She arrived in Bombay (Mumbai) at the age of 23, having run away from home, and knocked on composer
Naushad Ali's door. She told him that she could sing and that she would throw herself in the ocean if he didn't give her a chance. He auditioned her, and hired her on the spot. She made her debut as a solo playback singer in Nazir's
Wamiq Azra (1946). She soon signed a contract with the producer-director
A.R. Kardar, who used Naushad as music director, and went on to make a place for herself amidst music stalwarts like
Noor Jehan,
Rajkumari,
Khursheed Bano and
Zohrabai Ambalewali. In 1947, she had huge hits with "Afsana Likh Rahi Hoon Dil-e-Beqarar Ka", "Yeh Kaun Chala Meri Aankhon Mein Sama Kar" and "Aaj Machi Hai Dhoom Jhoom Khushi Se Jhoom", which she sang for actress Munawar Sultana in A.R. Kardar's
Dard (1947), again under the music direction of Naushad, she also sang a duet; "Betaab Hai Dil Dard-e-Mohabat Ke Asar Se", with
Suraiya. In fact, a gentleman from Delhi was so enamoured by her song "Afsana Likh Rahi Hoon", that he stayed with her in Bombay. They got married, and the couple had two daughters and two sons; her husband, whom she called Mohan, died in 1992. The success of
Dard meant that she next received
Mehboob Khan's
Anokhi Ada (1948), which again had two hit numbers, "Kahe Jiya Dole" and "Dil Ko Lagake Humne Kuch Bhi Na Paya". This brought her into the league of highly rated playback singers. the name stayed with her, and a comedic legend was born. She went on to act in
Guru Dutt's classics such as
Aar Paar (1954), ''
Mr. & Mrs. '55 (1955) and Pyaasa (1957). In the 1960s and 1970s, she was a permanent comic relief in numerous Bollywood films; a few years down the line, she most notably starred with Amitabh Bachchan in Namak Halaal'' (1982), a
Prakash Mehra blockbuster. In her career spanning five decades, she acted in about 198 films in Hindi/Urdu and other languages like Punjabi etc., pairing with top comedy actors of her times such as
Bhagwan Dada,
Agha,
Sunder,
Mukri,
Dhumal,
Johnny Walker and
Keshto Mukherjee. She was last seen in Hindi films in
Kasam Dhande Ki (1990). Owing to her popularity, the name Tun Tun has become synonymous with obese women in India. == Personal life ==