Eventually a new reverse appeared, first
Luna driving a
biga (two horse chariot) in 194–190 BC, and then
Victory driving a biga in 157 BC – thought to refer to the final defeat of
Perseus of Macedon at the
battle of Pydna by
Lucius Aemilius Paulus in 168 BC. These Victory "bigati" became the most common type of denarius. Denarii were marked with special symbols (such as a star or an anchor) from very shortly after their introduction and soon monograms indicating the tresviri monetales (mint masters, often called moneyers, that were responsible for the issue) were on the coins. In some cases the symbols are "punning". The example reverse shown to the left (RRC 187/1 showing Luna driving a biga) is one such; a shell symbol appears above the horses along with the letters "PVR" below. The shell is thought to be a
murex shell; this was the source of
Tyrian purple (in Latin: purpureo) and this, along with the letters, is thought to refer to a Furius Purpureo. This type of reference to the moneyers became more and more explicit, and eventually developed into self-advertising to further the political career of the moneyers. Families who had already had members in the Senate were more likely to have further family members elected to political office (and thus become senators). This was so much more likely that only a few consular
novi homines (new men) are known to history. Advertising on coins was thus often about the moneyer's family. In the coin reverse shown on the right (RRC 268/1b), the legend around the outside indicates that moneyer was N. Fabius Pictor. The seated individual is wearing a
cuirass, holding a spear in his left hand and an
apex, the characteristic hat worn by the
flamines, in his right. At his side there is a shield inscribed QUIRIN. This is taken to refer to Q. Fabius Pictor (probably the son of
Quintus Fabius Pictor the
annalist) who was elected
praetor in 189 BC and assigned the province of Sardinia by lot (Livy 37.50.8). He was also the
flamen Quirinalis and because of this, P. Licinius Crassus, the
pontifex maximus of the day did not allow him to take the Sardinian office because of various taboos surrounding the flamen's person, and the need for the flamen to perform certain rites in Rome (Livy 37.51.3–7). The Sardinian praetorship was exchanged for both the urban and peregrine praetorships, and N. Fabius Pictor remained in Rome. The entire incident was part of the political manoeuvring of
Scipio Africanus against his attackers, which included the Fabii. Over time, the politics of the day became more and more visible in the coinage. In 54 BC, the
First Triumvirate had control of Rome, and
Pompey was its preeminent member. There were rumours that Pompey was to be made
dictator. In this context, the coin on the left (Crawford 433/2) was a powerful political message. The moneyer,
Marcus Junius Brutus, placed on the coin two figures from Roman history that he claimed as ancestors: •
Lucius Junius Brutus of the
Junia gens, who was made the first consul of the republic of Rome in 509 BC after he expelled
Lucius Tarquinius Superbus, the last of the Roman kings, and •
Gaius Servilius Ahala, who killed
Spurius Maelius – a knight who endeared himself to the populace of Rome by providing free grain during a famine – reputedly in a bid for seeking kingship – in 439 BC. Marcus Brutus was also known as Quintus Servilius Caepio Brutus, as he had been adopted into the
gens Servilia, from which he was descended on his mother's side. In the face of famine in 57 BC Pompey had been made a special commissioner to control the supply of grain; this included the control of all ports and trading centres for five years. There was earlier bad blood between them; Pompey had put down an earlier insurrection by
Marcus Aemilius Lepidus in which Brutus's father had been involved; Pompey had had him executed. It was the opposition of
Cato the Younger, Brutus's half-brother on his adopted family's side, to Pompey's requests for land for his veterans of the war against Mithradates that gave Pompey the incentive to be part of the triumvirate. M. Brutus was clearly making a pointed, uncompromising statement of opposition to Pompey and the triumvirate while praising his ancestors. In 44 BC,
Julius Caesar was preparing for war with
Parthia to avenge the defeat inflicted by the Parthians on
Crassus at the
Battle of Carrhae. To this end, an enormous variety of denarii and aureii were being minted in large numbers. The coin on the right is from January–February 44 BC. The Venus holding Victory and a sceptre on the reverse was a reference to the claim of the
gens Julia to descend from
Aeneas and thus
Anchises and the goddess
Venus. This was innocuous to Romans, but the obverse showing Caesar himself wearing the gold laurel wreath that the Senate had voted for him was an enormous departure from tradition and deeply offensive. While the coinage had been used to show ancestors, this is the first time that the head of a living Roman had been displayed on Roman coinage. It was widely perceived as part of a larger series of moves by Caesar to make himself king – and kings were anathema in Rome ever since the foundation of the republic. Other coins minted at the same time bore the text "DICT QVART", indicating that Caesar had been dictator for four years running. A later version (RRC 480/10, February–March 44 BC) showed "DICT PERPET"; Caesar had been made dictator for life. He was assassinated, by Brutus among others, on the
Ides of March, 44 BC. The assassination could not revive the republic. Two years later, just prior to the
Battle of Philippi, Brutus produced a coin (RRC 508/3, modern forgery shown to the left) celebrating the freeing of the republic from Caesar's tyranny. The reverse showed two daggers flanking a
pileus (a cap used in the ceremony freeing slaves) and the legend "EID MAR" (
Eidibus Martiis - on the Ides of March). On the obverse, Brutus, the "noblest Roman", had placed his own head. The republic survived, by convention more than reality, until Octavian, Caesar's nephew and heir was declared
Augustus in 27 BC. ==Sources of evidence==