second season of the hit series
Big Little Lies, which premiered in June. The second season not only drew a larger audience than the first but also became the most-watched night of viewing for an HBO original series that year. In September 2019, she took on the supporting part of a rich socialite in
John Crowley's drama
The Goldfinch, an adaptation of the
novel of the same name by
Donna Tartt, starring
Ansel Elgort. Although it was poorly received,
Gleiberman commended Kidman for playing her part with "elegant affection". She next co-starred alongside
Charlize Theron and
Margot Robbie in the drama
Bombshell, a film depicting the scandal concerning the sexual harassment accusations against former
Fox News CEO
Roger Ailes, in which she portrayed journalist
Gretchen Carlson.
Manohla Dargis of
The New York Times opined that despite lesser screen time than her two co-protagonists, Kidman successfully made Carlson "ever-so-slightly ridiculous, adding a sharp sliver of comedy that underscores how self-serving and futile her rebellious gestures at the network are". For her performance, she received an additional Screen Actors Guild Award nomination for
Outstanding Performance by a Female Actor in a Supporting Role. '' (2018) Kidman started off the 2020s with her role of Grace Fraser, a successful New York therapist, in the HBO psychological thriller miniseries
The Undoing, based on the novel
You Should Have Known by
Jean Hanff Korelitz. She served as executive producer alongside the show's director,
Susanne Bier, and
David E. Kelley, who previously adapted and produced
Big Little Lies. Throughout its season, the series gained increasing momentum and broke records. HBO celebrated a historic achievement as the show became the network's first original series to increase its viewership consistently week by week. The finale marked the most-watched night on HBO since the season 2 finale of
Big Little Lies. Furthermore, the series surpassed
Big Little Lies to become HBO's most-watched show of 2020 based on audience numbers. For her performance, she received additional Golden Globe Award and Screen Actors Guild Award nominations. Her only film release of 2020 was the musical comedy
The Prom, based on the
Broadway musical of the same name, starring alongside Meryl Streep,
James Corden and
Keegan-Michael Key.
Television and independent films (2019–present) In August 2021, she starred and served as executive producer on the
Hulu drama series
Nine Perfect Strangers, based on the
novel of the same name by Liane Moriarty. Despite receiving mixed reviews, it was reported that the premiere of the show became the most-watched Hulu original on its premiere day and continued to hold that title after five days on the service. That same year, she portrayed actress-comedian
Lucille Ball alongside
Javier Bardem as Ball's husband,
Desi Arnaz, in the biographical drama
Being the Ricardos, directed by
Aaron Sorkin. Despite unfavorable reactions in response to her casting as Ball, her portrayal was met with critical acclaim. She subsequently won the
Golden Globe Award for Best Actress in a Motion Picture – Drama for her performance, in addition to receiving nominations for the
Critics' Choice Movie Award for Best Actress and the
Screen Actors Guild Award for Outstanding Performance by a Female Actor in a Leading Role, as well as her fourth Academy Award nomination for
Best Actress, her fifth Oscar nomination overall. In September 2021, Kidman starred in a commercial for
AMC Theatres entitled "
We Make Movies Better", which would play before every film in the theatres owned by the chain beginning that month and Kidman's sponsorship was later extended for another year in August 2022. The commercial and Kidman's delivery of her speech proved popular with audiences who viewed it as a way to drive moviegoers back to seeing films theatrically in the midst of the
COVID-19 pandemic. AMC's CEO
Adam Aron described
Kidman's viral ad as "iconic and revered" during a 2022 earnings call and
CNN reported that the ad "has inspired memes, homages and debate" and became a "cultural thing". in 2019 In April 2022, Kidman appeared in an episode of the anthology series
Roar, based on
Cecelia Ahern's
2018 short story collection, in addition to serving as executive producer. The miniseries attracted mixed attention due to its unconventional and controversial feminist themes. That same month, she starred alongside her
Big Little Lies co-star Alexander Skarsgård,
Anya Taylor-Joy,
Ethan Hawke and
Willem Dafoe in the historical drama
The Northman, directed by
Robert Eggers. The film was received with widespread acclaim upon its release. In 2023, Kidman began starring in the
Paramount+ television series
Special Ops: Lioness, on which she also serves as an executive producer. The miniseries received mixed attention upon release and reviewer Anita Singh of
The Telegraph criticized "the one thing that lets the show down is Nicole Kidman as a guinie boss, whose frozen face these days is a total distraction". Initially, reviewer Mike Hale, writing for
The New York Times, remarked that the show resembled many other counterterrorism thrillers, noting its visceral action and somewhat artificial setting in the first episode. However, upon further reflection, he found that the show evolved into a moody, suspenseful, and intricately crafted genre piece with compelling characters. In December 2023, Kidman reprised the role of Queen Atlanna in the sequel to the 2018 superhero film
Aquaman, titled
Aquaman and the Lost Kingdom.
Forbes ranked her as the
highest-paid actress in the world in 2024, with an annual income of $31 million. In January 2024, Kidman starred in and served as executive producer of the drama television series
Expats. Her performance garnered mixed reviews from critics. In June 2024, she reunited with her
The Paperboy co-star
Zac Efron in
Netflix's
A Family Affair. Although it received mixed reviews from critics, the film was well received by audiences. It achieved the #1 spot among Netflix originals during its first weekend and maintained a strong position at #2 on the second weekend of its release. Kidman portrayed a high-ranking CEO in the
A24 erotic thriller Babygirl written and directed by
Halina Reijn.
Robbie Collin of
The Telegraph highlighted Kidman's work as "ferociously good, convincing utterly as this formerly level-headed careerist whose deeply buried, long-denied appetites are simultaneously proving her making and downfall." For her performance, she received the
Volpi Cup for Best Actress at the
81st Venice International Film Festival. Kidman was absent from the ceremony due to the death of her mother. She was also nominated for the
Golden Globe Award for Best Actress in a Motion Picture – Drama and subsequently earned her first
National Board of Review Award for Best Actress win for her performance. In September 2024, Kidman starred in, and served as executive producer on the
Netflix series
The Perfect Couple, based on
Elin Hilderbrand's novel. The series received mixed reviews from critics, with many reviews criticizing Kidman for her constantly repeating herself. However, it became Netflix's global hit leading the charts for two consecutive weeks before dropping but still maintaining strong positions for the following weeks. In October 2024, Kidman starred in the second season of the television series
Lioness, on which she earned a
Critics' Choice Television Award for Best Supporting Actress in a Drama Series nomination and was executive producer. In November 2022, Kidman voiced Queen Ellsmere in the animated fantasy film
Spellbound. The film received mixed reviews mainly for its subject matter; however, it managed to place #3 and #2 position in Netflix's top series for the first and second week since its release. In March 2025, Kidman portrayed Nancy, a teacher in directed by Mimi Ca, and executive produced
The Last Anniversary, adapted from
Liane Moriarty's novel. Kidman is also set to star in, and serve as executive producer on, numerous projects, including an
Amazon Prime Video Scarpetta series, based on
Patricia Cornwell's
Kay Scarpetta novels, and the
Apple TV+ series ''
Margo's Got Money Troubles''. ==Reception and legacy==