Sindhi culture has its roots in the
Indus Valley Civilization. Sindh has been shaped by the largely desert region and the natural resources it had available. The
Indus or Sindhu River that passes through the land, and the
Arabian Sea (that defines its borders) also supported the
seafaring traditions among the local people. The local climate also reflects why the Sindhis have the language,
folklore,
traditions,
customs and lifestyle that are so different from the neighbouring regions. The Sindhi culture is also strongly practiced by the
Sindhi diaspora. The roots of Sindhi culture go back to the distant past. Archaeological research during 19th and 20th centuries showed the roots of social life, religion and culture of the people of the Sindh: their agricultural practices, traditional arts and crafts, customs and tradition and other parts of social life, going back to a mature
Indus Valley Civilization of the third millennium BC. Recent researches have traced the Indus valley civilization to even earlier ancestry.
Language Sindhi is an
Indo-Aryan language spoken by about 30 million people in the Pakistani province of Sindh, where it has
official institutional status and has plans to being promoted further. It is also spoken by a further 4.8 million people in India, where it is a
scheduled language, without any state-level official status. Despite that there have been online methods for teaching Sindhi. The main writing system is the
Perso-Arabic script, which accounts for the majority of the Sindhi literature and is the only one currently used in Pakistan. In India, both the Perso-Arabic script and
Devanagari are used. At the
occasion of
'Mother Language Day' in 2023, the
Sindh Assembly passed a
unanimous resolution to extend and increase the
status of Sindhi as the
national language Sindhi is believed to be originated from an older
Indo-Aryan dialect spoken in Indus valley, Sindhi has an attested history from the 10th century CE. Sindhi was one of the first Indo-Aryan languages to encounter influence from
Persian and
Arabic following the
Umayyad conquest in 712 CE. A substantial body of Sindhi literature developed during the Medieval period, the most famous of which is the religious and mystic poetry of Shah Abdul Latif Bhittai from the 18th century. Modern Sindhi was promoted under British rule beginning in 1843, which led to the current status of the language in independent Pakistan after 1947. During British rule in India, a variant of the Persian alphabet was adopted for Sindhi in the 19th century. The script is used in Pakistan and India today. It has a total of 52 letters, augmenting the Persian with
digraphs and eighteen new letters () for sounds particular to Sindhi and other Indo-Aryan languages. Some letters that are distinguished in Arabic or Persian are homophones in Sindhi. The name "Sindhi" is derived from the Sanskrit
síndhu, the original name of the Indus River, along whose delta Sindhi is spoken. Like other languages of the Indo-Aryan family, Sindhi is descended from Old Indo-Aryan (Sanskrit) via Middle Indo-Aryan (
Pali, secondary Prakrits, and
Apabhramsha). 20th century Western scholars such as
George Abraham Grierson believed that Sindhi descended specifically from the Vrācaḍa dialect of Apabhramsha (described by
Markandeya as being spoken in
Sindhu-deśa, corresponding to modern Sindh) but later work has shown this to be unlikely. In Pakistan, Sindhi is the first language of 30.26 million people, or % of the country's population as of the 2017 census. 29.5 million of these are found in Sindh, where they account for % of the total population of the province. There are 0.56 million speakers in the province of
Balochistan, especially in the
Kacchi Plain that encompasses the districts of
Lasbela,
Hub,
Kachhi,
Sibi,
Usta Muhammad,
Jafarabad,
Jhal Magsi,
Nasirabad and
Sohbatpur. In India, there were a total of 1.68 million speakers according to the 2011 census. The states with the largest numbers were Maharashtra (), Rajasthan (), Gujarat (), and
Madhya Pradesh ().
Traditional dress The traditional
Sindhi clothing varies from tribe to tribe but most common are
Paro Cholo,
Salwar Cholo and Ghagho, Abho and Jubo (different types of frocks) with
Sindhi embroideries and
mirror work for women and long wide veil is important. Traditional dress for men is the Sindhi version of
Shalwar Qameez or
Kurta and above kameez or kurta a traditional embroidered or printed
koti/gidi/sadri and
Ajrak or
Lungi (shawls) with either Sindhi Patko or
Sindhi topi. Ajrak is added to dress for allure.
Literature Sindhi literature is very rich, and is one of the world's oldest literatures. The earliest reference to Sindhi literature is contained in the writings of
Arab historians. It is established that Sindhi was the first eastern language into which the
Quran was translated, in the 8th or 9th century. There is evidence of Sindhi poets reciting their verses before the Muslim
Caliphs in
Baghdad. It is also recorded that treatises were written in Sindhi on
astronomy,
medicine and history during the 8th and 9th centuries. Sindhi literature is the composition of oral and written scripts and
texts in the Sindhi language in the form of
prose: (romantic tales, and epic stories) and
poetry: (Ghazal, Wai and Nazm). The Sindhi language is considered to be one of the oldest languages of
Ancient India, due to the influence of the language of
Indus Valley inhabitants. Sindhi literature has developed over a thousand years. According to the historians,
Nabi Bux Baloch,
Rasool Bux Palijo, and
GM Syed, Sindhi had a great influence on the
Hindi language in pre-Islamic times. Nevertheless, after the advent of Islam in eighth century, Arabic language and Persian language influenced the inhabitants of the area and were the official language of the territory through different periods.
Music is a Pakistani singer of Sindhi descent and an exponent of
Sufi music. The folk music of Sindh is generally of five genres that originated in Sindh. The first one is the "Baits". The Baits style is vocal music in which Sanhoon (low voice) or Graham (high voice) is used. Second is "Waee" instrumental music, which is performed in a variety of ways using a string instrument. Waee is also known as
Kafi. Other genres are Lada/Sehra/Geech, Dhammal, Doheera etc. The Sindhi folk musical instruments are
Algozo, Tamburo,
Chung,
Yaktaro,
Dholak, Khartal/Chapri/Dando, Sarangi, Surando, Benjo,
Bansri, Borindo,
Murli/Been, Gharo/Dilo,
Tabla, Khamach/Khamachi, Narr,
Kanjhyun/Talyoon, Duhl Sharnai and Muto, Nagaro, Danburo,
Ravanahatha etc.
Dance Dances of Sindh include the famous
Ho Jamalo and
Dhammal. Other common dances include Jhumar/Jhumir (different from the Jhumar dance of South Punjab), Kafelo, and Jhamelo. However, none of these have survived as much as Ho Jamalo. In marriages and on other occasions, a special type of song is produced; these are known as
Ladas/Sehra/Geech and are sung to celebrate the occasion of marriage, birth and on other special days. They are mostly performed by women. Although Chej has seen decline in Sindh it remains popular among Sindhi Hindus and the diaspora. •
Bhagat: is a dance performed by professionals to entertain visiting people. •
Doka/Dandio: Dance performed using sticks. •
Charuri: Performed in thar. •
Muhana Dance: A traditional dance performed by fisherfolk of Sindh. •
Rasudo: Dance of
Nangarparkar.
Folk tales Sindhi folklore folk traditions have developed in Sindh over a number of centuries. Sindh abounds with folklore, in all forms, and colours from such obvious manifestations as the traditional
Watayo Faqir tales,
The legend of Moriro, the epic tale of
Dodo Chanesar, to the heroic character of Marui, which distinguishes it among the contemporary folklores of the region. The love story of
Sassui, who pines for her lover Punhu, is known and sung in every Sindhi settlement. Examples of the folklore of Sindh include the stories of Umar Marui and Suhuni Mehar. Sindhi folk singers and women play a vital role in transmitting Sindhi folklore. They sang the
folktales of Sindh in songs with passion in every village of Sindh. Sindhi folklore has been compiled in a series of forty volumes under
Sindhi Adabi Board's project of folklore and literature. This valuable project was accomplished by noted Sindhi scholar
Nabi Bux Khan Baloch. Folk tales such as Dodo Chanesar,
Sassi Punnu, and
Umar Marvi It is observed with great zeal.
Muslims Sindhi
Muslims celebrate Islamic festivals such as
Eid-ul-Adha,
Eid al-Fitr and Jaatiyun wari Eid, which are celebrated with zeal and enthusiasm. A festival known as Jashn-e-Larkana is also celebrated by Sindhi Muslims.
Cuisine dish Sindhi cuisine has been influenced by Central Asian, Iranian, and Mughal food traditions. It is mostly a non-vegetarian cuisine, The daily food in most Sindhi households consists of
wheat-based flat-bread (
mani/roti) and rice accompanied by two dishes, one
gravy and one dry with curd, papad or pickle. Freshwater fish and a wide variety of vegetables are usually used in Sindhi cuisine. Restaurants specializing in Sindhi cuisine are rare, although it is found at truck stops in rural areas of Sindh province, and in a few restaurants in urban Sindh. The arrival of Islam within India influenced the local cuisine to a great degree. Since
Muslims are forbidden to eat pork or consume alcohol and the
Halal dietary guidelines are strictly observed, Muslim
Sindhis focus on ingredients such as
beef,
lamb,
chicken,
fish,
vegetables and traditional
fruit and
dairy. Hindu Sindhi cuisine is almost identical with the difference that beef is omitted. The influence of
Central Asian,
South Asian and Middle Eastern cuisine in Sindhi food is ubiquitous. Sindhi cuisine was also found in India, where many Sindhi Hindus migrated following the Partition of India in 1947. Before Independence, the State of Sindh was under the Bombay Presidency.
Culture Day , famous
mango variety from Pakistan and among the Best
Tasted Mangoes of the World
Sindhi Cultural Day () is a popular
Sindhi cultural festival. It is celebrated with traditional enthusiasm to highlight the centuries-old rich
culture of Sindh. The day is celebrated each year in the first week of December on the Sunday. It is widely celebrated all over Sindh, and amongst the Sindhi diaspora population around the world. Sindhis celebrate this day to demonstrate the peaceful identity of Sindhi culture and acquire the attention of the world towards their rich heritage. On this holiday people gather in all major cities of Sindh at press clubs, and other places to arrange various activities. They engage in literary (poetic) gatherings,
mach katchehri (gathering in a place and sitting round in a circle and the fire on sticks in the center), musical concerts, seminars, lecture programs and rallies. On the occasion people wearing Ajrak and
Sindhi Topi, traditional block printed
shawls, attend musical programs and rallies in many cities. Major hallmarks of cities and towns are decorated with Sindhi Ajrak. People across Sindh exchange gifts of Ajrak and Topi at various ceremonies. Even the children and women dress up in Ajrak, assembling at the grand gathering, where famous
Sindhi singers sing
Sindhi songs. The musical performances of the artists inspire the participants to dance to Sindhi tunes and the national song ‘
Jeay Sindh Jeay-Sindh Wara Jean’. All political, social and religious organizations of Sindh, besides the Sindh Culture Department and administrations of various schools, colleges and universities, organize a variety of events including seminars, debates, folk music programs, drama and theatric performances, tableaus and literary sittings to mark this annual festivity. Sindhi culture, history and heritage are highlighted at the events. festival in
Islamabad Poetry Prominent in Sindhi culture, poetry continues an oral tradition dating back a thousand years, based on folk tales. Sindhi is one of the major oldest languages of the Indus Valley, having a particular literary colour both in poetry and prose. Sindhi poetry is very rich in thought as well as containing a variety of genres like other developed languages. The poetry of Shah Abdul Latif Bhittai and Sachal Sarmast is very famous throughout Sindh. Since the 1940s, Sindhi poetry has incorporated broader influences, including the sonnet and blank verse. Soon after the
independence of Pakistan in 1947, these forms were reinforced by
Triolet,
Haiku,
Renga and
Tanka. At present, these forms continue to co-exist, albeit in a varying degree, with Azad Nazm having an edge over them all. == Notable people ==