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Liceu

The Gran Teatre del Liceu, or simply Liceu, is a theater in Barcelona, Spain. Situated on La Rambla, it is the city's oldest theater building still in use for its original purpose.

History
Origins (1837–1847) In 1837, the Liceo Filodramático de Montesión (Philodramatic Lyceum of Montesión, now named Conservatori Superior de Música del Liceu) was founded in Barcelona to promote musical education (hence the name "Liceo", or lyceum.) It organized opera productions performed by Liceo students. A theater (Teatro de Montesión, or Teatro del Liceo de Montesión) was founded in a convent building, and plays and operas were performed. The first performance was Vicenzo Bellini's Norma, on 3 February 1838. The repertoire was Italian, the most-performed composers were Donizetti, Mercadante, Bellini and Rossini. The Barcelona premiere of Hérold's Zampa was held here. In 1838, the society changed its name to Liceo Dramático Filarmónico de S. M. la Reina Isabel II (Dramatic Philharmonic Lyceum of H.M. Queen Isabel II). == Building ==
Building
The theater is in La Rambla, in downtown Barcelona. It has two facades, since the other two sides were surrounded until 1994 by residential buildings. Some parts of the earlier building remain: • The main façade in La Rambla (1847) • The hall and the staircase (1861), with a Vallmitjana statue of Music (1901) • The romantically-ornamental foyer (Saló de Miralls, or Hall of Mirrors, 1847), with paintings of musicians, singers and dancers from the era of Pasta, Rubini, Donizetti, Bellini, Gluck, and Marie Taglioni. It was partially redecorated in 1877 by Elies Rogent, and the roof painting of the Parnassus dates to this period. The auditorium was rebuilt after the 1994 fire as an improved recreation of the 1861 auditorium. It has a seating capacity of 2,292 (making the Liceu one of Europe's largest opera houses), and is a typical Italian horseshoe-shaped theater with a maximum length and width of . The auditorium has a platea (main floor) and five balconies. Boxes with small rooms attached are in front of the stage, on the platea and in some galleries. There are no significant physical divisions between boxes; a low screen separates one box from another. There are no columns in the theater except inside the platea, making the balconies look like a golden horseshoe without visual interruptions. The amfiteatre ubicare is a projection of the first balcony with a less-pronounced horseshoe shape accommodating three rows of seats, considered the best in the theater. Building expenses were covered by the sale of boxes and seats. Boxes were lavishly decorated by their owners, but they were destroyed in the 1994 fire. The proscenium reproduces the old one, which was rebuilt in 1909. It has a large central arch with two Corinthian columns on both sides and, among the columns, four tiers of boxes. These wider, more-luxurious boxes are known as banyeres ("bathtubs"). The auditorium ornamentation reproduces that of 1909: sumptuous, with the golden and polychrome plaster moldings usual in 19th-century European theaters. Its brass lamps have glass in the shape of a drake. The stalls, on the main floor, are made of strained iron and red velvet. Modern features were introduced in the reconstruction. The eight circular paintings in the roof and the three in the proscenium, lost in the fire, have been re-created by the contemporary artist Perejaume. The stage curtain is by Catalan designer . The new hemispheric lamp in the center of the roof is a platform for technical facilities (lighting, sound and computer). Other technical facilities are control and projecting cabins in some balconies, a "technical floor" over the roof, and high-tech equipment to record and broadcast performances. With computerized cameras, the auditorium can also be used for live or recorded televised performances. Stage facilities are modern, allowing quick scene changes and the simultaneous use of four different sets. A new foyer was built under the main auditorium for the main bar and restaurant and for concerts, small-format performances, lectures, cultural activities, and meetings. The Liceu station of the Barcelona Metro line 3 is adjacent to the theater. ==Artistic history==
Artistic history
Performed works , composer of Anna Bolena, the first opera performed at the Liceu The Liceu is a receiving and producing house, with two or three new productions staged each year. Its company consists of a permanent orchestra and choir and singers for supporting roles. Leading roles are usually sung by guest singers. Stagecraft is produced internally by the theater (alone or with other opera houses) and rented from other houses. Until the 1990s, the Liceu also had a ballet company. Most of the operas performed are from 19th-century Italy and Germany: Verdi, Wagner, bel canto composers and, more recently, Puccini, Richard Strauss and Mozart. The history of Liceu premieres illustrates the evolution of European operatic tastes. Opera was only a part of its artistic activities at first, alternating with zarzuela (Spanish light opera), romantic ballet (Giselle had its first Barcelona performance in 1847), theatrical performances, and magic shows. The first operas performed, Donizetti's Anna Bolena and Verdi's I due Foscari, are emblematic of the taste for bel canto and Italian romantic melodrama: Rossini, Donizetti, Bellini, and Verdi. They are still in the repertory, and Verdi is the most-performed composer. The first operas by non-Italian composers which were put on at the Liceu were Ferdinand Hérold's Zampa (1848), Carl Maria von Weber's Der Freischütz (1849), Giacomo Meyerbeer's Robert le diable, Auber's La muette de Portici (1852) and Fra Diavolo (1853). These were sung in Italian, the custom at the time. The first performances of Il trovatore (1854) and La traviata (1855) led to the crowning of Giuseppe Verdi as the king of opera. In 1866, Mozart's Don Giovanni was staged at the Liceu for the first time. In 1883, Wagner's Lohengrin was first performed. From the 1880s to the 1950s, Wagner was one of the most beloved and highly regarded composers at the Liceu. It staged the first performance of Parsifal outside Bayreuth on 31 December 1913, after the Bayreuth monopoly ended, with Francesc Viñas in the title role and conducted by Franz Beidler. In 1955, the Bayreuth Festival company visited the theater and performed three operas. Verismo, especially Puccini, is a late-19th-century tradition. The first Russian opera was staged in 1915 with great success, and Mussorgsky, Rimsky-Korsakov and Tchaikovsky were often performed. Early in the 20th century, Richard Strauss conducted his works. Siegfried Wagner conducted a concert in 1904, followed a year later by Pietro Mascagni. In 1915, impresario Mestres Calvet broadened the repertory and introduced composers such as de Falla and Stravinsky. It was a golden age for Russian and German operas, which were now sung in their original language. Mestres also was associated, beginning in 1917, with the success of Diaghilev's ballets with Vaslav Nijinsky, Léonide Massine, Lydia Lopokova, Chernicheva and other dancers. Years later, Anna Pavlova also performed at the Liceu. In 1947, the directing company came into the hands of Arquer and Pàmias. In contrast with the preceding years, which had been marked by programming of the great repertory works, the first season of the new directorship renewed the repertoire with the first performances in Barcelona of about 100 works by a number of composers. Revivals featured Donizetti's Anna Bolena, which had first been staged at the Liceu one hundred years earlier. For 33 years, Pàmias led Liceu activity when it seemed impossible to maintain the opera house without official aid. The Liceu's repertory has included the world's most-performed titles since the 1950s, including nearly all the great 20th-century composers (Bartók, Honegger, Gershwin, Berg, Janáček, Weill, Shostakovich, Prokofiev, Britten, Schönberg, and Hindemith) and the baroque and classical composers Monteverdi, Handel and Gluck. Ballet remains an important part of the theater's activities, with performances by some of the world's best-known companies (including the Béjart Ballet). Most-performed operas The Liceu's most-performed operas by January 2009 were: • Verdi's Aida, with 442 performances from 1877 to 2008 • Verdi's Rigoletto, with 359 performances from 1853 to 2005 • Gounod's Faust, with 297 performances from 1864 to 1988 • Donizetti's Lucia di Lammermoor, with 274 performances from 1849 to 2007 • Donizetti's La favorita, with 263 performances from 1850 to 2002 (the last 10 performances were the French version) • Verdi's Il trovatore, with 259 performances from 1854 to 1993 • Wagner's Lohengrin, with 241 performances from 1883 to 2006 • Puccini's La bohème, with 238 performances from 1898 to 2001 • Rossini's Il barbiere di Siviglia, with 233 performances from 1847 to 1991 • Verdi's La traviata, with 231 performances from 1855 to 2002 • Meyerbeer's Les Huguenots, with 228 performances from 1856 to 1971 (mostly the Italian version) • Bizet's Carmen, with 205 performances from 1888 to 1993 • Boito's Mefistofele, with 195 performances from 1880 to 1988 • Meyerbeer's ''L'Africaine'', with 191 performances from 1866 to 1977 (mostly the Italian version) • Wagner's Die Walküre, with 182 performances from 1899 to 2008 Premieres The Liceu has premiered a number of theatrical and musical works, including: • 1847 (4 April): Ventura de la Vega's history play Don Fernando de Antequera • 1851 (June): El granuja, a zarzuela with music by N. Gardyn • 1853 (8 January): Temistocle Solera's Spanish opera La hermana de Pelayo; La tapada del retiro, Nicolau Manent's zarzuela; Sueño y realidad, a zarzuela with music by Felipe Pedrell • 1854 (16 February): J. Freixas' opera, La figlia del deserto • 1857 (23 May): Nicolau Manent's opera, Gualtero di Monsonís • 1858 Pujadas' Catalan zarzuela Setze jutges (Sixteen judges), the first Catalan-language play performed at the Liceu • 1858 Juan Garín, o, Las peñas de Montserrat, with music by Mariano Soriano Fuertes, Nicolau Manent and Francisco Porcell • 1859 (12 May): Nicolau Guanyabéns' opera, ''Arnaldo d'Erill'' • 1859 Josep Anselm Clavé's Catalan zarzuela ''L'aplec del Remei'' • 1867 (23 March): Francesc Sánchez Gavagnach's opera Rahabba. • 1874 (28 January): Marià Obiols' opera, Editta di Belcourt • 1874 (14 April): Felipe Pedrell's opera, ''L'ultimo Abenzerraggio'' • 1878 (27 November): Salvatore Auteri-Manzocchi's opera, Il negriero • 1885 (6 June): Manuel Giró's opera, Il rinnegato Alonso García • 1885 (12 June): Antoni Baratta's opera Lo desengany, the first Catalan-language opera performed at the Liceu • 1889 (10 July): Francesc Sánchez Gavagnach's opera, La messagiera • 1892 (14 May): Tomás Bretón's opera, Garín • 1895 (8 May): Isaac Albéniz's opera, Henry Clifford • 1896 (5 January): Isaac Albéniz's opera, Pepita Jiménez • 1902 (4 January): Felipe Pedrell's grand opera, Els Pirineus • 1903 (3 December): Joan Manén's opera, Acté • 1906 (20 January): Enric Morera's opera, Empòrium • 1906 (21 April): Enric Morera's opera, Bruniselda • 1907 (21 January): Joan Lamote de Grignon's opera, Hesperia • 1912 (17 January): Enric Morera's Titaina, with libretto by Àngel Guimerà • 1913 (15 January): Jaume Pahissa's first opera Gal·la Placídia. • 1913 Jesús Guridi's opera, Mirentxu (premiered as a zarzuela in 1910 in Bilbao, and revised as an opera by the author) • 1916 (18 January): Enric Morera's opera, Tassarba • 1919 (15 February): Jaume Pahissa's opera, La morisca • 1920 (24 January): Joaquim Cassadó's Lo monjo negre • 1923 (31 March): Jaume Pahissa's Marianela • 1924 (20 December): A. Marqués' opera, Sor Beatriu • 1927 (12 January): Facundo de la Viña's opera, La espigadora • 1928 (28 February): Jaume Pahissa's La princesa Margarida • 1929 (12 February): Ricard Lamote de Grignon's ballet, Somnis • 1929 (14 December): Jose Maria Usandizaga's opera, Las golondrinas (premiered as a zarzuela in 1914, and revised as an opera by Ramón Usandizaga) • 1932 (3 March): Joan Manén's opera, Neró i Acté • 1935 (15 January): Joan Gaig's opera, El estudiante de Salamanca • 1938 Salvador Bacarisse's ballet, Corrida de feria • 1948 (10 January): Xavier Montsalvatge's children's opera, El gato con botas • 1948 (10 January): Carlos Surinach's opera, El mozo que casó con mujer brava • 1950 (14 December): Conrado del Campo's opera, Lola la Piconera • 1952 (12 December): Joan Manén's opera Soledad, and his ballet Rosario la Tirana • 1953 (21 May): Antoni Massana's Canigó, the first Catalan-language opera after the Spanish Civil War • 1955 (17 December): Ángel Barrios' opera, La Lola se va a los puertos • 1955 (19 December): Joaquín Rodrigo's ballet, Pavana real • 1956 (28 April): Frederic Mompou and Xavier Montsalvatge's ballet, Perlimplinada • 1959 (1 January): Joan Altisent's opera, Amunt! • 1960 (17 November): Ricard Lamote de Grignon's opera, La cabeza del dragón (written in 1939) • 1960 (1 May): Cristóbal Halffter's ballet Jugando al toro, and Matilde Salvador's ballet El segoviano esquivo • 1961 (24 November): Manuel de Falla and Ernesto Halffter's scenic cantata, Atlàntida • 1962 (11 December): Xavier Montsalvatge's opera, Una voce in off • 1969 (1 February): Joan Guinjoan's ballet, Els cinc continents • 1974 (19 January): Matilde Salvador's opera, Vinatea • 1975 (29 November): J. Ventura Tort's opera, ''Rondalla d'esparvers'' • 1986 (22 May): Josep Soler's opera, Oedipus et Iocasta (premiered as an oratorio at the Palau de la Música Catalana, 1972) • 1988 (21 September): Xavier Benguerel's scenic cantata Llibre vermell. • 1989 (24 September): Leonardo Balada's opera, Cristóbal Colón • 2000 (2 October): José Luis Turina's opera, D.Q., Don Quijote en Barcelona, with sets by La Fura dels Baus • 2004 (3 November): Joan Guinjoan's opera, Gaudí • 2006 (6 April): Josep Mestres Quadreny's camera opera, El ganxo • 2009 (20 April): Enric Palomar's opera, La cabeza del Bautista Spanish operatic premieres • 1847: Giuseppe Verdi's ''Giovanna d'Arco'' (1845) • 1848: Saverio Mercadante's Orazi e Curiazi (1846) • 1849: Carl Maria von Weber's Der Freischütz(1821), Giuseppe Verdi's Alzira (1847), and Gaetano Donizetti's Les martyrs (1840, in Italian) • 1853: Daniel-François Auber's Fra Diavolo (1830) • 1854: Giuseppe Verdi's Il trovatore (1853) • 1856: Giuseppe Verdi's Les vepres siciliennes (1855, 1856), in Italian; Giacomo Meyerbeer's Les huguenots (in Italian) (1836) • 1861: Giuseppe Verdi's Un ballo in maschera (1859) • 1862: Giuseppe Verdi's Simon Boccanegra (1857) • 1863: Giacomo Meyerbeer's Le prophète (in Italian) (1849) • 1864: Charles Gounod's Faust (1859) • 1868: Giacomo Meyerbeer's Dinorah (in Italian) (1859) • 1870: Giuseppe Verdi's Don Carlos (1868, Italian version 1869) • 1875: Giuseppe Verdi's Requiem (1874) and Ambroise Thomas's Mignon (1866) • 1876: Carlos Gomes' Il guarany (1870) • 1880: Arrigo Boito's Mefistofele (1868, revised 1875) • 1883: Amilcare Ponchielli's La Gioconda (1876) • 1885: Richard Wagner's Die fliegende Höllander (1843) • 1887: Richard Wagner's Tannhäuser (1845, 1861) • 1891: Pietro Mascagni's Cavalleria rusticana (1890) • 1894: Pietro Mascagni's ''L'amico Fritz'' (1891) and Jules Massenet's Manon (1884) • 1897: Camille Saint-Saëns's Samson et Dalila (1877) • 1898: Giacomo Puccini's La bohème (1896) and Umberto Giordano's Andrea Chénier (1896) • 1899: Richard Wagner's Tristan und Isolde (1865) and Jules Massenet's Werther (1892) • 1900: Umberto Giordano's Fedora(1898), Pietro Mascagni's Iris (1898), Richard Wagner's Siegfried (1876), and Christoph Willibald Gluck's Iphigénie en Tauride (1779) • 1901: Richard Wagner's Götterdammerung(1876) and Engelbert Humperdinck's Hänsel und Gretel (1893) • 1903: Francesco Cilea's Adriana Lecouvreur (1902) • 1904: Gustave Charpentier's Louise (1900) • 1905: Jules Massenet's Thaïs (1894) and Richard Wagner's Die Meistersinger von Nürnberg (1868) • 1907: Pietro Mascagni's Amica (1905) • 1908: Camille Saint-Saëns's Les barbares(1901) • 1910: Richard Strauss' Salome (1905) and Eugen d'Albert's Tiefland (1903) (sung in Catalan) • 1911: Claude Debussy's ''L'enfant prodigue'' (1884) • 1913: Richard Wagner's Parsifal (1883) • 1915: Giacomo Puccini's La fanciulla del West (1914) and Modest Mussorgsky's Boris Godunov (1869) • 1916: Ermanno Wolf-Ferrari's Il segreto di Susanna (1909) and Wolfgang Amadeus Mozart's Le nozze di Figaro (1786) • 1919: Jules Massenet's Le jongleur de Notre-Dame (1902) and Pietro Mascagni's Guglielmo Rattcliff (1895) • 1920: Pietro Mascagni's Isabeau (1911) • 1921: Richard Strauss' Rosenkavalier (1911) and Vincent d'Indy's ''L'étranger'' (1901) • 1922: Nikolai Rimsky-Korsakov's Schneguroschka (1885), Alexander Borodin's Prince Igor (1890), Pyotr Ilyich Tchaikovsky Pikovaia dama (1890) • 1923: Modest Mussorgsky's Khovanshchina (1886; first Western performance 1913) • 1924: Antonín Dvořák's Rusalka (1900), Bedřich Smetana's Prodaná nevesta (The Bartered Bride, 1866), Jacques Offenbach's ''Les contes d'Hoffmann'' (1881), and Jules Massenet's Hérodiade (1881) • 1925: Umberto Giordano's La cena delle beffe (1924), Richard Strauss' Intermezzo (1924), and Mozart's Die Zauberflöte(1791) • 1926: Riccardo Zandonai's Francesca da Rimini (1914), Rimsky-Korsakov's The Legend of the Invisible City of Kitezh (1907, first performance outside Russia), Pskovityanka (1873, 1892), and May Night (1879) • 1927: Zoltán Kodály's Háry János suite (orchestral suite from opera Háry János) • 1928: Igor Stravinsky's ballet La sacre du printemps (1913), Giacomo Puccini's Turandot (1926), Mozart's Die Entfuhrung aus dem Serail (1782) • 1929: Massenet's Don Quichotte (1910) • 1930: Italo Montemezzi's ''L'amore dei tre re'' (1913) • 1933: Stravinsky's Oedipus rex (1927) • 1936: Antonín Dvořák's Jakobin (1897, revised) • 1939: Enric Granados's Goyescas (1916) • 1943: Richard Strauss' Ariadne auf Naxos (1912) • 1948: Giacomo Puccini's Il trittico (1918), Ottorino Respighi's La fiamma (1934), and Stravinsky's Le rossignol (1914) • 1949: Richard Strauss' Elektra (1909) and Édouard Lalo's ''Le roi d'Ys'' (1888) • 1951: Strauss' Die Frau ohne Schätten (1918) • 1952: Gian Carlo Menotti's The Consul (1950) • 1953: Riccardo Zandonai's I cavalieri di Ekebù (1925) • 1954: Menotti's Amelia al ballo (1937), Béla Bartók's ''Duke Bluebeard's Castle'' (1919), and Puccini's La rondine (1920, 1924) • 1955: Ildebrando Pizzetti's Debora e Jaele(1921), George Gershwin's Porgy and Bess(1935), and Pyotr Ilyich Tchaikovsky's Eugene Onegin (1879) • 1956: Henry Purcell's Dido and Aeneas (1689) • 1957: Respighi's Maria Egiziaca (1932) and Menotti's The Saint of Bleecker Street (1955) • 1958: Ildebrando Pizzetti's Assassinio nella catedrale (1958) and Carl Orff's Die Kluge (1943) • 1959: Francis Poulenc's Dialogues des Carmelites(1959) and Franco Alfano's Cyrano de Bergerac (1936) • 1962: Strauss' Arabella (1932) • 1963: Mozart's La clemenza di Tito (1791) • 1964: Alban Berg's Wozzeck (1925) and Georg Friedrich Handel's Giulio Cesare (1724) • 1965: Dmitri Shostakovich's Katerina Izmailova (1956) and Leoš Janáček's Jenůfa (1904) • 1966: José Pablo Moncayo's La mulata de Córdoba (1948), Luis Sandi's Carlota, Salvador Moreno's Severino, Alfredo Keil's A serrana (1899), Francis Poulenc's La voix humaine (1959), Henri Busser's La carrosse du Saint-Sacrement, and Ruggero Leoncavallo's La bohème (1896) • 1969: Igor Stravinsky's ''The Rake's Progress'' (1962), Alban Berg's Lulu (1938), and Mikhail Glinka's One life for the Tsar • 1971: Kurt Weill's Mahagonny • 1972: Bohuslav Martinu's A Greek Passion and Smetana's Dalibor • 1973: Leoš Janáček's Katia Kabanova and Gaetano Donizetti's Caterina Cornaro • 1975: Benjamin Britten's Billy Budd (1941), Nino Rota's Il cappello di paglia di Firenze, Gian Francesco Malipiero's Il capitano Spavento, and Stravinsky's Mavra • 1976: Janáček's From the Dead House • 1977: Sergei Prokofiev's War and Peace, Hector Berlioz's Benvenuto Cellini, and Luigi Cherubini's Medea • 1985: Arnold Schoenberg's Moses und Aaron • 1987: Alban Berg's Lulu (Friedrich Cerha's completed version, 1979) and Mozart's Lucio Silla • 1991: Strauss' Capriccio (1942) • 1992: Philip Glass' Einstein on the Beach (1976) and János Vajda's Mario and the magician • 1994: Paul Hindemith's Mathis der Maler (1938) • 1999: Janáček's Vec Makropoulos • 2000: Ermanno Wolf-Ferrari's Sly • 2001: Britten's Gloriana • 2002: Dmitri Shostakovich's Lady Macbeth de Mtsenk (original 1934 version) and Gaetano Donizetti's La favorite (1850 French version) • 2003: Philippe Boesmans' Wintermärchen (1999) • 2004: Jules Massenet's Cléopâtre (1914) • 2005: Britten's ''A Midsummer Night's Dream'' (1960), Giuseppe Verdi's Il corsaro (1848), and Gioacchino Rossini's La gazzetta (1816) • 2006: Erich Wolfgang Korngold's Die tote Stadt and Handel's Ariodante (1735) • 2007: Hans Werner Henze's Boulevard Solitude(1952); Jules Massenet's Le portrait de Manon (1894); Giuseppe Verdi's Don Carlos French original version (1868). • 2008: Britten's Death in Venice and ''L'ape musicale (a 1789 pasticcio'' by Lorenzo da Ponte with music by Mozart, Vicente Martín y Soler, Giuseppe Gazzaniga, Domenico Cimarosa, Giordani and Tarchi) • 2009: Karol Szymanowski's Król Roger (1926) and Héctor Parra's Hypermusic prologue (2009) • 2010: George Benjamin's Into the little hill (2006) • 2011: Agustí Charles' Lord Byron: un estiu sense estiu (2011) and György Ligeti's Le Grand Macabre (1978) • 2013: Kurt Weill's Street Scene (1946) Stage directors and stagecraft During the second half of the 19th century, a school of stagecraft and theatrical scenery was developed at the Liceu. After beginning with Joan Ballester, who was known for his sets for ''L'Africaine'', the leading set designer was Francesc Soler i Rovirosa. The style was realistic, using painted paper flats and curtains. Sets and costumes were made in the theater workshops. From the 1900s to the 1930s, the school was represented by scenery painters who included Maurici Vilomara, Fèlix Urgellés, Salvador Alarma and Oleguer Junyent. The last of these painters was Josep Mestres Cabanes, who painted scenery from 1930 to the 1950s. Singers '' (1980), with Montserrat Caballé and Pedro Lavirgen Many notable singers have performed at the Liceu; when Camille Saint-Saëns visited the Liceu, he said: "Ils aiment trop the ténor" ("They [the Liceu public] love tenors too much"). Liceu debuts and final (or most recent) performances are in parentheses: • 1800s: Manuela Rossi-Caccia (1847), (1860/1862), Giuseppe Mario (1863), Roberto Stagno (1867), Rosa Vercolini, Francesco Tamagno (1876/1890), Adelaida d'Alberti, Francesc Mateu (Francesco Uetam) (1874/1877), Carolina Cepeda (1877), (1881), Julián Gayarre (1881/1888), Victor Maurel, Francesc Viñas (1888/1913), Hariclea Darclée (1894), Luisa Tetrazzini (1896), Geneviève Vix, Josefina Huguet (1896), Maria Barrientos (1898/1918), and Rosina Storchio (1898) • 1900s: In 1904, Enrico Caruso (in his only Liceu appearance) participated in two performances of Rigoletto. Gemma Bellincioni played the title role in Salomé, where Catalan singer Conchita Supervía made her debut. Other performers included Mario Sammarco (1902), Adamo Didur (1905), Mattia Battistini (1906), Graziella Pareto (1906/1928), Giuseppe Anselmi (1907), Titta Ruffo (1908/1926), and Riccardo Stracciari (1909/1939). • 1910s–1920s: Elvira de Hidalgo (1911), Ebe Stignani, Conchita Supervía (1912/1928), Hipólito Lázaro (1914/1945), Giovanni Zenatello, Giacomo Lauri-Volpi (1922/1945 and 1972) Miguel Fleta (1925/1933), Toti Dal Monte (1925/1934), Feodor Chaliapin (1927/1934), Lauritz Melchior (1927/1930), Tina Poli Randaccio, Lily Hafgren, Carlo Galeffi, Gilda Dalla Rizza, Georges Thill, Giannina Arangi Lombardi and Gina Cigna • 1940s: Giulietta Simionato (1945/1951), Victoria de los Ángeles (1945/1968, 1994), Giuseppe Di Stefano (1946/1970, 1986), Maria Caniglia (1947/1954), Gianni Poggi (1947/1963), Kirsten Flagstad (1949/1952), Hans Hotter (1948/1987), and Max Lorenz (1950/1954) • 1950s: Boris Christoff (1951/1952), Renata Tebaldi (1953/1959), Giuseppe Taddei (1953/1986), Wolfgang Windgassen (1954/1959), Walter Berry (1954/1985), Anton Dermota (1955/1966), Gianna D'Angelo (1957/1965), Enriqueta Tarrés (1957/1992), Fedora Barbieri, Margherita Carosio, Astrid Varnay (1955/1957), Gertrude Grob-Prandl, Birgit Nilsson (1957/1958), Régine Crespin (1958/1966), Carlo Bergonzi (1958/1982), and Alfredo Kraus (1958/1994) • 1960s: Joan Sutherland (1960/1989), Piero Cappuccilli (1961/1994), Fiorenza Cossotto (1961/1994), Montserrat Caballé (1962/2007), Virginia Zeani (1963/1977), Pedro Lavirgen (1964/1989), Plácido Domingo (1966/2015), Jaume Aragall (1964–1997), Vicente Sardinero (1964/1997), Richard Tucker (1965/1975), Grace Bumbry (1966/1988), and Anja Silja (1966/2000) • 1970s: Mirella Freni (1970/1994), José Carreras (1958 as a child, and 1970/2008), Joan Pons (1970/2006), Elena Obraztsova (1970/1984), Agnes Baltsa (1971/1992), and Edita Gruberová (1977/2008) • 1980s: Simon Estes (1981/1997), Matti Salminen (1981/2004), Ewa Podleś (1981/2007), Martti Talvela (1982/1989), Franco Bonisolli Éva Marton (1982/2006), Gwyneth Jones (1985/1997), Nicolai Ghiaurov (1985/1992), Rockwell Blake (1986/1996), and Dolora Zajick (1988/2008) • 1990s and 2000s: Josep Bros (1992/2007), Deborah Polaski (2000), Angela Denoke (2002), Natalie Dessay, Juan Diego Flórez (2002/2008), Rolando Villazón (2005/2008), Peter Seiffert, Fiorenza Cedolins (2005/2007), and Nina Stemme (2004–2005/2008–2009) ==Company==
Company
The Liceu has a theater manager (an empresari or administrador). Since 1980, it has also had an artistic director. Managers • Albert Bernis (1901–1911) • Francesc Casanovas (1911–1913) • Alfredo Volpini (1913–1914) • Joan Mestres i Calvet (1915–1947) • Josep F. Arquer (until 1959) and Joan Pàmias (1947–1980) • Lluís Portabella (1981–1986) • Josep M. Busquets (1986–1992) • Jordi Maluquer (1992–1993) • Josep Caminal (1993–2005) • Rosa Cullell (2005–2008) • Joan Francesc Marco (2008–2013) • Roger Guasch (2013–2018) • Valentí Oviedo (2018–present) Artistic directors • (1947–1952) • Lluís Andreu (1981–1990) • Albin Hänseroth (1990–1996) • Joan Matabosch (1996–2014) • Christina Scheppelmann (2014–2019) • Víctor Garcia de Gomar (2019–present) Orchestra and conductors The Liceu has had its own orchestra, the Orquestra Simfònica del Gran Teatre del Liceu, since it was founded in 1847. In 2024, it was Spain's oldest working orchestra in Spain. Its first conductor was Marià Obiols. Music directors and principal conductors • Ernest Xancó (1959–1961) • Eugenio Marco (1981–1984) • Uwe Mund (1987–1994) • Bertrand de Billy (1999–2004) • Sebastian Weigle (2004–2008) • Michael Boder (2008–2012) • Josep Pons (2012–present) Pons is scheduled to conclude his Liceu tenure at the close of the 2025-2026 season, and subsequently to take the title of honorary music director (director musical honorari). In July 2025, the Liceu announced the appointment of Jonathan Nott as its next music director, effective with the 2026-2027 season, with an initial contract of five years. Choir conductors The choir was consolidated during the 1960s by its, conductor Riccardo Bottino (1960–1982). Since 1982, the choir conductors have been (1982–1993) with Vittorio Sicuri (1982–1990) and Andrés Máspero (since 1990). The present choir conductor is William Spaulding. ==Conservatori de Música del Liceu==
Conservatori de Música del Liceu
The Conservatori Superior de Música del Liceu, a music college founded in 1837, is linked to the theater. ==Círculo del Liceo==
Círculo del Liceo
, is in the Círculo del Liceo The Círculo del Liceo is a private club in the Liceu building. The "Círculo" opened in November 1847 with 125 founding members, according to its earliest records. The club has lounges, conference rooms, a restaurant, a library and other amenities. but were admitted after a subsequent vote by members (373 votes in favor and 279 against). The club has about one thousand members. The Círculo del Liceo is Spain's oldest club still at its original location. The club has accumulated a number of artistic works, and many of its rooms are decorated in Art Nouveau style. Four large windows in the low foyer attest the influence of Wagnerism in Catalan culture at the beginning of the 20th century. In addition to its furniture and decor, the club has a collection of sculptures, marquetry, enamels, engravings, etchings and paintings by Catalan artists who include Alexandre de Riquer, Santiago Rusiñol, Modest Urgell Inglada and Francesc Miralles. The club's most notable art is a set of twelve oils on fabric, commissioned to Ramon Casas and installed in its rotunda. Each of the twelve paintings, Casas' most ambitious work, is inspired by a musical subject. == In literature and film ==
In literature and film
Literature • 's satirical comedy "Liceístas" i "cruzados" (1865), about the 19th-century rivalry between fans of the Liceu and fans of the Teatre Principal (Barcelona's two main opera houses) • Narcís Oller's novel, ''La febre d'or'' (1892) • Artur Masriera's sketchbook Los buenos barceloneses: hombres, costumbres y anécdotas de la Barcelona ochocentista (1850–1870) (1925) • 's novels Mariona Rebull (1944) and El viudo Rius (1945), about the theater's 1893 bombing • Eduardo Mendoza's novel La ciudad de los prodigios (1986). The film based on it was filmed at the Teatre Fortuny in Reus. • 's short-story collection, El dia que es va cremar el Liceu (The Day the Liceu Was Burnt, 1995) FilmsMariona Rebull (1947), directed by José Luis Sáenz de Heredia • Gayarre (1958), by Domingo Viladomat, a biopic about Julián Gayarre (Alfredo Kraus) • Circus World (1964), directed by Henry Hathaway, with John Wayne and Claudia Cardinale. Some circus scenes were filmed inside the theater. • Romanza final (1986), directed by José María Forqué, a film about Julián Gayarre's life with Josep Carreras. • Un submarí a les estovalles (1990), directed by Ignasi Pere Ferré • ''La febre d'or'' (1993), directed by Gonzalo Herralde, with Fernando Guillén, Rosa M. Sardà and Àlex Casanovas, with excerpts of a performance of Gounod's FaustThe Life of David Gale (2003), directed by Alan Parker, with Kevin Spacey and Kate Winslet ==See also==
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