Directing and screenwriting In 1947, Wood moved to Hollywood, California, where he wrote scripts and directed television pilots, commercials and several forgotten micro-budget westerns, most of which failed to sell. Wood biographer Rudolph Grey states that Ed Wood made approximately 125 commercials for Story-Ad films and approximately 30 commercials for Play-Ad Films, in addition to a few commercials for "Pie-Quick". In 1948, Wood wrote, produced, directed, and starred in
The Casual Company, a play derived from his own unpublished novel which was based on his service in the
United States Marine Corps. It opened at the Village Playhouse to negative reviews on October 25. That same year, he wrote and directed a low-budget western called
Crossroads of Laredo with the aid of a young producer he met named Crawford John Thomas. The film was shot silent and was only completed posthumously decades after Wood's death. In 1949, Wood and Thomas acted together in a play called
The Blackguard Returns at the Gateway Theatre (Wood played the Sheriff and Thomas was the villain). Wood joined the
Screen Actors Guild in 1951, and worked very briefly as a stuntman among other things. When writing, Wood used a number of different pen names, including Ann Gora (in reference to
Angora, his favorite textile) and Akdov Telmig (the backwards spelling of his favorite drink, the
vodka gimlet). However, most documents and interviews with other Wood associates in
Nightmare of Ecstasy suggest that Wood and Lugosi were genuine friends and that Wood helped Lugosi through the worst days of his
clinical depression and
drug addiction. Lugosi had become dependent on
morphine as a way of controlling his debilitating
sciatica over the years, and was in a poor mental state caused by his recent fourth divorce.
Glen or Glenda In 1953, Wood wrote and directed the semi-documentary film
Glen or Glenda (originally titled
I Changed My Sex!) with producer
George Weiss. The film starred Wood (under the alias "Daniel Davis") as a
transvestite, his girlfriend
Dolores Fuller,
Timothy Farrell,
Lyle Talbot,
Conrad Brooks and Bela Lugosi as the narrator/scientist. Fuller was shocked when she learned soon afterward that Wood actually was a
cross-dresser. In 1953, Wood wrote and directed a stage show for Lugosi called
The Bela Lugosi Review (a take-off on
Dracula) that was put on at the Silver Slipper in Las Vegas. When Lugosi appeared on the TV show
You Asked For It that same year, he announced that Ed Wood was producing a
Dr. Acula TV show for him, but it never materialized. Wood acted as Lugosi's dialogue coach when he guest-starred on
The Red Skelton Show in 1954, alongside
Lon Chaney Jr. and Vampira (aka
Maila Nurmi).
Jail Bait Wood co-produced and directed a crime film,
Jail Bait (1954, originally titled
The Hidden Face), along with his co-writer/roommate Alex Gordon, which starred Herbert Rawlinson (as the plastic surgeon),
Lyle Talbot,
Dolores Fuller,
Timothy Farrell,
Theodora Thurman and
Steve Reeves (in one of his first acting jobs). Bela Lugosi was supposed to play the lead role of the plastic surgeon, but was busy with another project when filming started and had to bow out. His replacement, Herbert Rawlinson, died the day after he filmed his scenes. Distributor
Ron Ormond changed the title from
The Hidden Face to
Jail Bait just before releasing it.
Bride of the Monster Wood produced and directed the horror film
Bride of the Monster (1955, originally titled
Bride of the Atom or
The Monster of the Marshes), based on an original story idea by Alex Gordon which he had originally called
The Atomic Monster. It starred Bela Lugosi as the mad scientist, Swedish wrestler
Tor Johnson as mute manservant "Lobo",
Paul Marco,
Billy Benedict ("Whitey" of
The Bowery Boys), Harvey B. Dunn and
Loretta King. Soon after the film was completed, Bela Lugosi committed himself to the Norwalk State Hospital for three months, to be treated for drug addiction. The film premiered on May 11, 1955, at the Paramount theater in Hollywood while Lugosi was institutionalized, but a special screening was arranged for him upon his release, pleasing him greatly.
The Violent Years In 1956, Wood wrote the screenplay (uncredited) for the film
The Violent Years (originally titled
Teenage Girl Gang), which was directed by William M. Morgan, starring
Playboy model
Jean Moorhead, Timothy Farrell, and serial star
I. Stanford Jolley (as a judge). Wood began filming a juvenile delinquency film called
Rock and Roll Hell (a.k.a.
Hellborn) in 1956, but producer George Weiss pulled the plug on the project after only ten minutes of footage had been completed. Wood's friend Conrad Brooks purchased the footage from Weiss, and some scenes were later incorporated as stock footage into Wood's later
Night of the Ghouls (1959). (The entire ten minutes of footage was later released complete on VHS in 1993, as
Hellborn.)
Plan 9 from Outer Space In late 1956, Wood co-produced, wrote, and directed his science fiction opus
Plan 9 from Outer Space (his screenplay was originally titled
Grave Robbers from Outer Space), which featured Bela Lugosi in a small role. (Although Lugosi died in August 1956 before production began, Wood used footage he had shot of Lugosi in 1955–1956.) The film also starred Tor Johnson, Vampira (
Maila Nurmi),
Tom Mason (who doubled for Lugosi in some scenes), and
the Amazing Criswell as the film's narrator.
Plan 9 premiered on March 15, 1957, at the Carlton Theatre in Hollywood, and later went into general release in July 1958 (retitled
Plan Nine from Outer Space) in Texas and a number of other Southern states. It was finally sold to
late night television in 1961, thereby finding its audience over the years. It became Wood's best-known film and found a
cult following in 1980 when
Michael Medved declared this film "
the worst film ever made" in his book
The Golden Turkey Awards. The film premiered at the Vista Theatre in Hollywood on a double bill with the Lana Turner movie
Imitation of Life on March 17, 1959, and then promptly vanished from circulation. For many years, it was thought to be a
lost film, but distribution of the film was held up for 25 years because Wood had not paid the lab bill. Video producer Wade Williams paid the bill and released the film on videocassette in 1984, copyrighting the film in his own name. Wood also wrote the screenplay (as "Peter LaRoche") for a 1959 "nudie cutie" film called
Revenge of the Virgins, which was directed by Peter Perry Jr.
The Sinister Urge Wood wrote and directed the exploitation film
The Sinister Urge (1960), starring Kenne Duncan, Duke Moore, Dino Fantini, Harvey B. Dunn and Carl Anthony. Filmed in just five days, this is the last mainstream film Wood directed. The film contains an "eerily prescient" scene, in which Carl Anthony's character states, "I look at this slush, and I try to remember, at one time, I made good movies". The scenes of the teenagers at the pizzeria had been previously shot in 1956 for Wood's unfinished juvenile delinquency film,
Rock and Roll Hell (a.k.a.
Hellborn). Also in 1960, Wood wrote the screenplay for
The Peeper, which he intended as a direct sequel to his 1960 film
The Sinister Urge, but it was never produced. Wood also contributed to the plot of Jane Mann's 1961 screenplay
Anatomy of a Psycho. The film was directed by Mann's husband
Boris Petroff.
Venus Flytrap (1970) aka
The Revenge of Dr. X, a US/Japanese co-production, was based on an unproduced Ed Wood screenplay from the 1950s. The film was produced and directed by Sci-Fi pulp writer Norman Earl Thomson. The film involves a mad scientist who uses lightning to transform plants into man-eating monsters. Wood did not participate in the actual making of the movie.
Take It Out in Trade In 1970, Wood wrote and directed his own pornographic film,
Take It Out in Trade, starring Duke Moore and Nona Carver. Wood played a transvestite named Alecia in the film. In 1970, Wood produced a 45 rpm record which featured Tor Johnson on one side, reading
The Day The Mummy Returned, and Criswell reading
The Final Curtain on the other. It has never been determined whether or not the record was actually released, but many of them were definitely produced.
Necromania In 1971, Wood produced, wrote and directed
Necromania (subtitled
A Tale of Weird Love) under the pseudonym "Don Miller". The film was an early entry to the new subgenre of hardcore pornographic films. Thought lost for years, it resurfaced in edited form on Mike Vraney's
Something Weird imprint in the late 1980s and was re-released later on DVD by Fleshbot Films in 2005. In the Rudolph Grey biography
Nightmare of Ecstasy,
Maila Nurmi ("Vampira") said she declined Wood's offer to do a nude scene sitting in a coffin for
Necromania, claiming she was recovering from a stroke at the time. From 1971 to 1972, Wood directed an unknown number of short X-rated films produced by the Swedish Erotica film company. These were short 12-minute loops that were silent films with subtitles. Wood was paid $100 for every ten loops he subtitled. Wood's friends Kenne Duncan and Tor Johnson both died during this period. Wood was named executor of Kenne Duncan's estate, and following Duncan's death, Wood held a small memorial funeral for him with his wife and some friends in his backyard around the swimming pool where they eulogized the departed Western film star. Wood's friend Duke Moore died in 1976. Throughout the 1970s, Wood worked with his friend Stephen C. Apostolof, usually co-writing scripts with him, but also serving as an assistant director and an associate producer. (Together they had made Wood's
Orgy of the Dead back in 1965.) Wood's last known on-screen appearance (a dual role) was in Apostolof's 1974 film
Fugitive Girls (a.k.a.
Five Loose Women), in which he played both a gas station attendant called "Pops" and a sheriff on the fugitive women's trail. In 1974, Wood was allegedly on the set of an ultra-low budget film called
Meatcleaver Massacre (1977) and is said to have co-directed at least one scene in the film (uncredited), but his involvement is dubious. At the time of his death, Wood was working on a biographical screenplay based on the last years of actor
Bela Lugosi to be called
Lugosi Post Mortem, which was supposed to star actor Peter Coe as Lugosi and Karl Johnson as his father
Tor Johnson. The nearly completed script was left behind the last time Wood was evicted and is presumed to have been discarded in the trash. Wood was also working on a screenplay for a film called
Venus De Milo, a mystery that would explain the famous statue's missing arms. Technically, Wood's last acting job was in the 1978 Stephen Apostolof film
Hot Ice. Ed Wood played a janitor in the film, but his scene was cut out at the last minute due to his drunkenness on the set. Wood died soon after this film was made in 1978, at age 54. Apostolof himself stopped making films as well at this time.
Books and novels Beginning in 1963 up until his death, Wood wrote at least 80 lurid crime and sex novels in addition to hundreds of short stories and non-fiction pieces for magazines and daily newspapers. His novels include
Black Lace Drag (1963) (reissued in 1965 as
Killer in Drag),
Orgy of the Dead (1965),
Parisian Passions (1966),
Watts the Difference (1966),
Side-Show Siren (1966),
Drag Trade (1967),
Watts After (1967),
Devil Girls (1967),
It Takes One to Know One (1967),
Death of a Transvestite (1967),
Suburbia Confidential (1967),
Night Time Lez (1968),
The Perverts (1968),
Bye Bye Broadie (1968),
Raped in the Grass (1968),
Sex, Shrouds and Caskets (1968),
Love of the Dead (1968),
The Sexecutives (1968),
Young, Black and Gay (1968),
Hell Chicks (1968),
The Gay Underworld (1968),
Carnival Piece (1969),
Toni, Black Tigress (1969), ''Mama's Diary
(1969), To Make a Homo
(1969), Mary-Go-Round
(1969), The Sexual Woman
(1971), The Only House
(1972), A Study of Fetishes and Fantasies
(1973), Tales for a Sexy Night Part 1 and 2
(1973), Sex Star
(1973), Death of a Transvestite Hooker
(1974). Forced Entry
(1974), and TV Lust'' (1977). In 1965, Wood wrote the quasi-
memoir Hollywood Rat Race, which was only published years later in 1998. In it, Wood advises new writers to "just keep on writing. Even if your story gets worse, you'll get better", and also recounts tales of dubious authenticity, such as how he and Bela Lugosi entered the world of nightclub
cabaret. Thirty-two short stories known to be written by Wood (he sometimes wrote under pseudonyms such as "Ann Gora" and "Dr. T.K. Peters") are collected in an anthology
Blood Splatters Quickly, published by OR Books in 2014.
Unrealized projects •
Dr. Acula – Wood was supposed to write and direct this proposed 1953 TV series in which
Bela Lugosi was supposed to play a mysterious investigator of the supernatural, to be produced by Ted Allan. (Lugosi mentioned it when he appeared that year on
You Asked for It.) • '
Sequel to Mother Riley Meets the Vampire''''' – Lugosi was offered the lead role in a proposed 1953 sequel to the Mother Riley comedy film he made in England in 1951, provided he travel back to England to appear in it. This sequel was never made however as Lugosi was too ill at the time to travel. In 1953, Ed Wood's friend producer Alex Gordon proposed creating an extended version of the 1951 film to be called
King Robot which would incorporate newly filmed footage of Lugosi. The project was abandoned since by that time, Lugosi appeared too ill to match the earlier footage. •
The Six Arms of Siva – This was a 1953 adventure novel written by Walter C. Brown which Wood and Lugosi were considering buying the film rights to, but the deal fell through. • '
3-D Remake of Dracula
(1931)' – Ed Wood and teenage Lugosi fan Richard Sheffield petitioned Universal Studios in 1953 to make a Color/ 3-D remake of the 1931 classic
Dracula, starring Lugosi in the lead. Although they gathered hundreds of signatures, nothing came of their efforts. • '''''The Vampire's Tomb'''
– This was a planned July, 1954 horror film starring Bela Lugosi as the "Dr. Acula" character again. The cast would also have included Loretta King, Bobby Jordan (of The Bowery Boys''),
Dolores Fuller, Lyle Talbot, Duke Moore, Tom Keene and a Vampira-lookalike named "Devila". Wood's plot was very similar to that of
Tod Browning's
London After Midnight, only with a female vampire. Wood shelved this project and filmed
Bride of the Monster instead. Wood however did film some test footage of Lugosi wearing his Dracula cape in a local graveyard for this project which became part of the stock footage which was later incorporated into Wood's 1957
Plan 9 from Outer Space film. •
The Bowery Boys Meet The Monsters – Lugosi was initially considered for the role of the mad scientist in this 1954 horror-comedy, but he was replaced in the cast by John Dehner at the last minute. •
Bela Lugosi Comics – In March 1954, Wood tried to interest a number of comic book publishers in a monthly Bela Lugosi title, to no avail. Among the companies he contacted were DC Comics, Dell, Fiction House, Ziff-Davis, Quality and Toby Press. •
Doctor Voodoo (a.k.a.
Voodoo Doctor) – A projected 1954 horror film (similar in plot to the 1934 Universal film
The Black Cat) that was supposed to have starred both
Bela Lugosi and
Boris Karloff, but Allied Artists rejected the script. It is said Karloff really wanted no part of the project anyway. •
Rock and Rock Hell (or
Hellborn) – Wood's version of
Rebel Without a Cause, it was supposed to have starred
Conrad Brooks, Duke Moore, Tom Mason and Wood himself, to be produced by George Weiss. It began shooting in June 1956, but Weiss decided to abandon the project and sold the ten minutes of footage they shot to
Conrad Brooks. Footage from this film was later incorporated into Wood's 1959
Night of the Ghouls. •
Ghouls of the Moon – Another attempt to build a horror film around a reel of unused silent footage that had been taken of Lugosi before he died in 1956, but nothing came of it since by 1958, Wood discovered the film in the can had degraded into an unusable sludge due to bad storage conditions. •
Masquerade into Eternity – A 1959 Cold War political drama that Wood was supposed to write and direct, about a troupe of actors who get stranded in post-Revolution Cuba; it was to be produced by Ben Frommer, who was slated to play a Communist Colonel, but the project fell through. •
Portraits in Terror – A 1960 made-for-TV trilogy consisting of three episodes; it was to include "The Final Curtain", "The Night the Banshee Cried" and
Into My Grave (all written and directed by Wood), but the project fell through, with only the first two installments produced. •
The Enchanted Isle – An unfilmed 1966 Ed Wood screenplay for a film that was supposed to feature
Lon Chaney Jr.,
Dana Andrews and
John Ireland, about a Mafia princess stranded on a South Sea island and a mystery involving black pearls. (Wood originally wrote the screenplay back in 1954 and had tried at that time to interest producer Ron Ormond in the project, unsuccessfully.) ==Personal life==