Phonologically, Hokkien is a
tonal language with extensive
tone sandhi rules.
Syllables consist maximally of an initial
consonant, a
vowel, a final consonant, and a tone.
Consonants Unlike many other varieties of Chinese such as Mandarin,
Cantonese,
Hakka, etc., there are no native
labiodental phonemes (i.e. , , , etc.). • Coronal affricates and fricatives become
alveolo-palatal before , that is, , , , and are pronounced , , , and . • The consonant may be realized as a fricative; that is, as in most environments and before . • The
voiced plosives ( and ) become the corresponding fricatives ( and ) in some phonetic contexts. This is similar to
begadkefat in
Hebrew and a similar
allophony of intervocalic
plosive consonants and their fricatives in
Spanish.
Vowels Taiwanese has the following
vowels: The vowel is akin to a
schwa; in contrast, (with dot) or is a more
open vowel. In addition, there are several
diphthongs and
triphthongs (for example, ). The consonants and can function as a
syllabic nucleus and are therefore included here as vowels. The vowels may be either plain or
nasal: is non-nasal, and or is the same vowel with concurrent nasal articulation. This is similar to
French,
Portuguese,
Polish, and many other languages. There are two pronunciations of vowel . In the south (e.g.,
Tainan and
Kaohsiung) it is ; in the north (e.g.,
Taipei) it is . Due to the development of transportation and communication, both pronunciations are common and acceptable throughout the country. is a diphthong
iɪ] before -k or -ng (), and is slightly shortened and retracted before -p or -t to something more like
í̞]. Similarly, is slightly shortened and retracted before -t or -n to something more like
ʊ].
Tones In the traditional analysis, there are eight "tones",
numbered from 1 to 8. Strictly speaking, there are only five
tonal contours. But as in other Sinitic languages, the two kinds of stopped syllables are also considered to be tones and assigned numbers 4 and 8. Words of tone 6 have merged into either tone 2 or tone 7 in most Taiwanese variants, and thus tone 6 is duplicated in the count. Here the eight tones are shown, following the traditional tone class categorization, named after the tones of
Middle Chinese: : See (for one example) the modern phonological analysis in , which challenges these notions. For tones 4 and 8, a final consonant , , or may appear. When this happens, it is impossible for the syllable to be nasal. Indeed, these are the counterpart to the nasal final consonants , , and , respectively, in other tones. However, it is possible to have a nasal 4th or 8th tone syllable such as or , as long as there is no final consonant other than . In the dialect spoken near the northern coast of Taiwan, there is no distinction between tones number 8 and number 4 – both are pronounced as if they follow the
tone sandhi rules of tone number 4. Tone number 0, typically written with two consecutive hyphens (--a) or a point (·a) before the syllable with this tone, is used to mark
enclitics denoting the extent of a verb action, the end of a noun phrase, etc. A frequent use of this tone is to denote a question, such as in or (). This is realized by speaking the syllable with either a low-falling tone (3) or a low stop (4). The syllable prior to the maintains its original tone.
Ninth tone Although uncommon in written Taiwanese, there is a ninth tone which is used for three main purposes: contractions, triplicated adjectives, and
loan words. The writing conventions for this tone vary, but the most common are with a
breve accent (U+0306, ⟨◌̆⟩) in POJ and with a
double acute accent (U+030B, ⟨◌̋⟩) in Tai-lo.
Tone sandhi Taiwanese has extremely extensive
tone sandhi (tone-changing) rules: in an utterance, only the last syllable pronounced is not affected by the rules. What an '
utterance' (or '
intonational phrase') is, in the context of this language, is an ongoing topic for linguistic research, but some general rules apply: The following syllables are unaffected by tone sandhi: • The final syllable in a
sentence,
noun (including single syllable nouns, but not
pronouns), number, time phrase (i.e., today, tomorrow, etc.), spatial
preposition (i.e., on, under), or
question word (i.e., who, what, how). • The syllable immediately preceding a neutralized tone. In POJ and TL, this is the syllable before a double hyphen, e.g., or . • Some common
aspect markers: , , or , or .
Normal tone sandhi The following rules, listed in the traditional pedagogical mnemonic order, govern the pronunciation of tone on each of the syllables affected (that is, all but those described according to the rules listed above): • If the original tone number is
5, pronounce it as tone number
3 (
Quanzhou/Taipei speech) or
7 (
Zhangzhou/Tainan speech). • If the original tone number is
7, pronounce it as tone number
3. • If the original tone number is
3, pronounce it as tone number
2. • If the original tone number is
2, pronounce it as tone number
1. • If the original tone number is
1, pronounce it as tone number
7. • If the original tone number is
8 and the final consonant is not
h (that is, it is
p,
t, or
k), pronounce it as tone number
4. • If the original tone number is
4 and the final consonant is not
h (that is, it is
p,
t, or
k), pronounce it as tone number
8. • If the original tone number is
8 and the final consonant is
h, pronounce it as tone number
3. • If the original tone number is
4 and the final consonant is
h, pronounce it as tone number
2. An example of the normal tone sandhi rule is: : : 7 + 7 → 3 + 7 : : 4 + 4 → 2 + 4
Double tone sandhi There are a number of a single syllable words that undergo double tone sandhi, that is, they follow the tone change rule twice and are pronounced according to the second tone change. These syllables are almost always a 4th tone ending in
-h, and include the words 欲 (beh), 佮 (kah), 閣 (koh), 才 (chiah/tsiah), as well as the 3rd tone verb 去 khì. As a result of following the tone change rule twice, these syllables are all pronounced as tone number
1. :
Before the -á suffix Apart from the normal tone sandhi rules described above, there are two special cases where a different set of tone sandhi apply. In a noun with the noun
suffix '' (), the penultimate syllable is governed by the following rules: • If the original tone number is
5, pronounce it as tone number
7. • If the original tone number is
7, pronounce it as tone number
7. • If the original tone number is
2 or
3, pronounce it as tone number
1. • If the original tone number is
1, pronounce it as tone number
7.(same as normal) • If the original tone number is
8 and final consonant is not
h (that is, it is
p,
t, or
k), pronounce it as tone number
4.(same as normal) • If the original tone number is
4 and final consonant is not
h (that is, it is
p,
t, or
k), pronounce it as tone number
8.(same as normal) • If the original tone number is
8 and final consonant is
h, pronounce it as tone number
7. • If the original tone number is
4 and final consonant is
h, pronounce it as tone number
1. (same as double) :
In triplicated adjectives Finally, in the case of a single-syllable adjective
triplication (for added emphasis), the first syllable is governed by the following rules (the second syllable follows the normal tone sandhi rules above): • If the original tone number is
5, pronounce it as tone number
5. • If the original tone number is
7, pronounce it as tone number
1. • If the original tone number is
3, pronounce it as tone number
2 (same as normal). • If the original tone number is
2, pronounce it as tone number
1 (same as normal). • If the original tone number is
1, pronounce it as tone number
5. • If the original tone number is
8 and the final consonant is not
h (that is, it is
p,
t, or
k), pronounce it as tone number
4 (same as normal). • If the original tone number is
4 and the final consonant is not
h (that is, it is
p,
t, or
k), pronounce it as tone number
8 (same as normal). • If the original tone number is
8 and the final consonant is
h, pronounce it as tone number
5. • If the original tone number is
4 and the final consonant is
h, pronounce it as tone number
2 (same as normal). : See , and the work of Robert L. Cheng (鄭良偉; Tēⁿ Liông-úi or Tēnn Liông-úi) for modern linguistic approaches to tones and tone sandhi in Taiwanese.
Syllabic structure A
syllable requires a vowel (or diphthong or
triphthong) to appear in the middle. All consonants can appear at the initial position. The consonants and (and some consider ) may appear at the end of a syllable. Therefore, it is possible to have syllables such as ("(to) tickle") and ("soup"). == Lexicon ==