Early stage career Within a few months of his arrival in England in December 1945, Wyngarde began his professional acting career, beginning to use the name of Peter Wyngarde. He first appeared on stage at the
Buxton Playhouse in June 1946, playing Ensign Blades in
Quality Street. Soon after that it presented
J. B. Priestley's
When We Are Married, and in July 1946 Wyngarde appeared in this at the
Embassy Theatre, Hampstead, playing Gerald Forbes. In the later months of 1946, he was on tour in a play called
Pickup Girl, playing three parts. In April 1947, Wyngarde was reported to be a newcomer to the Nottingham Playhouse theatre company, "and an asset... responsible for much good fun". Towards the end of that year, he had the role of Morris Dixon in a production of
Noël Coward's
Present Laughter at the
Theatre Royal, Birmingham. In May and June 1949, Wyngarde was back at the Embassy Theatre, playing
Cassio in a new Nottingham Playhouse production of
Othello , with
Michael Aldridge as Othello and Rosalind Boxall as Desdemona.
The Stage commented "Cassio is obviously a good fellow, not particularly quick-witted, but as trusting and open as his dusky master. Peter Wyngarde invests him with gaiety and sincerity." Wyngarde appeared in
While the Sun Shines at the
Richmond Theatre,
Richmond-upon-Thames, in December 1949, playing a French officer. In January 1950, the
Essex Newsman reported that he was a former member of the Colchester Repertory company. In February, at Richmond, Wyngarde was in
They Knew What They Wanted, and in March in
Mountain Air. In February 1951, as part of the
Festival of Britain, Wyngarde appeared in
Hamlet at the New Theatre,
Bromley, playing Voltimand. In June, he was at the Irving Theatre playing Jonah, the commander of an Israeli platoon surrounded by a minefield, in Natan Shaham's ''They'll Arrive To-morrow
. This was the first Israeli play to be presented in London. The reviewer of The Times'' said "Mr Peter Wyngarde, as the commanding officer, makes perhaps the strongest impression." In April 1954, Wyngarde played the Ghost in an
Arts Theatre production of
The Enchanted by
Giraudoux. In September 1954 he was at the Arts Theatre playing the
Bastard of Orleans in
George Bernard Shaw's
Saint Joan, with
Siobhán McKenna and
Kenneth Williams. On 24 April 1958, Wyngarde opened at the
Apollo Theatre playing Count Marcellus in
Duel of Angels with
Vivien Leigh. In the first half of 1959, he had a season at the
Bristol Old Vic which he considered a highlight of his career. then produced and directed the
Eugene O'Neill play ''
Long Day's Journey into Night'', which ran from 17 March to 7 April, and finally from 19 May to 6 June 1959 played the title role in
Cyrano de Bergerac. Wyngarde toured the US with the play and won both the San Francisco Award for Best Actor in a Foreign Play and a
Tony Award for Most Promising Newcomer. He returned to Britain in October. The play had been presented for the first time on ITV's
Armchair Theatre in May 1962, with Wyngarde in the same part and
The Stage calling it "powerful and horribly plausible". In 1968, Wyngarde had the part of Nikolay in
The Duel, a play by John Holton Dell based on
the novella by Chekhov, with
Nyree Dawn Porter as Nadya. A tour of this production was launched at the
Theatre Royal, Brighton, on 18 March.
Early television career In 1950, when few people in England had televisions, Wyngarde began to appear in television plays and series. The number of British "television households" was then reported as 344,000, but by 1955 it was said to be 4,500,000, and it went on shooting up. Wyngarde's first credited screen role appears to have come in a
BBC Sunday Night Theatre play called "The Rope", broadcast in January 1950, playing Charles Granillo. He and a friend played by
David Markham strangle a young man, hide his body in their flat, then invite his friends and family to a party to complete the perfection of the murder. In June 1954, he had the lead part of Fritz Lobheimer in a BBC production of
Liebelei, directed by
Rudolph Cartier, opposite
Jeanette Sterke. This was the first full-length play by
Arthur Schnitzler to be televised in Britain. For his role as
John the Baptist in the first episode of
Jesus of Nazareth (February 1956), Wyngarde travelled to the
Holy Land and baptized Jesus (played by
Tom Fleming) in the
River Jordan. Soon after the launch of ITV, Wyngarde appeared on
ITV Television Playhouse on 20 December 1956, playing a British Army officer in the play
The Bridge by Joseph Schail, with
Ingeborg Wells. He is said to have first become a "heart-throb" in 1957, in a BBC television adaptation of
A Tale of Two Cities, playing
Sydney Carton. In 1959, Wyngarde had a leading role as Jan Wicziewsky in
Julien Green's
South on
Granada TV, thought to be the earliest television play with an openly homosexual theme. The
Lord Chamberlain had banned the play when it was about to be staged in London in 1955. A review in
The Stage said "Peter Wyngarde as Jan... gave a stunningly brilliant performance, controlled and delicately pitched. In April 1962, Wyngarde appeared in a
BBC Sunday-Night Play staging of
John Galsworthy's "
Loyalties", which is about
anti-semitism. He was Ferdinand de Levis, a Jew, who accuses Captain Dancy, a war hero played by
Keith Michell, of stealing £1,000 from him. In a
Play of the Week production of ''
A Midsummer Night's Dream'' for ITV, directed by
Joan Kemp-Welch and broadcast on
Midsummer's Eve in June 1964, Wyngarde took the part of
Oberon, king of the fairies, with
Anna Massey as his
Titania,
Benny Hill as
Bottom, and
Alfie Bass as Fluke. Then in an episode of
The Troubleshooters broadcast in November, he played a desert oil sheikh who tries to buy a white girl when negotiating oil rights.
Early films After making his film debut in an uncredited minor role as a soldier in
Dick Barton Strikes Back (1949), In the BBC-TV movie
The Widows of Jaffa (June 1957), Wyngarde plays an Arab interpreter with divided loyalties, in a story about a
Gaza Strip refugee camp written by
Evan Jones. In a second movie for the BBC the same year,
Ordeal by Fire, directed by
Rudolph Cartier, Wyngarde plays a scholar, Jerome Taillard, in a tale of 15th-century France, with
Elizabeth Sellars playing a new
Joan of Arc, after the death of the first by
burning at the stake. In
Lucy in London (1966), a television movie starring
Lucille Ball, her character, Lucy, finds herself appearing in
The Taming of the Shrew as
Kate, and Wyngarde plays himself, appearing as a Shakespearean actor playing the part of
Petruchio. In August 1954, he starred with
Dorothy Gordon in a
BBC Radio production of
Jean Anouilh's
Léocadia, playing Prince Albert Troubiscoi, who is in love with an opera singer, Léocadia. In April 1955, he again starred in an Anouilh play on BBC radio, this time voicing the part of Frantz in
The Ermine. He spoke the part of
Orestes in the
Oresteia of
Aeschylus for the
Third Programme, first broadcast in three parts on 27 May 1956, with
Howard Marion-Crawford playing
Agamemnon. In February 1957, again on the Third Programme, Wyngarde was the narrator for a
BBC Drama Repertory Company performance of
Anton Chekhov's
Uncle Vanya. In September, he had the title role of Sir Willoughby Patterne in BBC Radio's dramatization of
George Meredith's novel
The Egoist. Wyngarde returned to radio in January 1967, in a broadcast of
Terence Rattigan's
The Sleeping Prince on the
Home Service, with
Millicent Martin and
Fay Compton.
Jason King Wyngarde became a British household name through his starring role in the
spy-fi series
Department S (1969–1970). His character, Jason King, a novelist and detective, was reputedly based on the author
Ian Fleming. Wyngarde commented many years later "I decided Jason King was going to be an extension of me". He noted that his hair was long at the time because he had just been appearing in a Chekhov play,
The Duel, With its "peculiarly British humour",
Department S failed to sell to a United States network, which was then the touchstone for any
ITC production, and only one series was made, but after the show ended, the character of Jason King was
spun off into a new action series called
Jason King (1971–1972). The kinder assessment of
National Review was that Jason King was a "self-caricature" of Wyngarde, and summed him up:
The Independent said of Wyngarde's Jason King that The two television shows turned Wyngarde into an international celebrity, and he was mobbed by female fans on a visit to Australia. In the role of King, the Glasgow
Herald reported that Wyngarde "became a style icon, with his droopy moustache, hair that looked like a bearskin hat, and a wardrobe of wide-lapelled, three-piece suits, cravats and open-necked shirts in colours so bright they might hurt sensitive eyes." In 1971, there was a leap in the number of boys being called Jason, larger than for any other boy's name. At least one boy was given the names "Jason Wyngarde". The
Jason King show ran for one series of 26 fifty-minute episodes. More lightweight than
Department S and more cheaply made, in
Simon Heffer's assessment "
Jason King saw Wyngarde become an ever-more comic turn." but nevertheless the play had a shorter run than was hoped. With
Stanley Baker,
Max Bygraves,
Dickie Henderson,
Cliff Michelmore, and
Ron Moody, Wyngarde took part in a fund-raising lunch on 24 November 1972 to gather donations for children's charities. On 5 January 1973, Wyngarde,
Rolf Harris, and
Katie Boyle were the judges in a television contest staged in
Liverpool called "Miss TV Europe", which was won by
Sylvia Kristel. Wyngarde chaired the panel and presented the prizes. From 22 January, he was back on stage, appearing for a week at the
Royal Shakespeare Theatre,
Stratford-upon-Avon, in
Mother Adam by
Charles Dyer, playing Adam, a middle-aged museum attendant living with his crippled mother, played by
Hermione Baddeley. At the end of January, this play went on tour, going next to
the Playhouse, Weston-super-Mare, and then in February on to Glasgow.
The Scotsman commented drily that "Peter Wyngarde has another try at breaking away from his image". In the early 1970s, under the name of John Macaulay, Wyngarde wrote a play,
Chameleons, later renamed as
Boy. Wyngarde had said in 1972 that he had a "great wish to do a musical". and for a publicity stunt Wyngarde and Howes sailed up the
River Thames and under
Tower Bridge in a Chinese junk, in costume. and arrived at the
Adelphi Theatre in the
West End on 10 October 1973. It ran until 25 May 1974, clocking up a total of 260 performances. Between January 1975 and the summer of that year, Wyngarde toured in the title role of
Bram Stoker's
Dracula, once again beginning at Billingham. The
Hartlepool Northern Daily Mail noted that "COUNT DRACULA has risen from the grave once again to visit Billingham, but the intrepid Count will be a week late in arriving. The Count is making his bid for stardom on the stage of Billingham Forum Theatre later this month." Wyngarde later claimed that "My problem is that women fall in love with Jason King, but then find that I'm really Dracula". In 2008, the
Irish Independent claimed the outcome was that "his career was terminated in 1975". Wyngarde soldiered on. From the end of September to 15 November 1975, at the
Yvonne Arnaud Theatre,
Guildford, and on tour, he directed a revival of
Present Laughter and also played the part of Essendine, which
Noël Coward had written for himself. Near the end of the run, at the
Spa Theatre,
Bridlington, he was given a civic reception by the Mayor. Between June and September 1976, Wyngarde toured in
Anastasia, a play by
Guy Bolton based on a work by
Marcelle Maurette. It then had a run at the
Cambridge Theatre in the West End from 22 September to October 1976. Wyngarde played Prince Bounine, who plots to gain millions from the inheritance of the
Grand Duchess Anastasia by means of a lookalike.
Nyree Dawn Porter appeared as Anna Broun and
Elspeth March as the
Dowager Empress. The part of Bounine was the one played by
Yul Brynner in the film
Anastasia (1956). In the late 1970s, Wyngarde worked in the theatre in
Austria and
South Africa. In 1978, he played an Arab oil sheikh in the film
Himmel, Scheich und Wolkenbruch ("Sky, Sheikh and Cloudburst"), performing in
German. Wyngarde took the role of the masked General Klytus in the film
Flash Gordon (1980). In January 1984, Wyngarde appeared in three episodes of
Crown Court as a leading criminal
barrister defending a woman accused of
blackmail. Also in 1984, with
Carol Royle and
Gareth Hunt Wyngarde had a leading role in the
Hammer House of Mystery and Suspense story "
And the Wall Came Tumbling Down", in which action switches between the 1980s and the 1640s, with Wyngarde playing a member of a coven of witches and a general commanding a
NATO nuclear base. In December of the year, he was in
The Two Ronnies Christmas Special, playing Sir Guy in a medieval story. In 1985, Wyngarde appeared on television in the first series of
Bulman, playing Gallio, a vice boss, in the episode "I Met a Man Who Wasn't There". The
Liverpool Echo interviewed him about the part, noting that it was "the latest in a string of baddies he has played to get away from the hero image". It asked whether Jason King might yet return. Wyngarde said King had taken up four years of his life, and it was still possible the character could make a come-back. In 1989, in the film
Tank Malling, he played Sir Robert Knight, a seriously wicked business man. He was replaced by
Peter Byrne, but only six days later he also left the show. After this, Wyngarde mostly stopped acting, apart from occasional voice work. He continued to appear in public at an event called "
Memorabilia" and at others celebrating his past performances.
21st century appearances In November 2002, Wyngarde was one of the three subjects of an episode of the ITV programme
After They Were Famous, together with
Peter Sarstedt and
Emlyn Hughes. The programme revealed that since his days of stardom Wyngarde had taken up the sport of
clay pigeon shooting. In March 2004, he took part for the fourth time in a charity clay pigeon shoot at
Vera Lynn’s country estate at
Ditchling, together with
Vinnie Jones,
Richard Dunwoody, and
Ross Burden. Wyngarde and
Cleo Rocos appeared on
Channel 4 as guests of
Simon Dee, in a one-episode revival of his chat show
Dee Time, in January 2004. Screenwriter
Mark Millar has said that when he was casting his film
Layer Cake (2004), the director
Matthew Vaughn wanted Wyngarde for a part in it, but was told he had died. Seven years later, Vaughn again requested him, this time for a role in
X-Men: First Class, but was again wrongly told that Wyngarde was dead. In December 2013, Wyngarde narrated an episode of the
BBC Four Timeshift series, "How to Be Sherlock Holmes: The Many Faces of a Master Detective", when he talked about his appearances with two Holmes actors,
Douglas Wilmer and
Jeremy Brett. Wyngarde appeared as himself in
It was Alright in the... (2015), a documentary series for
Channel 4. Asked about wearing
blackface to play a
Turk in
The Saint, he said he had been uneasy about it and had done it only in the hope that a theatre director might pick him to play
Othello.
Records In 1970, Wyngarde recorded an album released by
RCA Victor as an
LP entitled
Peter Wyngarde. This is a collection of spoken-word tracks to music by
Vic Smith, with words by Wyngarde, produced and arranged by Hubert Thomas Valverde. In the 'Rape' track, Wyngarde uses a range of foreign accents, including French, German, American, Chinese, Japanese, and Russian, to explain how perceptions of rape vary around the world. The fourth track consisted of Wyngarde reading the poem "
The Unknown Citizen" by
W. H. Auden. The LP was billed as addressing "the darker side of human behaviour". The album is now treated as a curiosity because of its unusual spoken-word style and the controversial subject matter. ==Personal life==