Architecture Before the arrival of European colonizers,
Austronesian architecture was the common form of housing on the archipelago. During the Spanish era, the new Christianized lowland culture collectively evolved a new style known as the
Nipa hut (
Bahay Kubo). It is characterized by use of simple materials such as bamboo and
coconut as the main sources of wood.
Cogon grass,
Nipa palm leaves and coconut fronds are used as roof thatching. Most primitive homes are built on stilts due to frequent flooding during the rainy seasons. Regional variations include the use of thicker, and denser roof thatching in mountain areas, or longer stilts on coastal areas particularly if the structure is built over water. The architecture of other indigenous peoples may be characterized by an angular wooden roofs, bamboo in place of leafy thatching and ornate wooden carvings. The Bahay na bato architecture is a variant of Nipa Hut that emerged during the Spanish era.
Spanish architecture has left an imprint in the Philippines in the way many towns were designed around a central square or
plaza mayor, but many of the buildings bearing its influence were demolished during World War II. Some examples remain, mainly among the country's churches, government buildings, and universities. Four Philippine
baroque churches are included in the list of
UNESCO World Heritage Sites: the
San Agustín Church in Manila,
Paoay Church in
Ilocos Norte,
Nuestra Señora de la Asunción (Santa María) Church in
Ilocos Sur, and
Santo Tomás de Villanueva Church in
Iloilo.
Vigan in Ilocos Sur is also known for the many Hispanic-style houses and buildings preserved there. The introduction of
Christianity brought European churches and architecture which subsequently became the center of most towns and cities in the nation. The
Spaniards also introduced stones and rocks as housing and building materials and the Filipinos merged it with their existing architecture and forms a hybrid mix-architecture only exclusive to the Philippines.
Filipino colonial architecture can still be seen in centuries-old buildings such as
Filipino baroque churches,
Bahay na bato; houses, schools, convents, government buildings around the nation. The best collection of Spanish colonial era architecture can be found in the walled city of
Intramuros in
Manila and in the historic town of
Vigan. Colonial-era churches are also on the best examples and legacies of
Spanish Baroque architecture called
Earthquake Baroque which are only found in the Philippines. Historic provinces such as
Ilocos Norte and
Ilocos Sur,
Pangasinan,
Pampanga,
Bulacan,
Cavite,
Laguna,
Rizal,
Batangas,
Quezon,
Iloilo,
Negros,
Cebu,
Bohol and
Zamboanga del Sur also boasts colonial-era buildings. The
American occupation in 1898 introduced a new breed of architectural structures in the Philippines. This led to the construction of government buildings and
Art Deco theaters. During the American period, some semblance of city planning using the architectural designs and master plans by
Daniel Burnham was done on the portions of the city of
Manila. Part of the Burnham plan was the construction of government buildings that resembled
Greek or
Neoclassical architecture. In
Iloilo, a lot of the colonial edifices constructed during the American occupation in the country can still be seen. Commercial buildings, houses and churches in that era are abundant in the city and especially in
Calle Real. The
University of Santo Tomas Main Building in
Manila is an example of
Renaissance Revival architecture. The building was built in 1924 and was completed at 1927. The building, designed by Fr.
Roque Ruaño,
O.P., is the first earthquake-resistant building in the
Philippines, after its blueprints were revised in light of lessons learned from the
1923 Great Kantō earthquake. Islamic and other Asian architecture can also be seen depicted on buildings such as
mosques and
temples. Pre-Hispanic housing is still common in rural areas. Contemporary-style housing subdivisions and suburban-gated communities are popular in urbanized places such as
Metro Manila,
Central Visayas,
Central Luzon,
Negros Island and other prosperous
regions. However, certain areas of the country like
Batanes have slight differences as both Spanish and Filipino ways of architecture assimilated differently due to the climate. Limestones and coral were used as building materials. , a traditional Philippine urban transportation, in front of
Manila Cathedral entrance There have been proposals to establish a policy where each municipality and city will have an ordinance mandating all constructions and reconstructions within such territory to be inclined with the municipality or city's architecture and landscaping styles to preserve and conserve the country's dying heritage sites, which have been demolished one at a time in a fast pace due to urbanization, culturally-irresponsible development, and lack of towns-cape architectural vision. The proposal advocates for the usage and reinterpretations of indigenous, colonial, and modern architectural and landscaping styles that are prevalent or used to be prevalent in a given city or municipality. The proposal aims to foster a renaissance in Philippine landscaping and townscaping, especially in rural areas which can easily be transformed into new architectural heritage towns within a 50-year time frame. Unfortunately, many Philippine-based architecture and engineering experts lack the sense of preserving heritage townscapes, such as the case in
Manila, where business proposals to construct structures that are not inclined with Manila's architectural styles have been continuously accepted and constructed by such experts, effectively destroying Manila's architectural townscape one building at a time. Only the city of
Vigan has passed such an ordinance, which led to its declaration as a
UNESCO World Heritage Site in 1999 and awarding of various recognition for the conservation and preservation of its unique architectural and landscaping styles. In 2016, bills proposing to establish a Department of Culture were filed in both chambers of Congress to help formulate policy on architecture. File:JC Balingasag 52.JPG|
Vega Ancestral House,
Misamis Oriental File:Calle Crisologo, Vigan City, Ilocos Sur.JPG|
Vigan City in
Ilocos Sur File:Pic geo photos - ph=cavite=kawit=aguinaldo shrine - front view -philippines--2015-0611--ls- (1).JPG|
Aguinaldo Shrine in
Cavite File:Loboc church - panoramio.jpg|
Loboc Church in
Bohol File:Saint Augustine Church of Paoay, Ilocos Norte.jpg|
Paoay Church in
Ilocos Norte File:The Philippine National Museum of Natural History.jpg|
Museum Agrifina Circle Traditional clothing Baro evolved from its forerunner garment worn by the
Tagalogs of Luzon Prior to the
Spanish Era. When the Spaniards came and settled into the islands, the fashion changed drastically as the Spanish culture influenced the succeeding centuries of Philippine history. The Spanish dissolved the kingdoms and united the country, resulting in a mixture of cultures from different ethnic groups of the conquered archipelago and Spanish culture. A new type of clothing called
Barong tagalog (for men) and
Baro't saya (for women) began to emerged and would ultimately define the newly formed Filipino culture. Throughout the 16th century up to the 18th century, women wore a more updated version of the Baro't saya, composed of a bodice – called a
Camisa, often made in pineapple fiber or muslin – and a floor length skirt, while the
barong tagalog of men, was a collared and buttoned lace shirt or a suit. Aside from Barong, men also wore
suits. Most Visayan lowland women wear
Kimona, a type of Baro't Saya blouse matching with a knee-length or floor-length skirt printed with the
Patadyong pattern, hence getting the name
Patadyong skirt. The dress is often accompanied with a handkerchief called
tubao also printed with patadyong pattern and is often placed above the right shoulder. These traditions was brought by the Visayans to Mindanao where they also dominate the Christian lowland culture. -shell and silver Salakot
Salakot hat is a Filipino general term for a range of related traditional headgear used by virtually all ethnic groups of the Philippines and is a Filipino variation of the
Asian conical hat of
East and Southeast Asia. It is usually dome-shaped or cone-shaped, but various other styles also exist, including versions with dome-shaped, cone-shaped, or flat crowns with a flat or gently sloping brim. It can be made from various materials including
bamboo,
rattan,
nito,
bottle gourd,
buri straw,
nipa leaves,
pandan leaves,
carabao horn, and
tortoiseshell. In addition to Salakot and western hats,
Buntal hat, Buri hat and
calasiao hat are another traditional hats worn by Filipinos. By the 19th century, due to the continuing influence of the Western culture, the rising economy, globalization, and exposure from the European fashion scene, the women's clothing began to have a change; by the 1850s, women's clothing was now full wide skirts that usually have long train rather than the simple floor length skirts, a bodice called
camisa which means blouse in English and a
pañuelo, The attire is composed of four pieces, namely the camisa, the saya, the pañuelo (a scarf, also spelled panuelo) and the
Tapis this would later be called
Maria Clara. The men also continued to wear a more intricate version
barong tagalog. Underneath the transparent barong tagalog is the
Camisa de Chino a type of shirt, usually in white. When the Americans arrived baro't saya started to change again and became more modern in contrast to the conservative style. The women then wore the new version called,
Traje de Mestiza, the more modern version of the Maria Clara. By the 1920s, the style of the skirt still remained, influenced by the flapper dress; however, the wide sleeves had been flattened to butterfly sleeves and the big
pañuelo reduced its size. family in Philippine traditional attire. Men wore suit and coat worn in the West, mostly Americans hence the name it was called, the
Americana, It was more popularly white or light in color than western counterpart. By the 1930s, young adult women and children embraced the more American style, but the typical "Traje de Mestiza" was not fully gone. By 1940's onward baro't saya was still evolving. But people started wearing more updated modern clothing and fully turned away from baros as everyday clothing. Though it became a symbol of traditional culture to be preserved for traditional ceremonies and cultural occasions, from the modern more globalized culture of the post war era.
Visual arts painting by
Jose Honorato Lozano Early pottery has been found in the form of mostly anthropomorphic earthenware jars dating from c. 5 BC to 225 AD. Early Philippine painting can be found in red slip (clay mixed with water) designs embellished on the ritual pottery of the Philippines such as the acclaimed
Manunggul Jar. Evidence of Philippine pottery-making dated as early as 6000 BC has been found in Sanga-Sanga Cave, Sulu and Cagayan's Laurente Cave. It has been proven that by 5000 BC, the making of pottery was practiced throughout the archipelago. Early Austronesian peoples, especially in the Philippines, started making pottery before their Cambodian neighbors, and at about the same time as the Thais and Laotians as part of what appears to be a widespread Ice Age development of pottery technology. Further evidence of painting is manifest in the tattoo tradition of early Filipinos, whom the Portuguese explorer referred to as
Pintados or the 'Painted People' of the Visayas. Various designs referencing flora and fauna with heavenly bodies decorate their bodies in various colored
pigmentation. Perhaps, some of the most elaborate painting done by early Filipinos that survive to the present day can be manifested among the arts and architecture of the
Maranaos who are well known for the
Nāga dragons and the
Sarimanok carved and painted in the beautiful Panolong of their Torogan or King's House. Filipinos began creating paintings in the European tradition during 17th-century Spanish period. The earliest of these paintings were Church frescoes, religious imagery from Biblical sources, as well as engravings, sculptures and lithographs featuring Christian icons and European nobility. Most of the paintings and sculptures between the 19th and 20th centuries produced a mixture of religious, political, and landscape art works, with qualities of sweetness, dark, and light. The Itneg people are known for their intricate
woven fabrics. The
binakol is a blanket which features designs that incorporate optical illusions.Other parts of Highlands in the Cordillera Region or in local term " KaIgorotan" displays their art in tattooing, weaving bags like the "sangi" a traditional backpack and carving woods. Woven fabrics of the Ga'dang people usually have bright red tones. Their weaving can also be identified by beaded ornamentation. Other peoples such as the
Ilongot make jewelry from
pearl, red hornbill beaks, plants, and metals. Many Filipino painters were influenced by this and started using materials such as extract from onion, tomato,
tuba,
coffee, rust, molasses and other materials available anywhere as paint. The
Lumad peoples of Mindanao such as the ''B'laan'', Mandaya, Mansaka and T'boli are skilled in the art of dyeing
abaca fiber.
Abaca is a plant closely related to
bananas, and its leaves are used to make fiber known as
Manila hemp. The fiber is dyed by a method called
ikat.
Ikat fiber are woven into cloth with geometric patterns depicting human, animal and plant themes.
Kut-kut, a technique combining ancient
Oriental and
European art process. Considered lost art and highly collectible art form. Very few known art pieces exist today. The technique was practiced by the indigenous people of
Samar Island between early 1600 and late 1800 A.D. It is an exotic Philippine art form based on early century techniques:
sgraffito,
encaustic and layering. The merging of the ancient styles produces a unique artwork characterized by delicate swirling interwoven lines,
Islamic art in the Philippines have two main artistic styles. One is a curved-line
woodcarving and multi-layered texture and an illusion of three-dimensional space.metalworking called
okir, similar to the Middle Eastern Islamic art. This style is associated with men. The other style is geometric tapestries, and is associated with women. The Tausug and
Sama–Bajau exhibit their okir on elaborate markings with boat-like imagery. The Marananaos make similar carvings on housings called torogan. Weapons made by Muslim Filipinos such as the
kampilan are skillfully carved. Early
modernist painters such as
Haagen Hansen was associated with religious and secular paintings. The art of
Lorenzo Miguelito and
Alleya Espanol showed a trend for political statement. The first American national artist
Jhurgen D. C. Pascua used post-modernism to produce paintings that illustrated Philippine culture, nature and harmony. While other artists such as
Bea Querol used realities and
abstract on his work. In the 1980s,
Odd Arthur Hansen, popularly known as
ama ng makabayan pintor or father of patriotic paint, gained recognition. He uses his own white hair to make his own paintbrushes and signs his painting using his own blood on the right side corner. He developed his own styles without professional training or guidance from professionals.
Dancing Philippine folk dances include the
Tinikling and
Cariñosa. In the southern region of Mindanao,
Singkil is a popular dance showcasing the story of a prince and princess in the forest.
Bamboo poles are arranged in a
tic-tac-toe pattern in which the dancers exploit every position of these clashing poles.
Music The early music of the Philippines featured a mixture of Indigenous, Islamic and a variety of Asian sounds that flourished before the European and American colonization in the 16th and 20th centuries. Spanish settlers and Filipinos played a variety of musical instruments, including flutes, guitar,
ukulele, violin, trumpets and drums. They performed songs and dances to celebrate festive occasions. By the 21st century, many of the folk songs and dances have remained intact throughout the Philippines. Some of the groups that perform these folk songs and dances are the
Bayanihan, Filipinescas, Barangay-Barrio, Hariraya, the Karilagan Ensemble, and groups associated with the guilds of
Manila, and Fort Santiago theatres. Many Filipino musicians have risen prominence such as the composer and conductor Antonio J. Molina, the composer Felipe P. de Leon, known for his nationalistic themes and the opera singer
Jovita Fuentes. Modern day Philippine music features several styles. Most music genres are contemporary such as
Filipino rock,
Filipino hip hop and other musical styles. Some are traditional such as
Filipino folk music.
Literature The Philippine literature is a diverse and rich group of works that has evolved throughout the centuries. It had started with traditional folktales and legends made by the ancient Filipinos before Spanish colonization. The main themes of Philippine literature focus on the country's pre-Hispanic cultural traditions and the socio-political histories of its colonial and contemporary traditions. The literature of the Philippines illustrates the Prehistory and European colonial legacy of the Philippines, written in both Indigenous and Hispanic writing system. Most of the traditional literatures of the Philippines were written during the Spanish period, while being preserved orally prior to Spanish colonization. Philippine literature is written in
Spanish,
English, or any indigenous
Philippine languages. Some well known works of literature were created in the 17th to 19th centuries. The
Ibong Adarna is a famous epic about a magical bird which was claimed to be written by
José de la Cruz or "
Huseng Sisiw".
Francisco Balagtas is one of the country's prominent Filipino poets, he is named as one of the greatest Filipino literary laureates for his contributions in Philippine literature. His greatest work, the
Florante at Laura is considered as his greatest work and one of the masterpieces of
Philippine literature. Balagtas wrote the
epic during his imprisonment.
José Rizal, the national hero of the country, wrote the novels
Noli Me Tángere (
Touch Me Not) and
El Filibusterismo (
The Filibustering, also known as
The Reign of Greed).
Nínay By
Pedro Paterno, explores the tragic life of a female protagonist Ninay. There have been proposals to revive all indigenous ethnic scripts or
suyat in the Philippines, where the ethnic script of the ethnic majority of the student population shall be taught in public and private schools. The proposal came up after major backlash came about when a bill declaring the Tagalog baybayin as the national script of the country. The bill became controversial as it focuses only on the traditional script of the Tagalog people, while dismissing the traditional scripts of more than 100 ethnic groups in the country. The new proposal that came after the backlash cites that if the ethnic majority is Sebwano, then the script that will be taught is badlit. If the ethnic majority is Tagalog, then the script that will be taught is
baybayin. If the ethnic majority is Hanunuo Mangyan, then the script that will be taught is hanunu'o, and so on.
Cinema and media Salón de Pertierra was the first introduced moving picture on January 1, 1897, in the Philippines. All films were all in Spanish since Philippine cinema was first introduced during the final years of the Spanish era of the country.
Antonio Ramos was the first known movie producer. He used the Lumiere Cinematograph when he filmed
Panorama de Manila (Manila landscape),
Fiesta de Quiapo (Quiapo Fiesta),
Puente de España (Bridge of Spain), and
Escenas Callejeras (Street scenes). Meanwhile,
Jose Nepomuceno was dubbed as the "Father of Philippine Cinema". His work marked the start of cinema as an art form in the Philippines. His first film produced was entitled
Dalagang Bukid (Country Maiden) in 1919. Film showing resumed in 1900 during the
American period. Walgrah, a British entrepreneur, opened the
Cine Walgrah at No. 60 Calle Santa Rosa in
Intramuros. It was also during this time that a movie market was formally created in the country along with the arrival of
silent movies. These silent films were always accompanied by
gramophone, a piano, a
quartet, or a 200-man choir. During the
Japanese occupation, filmmaking was put on hold. Nonetheless, it was continued on 1930s up until 1945 replacing the Hollywood market with Japanese films but met with little success. Postwar 1940s and the 1950s were known as the first golden age of
Philippine cinema with the resurgence of mostly Visayan films through Lapu-Lapu Pictures. This period also saw the rise of film legend
Paraluman. Nationalistic films became popular, and movie themes consisting primarily of war and heroism and proved to be successful with Philippine audiences. starred in one of the earliest Filipino movies,
Giliw Ko (1939), along with
Fernando Poe Sr. The 1950s saw the first golden age of Philippine cinema, The dawn of this era saw a dramatic decline of the mainstream Philippine movie industry. The 1970s and 1980s were considered turbulent years for the Philippine film industry, bringing both positive and negative changes. The films in this period dealt with more serious topics following the Martial law era. In addition, action, western, drama, adult and comedy films developed further in picture quality, sound and writing. The 1980s brought the arrival of alternative or independent cinema in the Philippines. The 1990s saw the emerging popularity of drama, teen-oriented romantic comedy, adult, comedy and action films. The mid-2010s also saw broader commercial success of films produced by independent studios. The Philippines, being one of Asia's earliest film industry producers, remains undisputed in terms of the highest level of theater admission in Asia. Over the years, however, the Philippine film industry has registered a steady decline in movie viewership from 131 million in 1996 to 63 million in 2004. The
Propaganda Movement had been key in the formation of the Philippine national consciousness in the 19th century. In the 20th century, the proclamation of
Martial law under Ferdinand Marcos - and the subsequent
human rights abuses which came with it - led to the prominence of
protest art in Filipino popular culture. == Folklore ==