There is a notable technological complexification coinciding with the replacement of Neanderthals with Cro-Magnons in the archaeological record, and so the terms "Middle Palaeolithic" and "Upper Palaeolithic" were created to distinguish between these two time periods. Largely based on western European archaeology, the transition was dubbed the "Upper Palaeolithic Revolution," (extended to be a worldwide phenomenon) and the idea of "
behavioural modernity" became associated with this event and early modern cultures. It is largely agreed that the Upper Palaeolithic seems to feature a higher rate of technological and cultural evolution than the Middle Palaeolithic, but it is debated if behavioural modernity was truly an abrupt development or was a slow progression initiating far earlier than the Upper Paleolithic, especially when considering the non-European archaeological record. Practices considered modern include: the production of
microliths, the common use of bone and antler, the common use of grinding and pounding tools, high quality evidence of body decoration and figurine production, long-distance trade networks, and improved hunting technology. In regard to art, the Magdalenian produced some of the most intricate Palaeolithic pieces, and they even elaborately decorated normal, everyday objects. The LGM extirpated most European megafauna (
Quaternary extinction event), and similarly post-LGM peoples tend to have a higher rate of nutrient-deficiency-related ailments, including a reduction in average height. Probably due to the contraction of habitable territory, these bands were subsisting on a much broader food range of plants, smaller animals, and aquatic resources (
broad spectrum revolution).
Prey items It has typically been assumed that Cro-Magnons closely studied prey habits in order to maximise return depending on the season. For example, large mammals (including
red deer, horses, and
ibex) congregate seasonally, and
reindeer were possibly seasonally plagued by insects rendering fur sometimes unsuitable for hideworking. Epi-Gravettian communities, especially, generally focused on hunting one species of large game, most commonly horse or bison. Game drive systems became especially popular following the LGM, possibly an extension of increasing food return. Nonetheless, Magdalenian peoples appear to have had a greater dependence on small animals, aquatic resources, and plants than predecessors, probably due to the relative scarcity of European big game following the LGM (
Quaternary extinction event). It is possible that human activity, in addition to the rapid retreat of favourable steppeland, inhibited recolonisation of most of Europe by megafauna following the LGM (such as mammoths,
woolly rhinoceroses,
Irish elk, and
cave lions), in part contributing to their extinction which occurred by the beginning of or well into the Holocene depending on the species.
Plant items Most
archaeobotanical studies on Pleistocene plant gathering and processing techniques focus on the end of the Paleolithic as precursors to agriculture in the Neolithic. While
isotopic studies indicate nearly all nutritional requirements of Palaeolithic populations may have been mostly satisfied by meat, similar to
Inuit cuisine, the issue of offsetting
protein poisoning (nitrogen overloading) by eating fatty foods (
blubber most especially in the Inuit diet) becomes problematic in more temperate climates with leaner prey. The isotopic score for Palaeolithic peoples are comparable to Inuit with a diet comprising 1–4% plant components, but also to
Onge from the tropical
Andaman Islands, Paraguayan
Aché,
Arnhem Land Aboriginals, and Venezuelan
Hiwi whose diets comprise up to 25% plant components. Thus, the importance of plants may have varied greatly depending on local climatic conditions. The Palaeolithic archaeobotanical record outside Europe (especially in the Middle East) shows these peoples were capable of processing an ample range of plant resources, in the 20,000-year-old Israeli
Ohalo II site as many as 150 types of seeds, fruits, nuts, and starches. There are several European Mediterranean cave sites dating to near the end of the Palaeolithic which suggest the inhabitants were harvesting
acorn,
almond,
pistacia,
hawthorn,
wild pear,
blackthorn,
rosehip,
sorbus, and
grape. Multiple German sites bear evidence of
wild cherry,
blackberry,
dewberry, and
raspberry consumption. The Palaeolithic archaeobotanical record becomes sparser farther north, but
water caltrop and
water lily tubers are consumed at least in the northern European Mesolithic. It is unclear to what extent they would process or pretreat otherwise inedible plants which require multiple steps (such as a combination of fermenting, grinding, boiling, etc.). Aurignacian craftsmen produced
lozenge-shaped (diamond-like) spearheads. By 30,000 years ago, spearheads were manufactured with a more rounded-off base, and by 28,000 years ago spindle-shaped heads were introduced. A possible
boomerang made of mammoth tusk was identified in Poland (though it may have been unable to return to the thrower), and dating to 23,000 years ago, it would be the oldest known boomerang. Stone spearheads with leaf- and shouldered-points become more prevalent in the Solutrean. Both large and small spearheads were produced in great quantity, and the smaller ones may have been attached to projectile
darts.
Archery was possibly invented in the Solutrean, though less ambiguous bow technology is first reported in the Mesolithic. The Palaeolithic matriarchy model was adapted by prominent communist
Friedrich Engels, who instead argued that women were robbed of power by men due to economic changes which could only be undone with the adoption of communism (
Marxist feminism). The former sentiment was adopted by the
first-wave feminism movement, who attacked the patriarchy by making Darwinist arguments of a supposed natural egalitarian or matrifocal state of human society instead of patriarchal, as well as interpreting the Venuses as evidence of
mother goddess worship as part of some
matriarchal religion. Consequently, by the mid-20th century, the Venuses were primarily interpreted as evidence of some Palaeolithic fertility cult. Such claims died down in the 1970s as archaeologists moved away from the highly speculative models produced by the previous generation. Through the
second-wave feminism movement, the prehistoric matriarchal religion hypothesis was primarily propelled by Lithuanian-American archaeologist
Marija Gimbutas. Her interpretations of the Palaeolithic were notably involved in the
Goddess movement. Equally ardent arguments against the matriarchy hypothesis have also been prominent, such as American religious scholar Cynthia Eller's 2000
The Myth of Matriarchal Prehistory. Such interlinkage may have been an important survival tool, with the steadily deteriorating climate. Given low estimated population density, this may have required a rather complex, cross-continental social organisation system. At
Ekain, Basque Country, the inhabitants were using the locally rare manganese mineral
groutite in their paintings, which they possibly mined out of the cave itself. Nonetheless, there is some evidence of long-distance Magdalenian trade routes. For example, at Lascaux, a painting of a bull had remnants of the
manganese mineral
hausmannite, which can only be manufactured in heat in excess of , which was probably impossible for Cro-Magnons; this means they likely encountered natural hausmannite which is known to be found away in the Pyrenees. Unless there was a hausmannite source much closer to Lascaux which has since been depleted, this could mean that there was a local economy based on manganese ores. Based on the distribution of Mediterranean and Atlantic seashell jewellery even well inland, there may have been a network during the Late Glacial Interstadial (14 to 12,000 years ago) along the rivers
Rhine and
Rhône in France, Germany, and Switzerland. In the Magdalenian, stone lined rectangular areas typically were interpreted as having been the foundations or flooring of huts. At Magdalenian
Pincevent, France, small, circular dwellings were speculated to have existed based on the spacing of stone tools and bones; these sometimes featured an indoor hearth, work area, or sleeping space (but not all at the same time). A 23,000-year-old hut from the Israeli
Ohalo II was identified as having used grasses as flooring or possibly bedding, but it is unclear if Cro-Magnons also lined their huts with grass or instead used animal pelts. A 13,800-year-old slab from
Molí del Salt, Spain, has 7 dome-shaped figures engraved onto it, which are postulated to represent temporary dome-shaped huts. , Ukraine Over 70 dwellings constructed by Cro-Magnons out of mammoth bones have been identified, primarily from the Russian Plain, They seem to have built
tipis and
yarangas. Typically, these huts measured in diameter, or if oval shaped. Huts could get as small as . Some huts have burned bones, which has typically been interpreted as bones used as fuel for fireplaces due to the scarcity of firewood, and/or disposal of waste. A few huts, however, have evidence of wood burning, or mixed wood/bone burning. and the interior sealed up by
loess dug out of pits. Some architectural decisions seem to have been purely for aesthetics, best seen in the 4 Epi-Gravettian huts from
Mezhyrich,
Mezine, Ukraine, where jaws were stacked to create a
chevron or zigzag pattern in 2 huts, and long bones were stacked to create horizontal or vertical lines in respectively 1 and 2 huts. The chevron was a commonly used symbol on the Russian Plain, painted or engraved on bones, tools, figurines, and mammoth skulls.
Dogs from Siberia; it is not ancestral to any modern dog. These "dogs" had a wide size range, from over in height in eastern Europe to less than 30–45 cm (1 ft–1 ft 6 in) in central and western Europe, and in all of Europe. These "dogs" are identified by having a shorter snout and skull, and wider palate and braincase than contemporary wolves. Nonetheless, an Aurignacian origin for domestication is controversial. The 14,500-year-old
Bonn-Oberkassel dog from Germany was found buried alongside a 40-year-old man and a 25-year-old woman, as well as traces of red
hematite, and is genetically placed as an ancestor to present-day dogs. It was diagnosed with
canine distemper virus and probably died between 19 and 23 weeks of age. It would have required extensive human care to survive without being able to contribute anything, suggesting that, at this point, humans and dogs were connected by emotional or symbolic ties rather than purely materialistic personal gain. The exact utility of these proto-dogs is unclear, but they may have played a vital role in hunting, as well as domestic services such as transporting items or guarding camp or carcasses.
Art When examples of Upper Palaeolithic art were first discovered in the 19th century in the form of engraved objects, they were assumed to have been "art for art's sake" as Palaeolithic peoples were widely conceived as having been uncultured savages. This model was primarily championed by French archaeologist
Louis Laurent Gabriel de Mortillet. Then, detailed paintings found deep within caves were discovered, the first being
Cueva de Altamira, Spain, in 1879. The "art for art's sake" model came apart by the turn of the century as more examples of cave art were found in hard-to-reach places in western Europe such as Combarelles and Font-de-Gaume, for which the idea of it being simply a leisure activity became increasingly untenable. Landscapes were never depicted, with the exception of a supposed depiction of a volcanic eruption at
Chauvet-Pont d'Arc, France, dating to 36,000 years ago. Cave art is found in dark cave recesses, and the artists either lit a fire on the cave floor or used portable stone lamps to see. Drawing materials include black
charcoal and red and yellow ochre crayons, but they, along with a variety of other minerals, could also be ground into powder and mixed with water to create paint. Large, flat rocks may have been used as
palettes, and brushes may have included reeds, bristles, and twigs, and possibly a blowgun was used to spray paint over less accessible areas. Hand stencils could either be made by holding the hand to the wall and spitting paint over it (leaving a
negative image) or by applying paint to the hand and then sticking it to the wall. Some hand stencils are missing fingers, but it is unclear if the artist was actually missing the finger or simply excluded it from the stencil. It has generally been assumed that the larger prints were left by men and the smaller ones by boys, but the exclusion of women entirely may be improbable. Though many hypotheses have been proposed for the symbolism of cave art, it is still debated why these works were created in the first place.
Portable art Venus figurines are commonly found associated with Cro-Magnons and are the earliest well-acknowledged representation of human figures. These are most frequently found in the Gravettian (notably in the French Upper
Périgordian, the Czech Pavlovian, and West Russian
Kostenkian) most dating from 23,000 to 29,000 years ago. Almost all Venuses depict naked women, and are generally hand-held sized. They feature a downturned head, no face, thin arms which end at or cross over voluminous breasts, rotund buttocks, a distended abdomen (interpreted as pregnancy), tiny and bent legs, and pegged or unnaturally short feet. Venuses vary in proportions which may represent limitations using certain materials over others, or intentional design choices. Cro-Magnons also carved
perforated batons out of horn, bone, or stone, most commonly through the Solutrean and Magdalenian. Such batons disappear from the archaeological record at the Magdalenian's close. Some batons seem phallic in nature. By 2010, about 60 batons had been hypothesised to be representations of penises (all with erections), of which 30 show decoration, and 23 are perforated. Several phallic batons are depicted as
circumcised and seemingly bearing some ornamentation such as piercings,
scarification, or tattooing. The purpose of perforated batons has been debated, which suggestions for spiritual or religious purposes, ornamentation or status symbol, currency, drumsticks, tent holders, weaving tools, spear straighteners, spear throwers, or dildos. Unperforated phallic batons, measuring just a few centimetres long to up to , were interpreted as sex toys quite early on. Depictions of animals were commonly produced by Cro-Magnons. As of 2015, as many as 50 Aurignacian ivory figurines and fragments have been recovered from the German
Swabian Jura. Of the discernible figures, most represent mammoths and lions, and a few horses, bison, possibly a rhino, waterfowl, fish, and small mammals. These sculptures are hand-sized and would have been portable works, and some figurines were made into wearable pendants. Some figurines also featured enigmatic engravings, dots, marks, lines, hooks, and criss-cross patterns. Cro-Magnons also made purely symbolic engravings. There are several plaques of bone or antler (referred to as polishers, spatulas, palettes, or knives) which feature series of equidistantly placed notches, most notably the well-preserved 32,000-year-old Blanchard plaque from L'
Abri Blanchard, France, which features 24 markings in a seemingly serpentine pattern. The discoverer, British palaeontologist
Thomas Rupert Jones, speculated in 1875 this was an early counting system for tallying items such as animals killed, or some other notation system. In 1957, Czech archaeologist
Karel Absolon suggested they represent
arithmetic. In 1972, Marshack postulated they may be calendars. Also in 1972, Marshack identified 13,000 to 15,000 year old Magdalenian plaques bearing small, abstract symbols seemingly into organised blocks or sets, which he interpreted as representing an early writing system. Czech archaeologist Bohuslav Klíma speculated a complex engraving on a mammoth tusk he discovered in the Gravettian Pavlov site, Czech Republic, as being a map, showing a meandering river centre-left, a mountain centre-right, and a living grounds at the centre indicated by a double circle. A few similar engravings have been identified across Europe (in particular the Russian Plain), which he also postulated were maps, plans, or stories.
Body art Cro-Magnons are commonly associated with large pieces of pigments ("crayons"), namely made of red
ochre. For Cro-Magnons, it is typically assumed that ochre was used for some symbolic purposes, most notably for cosmetics such as body paint. This is because ochre in some sites had to be imported from very long distances, and it is also associated with burials. It is unclear why they specifically chose red ochre instead of other colours. In terms of
colour psychology, popular hypotheses include the putative "
female cosmetic coalitions" hypothesis and the "
red dress effect". It is also possible that ochre was chosen for its utility, such as an ingredient for adhesives, hide tanning agent, insect repellent, sunscreen, medicinal properties, dietary supplement, or as a soft hammer. Cro-Magnons appear to have been using grinding and crushing tools to process ochre before applying it to the skin. Hypothesised depictions of penises from most commonly the Magdalenian (though a few dating back to the Aurignacian) appear to be decorated with tattoos, scarification, and piercings. Designs include lines, plaques, dots or holes, and human or animal figures. For example, Mediterranean communities used specific types of marine shells to make beads and pendants for more than 20,000 years; and central and western European communities often used pierced animal (and less commonly human) teeth. The distribution of ornaments on buried Gravettian individuals, and the likeliness that most of the buried were dressed with whatever they were wearing upon death, indicates that jewellery was primarily worn on the head as opposed to the neck or the torso. The emergence of textiles in the European archaeological record also coincides with the proliferation of the
sewing needle in European sites. Ivory needles are found in most late Upper Palaeolithic sites, which could correlate to frequent sewing, and the predominance of small needles (too small to tailor clothes out of hide and leather) could indicate work on softer woven fabrics or accessory stitching and embroidery of leather products. Some Venuses depict hairdos and clothing worn by Gravettian women. The
Venus of Willendorf seems to be wearing a cap, possibly woven fabric or made from shells, featuring at least seven rows and an additional two half-rows covering the nape of the neck. It may have been made starting at a knotted centre and spiraling downward from right to left, and then
backstitching all the rows to each other. The Kostenki-1 Venus seems to be wearing a similar cap, though each row seems to overlap the other. The
Venus of Brassempouy seems to be wearing some nondescript open, twined hair cover. The engraved
Venus of Laussel from France seems to be wearing some headwear with rectangular gridding, and could potentially represent a
snood. Most East European Venuses with headwear also display notching and checkwork on the upper body which are suggestive of
bandeaux (a strip of cloth bordering around the tops of the breasts) with some even featuring straps connecting it to around the neck; these seem to be absent in western European Venuses. Some also wear belts: in eastern Europe, these are seen on the waist; whereas in central and western Europe they are worn on the low hip. The
Venus of Lespugue seems to be wearing a plant fibre string skirt comprising 11 cords running behind the legs. One probable bullroarer is identified at
Lalinde, France, dating to 12,000 to 14,000 years ago, measuring long and decorated with geometric incisions. In the mammoth-bone houses at Mezine, Ukraine, an thigh-bone, a jawbone, a shoulder blade, and a pelvis of a mammoth bear evidence of paint and repeated percussion. These were first proposed by archaeologist Sergei Bibikov to have served as drums, with either a reindeer antler or mammoth tusk fragment also found at the site being used as a drum stick, though this is contested. Other European sites have yielded potential
percussion mallets made of mammoth bone or reindeer antler. It is speculated that some Cro-Magnons marked certain sections of caves with red paint which could be struck to produce a note that would resonate throughout the cave chamber, somewhat like a
xylophone.
Language The early modern human vocal apparatus is generally thought to have been the same as that in present-day humans, as the present-day variation of the
FOXP2 gene associated with the neurological prerequisites for speech and language ability seems to have evolved within the last 100,000 years, These indicate Upper Palaeolithic humans had the anatomical basis for language and the same range of potential
phonemes (sounds) as present-day humans. Though Cro-Magnon languages likely contributed to present-day languages, it is unclear what early languages would have sounded like because words denature and are replaced by entirely original words quite rapidly, making it difficult to identity language
cognates (a word in multiple different languages which descended from a common ancestor) which originated before 5,000 to 9,000 years ago. Nonetheless, it has been controversially hypothesised that Eurasian languages are all related and form the "
Nostratic languages" with an early common ancestor existing just after the end of the LGM. In 2013, evolutionary biologist
Mark Pagel and colleagues postulated that among "Nostratic languages", frequently used words more often have speculated cognates, and that this was evidence that 23 identified words were "ultraconserved" and supposedly changed very little in use and pronunciation, descending from a common ancestor about 15,000 years ago at the end of the LGM. Archaeologist Paul Heggarty said that Pagel's data was subjective interpretation of supposed cognates, and the extreme volatility of sound and pronunciation of words (for example,
Latin [ˈakʷã] (aquam) "water" → French [o] (eau) in just 2,000 years) makes it unclear if cognates can even be identified that far back if they do indeed exist.
Religion Shamanism Several Upper Palaeolithic caves feature depictions of seemingly part-human, part-animal chimaeras (typically part bison, reindeer, or deer), variously termed "anthropozoomorphs", "
therianthropes", or "sorcerers". These have typically been interpreted as being the centre of some shamanistic ritual, and to represent some cultural revolution and the origins of
subjectivity. The oldest such cave drawing has been identified at the 30,000-year-old
Chauvet Cave, where a figure with a bison upper body and human lower body was drawn onto a stalactite, facing a depiction of a vulva with two tapering legs. The 17,000-year-old Grotte de Lascaux, France, has a seemingly dead bird-human hybrid between a rhino and a charging bison, with a bird on top of a pole placed near the figure's right hand. Some caves featured "vanquished men", lying presumably dead at the foot of generally a bull or bear. A 14,000-year-old large stone from
Cueva del Juyo, Spain, seems to have been carved to be the conjoined face of a man on the right and a big cat on the left (when facing it). The man half seems to feature a moustache and a beard. The cat half (either a leopard or a lion) has slanting eyes, a snout, a fang, and spots on the muzzle suggestive of whiskers.
Mortuary practices Cro-Magnons buried their dead, commonly with a variety of symbolic grave goods as well as red ochre, and multiple people were often buried in the same grave. The most lavish Palaeolithic burial is a grave from the Gravettian of
Sungir, Russia, where a boy and a girl were placed crown-to-crown in a long, shallow grave, and adorned with thousands of perforated ivory beads, hundreds of perforated
arctic fox canines, ivory pins, disc pendants, ivory animal figurines, and mammoth tusk spears. The beads were a third the size of those found with a man from the same site, which could indicate these small beads were specifically designed for the children. Only two other Upper Palaeolithic graves were found with grave goods other than personal adornment (one from
Arene Candide, Italy, and Brno, Czech Republic), and the grave of these two children is unique in bearing any functional implements (the spears) as well as a bone from another individual (a partial femur). The 5 other buried individuals from Sungir did not receive nearly as many grave goods, with one seemingly given no formal treatment whatsoever. However, most Gravettian graves feature few ornaments, and the buried were probably wearing them before death.
Cannibalism The earliest evidence of
skull cups, and thus ritual cannibalism, comes from the Magdalenian of
Gough's Cave, England. Further concrete evidence of such rituals does not appear until after the Palaeolithic. The Gough's Cave cup seems to have followed a similar method of
scalping as those from Neolithic Europe, with incisions being made along the midline of the skull (whereas the Native American method of scalping involved a circular incision around the crown). Earlier examples of non-ritual cannibalism in Europe do not seem to have followed the same method of defleshing. At least 1 skull cup was transported from a different site. In addition, Gough's Cave also yielded a human radius with a zig-zag engraving. Compared to other artefacts in the cave or common to the Magdalenian period, the radius was modified quite little, with the engraving probably quickly etched on (indicated by scrape marks not recorded on any other Magdalenian engraving), and the bone broken and discarded soon thereafter. This may indicate the bone's only function was as a tool in some cannibalistic and/or funerary ritual, rather than being prepared to be carried around by the group as an ornament or tool. ==In media==