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Gheorghe Asachi

Gheorghe Asachi was a Romanian prose writer, poet, painter, historian, dramatist, engineer, border maker, and translator. An Enlightenment-educated polymath and polyglot, he was one of the most influential people of his generation. Asachi was a respected journalist and political figure, as well as active in technical fields such as civil engineering and pedagogy, and, for long, the civil servant charged with overseeing all Moldavian schools. Among his leading achievements were the issuing of Albina Românească, a highly influential magazine, and the creation of Academia Mihăileană, which replaced Greek-language education with teaching in Romanian. His literary works combined a taste for Classicism with Romantic tenets, while his version of the literary language relied on archaisms and borrowings from the Moldavian dialect.

Biography
Early life Asachi was born in Herța, a small town which is now part of Ukraine. His family originated in Austrian-ruled Transylvania, where it was known under the name Asachievici. His father, Lazăr, was an Orthodox priest who kept close contacts with Metropolitan Veniamin Costachi; according to several sources, he was of Armenian descent. In summer 1795, after deciding not to send Gheorghe and Petru to a Moldavian Greek-language school in the capital city of Iași, Lazăr Asachi opted to give them a more modern education in the Austrian lands, sending them to Lemberg, where they attended gymnasium. After completing seven terms of education in Latin, Polish and German, Gheorghe Asachi entered university (the present-day Lviv University) at the age of 14. He studied at the Faculty of Letters, Philosophy and Sciences (attending lectures in logic, metaphysics, ethics, mathematics, physics, natural history, and architecture), but, in 1804, after two years of studies, he withdrew and returned to Moldavia. Despite this, his level of familiarity with Western culture was arguably unparalleled in his native country during the first half of the 19th century. His return followed the death of his mother and Lazăr Asachi's appointment as First Protopope of the Moldavian Metropolitan Seat, and saw the family settling in Iași. Through Bianca Milesi, Asachi met François Miollis, the French commander in Rome, who reportedly told him that Napoleon Bonaparte intended to emancipate Moldavia and Wallachia as a result of the expedition into Russia, and thus create a new "Dacian Kingdom" in the area of present-day Romania. Partly as a result of this encouragement, Asachi decided to travel back home on 22 June 1812, and, sailing down to Galați, arrived in Iași on 30 August. His designs regarding French protection over the Danubian Principalities were ended by Napoleon's retreat from Russia, and by the restoration of Ottoman suzerainty and Phanariote rule, when Sultan Mahmud II appointed Scarlat Callimachi as Prince. In 1814, increasingly opposed to the Greek-language teaching favored by the Phanariotes, Asachi proposed the first in a series of Romanian-language educational institutions, a course in engineering and topography to be held at the Princely Academy in Iași; once approved by the ruler and countersigned by Veniamin, the lectures attracted a number of young boyars (including the future Ottoman diplomat Alexandros Kallimachis, Scarlat's son, Teodor Balș (who was to serve as Moldavia's kaymakam in 1856–1857), Daniel Scavinschi, as well as Gheorghe Asachi's brother Petru. He gave various lectures, and offered additional training in drawing and art history, Nevertheless, Asachi was not stripped of his professorship, and was allowed to maintain both his position as head of the Princely Library and his house on Academy grounds. Later in the same year, he was involved in reorganizing the Orthodox seminary at Iași's Socola Monastery, and traveled to Transylvania in order to enlist the help of scholars active there. His friendly relations with various leaders of the Transylvanian School helped in achieving this goal; in 1820, he returned to Moldavia accompanied by Vasile Fabian Bob, Ioan Costa, Ion Manfi, and Vasile Pop, all of whom became teachers at the Academy. With this, he was awarded the traditional rank of Great Comis, and thus joined the ranks of nobility. As a diplomat, Asachi was foremost noted for his contacts with nationalist intellectuals who represented various ethnicities subject to the Austrian Empire. While in Vienna, he met the Austrian woman Elena Tauber, former governess of the Sturdza children and widow of the merchant Kiriako Melirato; she was his concubine until 1827, when they were married in an Orthodox church in Iași. In April 1829, Russia endorsed his project for a magazine titled Albina Românească, which first saw print in July of the same year. Over the following decades, it oversaw the publishing of several other magazines, which were originally designed as supplements; among these, Alăuta Românească (1837–1838) and Foaea Sătească a Prințipatului Moldovei (1839) were initiated by the younger activist Mihail Kogălniceanu, who, through his influential publication Dacia Literară, become a vocal critic of Asachi's political and cultural views. Another magazine created by Asachi, the short-lived Spicuitorul Moldo-Român (1841–1842), was published in both Romanian and French, having a Frenchman named Gallice, who worked as a teacher, for its co-editor. Despite the protests, the board continued its activities, being overseen by the former consul Minciaky; together with Mihail Sturdza and the Wallachian Alexandru Vilara, Asachi was dispatched to Saint Petersburg to obtain the approval of Emperor Nicholas I, which led to the document being enforced in both Principalities. In its final version, the Regulament endorsed his efforts as educator, regulating public education and transferring assets donated by Vasile Lupu to Școala Vasiliană. The trade regulations offered by the Regulament were welcomed with enthusiasm by Asachi, prompting him to write an ode in their honor, titled Annul nou al moldo-românilor 1830, în care s-a lucrat Regulamentul organic, acel întâi cod administrativ al Moldovei ("The New Year of the Moldo-Romanians 1830, in Which Regulamentul Organic, the First Administrative Code of Moldavia, Was Completed"). At the time, he took a compassionate view in respect to peasants, denouncing the exploitation of their labor by the boyars. Under Mihail Sturdza Gheorghe Asachi was deeply impressed by the institutions he saw functioning in the Russian capital, and did his best to replicate them in Moldavia. In July of the same year, Asachi visited the Wallachian capital of Bucharest, being charged by Minciaky with strengthening the common framework of the Regulament by ensuring that its two versions did not differ in content. By May 1833, he was able to move into a new house, which he designed and erected in the Muntenimea area of Copou Hill, on a large plot of land he had purchased from Lupu Balș; at around the same time, Institutul Albinei was also reopened on the new location. At the head of a committee, he took charge of translating a German-language dictionary into Romanian, stressing that this was a response to the Moldavians' need for knowledge. Over the same decade, Asachi moved towards Conservatism, defending Regulamentul Organic in opposition to the increasingly popular liberal current. As most other press venues submitted to the minimal requirement of Russian officials and avoided publishing any material related to the revolution, Albina Românească criticized the revolutionaries for having discarded "their duty to the powers that be", and praised Russia for sending its troops to combat "anarchy". Between 1851 and 1854, he was head of censorship, using this position to award imprimatur for reformist ideas (with Prince Ghica's tacit approval). He was himself a candidate in the Iași electoral college, receiving 197 votes and placing second among the representatives it sent to the Divan. His magazine stood alone in claiming that the regime had acted impartially. He was no longer elected a deputy, and his candidature for the position of secretary of the electoral board was awarded just one vote. In 1858, Gazeta de Moldavia was entirely dedicated to political subjects and support for Vogoride's policies, and ceased print in October, as the Kaymakam ended his mandate. In late November, it reemerged under the title Patria, which continued to criticize Partida Națională from a conservative position, notably hosting articles by the anti-unionist Istrati. As a new regency of three was preparing elections, the magazine rallied with Ștefan Catargiu, Asachi's lifelong collaborator and the separatist representative in the body of kaymakams, against the two unionists (Vasile Sturdza and Anastasie Panu), before Catargiu was replaced with I. A. Cantacuzino. In November 1837, Asachi and another 36 separatist boyars issued a memorandum unsuccessfully asking the Ottoman Grand Vizier Aali Pasha to intervene against the unionist kaymakams, restore censorship, and to narrow down the electoral lists. Final years The situation changed in January 1859, when Partida Națională was able to ensure the election of Alexandru Ioan Cuza as both Prince of Moldavia and Prince of Wallachia, in what was the de facto union of the two countries. After congratulating Cuza on his accomplishment, Asachi authored a poem titled Odă la Dumnezeu ("An Ode to God"), which proclaimed the brotherhood of Romanians and the notion that "power resides in Unity". Patria drastically reduced its articles in support of separation, while allocating most of its space to reprinting official papers. Nevertheless, as Domnitor Cuza was deposed and the election of a foreign ruler over the Romanian Principality was being assessed, it is probable that Gheorghe Asachi again switched to a separatist stance: on 14 April 1866, after an incident during which Iași crowds protested the prolongation of unification beyond Cuza's reign, he was the subject of an inquiry on charges of sedition. This remains a mysterious aspect of his political career, and it is certain that Asachi eventually rallied with Carol later in the year. It is likely, however, that his inconsistent views prompted other intellectuals to reject his participation in founding the Romanian Academy. The various projects also involved Asachi's own financial reserves, which led him to become indebted and mortgage his assets on several occasions: in 1862, after Asachi was declared insolvent, the Copou house was put up for auction, but the writer was able to come up with the money before the sale was completed. He continued to depend on loans in order to feed his family, and unsuccessfully offered Institutul Albinei to be purchased by the state. In February 1869, the Dimitrie Ghica government awarded Asachi a yearly pension of 8,888 lei, "for the important services he has brought to the country from 1813 to 1862". He died several months later in Iași, and was buried at the Patruzeci de Sfinți Church. His printing press ceased its activity in 1867. ==Literature==
Literature
Style and subjects During his youth, Asachi was one of the most representative members of an idealist generation of Moldavian intellectuals. at a time when his counterpart in Bucharest, Ion Heliade Rădulescu, bridged the gap between the two schools. The literary critic Garabet Ibrăileanu concluded that Asachi's literature signified a transition between a Classicist stage exemplified by Costache Conachi and younger Romantics such as Vasile Alecsandri and Dimitrie Bolintineanu (he also concluded that the casual comparisons made between Heliade Rădulescu and Asachi had failed to note that the former was not a conservative). as well as vast array of short stories and novellas, through which Asachi attempted to create a legendary history partly mirroring Romanian mythology. The major influences on his work were Renaissance authors such as Petrarch, Ludovico Ariosto, and Torquato Tasso, but he also accommodated more modern influences, such as Salvator Rosa, Thomas Gray, Gottfried August Bürger, Vasily Zhukovsky, Lord Byron and Friedrich Schiller. References to this universe are also present in an eponymous novella about Dragoș, the first Prince of Moldavia, which partly drew on old chronicles, and partly displayed Asachi's own fictional devices. The story centers on Harboe, a chivalrous Tatar ruler who resides in the Cumanian town of Romidava, who falls in love with Branda, the daughter of a Moesian lord and would-be wife of Dragoș. Asachi's works also include romanticized accounts of a journey made by the Cossack Hetman Ivan Mazepa into Moldavia (Mazepa în Moldova) and the life of Ruxandra, daughter of Vasile Lupu and wife of Tymofiy Khmelnytsky (Rucsandra Doamna), as well as Jijia, where a captured fairy recounts her previous existence as a Christian martyr, and Sirena lacului, where a dishonored maiden, who has turned into a siren, takes revenge on boyar. Language Present at the forefront during debates regarding the shape of literary language, Asachi drew criticism for introducing archaisms and marginally used neologisms to the Romanian lexis, as well as for the forms of spelling he encouraged. Commenting on a series of words which are nowhere used outside his novellas and poems, George Călinescu called them "impossible [...], presently seeming bizarre, mostly Romantic, lacking in historical perception". Asachi produced the first staging of a Romanian-language play, first performed for the public on 27 December 1816, at the Ghica family manor. Extremely popular, Asachi's play was celebrated for helping to counter the perceived xenophily of the early 19th century Moldavian cultural environment. Two Ghicas and a Sturdza were assigned parts in the first staging, and Veniamin Costachi was present in the audience. In early 1837, his conservatory began functioning regularly, which coincided with Asachi's leadership of the National Theatre. Before and after this moment, the writer contributed translations from various prestigious dramatists and playwrights, August von Kotzebue, Voltaire, Jean Racine and Nikolai Gogol among them. In parallel, he published librettos for popular operas, thus lending a hand to the development of local operatic theater. ==Contribution to visual arts==
Contribution to visual arts
As a teacher, Asachi assisted and encouraged the development of Romanian art. Before he came to exercise his influence, Moldavian art was essentially dependent on boyar patronage, and, by the turn of the 18th century, had come to focus on portrait painting. Asachi centered his energies on introducing Romantic nationalist themes and popularizing new trends. He integrated painting, architecture, and drawing and oil painting in classes taught at Academia Mihăileană (called class de zugrăvie, an antiquated version of "painting course"), and introduced lithography through the means of his printing press. The resulting works are generally naïve in quality, and inaccurate in their reconstruction of historical scenes. Gheorghe Panaiteanu Bardasare, the recipient of a scholarship to the Akademie der Bildenden Künste in Munich, was the only one of his many disciples to remain under the influence of Asachi's tenets for the rest of his life, developing these into academic art. Asachi's disciples also included Gheorghe Lemeni, who studied in Munich and Rome, and the minor artist Gheorghe Năstăseanu. Arguably, Asachi's most important contribution to the artistic field was his involvement in attracting foreign painters to the Moldavian scene, by offering them commissions or educational assignments; among these were the Polish Ludwik Stawski and Mauriciu Loeffler, the Italian Giovanni Schiavoni, as well as the Austrian Josef Adler (noted for authoring an 1833 manual for landscape painting and still life works) and Ioan Müller (who taught figurative art). Of them, Asachi reportedly considered Schiavoni to be the most competent, while he tended to replace most others after reexamining their skills. Another important Italian artist who arrived in Iași during that period was the former Carboneria revolutionary Niccolò Livaditti, to whom Asachi did not, however, assign a teaching post. In 1843, four years before the Iași Academia was radically transformed, the art classes were disestablished due to the protest of various boyars (who objected to the fact that members of all social groups could attend them). Gheorghe Asachi's own works, many of which date back to the time he spent in Rome, show the influence of Classicism. A series of Classicist drawings from the early decades of the 19th century have only tentatively been attributed to Asachi. ==Descendants==
Descendants
Elena, Gheorghe Asachi's widow, died in 1877. In 1835, Hermiona Asachi (whose given name was often Francised as Hermione) fell in love with Alexandru, the underage son of former Prince Alexander Mourousis, who soon after moved into Asachi's house; this scandalized other members of the Mourousis family, and the conflict was ended only when the two youths agreed to marry. She got married a second time, in 1852, to the well-known French historian Edgar Quinet (between 1841 and 1845, she had attended Quinet's lectures at the Collège de France); five years later, Asachi translated and Quinet's collected works into Romanian — according to historian Nicolae Iorga, the edition was toned-down and censored. The Quinets did not have any children. ==Landmarks and portrayals==
Landmarks and portrayals
of the Gheorghe Asachi Technical University of Iași In autumn 1890, a statue of Asachi was erected in front of the Trei Ierarhi Church school complex, an initiative taken by a group of his conservative collaborators. On the same occasion, Asachi's remains, together with those of his wife Elena, were placed in the monument's base. He is also noted for having proposed, in 1853, to create a modern cemetery in Iași on Galata Hill — his project was never used, but in 1871, Eternitatea, a cemetery corresponding to his requirements, was set up on land donated to the city. The Copou house itself was taken over by Malvina Czapkai, a creditor of Asachi and his son Alexandru; it served as a boarding school, and, during the Russo-Turkish War of 1877–1878, as a Russian military hospital. and Constantin Daniel Stahi (a pupil of Panaiteanu Berdasare). In December 1937, a section of the University of Iași was turned into an institute of technology, with the name of Gheorghe Asachi Polytechnic School (the present-day Gheorghe Asachi Technical University of Iași). A public library in the city also bears his name, as do a school erected in 1900 on the site previously occupied by Școala Vasiliană and high schools in the Romanian cities of Botoșani and Sibiu, as well as in the Moldovan capital Chișinău. ==References==
Cited sources
Călinescu, George (1983) Istoria literaturii române. Compendiu, Editura Minerva, Bucharest. • Cărăbuș, Gheorghe Gabriel (2004)"Asachi – un separatist avant la lettre", in Codrul Cosminului, Nr.10, at the Ștefan cel Mare University of Suceava; retrieved 3 July 2007 • Djuvara, Neagu (1995) Între Orient și Occident. Țările române la începutul epocii moderne, Humanitas, Bucharest. • Drăguț, Vasile; Florea, Vasile; Grigorescu, Dan and Mihalache, Marin (1970) Pictura românească în imagini, Editura Meridiane, Bucharest. • Măciucă, Constantin (1978) "Prefață", p. V-XXXV, in Ion Heliade Rădulescu, Scrieri alese, Editura Albatros, Bucharest. • Oprescu, George (ed.) (1958) Scurtă istorie a artelor plastice în R.P.R., Editura Academiei RPR, Bucharest. ==External links==
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