Timur's legacy is a mixed one. While Central Asia blossomed under his reign, other places, such as
Baghdad,
Damascus,
Delhi and other
Arab,
Georgian,
Persian, and
Indian cities were sacked and destroyed and their populations massacred. Thus, while Timur still retains a positive image in
Muslim Central Asia, he is vilified by many in
Arabia,
Iraq,
Persia, and
India, where some of his greatest atrocities were carried out. However,
Ibn Khaldun praises Timur for having unified much of the Muslim world when other conquerors of the time could not. The next great conqueror of the
Middle East,
Nader Shah, was greatly influenced by Timur and almost re-enacted Timur's conquests and battle strategies in his
own campaigns. Like Timur, Nader Shah conquered most of
Caucasia,
Persia, and
Central Asia along with also
sacking Delhi. Timur's short-lived empire also melded the
Turko-Persian tradition in
Transoxiana, and, in most of the territories that he incorporated into his
fiefdom,
Persian became the primary
language of administration and literary culture (
diwan), regardless of
ethnicity. In addition, during his reign, some contributions to Turkic literature were penned, with Turkic cultural influence expanding and flourishing as a result. A literary form of
Chagatai Turkic came into use alongside Persian as both a cultural and an
official language. Tamerlane virtually exterminated the
Church of the East, which had previously been a major branch of
Christianity but afterwards became largely confined to a small area now known as the
Assyrian Triangle. In Uzbekistan, Timur is referred to as the "Founder of the Uzbek nation" despite having belonged to a competing tribe that hated the Uzbeks. His monument in
Tashkent now occupies the place where
Karl Marx's statue once stood. The
Amir Timur Museum in
Tashkent focuses on his genealogy and life. In 1794,
Sake Dean Mahomed published his travel book,
The Travels of Dean Mahomet. The book begins with the praise of
Genghis Khan, Timur, and particularly the first
Mughal emperor,
Babur. He also gives important details on the then incumbent
Mughal Emperor Shah Alam II. The poem "
Tamerlane" by
Edgar Allan Poe follows a fictionalized version of Timur's life.
Historical sources 's work on the
Life of Timur The earliest known history of his reign was
Nizam al-Din Shami's
Zafarnama, which was written during Timur's lifetime. Between 1424 and 1428,
Sharaf ad-Din Ali Yazdi wrote a second
Zafarnama drawing heavily on Shami's earlier work.
Ahmad ibn Arabshah wrote a much less favorable history in Arabic. Arabshah's history was translated into
Latin by the
Dutch Orientalist Jacobus Golius in 1636. As Timurid-sponsored histories, the two
Zafarnamas present a dramatically different picture from Arabshah's chronicle.
William Jones remarked that the former presented Timur as a "liberal, benevolent and illustrious prince" while the latter painted him as "deformed and impious, of a low birth and detestable principles".
Malfuzat-i Timuri The
Malfuzat-i Timurī and the appended
Tuzūk-i Tīmūrī, supposedly Timur's own autobiography, are almost certainly 17th-century fabrications. The scholar Abu Taleb Hosayni presented the texts to the
Mughal emperor
Shah Jahan, a distant descendant of Timur, in 1637–1638, supposedly after discovering the
Chagatai language originals in the library of a
Yemeni ruler. Due to the distance between Yemen and Timur's base in Transoxiana and the lack of any other evidence of the originals, most historians consider the story highly implausible, and suspect Hosayni of inventing both the text and its origin story. European views of Timur were mixed throughout the fifteenth century, with some European countries calling him an ally and others seeing him as a threat to Europe because of his rapid expansion and brutality. When Timur captured the Ottoman Sultan
Bayezid at
Ankara, he was often praised and seen as a trusted ally by European rulers, such as
Charles VI of France and
Henry IV of England, because they believed he was saving Christianity from the Turkic Empire in the Middle East. Those two kings also praised him because his victory at Ankara allowed Christian merchants to remain in the Middle East and allowed for their safe return home to both
France and
England. Timur was also praised because it was believed that he helped restore the right of passage for
Christian pilgrims to the
Holy Land.
Exhumation and alleged curse ,
Samarkand Timur's body was
exhumed from his tomb on 19 June 1941 and his remains examined by the
Soviet anthropologists
Mikhail M. Gerasimov,
Lev V. Oshanin and V. Ia. Zezenkova. Gerasimov reconstructed the likeness of Timur from his skull and found that his facial characteristics displayed "typical
Mongoloid features", i.e.
East Asian in modern terms. An anthropologic study of Timur's cranium shows that he belonged predominately to the "South Siberian Mongoloid type". At , Timur was tall for his era. The examinations confirmed that Timur was
lame and had a withered right arm due to his injuries. His right thighbone had knitted together with his kneecap, and the configuration of the knee joint suggests that he kept his leg bent at all times and therefore would have had a pronounced limp. He appears to have been broad-chested and his hair and beard were red. It is alleged that Timur's tomb was inscribed with the words, "When I rise from the dead, the world shall tremble". It is also said that when Gerasimov exhumed the body, an additional inscription inside the casket was found, which read, "Whomsoever opens my tomb shall unleash an invader more terrible than I." Even though people close to Gerasimov claim that this story is a fabrication, it became known as the
Curse of Timur. In any case, three days after Gerasimov began the exhumation,
Germany invaded the Soviet Union, which resulted in one of the
deadliest invasions in human history. Timur was re-buried with full Islamic ritual in November 1942, just before the Soviet victory at the
Battle of Stalingrad.
In the arts •
Tamburlaine the Great, Parts I and II (English, 1563–1594): play by
Christopher Marlowe •
Tamerlan ou la mort de Bajazet [Tamerlane or the Death of Bajazet] (1675): play by
Jacques Pradon •
Tamerlane (1701): play by
Nicholas Rowe (English) •
Tamerlano (1724):
opera by
George Frideric Handel, in Italian, based on the 1675 Pradon play •
Bajazet (1735): opera by
Antonio Vivaldi, portrays the capture of Bayezid I by Timur •
Il gran Tamerlano (1772): opera by
Josef Myslivecek which also portrays the capture of Bayezid I by Timur •
Timour the Tartar (1811): equestrian drama by
Matthew Lewis •
Tamerlane (published 1827): first published poem of
Edgar Allan Poe •
Turandot (1924): opera by
Giacomo Puccini (libretto by
Giuseppe Adami and
Renato Simoni) in which Timur is the deposed, blind former King of Tartary and father of the protagonist Calaf •
Lord of Samarkand (The Lame Man; published 1932): story by
Robert E. Howard in which Timour appears •
Nesimi (1973): Azerbaijani film in which Timur was portrayed by
Yusif Veliyev •
Tamerlan (2003):
Spanish-language novel by Colombian writer
Enrique Serrano •
Day Watch (2006): Russian film in which Tamerlane in his youth is portrayed by
Emir Baygazin, and in maturity by
Gani Kulzhanov •
Age of Empires II: Definitive Edition (2019): a video game containing a six-chapter campaign titled "Tamerlane" •
Tamerlane: Rise of the Last Conqueror (2026): English-language film depicting Timur's early life up to the deaths of
Ilyas Khoja and
Amir Husayn == Wives and concubines ==