NBC's
Tonight was the late-night counterpart to its early-morning show
Today. Originating in 1954 with host
Steve Allen,
Tonight was somewhat experimental at the time, as the only previous network late-night program was NBC's
Broadway Open House (1950–51), which starred
Jerry Lester and
Dagmar.
Tonight was successful. Allen moved to primetime comedy-variety shows in 1957 when
Jack Paar became host of
Tonight. Paar left the show in 1962. Carson's success on
Who Do You Trust? led NBC to invite him to take over
Tonight a few months before Paar's departure. Carson declined the offer because he feared the difficulty of interviewing celebrities for 105 minutes each day.
Bob Newhart,
Jackie Gleason,
Groucho Marx, and
Joey Bishop also declined. NBC finally convinced Carson to sign by early February 1962. He can be seen discussing his upcoming job for the first time on the February 11, 1962, episode of ''
What's My Line?'' Due to Carson having six months left on his ABC contract, NBC used multiple guest hosts until he could take over. Guest hosts included Bishop, Marx,
Merv Griffin,
Art Linkletter,
Arlene Francis,
Bob Cummings,
Jerry Lewis,
Donald O'Connor and others. Although he continued to have doubts about his new job, Carson became the host of
Tonight (later called
The Tonight Show Starring Johnny Carson) on October 1, 1962. After a difficult first year, he overcame his fears. While
Tonight under its previous hosts had been successful, especially under Paar, Carson's version eventually did very well in the ratings.
Billy Wilder said of Carson: and
Alan King in a publicity photo promoting the 1968
California Friars Club roast of Carson. McMahon followed Carson from
Who Do You Trust? as his announcer and sidekick, and
Skitch Henderson was installed as the
maestro of the NBC Orchestra. McMahon's famous introduction, "Heeeeere's Johnny!!!" was followed by a brief
monologue by Carson. This was often followed by
comedy sketches, interviews, and live music. Carson's trademark was a phantom golf swing at the end of his monologues, aimed
stage left toward the orchestra. (Guest hosts sometimes parodied that gesture. Newhart rolled an imaginary bowling ball toward the audience.)
Paul Anka wrote
The Tonight Shows theme song, ("
Johnny's Theme"), a reworking of his "Toot Sweet"; given lyrics, it was renamed "It's Really Love" and recorded by
Annette Funicello in 1959. Before taking over
The Tonight Show, Carson wrote lyrics for the song, and so claimed 50% of the song's performance
royalties (though the lyrics were never used). The theme is heard being played on sound recordings of Carson's first
Tonight Show, and it was used without interruption through to his last broadcast on May 22, 1992.
The Tonight Show was originally produced at NBC's headquarters at
30 Rockefeller Plaza in New York City, with occasional stints in California. The program began videotaping in advance during the Jack Paar days, although during the 1970s NBC fed the live taping from
Burbank to New York via satellite for editing (see
below). Carson had a talent for quick quips to deal with problems. If the opening monologue fared poorly, the band would start playing "
Tea for Two" and Carson danced a softshoe to laughs from the studio audience. Alternatively, Carson might pull the
boom microphone close to his face and announce, "Attention
K-Mart shoppers, clean up in aisle four!"
Move to Burbank On May 1, 1972,
The Tonight Show moved from 30 Rockefeller Plaza to the
NBC Studios in Burbank, California, because of the studio's proximity to celebrities. From 1980, Carson stopped hosting five shows per week. Instead, Mondays featured a guest host, leaving Carson to host the other four weeknights. Shows were videotaped in Burbank at 5:30 pm, fed from there to the
Central and
Eastern Time Zone stations via cross-country television line at 8:30 pm
Pacific time (11:30 pm
Eastern time), and later sent from Burbank to the Pacific Time Zone stations at 11:30 pm Pacific time. Since only two feeds originated from Burbank, Central Time Zone stations received the Eastern feed one hour earlier at 10:30 pm local time, and
Mountain time stations received the Pacific time zone feed one hour later, at 12:30 am local time. Carson announced in April 1979 that he was leaving
The Tonight Show after 17 years hosting the program. At the time, media analysts estimated the show generated 17% of NBC's pretax profits. He negotiated a three-year deal to remain with the show in May 1980, reducing the program's length from 90 to 60 minutes, while decreasing his workload from four to three nights each week.
Tom Snyder's
Tomorrow added a half-hour to fill the vacant time.
Joan Rivers became the
"permanent" guest host from September 1983 until 1986.
The Tonight Show then returned to using rotating guest hosts, including comics
George Carlin and
Garry Shandling.
Jay Leno became the exclusive guest host in fall 1987, later joking that although other guest hosts had upped their fees, he had kept his low, assuring himself more bookings. Eventually, Monday night was reserved for Leno and Tuesday night was reserved for
The Best of Carson—rebroadcasts usually dating from a year earlier, but occasionally from the 1970s. Although Carson's work schedule became more abbreviated,
The Tonight Show remained so successful that his compensation from NBC continued to rise; by the mid-1970s, he had become the highest-paid personality on television, earning about $4 million a year ($ today), not including
nightclub appearances and his other businesses. Carson refused many offers to appear in films, including title roles in
The Thomas Crown Affair and
Gene Wilder's role in
Blazing Saddles. He also declined director
Martin Scorsese's offer to co-star with
Robert De Niro in the 1983 film
The King of Comedy, with the role of a TV talk-show host then going to
Jerry Lewis. In recognition of his 25th anniversary on
The Tonight Show, Carson received a personal
Peabody Award, the board saying he had "become an American institution, a household word, [and] the most widely quoted American". They also said they "felt the time had come to recognize the contributions that Johnny has made to television, to humor, and to America".
Uri Geller In 1973, television personality and self-proclaimed
psychic Uri Geller appeared on
The Tonight Show. In the
NOVA documentary, "James Randi – Secrets of the Psychics," magician and
skeptical activist James Randi recalls that Carson "had been a magician himself and was skeptical" of Geller's claimed
paranormal powers, so prior to the date of taping, Randi was personally asked "to help prevent any trickery". Per Randi's advice, the show's staff prepared its own props without informing Geller and did not let Geller or his staff "anywhere near them." When Geller joined Carson on stage, he appeared surprised that he was not going to be interviewed, but instead was expected to display his abilities using the provided articles. Geller was unable to display any paranormal abilities, saying, "I don't feel strong" and expressing displeasure at feeling like he was being "pressed" to perform by Carson. According to Adam Higginbotham's November 7, 2014, article in
The New York Times: However, ironically, this appearance on
The Tonight Show, which Carson and Randi had orchestrated to debunk Geller's claimed abilities, backfired. According to Higginbotham,
Comic characters Carson played several continuing characters on sketches during the show, including: •
Art Fern was the "Tea Time Movie" announcer, whose theme song was "
Hooray for Hollywood". Carson once admitted on camera that this was his favorite character, based on late-afternoon movie broadcasts and TV hosts who delivered live commercials throughout the movie. Each sketch usually featured three long commercials interrupted by four-second clips from old silent films. When the camera returned from each clip, Art was always caught off-guard and immediately reminded viewers that they were watching a film favorite. The movies always had unlikely casts and even less likely titles: "
Slim Pickens,
Patti Page,
Duke Wayne, and
Charlton Heston in another classic Western:
Kiss My Saddle Horn! Carson originally played the fast-talking huckster in his own voice (as Honest Bernie Schlock or Ralph Willie (parodying California used-car dealer Ralph Williams), and the sketch was called "The Big Flick". Carson finally settled on a nasal, high-pitched, smarmy drone, reminiscent of
Jackie Gleason's "Reginald Van Gleason III" character. The sketch was renamed "Tea Time Movie" and the host became Art Fern, wearing a lavish toupee, loud jackets, and a pencil mustache. Actress
Carol Wayne became famous for her 100-plus appearances (1971–1984) as Art's buxom assistant, the Matinée Lady. While Art gave his spiel, she would enter the stage behind him. Art would react to her attractive body by wincing, loudly shouting "Ho — leeeee!" and turning almost everything she said into a sexual
double entendre. After Carol Wayne's accidental death in 1985, Carson kept Art Fern off the air for most of the next year, and finally hired Danuta Wesley and then
Teresa Ganzel to play the Matinée Lady. Carson also used these sketches to poke fun at the intricate Los Angeles interstate system, using a pointer and map to give confusing directions to shoppers, often including points where he would unfold the cardboard map to point out, via the appropriate picture, when the shopper would arrive at "the fork in the road". Another freeway routine in the same theme centered on the "
Slauson Cutoff", a slang term Carson popularized to describe the truncated Marina Freeway (which ended abruptly at Slauson Avenue in Culver City). Art Fern would advise drivers to take a series of freeways until they reached the Slauson Cutoff, and would then advise them to "Get out of your car, cut off your slauson, get back in your car," often followed by peals of laughter from the audience, led by McMahon. •
Carnac the Magnificent, a
turbaned psychic, could answer questions before seeing them. The character was taken from Steve Allen's essentially identical "Answer Man", which Allen performed during his tenure as host of
Tonight in the 1950s. As Allen acknowledged in his book
The Question Man, this bit had been created in Kansas City in 1951 by
Bob Arbogast and used on
The Tom Poston Show in New York, where it eventually ended up on
The Steve Allen Show, much to the surprise of both Bob and Steve. Carnac had a trademark entrance in which he always turned the wrong direction when coming onstage and then tripped on the step up to Carson's desk. (In one episode, technicians rigged Carson's desk to fall apart when Carnac fell into it.) These comedic missteps were an indication of Carnac's true prescient abilities. McMahon would hand Carson a series of envelopes containing questions, said to have been "hermetically sealed and kept in a mayonnaise jar on
Funk and Wagnalls' porch since noon today". Carson would place each envelope against his forehead and predict the answer, such as "
Gatorade". Then, he would read the question: "What does an alligator get on welfare?" Some of the jokes were feeble, and McMahon used pauses after terrible
puns and audience groans to make light of Carson's lack of comic success ("Carnac must be used to quiet surroundings"), prompting Carson to return an equal insult. McMahon would always announce near the end, "I hold in my hand the
last envelope," at which the audience would applaud wildly, prompting Carnac to pronounce a comedic "curse" on the audience, such as, "May a flock of wild geese leave a deposit on your breakfast!", "May your sister elope with a camel!", or "May a diseased yak take a liking to your sister". Staff writer
Pat McCormick wrote some of the zaniest Carnac material. One joke had McMahon and Carson nearly rolling on the floor with sustained laughter. The answer was "
Sis boom bah". The question: "Describe the sound made when a sheep explodes." •
Floyd R. Turbo American (with no pause between words) was a stereotypical common working man, wearing a plaid hunting coat and cap, who offered "editorial responses" to left-leaning causes or news events. Railing against women's rights in the workplace, for example, Turbo would shout: "This raises the question: kiss my
Dictaphone!" •
Aunt Blabby, a cantankerous and sometimes amorous old lady, was an obvious copy of
Jonathan Winters' most famous creation, Maude Frickert, including her black spinster dress and wig. Aunt Blabby was invariably interviewed by straight man Ed McMahon about elder affairs. == Filmography ==