1970s: Early work Close started her professional career on the stage in 1974 at age 27. Eventually, she was given a callback and hired for one season to do three plays at the
Helen Hayes Theatre, one of those plays being
Love for Love directed by
Hal Prince. She made her television debut in 1975 with a small role in the anthology series
Great Performances. In 1975, Close also appeared as
Cordelia in
King Lear at the
Milwaukee Repertory Theater. In 1976, she played
Mary I in the short-lived Broadway musical
Rex, with a score by
Richard Rodgers and
Sheldon Harnick. From September 1978 to April 1979, Glenn appeared on Broadway in
The Crucifer of Blood playing the part of Irene St. Claire, with
Paxton Whitehead and
Dwight Schultz. In 1979, she filmed the television movies
Orphan Train and
Too Far to Go. The latter film included
Blythe Danner and
Michael Moriarty in the cast, and Close played Moriarty's lover. Her last major stage role before beginning her motion picture career was playing Chairy, the female lead in the Broadway musical
Barnum, from April 1980 to March 1981.
1980s: Breakthrough and rise to prominence The 1980s proved to be Close's breakthrough in Hollywood. In 1980, director
George Roy Hill discovered Close on Broadway and asked her to audition with
Robin Williams for a role in
The World According to Garp, which would become her first film role, as well as her first
Academy Award nominated performance. She played Williams's
feminist mother, despite being just four years older. The following year she played Sarah Cooper in
The Big Chill, a character that director
Lawrence Kasdan said he specifically wrote for her. The movie received positive reviews and was a financial success. Close became the third actor to receive a Tony, Emmy, and Oscar (
Academy Award) nomination all in the same calendar year after the release of
The Big Chill (also in 1980, she received her first
Tony Award nomination for her performance in the musical
Barnum). In 1984, Close was given a part in
Robert Redford's baseball drama
The Natural, and although it was a small supporting role, she earned a third consecutive Oscar nomination. Close, to this day, credits her nomination to cinematographer
Caleb Deschanel, stating "That hat was designed so the sunlight would come through. We waited for a certain time of day, so the sun was shining through the back of the stadium. And he had a lens that muted the people around me. It was an incredibly well thought-out shot. And I honestly think that's the reason I got nominated." Close also starred opposite
Robert Duvall in the drama
The Stone Boy (1984), a film about a family coping after their youngest child accidentally kills his older brother in a hunting accident. She continued to appear in television films in the following years, beginning with
The Elephant Man, and in 1984, she starred in the critically acclaimed drama
Something About Amelia, a television film about a family destroyed by sexual abuse. She won her first
Tony Award in 1984 for her performance as Annie in
Tom Stoppard's
The Real Thing, directed by
Mike Nichols. Eventually, Close began to seek different roles to play because she did not want to be typecast as a motherly figure. She starred in the 1985 romantic comedy
Maxie, alongside
Mandy Patinkin. Close was given favorable reviews and even received her second
Golden Globe Award nomination, but the movie was critically panned and under-performed at the box office. In 1985, Close starred in the legal thriller
Jagged Edge, opposite
Jeff Bridges. Initially,
Jane Fonda was attached to the role, but was replaced with Close when she requested changes in the script. Producer
Martin Ransohoff was against the casting of Close because he said she was "too ugly" for the part. Close eventually heard about this and said she didn't want Ransohoff on set while she was making her scenes. Director
Richard Marquand stood by her side and sent Ransohoff away. Infuriated, Ransohoff went to the studio heads trying to get Close and Marquand fired from the picture. The studio refused, stating they were pleased with their work in the film.
Jagged Edge received positive reviews and grossed $40-million on a $15-million budget. In 1987, Close played the disturbed book editor Alex Forrest in the psychological thriller
Fatal Attraction. The film became a huge box-office success, the highest-grossing film worldwide of that year. The film propelled Close to international stardom and the character of Alex Forrest is considered one of her most iconic roles; the phrase "bunny boiler" has even been added to the dictionary, referring to a scene from the movie. During the re-shoot of the ending, Close suffered a concussion from one of the takes when her head smashed against a mirror. After being rushed to the hospital, she discovered, much to her horror, that she was actually a few weeks pregnant with her daughter. Close stated in an interview that, "
Fatal Attraction was really the first part that took me away from the Jenny Fields, Sarah Coopers—good, nurturing women roles. I did more preparation for that film than I've ever done." and also won the
People's Choice Award for Favorite Motion Picture Actress. She played scheming aristocrat Marquise de Merteuil in 1988's period romantic drama
Dangerous Liaisons. Also in 1988, she appeared alongside
Keith Carradine in
Stones for Ibarra, a television film adapted from the book written by
Harriet Doerr and produced by the
Hallmark Channel. Close's final film role of the decade was
Immediate Family (1989), a drama about a married couple seeking to adopt a child. Producer Lawrence Kasdan had Close star in the film, as he directed her previously in
The Big Chill.
1990s: Established actress In 1990, Close went on to play the role of
Sunny von Bülow opposite
Jeremy Irons in
Reversal of Fortune to critical acclaim. The film drew some controversy since it dealt with the
Claus von Bülow murder trial, while the real Sunny von Bülow was still in a
vegetative state. Sunny's children publicly criticized the movie. In the same year, Close played
Gertrude in
Franco Zeffirelli's
film adaption of
Hamlet. It was the first
Shakespeare role that Close had ever attempted on screen (she appeared in 1975 in a stage production of
King Lear in Milwaukee). Close would later go on to join the cast of
The House of the Spirits, reuniting her with Jeremy Irons. She also had a cameo appearance in
Steven Spielberg's Hook (1991) as a pirate. In 1991, she starred in the highly rated
Hallmark Hall of Fame television movie
Sarah, Plain and Tall, as well as its two sequels. In 1992, Close starred in
Meeting Venus for which she received critical acclaim and won Best Actress (
Golden Ciak) at the
Venice Film Festival. In the same year, Close became a trustee emeritus of
The Sundance Institute. She also portrayed
the title subject of the fact-based made-for-TV movie
Serving in Silence: The Margarethe Cammermeyer Story in 1995, for which she won her first
Primetime Emmy Award. Additionally, she has also provided the voice of
Mona Simpson, from
The Simpsons, since 1995.
Entertainment Weekly named Close one of the 16 best
Simpsons guest stars. Close has also hosted
Saturday Night Live twice, in 1989 and in 1992. In 1992, she won her second Tony Award for
Death and the Maiden. She would later re-team with the show's director,
Trevor Nunn, in London for his
Royal National Theatre revival of
A Streetcar Named Desire in 2002. Close appeared in the newsroom comedy-drama
The Paper (1994), directed by her good friend
Ron Howard and in 1996, she acted alongside the cast of
Tim Burton's alien invasion satire
Mars Attacks! (1996), playing
First Lady Marsha Dale. That same year, she portrayed
Cruella de Vil in
Stephen Herek's
101 Dalmatians, a live-action adaptation of
Disney's
1967 animated film. Her role as Cruella de Vil was universally praised and earned her a nomination for
Golden Globe Award for Best Actress – Motion Picture Comedy or Musical. The film was also a commercial success, grossing $320.6 million in theaters against a $75 million budget. Per Close's contract, she was allowed to keep any costumes from her films. The producers attempted to make copies of Close's wardrobe due to the expensive materials being used, but, to their dismay, she rejected their suggestion and kept the originals. The following year, Close appeared in another box office hit with
Air Force One (1997), playing the trustworthy
vice president to
Harrison Ford's president. Ford stated in an interview that the role of the vice president was already written for a woman and that he personally chose Close for the role after meeting her at a birthday party for then-president
Bill Clinton. Close would later star in the war film
Paradise Road (1997) as a choir conductor of the women imprisoned by the
Japanese in
World War II. In 1999, Close provided the voice of Kala in Disney's animated film
Tarzan. She later went on to receive great reviews for her comedic role as Camille Dixon in ''
Cookie's Fortune'' (1999).
2000s: Focus on television Close began to appear in television movies rather than doing theatrical films in the early 2000s. She returned as Cruella de Vil in
102 Dalmatians (2000). Although the film received mixed reviews, it performed well at the box office. Close later filmed
The Safety of Objects which premiered in 2001, a movie about four suburban families dealing with maladies. This was
Kristen Stewart's first film role, and Close and Stewart would later reunite in the 2015 film
Anesthesia. Close starred in
Things You Can Tell Just by Looking at Her in the same year, this would be one of many future collaborations with director
Rodrigo Garcia. In 2004, she played Claire Wellington, an uptight socialite in the comedy
The Stepford Wives opposite
Nicole Kidman and
Christopher Walken. She provided the voice of the Blue Fairy in the English version of
Pinocchio (2002) and Granny in the animated film
Hoodwinked (2005). Close continued to do smaller films like
Le Divorce (2003) and
The Chumscrubber (2005). In 2005, she reunited with director Rodrigo Garcia to do
Nine Lives; he would later direct Close in the film
Albert Nobbs (2011). In the same year, she starred in the film
Heights (2005), an independent drama centered on the lives of five
New Yorkers. Close's performance was lauded by critics. '' in 2005 In 2001, she starred in a production of
Rodgers and Hammerstein's classic musical
South Pacific as Nellie Forbush on
ABC. She guest-starred on
Will and Grace in 2002, portraying a satirical version of
Annie Leibovitz, which earned her an Emmy nomination for Guest Actress in a Comedy Series. In 2003, Close played
Eleanor of Aquitaine in the
Showtime-produced film
The Lion in Winter. Close won a Golden Globe Award and
Screen Actors Guild Award for her performance. In 2005, Close joined the FX crime series
The Shield, in which she played Monica Rawling, a no-nonsense precinct captain, which became her first TV role in a series. Close stated that she made the right move because television was in a "
golden era" and the quality of some programs had already risen to the standards of film.
John Landgraf, CEO of
FX, stated that network was the "first to bring a female movie star of Glenn Close's stature to television." He also credits her collaboration with the network with promoting roles for women on television, as well as influencing other film actors to switch to the small screen. In 2007, she appeared in the same film as her previous co-star
Meryl Streep in the ensemble drama
Evening. This would be Close's final theatrical film role of the decade, since she began to star in her own television series,
Damages (2007). Close was asked about her contributions to independent films, to which she responded "I love the casts that gather around a good piece of writing certainly not for the money but because it is good and challenging. Sometimes I've taken a role for one scene that I thought was phenomenal. Also my presence can help them get money, so it's I think a way for me to give back." Shortly after her stint on
The Shield, Close was approached by
FX executives who pitched a television series for her to star in. Also in 2007, Close began a five-season run playing the ruthless and brilliant lawyer
Patty Hewes on
Damages. Her portrayal of this character was met with rave reviews and a plethora of
award nominations, in addition she went on to win two consecutive
Emmy Awards for Outstanding Lead Actress in a Drama Series. Close's win also made her the first Best Actress winner in a drama series at the Emmy's for a cable show. Throughout the show's run, she became one of the highest-paid actresses on cable, earning $200,000 per episode. Close stated that her role of Patty Hewes was the role of her life. She also kept in contact with her co-star
Rose Byrne, and the two have become friends. After the series ended, Close stated that she would not return to television in a regular role, but that she was open to do a miniseries or guest spot. In 2008, Close performed at
Carnegie Hall, narrating the violin concerto
The Runaway Bunny, a concerto for reader, violin and orchestra, composed and conducted by
Glen Roven.
2010s: Return to film and stage In December 2010, Close began filming
Albert Nobbs in
Dublin. She had previously won an
Obie in 1982 for her role in the play on stage. She had been working on the project, in which she appeared alongside
101 Dalmatians co-star Mark Williams, for almost twenty years, and aside from starring in it, she co-wrote the script and produced the film. Close stated it became more important for her to make the film in order to stimulate discussion on
transgender issues, commenting, "There came a point where I asked, 'Am I willing to live the rest of my life having given up on this?' And I said, 'No I won't.' Some people will change their point of view, and those who are either too old, or too blinkered, to accept the beauty of difference will just have to 'die off'." In the film, Close played the title role of
Albert Nobbs, a woman living as a man in 19th century Ireland after being
sexually assaulted as a young girl. While the film overall received mixed reviews, Close's performance received critical acclaim, as it was noted for being the most subtle and introverted of her career to that point and a departure from her previous roles. When asked during the film's awards campaign about the fact of not having an Oscar, Close said: "I remember being astounded that I met some people who were really kind of almost hyper-ventilating as to whether they were going to win or not, and I have never understood that. Because if you just do the simple math, the amount of people who are in our two unions, the amount of people who in our profession are out of work at any given time, the amount of movies that are made every year, and then you're one of five [nominees]. How could you possibly think of yourself as a loser?" '' in 2012 She provided the voice of The Giant in the Summer 2012 production of the musical
Into the Woods at the
Delacorte Theater in
Central Park. The production also featured
Amy Adams as The Baker's Wife and
Donna Murphy as The Witch. In 2014, she starred in a production of the
Pirates of Penzance for the Public Theater in New York, playing the role of Ruth. This production featured
Kevin Kline,
Martin Short and
Anika Noni Rose. In October 2014, Close returned to Broadway in the starring role of Agnes in
Pam MacKinnon's revival of Edward Albee's
A Delicate Balance at the
John Golden Theatre. Her co-stars were
John Lithgow as Tobias,
Martha Plimpton as Julia and
Lindsay Duncan as Claire. The production grossed $884,596 over eight preview performances during the week ending October 25, setting a new house record at the Golden Theatre. The production received mixed reviews, although the cast was praised. After her television series
Damages ended, Close returned to film in 2014, in which she played
Irani Rael / Nova Prime in the
Marvel Studios film
Guardians of the Galaxy, directed by
James Gunn. She also appeared in the independent movies
5 to 7 (2014) and
Low Down (2014). In 2015, Close made a cameo on
Louis C.K.'s
Louie on
FX, in the season five episode "Sleepover" alongside
John Lithgow,
Michael Cera, and
Matthew Broderick. In 2016, she appeared in
The Great Gilly Hopkins and starred in the British
horror drama
The Girl with All the Gifts (2016) as Dr. Caldwell, a scientist researching a cure to save humanity. In April 2016, she returned as
Norma Desmond in the musical
Sunset Boulevard in an
English National Opera production in
London. Close was met with rave reviews after returning to this same role twenty-three years later. Both
The Times and
The Daily Telegraph gave the production five stars and praised her performance. During the production Close was forced to cancel three shows due to a chest infection. She was hospitalized but later recovered and finished the remaining shows. Close won the
Evening Standard Theatre Award for Best Musical Performance, and was nominated for her first
Olivier Award for Best Actress in a Musical. That same year, she was inducted into
American Theater Hall of Fame for her work on the stage. The ENO London production of
Sunset Boulevard transferred to the
Palace Theatre on Broadway, with Close reprising her role. It opened on February 9, 2017, in a limited run, selling tickets through June 25, 2017. The production featured a 40-piece orchestra, the largest in Broadway history. Close in particular was lauded by critics for her new incarnation of Norma Desmond. As
The New York Times called it "one of the great stage performances of this century."
Variety,
Parade,
The Guardian and
Entertainment Weekly also gave the new production positive reviews. That same year, Close starred in a half hour comedy pilot for
Amazon, titled
Sea Oak. The pilot premiered online with viewers voting to choose if it wanted Amazon to produce the series. Although it received favorable reviews it was not picked up. Also in 2017, she was honored with the Lifetime Achievement Award at the
Theatre World Awards. In 2017, Close appeared alongside
Noomi Rapace and
Willem Dafoe in
What Happened to Monday, a science fiction thriller produced by
Netflix. Also that year, she was reunited with actors
John Malkovich (her co-star in
Dangerous Liaisons) and
Patrick Stewart (co-star in
The Lion in Winter) in the romantic comedy
The Wilde Wedding, and co-starred in
Crooked House, a film adaptation of the novel by
Agatha Christie. Close garnered widespread critical acclaim for her performance in the 2018 drama
The Wife, which had first premiered at the
2017 Toronto International Film Festival. An adaptation of
Meg Wolitzer's
novel of the same name, the film stars Close as Joan Castleman, who questions her life choices as she travels with her husband to Stockholm, where he is set to receive the
Nobel Prize in Literature. The film also features Close's daughter,
Annie Starke, as a younger version of Castleman. Close won the
Golden Globe Award for Best Actress in a Motion Picture – Drama, the
Screen Actors Guild Award for Outstanding Performance by a Female Actor in a Leading Role, and the
Critics' Choice Movie Award for Best Actress. She received her seventh
Academy Award nomination, her fourth nomination in the
Best Actress category, which has made her the most nominated actress without a win. She was widely considered to be the frontrunner to win the Oscar—which would be the first of her career—but ultimately lost to
Olivia Colman for
The Favourite. In addition, Close received a nomination, her second overall, for the
BAFTA Award for Best Actress in a Leading Role, which she also lost to Colman. Also in 2018, Close made a return to the stage, where, from September to December, she featured in the
Off-Broadway play,
Mother of the Maid, at the
Public Theater in New York City.
2020s: Continued film work and further acclaim In 2020, Close starred in
Netflix's
film adaptation of
Hillbilly Elegy, reuniting with
Ron Howard and starring alongside
Amy Adams. Close played the Mamaw of future
Vice President JD Vance. While the film, which was released for streaming on Netflix on November 24, 2020, received generally negative critical reviews, Close received acclaim for her performance.
Richard Roeper praised Close for her "masterful, screen-commanding, pitch-perfect performance", while
Peter Travers at
ABC News called her "simply sensational" and
Owen Gleiberman at
Variety wrote that "as long as Close is acting up an award-worthy storm (her performance is actually quite meticulous),
Hillbilly Elegy is never less than alive". For the role, she received the
San Francisco International Film Festival's Award for Acting along with
Academy Award,
Golden Globe, and
SAG Award nominations for Best Supporting Actress. Close also received a
Razzie Award nomination for
Worst Supporting Actress for
Hillbilly Elegy, making her the third performer—after
James Coco for
Only When I Laugh and
Amy Irving for
Yentl—to receive both an Oscar nomination and a Razzie nomination for the same performance. Also in 2020, Close co-starred with
Mila Kunis in the drama
Four Good Days, directed by
Rodrigo García and presented at the
Sundance Film Festival. In 2021, Close served as an executive producer alongside
Emma Stone for
Cruella, a Disney live-action spin-off/prequel of
One Hundred and One Dalmatians, directed by
Craig Gillespie. Stone plays the younger version of Cruella de Vil (the titular character whom Close portrayed in the 1996 live-action adaptation and its 2000 sequel). The same year, Close appeared opposite
Mahershala Ali in the
Apple TV+ drama film
Swan Song. In 2022, she starred in season two of the Apple TV+ thriller series
Tehran. Close learned
Persian for her role in
Tehran. She also portrayed former
Harper's Bazaar editor
Carmel Snow in the Apple TV+ series
The New Look, reuniting her with
Damages creator
Todd A. Kessler. In 2022, it was announced that Close would star alongside
Andra Day and
Mo'Nique in the exorcism drama
The Deliverance directed by
Lee Daniels for Netflix. The film was released in August 2024. She also stars alongside
Josh Brolin and
Peter Dinklage in the
Amazon MGM Studios film
Brothers, which was released theatrically on October 10, 2024. In March 2023, it was announced that Close would star in the upcoming film
The Summer Book, based on the
novel by
Tove Jansson. The film, directed by
Charlie McDowell, was released in 2024. Close was cast alongside
Jamie Foxx,
Cameron Diaz, and
Kyle Chandler in the action-comedy
Back in Action, for Netflix. The film was released on Netflix globally on January 17, 2025. Close starred as devout church lady Martha Delacroix of
Wake Up Dead Man (2025), the sequel to
Knives Out (2019) and
Glass Onion: A Knives Out Mystery (2022). Other cast members for the film include
Daniel Craig,
Jeremy Renner,
Andrew Scott,
Cailee Spaeny,
Josh O'Connor, and
Kerry Washington. During filming, Close's participation in the filming, which by that point in time had only occurred for two days, was delayed, with Close revealing she got "really hit hard" with both
COVID-19 and
respiratory syncytial virus (RSV).
Wake Up Dead Man was released on Netflix on December 12, 2025 to highly positive reviews. In May 2026, as part of the
TCM Classic Film Festival, Close was honored with a Hand & Footprint Ceremony at the TCL Chinese Theatre in
Hollywood. She would also present
Dangerous Liaisons (1988) at the festival.
Upcoming projects Close is set to reprise her stage role of Norma Desmond in a film adaptation of the musical
Sunset Boulevard, though the film remains in development. In May 2024, it was announced that Close was reuniting with her
Reversal of Fortune costar
Jeremy Irons in the upcoming
Simon Curtis-directed retirement home comedy
Encores, with
Henry Winkler and
Don Johnson also co-starring. In June 2025, it was announced that Close would be undertaking the role of Drusilla Sickle in the upcoming film adaptation of
The Hunger Games: Sunrise on the Reaping, alongside
Billy Porter.
Sunrise on the Reaping is set to release on November 20, 2026. In August 2025, it was announced that Close would star in the six-part
Channel 4 British crime drama
Up to No Good, based on the short story collections "An Elderly Lady Is Up to No Good" and "An Elderly Lady Must Not Be Crossed" by Swedish crime writer
Helene Tursten. In October 2025, Close was reported to have joined the cast of the drama film
The Black Ball. ==Reception, acting style, and legacy==