Rex Harrison

Reginald Carey Harrison was born on 5 March 1908 at Derry House in Huyton, Lancashire, the son of Edith Mary (née Carey) and William Reginald Harrison, a cotton broker. From the age of 10 he went by the name "Rex", which he adopted for himself. He was the youngest of three children and had two older sisters, Edith Marjorie Harrison and Sylvia Sackville, Countess De La Warr. He was educated at Birkdale preparatory school and Liverpool College. After a bout of childhood measles, Harrison lost most of the sight in his left eye. He showed an early desire to become an actor, with regular appearances in school plays, and visits to the Liverpool Playhouse. ==Stage career==

, Liverpool where Harrison made his stage debut in 1924 Harrison first appeared on stage in 1924 in Thirty Minutes in a Street at the Liverpool Playhouse, when he was 16 years old. He remained there, playing small parts, until 1927 when he joined a touring production of ''Charley's Aunt. Six years of touring and repertory followed. He achieved critical acclaim for Heroes Don't Care'' in 1936. His West End debut in the same year was in Terence Rattigan's French Without Tears which proved to be his breakthrough stage role as a leading light comedian. as Eliza Doolittle in the musical My Fair Lady He alternated appearances in London and New York in such plays as Bell, Book and Candle (1950), Venus Observed, The Cocktail Party, The Kingfisher and The Love of Four Colonels, which he also directed. He won his first Tony Award for his appearance at the Shubert Theatre as Henry VIII in Maxwell Anderson's play Anne of the Thousand Days and international superstardom (and a second Tony) for his portrayal of Henry Higgins in the 1956 stage musical My Fair Lady, where he appeared opposite Julie Andrews. Later appearances included a 1984 appearance at the Haymarket Theatre with Claudette Colbert in Frederick Lonsdale's ''Aren't We All?'', and one on Broadway at the Brooks Atkinson Theatre presented by Douglas Urbanski, at the Haymarket in J. M. Barrie's The Admirable Crichton with Edward Fox. He returned as Henry Higgins in the revival of My Fair Lady directed by Patrick Garland in 1981. Having retired from films after A Time to Die in 1983, Harrison continued to act on Broadway and the West End until the end of his life, despite suffering from glaucoma, painful teeth, and a failing memory. Later roles included Julius Caesar in Caesar and Cleopatra, and General Burgoyne in a Los Angeles production of ''The Devil's Disciple''. He was nominated for a third Tony Award in 1984 for his performance as Captain Shotover in the revival of George Bernard Shaw's Heartbreak House. He followed with two successful pairings with Claudette Colbert, The Kingfisher in 1985 and ''Aren't We All? in 1986. In 1989, he appeared with Edward Fox in The Admirable Crichton in London. In 1989/90, he appeared on Broadway in The Circle'' by W. Somerset Maugham, opposite Glynis Johns, Stewart Granger, and Roma Downey. The production opened at Duke University for a three-week run followed by performances in Baltimore and Boston before opening 14 November 1989 on Broadway. ==Film career==

Harrison's film debut was in The Great Game (1930) and he had a bit part in The School for Scandal (1930). He had support roles in Get Your Man (1934), Leave It to Blanche (1934), and All at Sea (1935), and a better part in Men Are Not Gods (1936) as a reporter in love with Miriam Hopkins; this was the first time Harrison worked for Alexander Korda. Leading man Harrison's first starring role was in the romantic comedy Storm in a Teacup (1937), opposite Vivien Leigh, for Korda. He starred in School for Husbands (1937) then reteamed with Leigh in ''St. Martin's Lane'' (1938). Harrison had a key support role in The Citadel (1938) for MGM and starred in a comedy for Korda, Over the Moon (1939) alongside Merle Oberon. He starred in some thrillers: The Silent Battle (1939), Ten Days in Paris (1940) and Night Train to Munich (1940), the latter directed by Carol Reed and co starring Margaret Lockwood. Harrison played Adolphus in Major Barbara (1941)—filmed in London during The Blitz of 1940, a role for which he received critical acclaim, and a success at the British box office. He was then absent from screens due to war service (1942–1944). Harrison appeared opposite Anna Neagle in I Live in Grosvenor Square (1945) which was another big hit. Also popular was ''The Rake's Progress'' (1946), directed by Sidney Gilliat. 20th Century Fox Harrison received an offer from 20th Century Fox to star in Anna and the King of Siam (1946) in Hollywood. Harrison signed a long-term contract with Fox. Anna was popular, as was The Ghost and Mrs. Muir (1947) with Gene Tierney and The Foxes of Harrow (1947) with Maureen O'Hara. Escape (1949) reunited Harrison with Joseph L. Mankiewicz who had made Ghost and Mrs Muir. Return to England Back in England, he appeared in The Long Dark Hall (1951) opposite his then wife Lilli Palmer. They co-starred in an adaptation of The Four Poster (1952). In Hollywood, he made his first action film, the medieval epic King Richard and the Crusaders (1954) playing Saladin. In England, Harrison was in The Constant Husband (1955) for Sidney Gilliat and British Lion. It was a hit at the box office. America Harrison was offered top billing in MGM's The Reluctant Debutante (1958) alongside his wife Kay Kendall. He co-starred opposite Doris Day in Midnight Lace (1960) and Rita Hayworth in The Happy Thieves (1961). in Cleopatra (1963) for which he was nominated for an Academy Award Harrison received an offer from Joseph L. Mankiewicz to play Julius Caesar in the 20th Century Fox epic Cleopatra (1963). In 1964 Harrison reprised his 1956 stage performance as Henry Higgins in My Fair Lady, for which he won an Oscar for Best Actor. He was one of several stars in the popular The Yellow Rolls-Royce (1964), and played the Pope opposite Charlton Heston in Fox's The Agony and the Ecstasy (1965), for Carol Reed. Harrison starred in 1967's Doctor Dolittle. At the height of his box office fame after the success of My Fair Lady, Harrison proved a temperamental force during production, demanding auditions for prospective composers after musical playwright Leslie Bricusse was contracted and demanding to have his singing recorded live during shooting, only to agree to have it rerecorded in post-production. He also disrupted production by engaging in incidents with his then wife, Rachel Roberts, and through other deliberate misbehaviour, such as intentionally moving his yacht in front of cameras during shooting in St Lucia and refusing to move it out of sight, all prompted by contract disputes. Harrison was at one point temporarily replaced by Christopher Plummer, until he agreed to be more cooperative. Harrison was not by any objective standards a singer and the talking on pitch style he used in My Fair Lady was adopted by many other classically trained actors with limited vocal ranges; the music was written to allow for long periods of recitative, or "speaking to the music". Nevertheless "Talk to the Animals", which Harrison performed in Doctor Dolittle, won the Academy Award for Best Original Song in 1967. In a rare coincidence the very next year his son Noel Harrison sang the song that won the Academy Award for Best Original Song, "The Windmills of Your Mind." Harrison reunited with Mankiewicz in The Honey Pot (1967), a modern adaptation of Ben Jonson's play Volpone. Two of his co-stars, Maggie Smith and Cliff Robertson, were to become lifelong friends. Both spoke at his New York City memorial at the Little Church Around the Corner when he died in 1990. Harrison made two more films for 20th Century Fox, both expensive play adaptations that failed at the box office: A Flea in Her Ear (1968), and Staircase (1969). Later film career After a break from screen acting, Harrison appeared in The Prince and The Pauper (1977) and a Hindi film, Shalimar, alongside Indian Bollywood stars Dharmendra and Zeenat Aman. He had small roles in Ashanti (1979), The Fifth Musketeer (1979) and A Time to Die (shot 1979), his last film. ==Personal life==

Alexander Walker wrote: "in looks and temperament, Rex went back to the Elizabethans. They would have called him 'a man of passionate parts'. His physique and looks were far more striking once middle age had literally stretched too smooth and callow a youthful face into a long, saturnine physiognomy, whose hooded eyes and wide mouth had satyr-like associations for some people." Harrison was married six times. In 1942, he divorced his first wife, Noel Margery Colette Thomas, and married actress Lilli Palmer the next year; they later appeared together in numerous plays and films, including The Four Poster. Whilst married to Palmer, he built a villa at Portofino, San Genesio, where over the years he hosted showbiz royalty including Laurence Olivier, Vivien Leigh and John Gielgud and real royalty, the Duke of Windsor and his wife the Duchess. In 1947, while married to Palmer, Harrison began an affair with actress Carole Landis. Landis took her own life in 1948 after spending the evening with Harrison. Harrison's involvement in the scandal by waiting several hours before calling a doctor and police briefly damaged his career and his contract with Fox was ended by mutual consent. In 1955, Harrison starred opposite Kay Kendall in The Constant Husband, and they had an affair. When he learned that Kendall had been diagnosed with myeloid leukaemia, he and Palmer agreed to divorce so that he could marry Kendall and provide for her care. Harrison and Palmer divorced in 1957 and he married Kendall the same year. Kendall died of myeloid leukaemia in 1959. Terence Rattigan's 1973 play In Praise of Love was written about the end of this marriage, and Harrison appeared in the New York production playing the character based on himself. Rattigan was said to be "intensely disappointed and frustrated" by Harrison's performance, as "Harrison refused to play the outwardly boorish parts of the character and instead played him as charming throughout, signalling to the audience from the start that he knew the truth about [the] illness." Critics, however, were quite pleased with the performance and although it did not have a long run it was yet another of Harrison's well-plotted naturalistic performances. He was subsequently married to Welsh actress Rachel Roberts from 1962 to 1971. Harrison then married Welsh socialite Elizabeth Rees-Williams, divorcing in 1975; finally, in 1978, he married Mercia Tinker, his sixth and final wife. In 1980, despite his having married twice since their divorce, Roberts made a final attempt to win Harrison back, which proved to be futile; she took her own life that same year. Harrison's elder son, Noel Harrison, became an Olympic skier, singer and occasional actor; he toured in several productions including My Fair Lady in his father's award-winning role; Noel died suddenly of a heart attack on 19 October 2013 at age 79. Rex's younger son, Carey Harrison, was a playwright and social activist. He died of a heart attack on 22 January 2025, ==Death==

Harrison died from the effects of pancreatic cancer at his home in Manhattan, New York City, on 2 June 1990 at the age of 82. He had been diagnosed with the disease only a short time before. The stage production in which he was appearing at the time, The Circle, came to an end upon his death. His body was cremated and his ashes were scattered in Portofino. Harrison's second autobiography, A Damned Serious Business: My Life in Comedy, was published posthumously in 1991. ==Filmography==

Film Television Theatre Radio ==Honours and legacy==

• On 17 June 1989, Harrison was knighted by Queen Elizabeth II at Buckingham Palace. • Rex Harrison has two stars on the Hollywood Walk of Fame, one at 6906 Hollywood Boulevard for his contribution to films, and the other at 6380 Hollywood Boulevard for his contribution to television. Harrison is also a member of the American Theater Hall of Fame. He was inducted in 1979. == Recognition ==

Seth MacFarlane, creator of the American animated series Family Guy, modelled the voice of the character Stewie Griffin after Harrison, after seeing him in the film adaptation of My Fair Lady. Ex-CIA chief of disguise Jonna Mendez stated in 2019 that a mask of Harrison was used by multiple CIA agents for covert work. The moulds of his face were larger and so could fit over a smaller agent's face. The moulds were made from aluminium and bought from Hollywood film facilities. She mentioned that his likeness was "taking part in a lot of operations". According to Mendez, Rex Harrison's aluminium facial props mould was used as a baseline for over-the-head masks that the agency would create and use operationally. The masks came in small, medium and large sizes, with Rex's mould becoming the agency's standard "large" size. Subsequently, many undercover operatives' real identities were disguised by masks bearing Rex's facial features. ==See also==