Psalm 23

The theme of God as a shepherd was common in ancient Israel and Mesopotamia. For example, King Hammurabi, in the conclusion to his famous legal code, wrote: "I am the shepherd who brings well-being and abundant prosperity; my rule is just.... so that the strong might not oppress the weak, and that even the orphan and the widow might be treated with justice." This imagery and language were well known to the community that created the Psalm, and it was easily imported into its worship. Psalm 23 portrays God as a good shepherd, feeding (verse 1) and leading (verse 3) his herd. The "rod and staff" (verse 4) are also the implements of a shepherd. Some commentators see the shepherd imagery pervading the entire psalm. It is known that the shepherd is to know each sheep by name, thus when God is given the analogy of a shepherd, he is not only a protector but also the caretaker. God, as the caretaker, leads the sheep to green pastures (verse 2) and still waters (verse 2) because he knows that each of his sheep must be personally led to be fed. Thus, without its shepherd, the sheep would die either by a predator (like the wolf) or of starvation, since sheep are known for their helplessness without their shepherd. J. Douglas MacMillan argues that verse 5 ("Thou preparest a table before me") refers to the "old oriental shepherding practice" of using little raised tables to feed sheep. Similarly, "Thou anointest my head with oil" may refer to an ancient form of backliner – the oil is poured on wounds, and repels flies. MacMillan also notes that verse 6 ("Goodness and mercy shall follow me") reminds him of two loyal sheepdogs coming behind the flock. Taken together, Psalms 22, 23, and 24 are seen by some as shepherd psalms, where the good shepherd lays down his life for the sheep as a suffering servant and king. ==Text==

The following table shows the Hebrew text of Psalm 23 with vowels, alongside the Koine Greek text in the Septuagint and the English translation from the King James Version. Note that the meaning can slightly differ between these versions, as the Septuagint and the Masoretic Text come from different textual traditions. In the Septuagint, this psalm is numbered Psalm 22. There are frequently multiple renditions of the Psalms in the same language: for example renditions optimized for singing or chanting and renditions intended for study or exposition. For example, there are three Latin versions of the Psalms associated with Jerome: the juxta Hebraicum derived from the Hebrew, the Gallican psalter, and the Roman Psalter. In Carolingian Europe, the Roman Psalter gave way to the Gallican in the liturgy (e.g. in the standard English Use of Sarum liturgies), but was still used in the Divine Office, while the Vulgate continued to use juxta Hebraicum until 1592, when it was standardized to use the Gallican version for public exegesis. Similarly, in English the first Book of Common Prayer adopted Miles Coverdale's prose rendition, while the King James Version has its own translation. But Coverdale also published versions of Luther's translation, psalter versions more aligned with the Vulgate (for following Latin readings), and a translation of a French paraphrase. Coverdale's prose version was the basis of the popular metrical Whole Book of Psalms. Historical English ==Uses in Judaism==

Psalm 23 is traditionally sung during the third Shabbat meal as well as before the first and second, and in some of Jewish communities during the Kiddush. It is also commonly recited in the presence of a deceased person, such as by those keeping watch over the body before burial, and at the funeral service itself. ==Uses in Christianity==

's 1863 painting The Lord Is My Shepherd, depicting a devout man reading a Bible (Smithsonian) For Christians, the image of God as a shepherd evokes connections not only with David but with Jesus, described as the "Good Shepherd" in the Gospel of John. The phrase "the valley of the shadow of death" is often taken as an allusion to the eternal life given by Jesus. Orthodox Christians typically include this Psalm in the prayers of preparation for receiving the Eucharist. The Reformation inspired widespread efforts in western Europe to make biblical texts available in vernacular languages. One of the most popular early English versions was the Geneva Bible (1557). The most widely recognized version of the psalm in English today is undoubtedly the one drawn from the King James Bible (1611). In the Catholic Church, this psalm is assigned to the Daytime hours of Sunday Week 2 in the Liturgy of the Hours. It is also sung as a responsorial in Masses for the dead. In the Church of England's Book of Common Prayer, it is appointed to be read on the evening of the fourth day of the month. In the Agpeya, the Coptic Church's book of hours, this psalm is prayed in the office of Terce. It is also in the prayer of the Veil, which is generally prayed only by monks. The psalm is a popular passage for memorization and is often used in sermons. Many phrases in the English translation of the psalm have become individually popular in their own right, in particular, “the Lord is my shepherd, I shall not want”, much of verse 4, and “my cup runneth over”. Use in funerals In the 20th century, Psalm 23 became particularly associated with funeral liturgies in the English-speaking world, and films with funeral scenes often depict a graveside recitation of the psalm. Official liturgies of English-speaking churches were slow to adopt this practice. In the Church of England, the Book of Common Prayer has only Psalms 39 and 90 in its Order for the Burial of the Dead. In the Episcopal Church in the United States, Psalm 23 was not used for funerals until the 1928 revision of the prayer book. ==Musical settings==

Metrical versions In Christianity, a number of paraphrased versions of Psalm 23 emerged after the Protestant Reformation in the form of Metrical psalms — poetic versions that could be set to hymn tunes. An early metrical version of the psalm in English was made in 1565 by Thomas Sternhold. Other notable metrical versions to emerge from this period include those from The Bay Psalm Book (1640), the Sidney Psalms by Philip Sidney, and settings by George Herbert and Isaac Watts. Although widely attributed to the English Parliamentarian Francis Rous, the text was the result of significant editing by a translating committee in the 1640s before publication. The hymn is one of the most popular hymns amongst English-speaking congregations today, and it is traditionally sung to the hymn tune Crimond, generally attributed to Jessie Seymour Irvine. Liturgical and classical • Heinrich Schütz: a setting of a metric paraphrase in German by Cornelius Becker, "Der Herr ist mein getreuer Hirt", SWV 120, for the Becker Psalter (1628) • Johann Sebastian Bach: Cantata No.112 Der Herr ist mein getreuer Hirt, BWV 112, based on a metric paraphrase in German by Wolfgang Meuslin • James Leith Macbeth Bain: hymn tune ''Brother James' Air'' • Rabbi Ben Zion Shenker: Notable performance by Itzhak Perlman and Cantor Yitzchak Meir Helfgot • Lennox Berkeley: Op. 91, No. 1 (1975) • Leonard Bernstein: Chichester Psalms (Hebrew, in Part 2, together with Psalm 2) • Anton Bruckner: Psalm 22 Der Herr regieret mich WAB 34 () • Noah Creshevsky: Psalm XXIII (2003) • Paul Creston: Psalm XXIII (1945) • Antonín Dvořák: verses 1–4 in the Žalm 23|1613 Czech, No. 4 of his Biblical Songs (1894) • Howard Goodall • Alan Hovhaness: Symphony No. 12, movements 2 and 4 • Herbert Howells: Hymnus Paradisi • Jessie Seymour Irvine: hymn tune Crimond • Friedrich Kiel: verse 4 in No. 1 of his Six Motets, Op. 82 • Franz Liszt • Albert Hay Malotte • Clément Marot (in Latin) • Alfred Newman in the film David and Bathsheba • George Rochberg • Miklós Rózsa • Edmund Rubbra: Three Psalms, Op. 61 (No. 2) • John Rutter: The Lord Is My Shepherd (1978), included in his Requiem (1985) • Franz Schubert: "Gott meine Zuversicht" ("Gott ist mein Hirt", 1820) (German text by Moses Mendelssohn) • Charles Villiers Stanford: "The Lord is my shepherd" (1886) • Randall Thompson • Benjamin Till: "Mizmor L'David" (2020, in Hebrew) • Ralph Vaughan Williams • Alexander Zemlinsky: Op. 14, (1910) for chorus and orchestra • Rabbi Shlomo Carlebach: Gam Ki Elech b'Gey Tzalmavet Lo Irah Rah Ki Atah Imadi. גם כי אלך Songs • 1958: Duke Ellington – "Part VI" from Black, Brown and Beige with Mahalia Jackson • 1966: The Moody Blues – "23rd Psalm" from the album The Magnificent Moodies deLuxe Edition (not released until 2014) • 1966: Ed Ames – "My Cup Runneth Over" RCA Victor single from the Musical Production "I Do!, I Do!" • 1972: Dave Cousins – "Lay Down" from the album Bursting at the Seams • 1977: Dennis Brown – "Here I Come" from the album Wolf & Leopards • 1977: Peter Tosh – "Jah Guide" from the album Equal Rights • 1977: Pink Floyd – "Sheep" from the album Animals • 1978: Patti Smith Group – "Privilege (Set Me Free)" from the album Easter • 1980: Grateful Dead – "Alabama Getaway" from the album Go to Heaven • 1981: Venom – "Welcome To Hell" from the album Welcome to Hell • 1982: Keith Green – "The Lord is my shepherd" from the album Songs for the Shepherd • 1983: Marillion – "Forgotten Sons" from the album ''Script for a Jester's Tear'' • 1985: Judy Collins – "The Lord is my shepherd" from the album Amazing Grace • 1988: Diamanda Galás – "The Lord is my shepherd" from the album You Must Be Certain of the Devil • 1988: U2 – "Love Rescue Me" from the album Rattle and Hum • 1989: Lil' Louis – "Blackout" from the album From The Mind Of Lil Louis • 1990: Bobby McFerrin – "The 23rd Psalm" from the album Medicine Music • 1993: Alpha Blondy – "Psaume 23" from the album Jerusalem • 1993: Christian Death – ''Psalm (Maggot's Lair) from album Path of Sorrows'' • 1994: Howard Goodall – theme to The Vicar of Dibley, later covered by Katherine Jenkins and The Choirboys • 1994: Garnett Silk - "Splashing Dashing" from the album Give I Strength • 1995: Coolio feat. L.V. – "Gangsta's Paradise" • 1995: Michael W. Smith – "As It Is In Heaven" from ''I'll Lead You Home'' • 1995: Tupac Shakur – "So Many Tears" from the album Me Against The World • 1996: Cissy Houston, (Whitney Houston's mother) – "The Lord is my shepherd" from ''The Preacher's Wife: Original Soundtrack Album'' • 1996: Staind “Four Walls” from the album Tormented • 1997: Christopher Wallace (The Notorious B.I.G.) – "You're Nobody ('Til Somebody Kills You)" from the album Life After Death • 1998: Colin Mawby – recording with Charlotte Church • 1998: Kathy Troccoli – "Psalm 23" from Corner of Eden • 1999: E Nomine – "Psalm 23" from the album Das Testament • 1999: Jonathan Elias – "Forgiveness" from the album The Prayer Cycle • 1999: Ky-mani Marley – "Lord is my shepherd" from the album The Journey • 2000: Mark Knopfler – "Baloney Again" from the album Sailing to Philadelphia • 2000: Marilyn Manson – "In The Shadow Of The Valley Of Death" from the album Holy Wood • 2001: Dan Nichols – "Psalm 23" from the album Be Strong • 2002: Boards of Canada – "From One Source All Things Depend" from the album Geogaddi • 2003: Lucinda Williams – "Atonement" from the album World Without Tears • 2004: Kanye West – "Jesus Walks" from the album The College Dropout • 2004: Megadeth – "Shadow of Deth" from the album The System Has Failed • 2004: OverClocked Remix – "Beneath the Surface (Aquatic Ambiance)" from Kong in Concert • 2005: Ministry (band) – "No W (Redux)" from Rantology • 2005: The Tossers - "The Valley of the Shadow of Death" from the album The Valley of the Shadow of Death • 2006: Don Moen - “Psalm 23” from the album “Hiding Place” • 2007: Group 1 Crew – "Forgive Me" from the album Group 1 Crew • 2007: Dream Theater – "In The Presence Of Enemies Part 2" from the album Systematic Chaos • 2008: Jon Foreman – "The House of God, Forever" from the EP, Summer • 2008: The Offspring – "Hammerhead" from the album Rise and Fall, Rage and Grace • 2009: India.Arie, MC Lyte – "Psalms 23" from the album Testimony: Vol. 2, Love & Politics • 2009: Rick Ross – "Valley of Death" from the album Deeper Than Rap • 2010: Nas & Damian Marley – "Strong Will Continue" from the album Distant Relatives • 2011: Hollywood Undead – "Hear Me Now" from the album American Tragedy • 2012: Shawn James – "Through the Valley" from the album Shadows • 2013: J. Cole (featuring Kendrick Lamar) — "Forbidden Fruit" • 2016: The Last Shadow Puppets – "Everything You've Come to Expect" from the album of the same name • 2017: Atzmus (band) - "Más Humano" (single) ==See also==