Religion statue with old Kannada inscription (1115 AD) during the rule of Vikarmaditya VI at the Kedareshvara temple in Balligavi The fall of the Rashtrakuta empire to the Western Chalukyas in the 10th century, coinciding with the defeat of the
Western Ganga dynasty by the Cholas in
Gangavadi, was a setback to
Jainism. The growth of
Virashaivism in the Chalukya territory and
Vaishnava Hinduism in the Hoysala region paralleled a general decrease in interest in Jainism, although the succeeding kingdoms continued to be religiously tolerant. Two locations of Jain worship in the Hoysala territory continued to be patronised,
Shravanabelagola and
Kambadahalli. The decline of Buddhism in South India had begun in the 8th century with the spread of
Adi Shankara's
Advaita philosophy. The only places of Buddhist worship that remained during the Western Chalukya rule were at
Dambal and
Balligavi. There is no mention of religious conflict in the writings and inscriptions of the time, suggesting that the religious transition was smooth. Although the origin of the Virashaiva faith has been debated, the movement grew through its association with
Basavanna in the 12th century. Basavanna and other Virashaiva saints preached of a faith without a
caste system. In his
Vachanas (a form of poetry), Basavanna appealed to the masses in simple Kannada and wrote "work is worship" (Kayakave Kailasa). Also known as the
Lingayats (worshipers of the
Linga, the universal symbol of Shiva), these Virashaivas questioned many of the established norms of society such as the belief in rituals and the theory of rebirth and supported the remarriage of widows and the marriage of unwed older women. This gave more social freedom to women but they were not accepted into the priesthood.
Ramanujacharya, the head of the Vaishnava monastery in
Srirangam, traveled to the Hoysala territory and preached the way of devotion (
bhakti marga). He later wrote
Sribhashya, a commentary on Badarayana
Brahmasutra, a critique on the
Advaita philosophy of Adi Shankara. Ramanujacharya's stay in
Melkote resulted in the Hoysala King
Vishnuvardhana converting to Vaishnavism, a faith that his successors also followed. The impact of these religious developments on the culture, literature, and architecture in South India was profound. Important works of metaphysics and poetry based on the teachings of these philosophers were written over the next centuries.
Akka Mahadevi,
Allama Prabhu, and a host of Basavanna's followers, including Chenna Basava, Prabhudeva, Siddharama, and Kondaguli Kesiraja wrote hundreds of poems called
Vachanas in praise of
Lord Shiva. The esteemed scholars in the Hoysala court,
Harihara and
Raghavanka, were Virashaivas. This tradition continued into the
Vijayanagar empire with such well-known scholars as Singiraja, Mallanarya, Lakkana Dandesa and other prolific writers of Virashaiva literature. The Saluva, Tuluva and Aravidu dynasties of the Vijayanagar empire were followers of Vaishnavism and a Vaishnava temple with an image of Ramanujacharya exists today in the Vitthalapura area of Vijayanagara. Scholars in the succeeding Mysore Kingdom wrote Vaishnavite works supporting the teachings of Ramanujacharya. King Vishnuvardhana built many temples after his conversion from Jainism to Vaishnavism.
Society '' relief at
Kedareswara Temple in
Balligavi,
Shimoga district The rise of
Veerashaivaism was revolutionary and challenged the prevailing
Hindu caste system which retained royal support. The social role of women largely depended on their economic status and level of education in this relatively liberal period. Freedom was more available to women in the royal and affluent urban families. Records describe the participation of women in the fine arts, such as Chalukya queen Chandala Devi's and
Kalachuris of Kalyani queen Sovala Devi's skill in dance and music. The compositions of thirty
Vachana women poets included the work of the 12th-century
Virashaiva mystic Akka Mahadevi whose devotion to the
bhakti movement is well known. Contemporary records indicate some royal women were involved in administrative and martial affairs such as princess Akkadevi, (sister of King Jayasimha II) who fought and defeated rebellious feudals. Inscriptions emphasise public acceptance of widowhood indicating that
Sati (a custom in which a dead man's widow used to
immolate herself on her husband's funeral
pyre) though present was on a voluntary basis. Ritual deaths to achieve salvation were seen among the
Jains who preferred to fast to death (
Sallekhana), while people of some other communities chose to jump on spikes (
Shoolabrahma) or walking into fire on an eclipse. In a Hindu caste system that was conspicuously present,
Brahmins enjoyed a privileged position as providers of knowledge and local justice. These Brahmins were normally involved in careers that revolved around religion and learning with the exception of a few who achieved success in martial affairs. They were patronised by kings, nobles and wealthy aristocrats who persuaded learned Brahmins to settle in specific towns and villages by making them grants of land and houses. The relocation of Brahmin scholars was calculated to be in the interest of the kingdom as they were viewed as persons detached from wealth and power and their knowledge was a useful tool to educate and teach ethical conduct and discipline in local communities. Brahmins were also actively involved in solving local problems by functioning as neutral arbiters (
Panchayat). Regarding eating habits, Brahmins, Jains, Buddhists and Shaivas were strictly vegetarian while the partaking of different kinds of meat was popular among other communities. Marketplace vendors sold meat from domesticated animals such as goats, sheep, pigs and fowl as well as exotic meat including partridge, hare, wild fowl and boar. People found indoor amusement by attending wrestling matches (
Kusti) or watching animals fight such as cock fights and ram fights or by gambling. Horse racing was a popular outdoor pastime. In addition to these leisurely activities, festivals and fairs were frequent and entertainment by traveling troupes of acrobats, dancers, dramatists and musicians was often provided. Schools and hospitals are mentioned in records and these were built in the vicinity of temples. Marketplaces served as open air town halls where people gathered to discuss and ponder local issues. Choirs, whose main function was to sing devotional hymns, were maintained at temple expense. Young men were trained to sing in choirs in schools attached to monasteries such as Hindu
Matha, Jain
Palli and Buddhist
Vihara. These institutions provided advanced education in religion and ethics and were well equipped with libraries (
Saraswati Bhandara). Learning was imparted in the local language and in Sanskrit. Schools of higher learning were called
Brahmapuri (or
Ghatika or
Agrahara). Teaching Sanskrit was a near monopoly of Brahmins who received royal endowments for their cause. Inscriptions record that the number of subjects taught varied from four to eighteen. The four most popular subjects with royal students were Economics (
Vartta), Political Science (
Dandaniti), Veda (
trayi) and Philosophy (
Anvikshiki), subjects that are mentioned as early as
Kautilyas
Arthashastra.
Literature The Western Chalukya era was one of substantial literary activity in the native Kannada, and Sanskrit. In a golden age of Kannada literature,
Jain scholars wrote about the life of
Tirthankaras and
Virashaiva poets expressed their closeness to God through pithy poems called
Vachanas. Nearly three hundred contemporary
Vachanakaras (
Vachana poets) including thirty women poets have been recorded. Early works by
Brahmin writers were on the epics,
Ramayana,
Mahabharata,
Bhagavata,
Puranas and
Vedas. In the field of secular literature, subjects such as romance, erotics, medicine, lexicon, mathematics, astrology, encyclopedia etc. were written for the first time. He was bestowed the title "Emperor among poets" (
Kavi Chakravathi) by King Tailapa II and has five major works to his credit. Of these,
Saahasabheema Vijayam (or
Gada yuddha) of 982 in
Champu style is a eulogy of his patron King Satyashraya whom he compares to Bhima in valour and achievements and narrates the duel between
Bhima and
Duryodhana using clubs on the eighteenth day of the
Mahabharata war. He wrote
Ajitha purana in 993 describing the life of the second
Tirthankara, Ajitanatha. Nagavarma II, poet laureate (
Katakacharya) of King Jagadhekamalla II made contributions to Kannada literature in various subjects. His works in poetry, prosody, grammar and vocabulary are standard authorities and their importance to the study of Kannada language is well acknowledged.
Kavyavalokana in poetics,
Karnataka-Bhashabhushana on grammar and
Vastukosa a lexicon (with Kannada equivalents for Sanskrit words) are some of his comprehensive contributions. Several works on medicine were produced during this period. Notable among them were Jagaddala Somanatha's
Karnataka Kalyana Karaka. A unique and native form of poetic literature in Kannada called
Vachanas developed during this time. They were written by mystics, who expressed their devotion to God in simple poems that could appeal to the masses. Basavanna,
Akka Mahadevi,
Allama Prabhu,
Channabasavanna and
Siddharama are the best known among them. In Sanskrit, a well-known poem (
Mahakavya) in 18 cantos called
Vikramankadeva Charita by Kashmiri poet
Bilhana recounts in epic style the life and achievements of his patron king Vikramaditya VI. The work narrates the episode of Vikramaditya VI's accession to the Chalukya throne after overthrowing his elder brother Someshvara II. The great Indian mathematician
Bhāskara II (born ) flourished during this time. From his own account in his famous work
Siddhanta Siromani (c. 1150, comprising the
Lilavati,
Bijaganita on algebra,
Goladhaya on the celestial globe and
Grahaganita on planets) Bijjada Bida (modern
Bijapur) was his native place.
Manasollasa or
Abhilashitartha Chintamani by king
Someshvara III (1129) was a Sanskrit work intended for all sections of society. This is an example of an early encyclopedia in Sanskrit covering many subjects including medicine, magic, veterinary science, valuing of precious stones and pearls, fortifications, painting, music, games, amusements etc. While the book does not give any of dealt topics particular hierarchy of importance, it serves as a landmark in understanding the state of knowledge in those subjects at that time. Someshwara III also authored a biography of his famous father Vikramaditya VI called Vikraman-Kabhyudaya. The text is a historical prose narrative which also includes a graphic description of the geography and people of
Karnataka. A Sanskrit scholar
Vijnaneshwara became famous in the field of legal literature for his
Mitakshara, in the court of Vikramaditya VI. Perhaps the most acknowledged work in that field, Mitakshara is a treatise on law (commentary on
Yajnavalkya) based on earlier writings and has found acceptance in most parts of modern India. An
Englishman Colebrooke later translated into
English the section on inheritance giving it currency in the British Indian court system. Some important literary works of the time related to music and musical instruments were
Sangita Chudamani,
Sangita Samayasara and
Sangita Ratnakara.
Architecture '' at Siddesvara temple in
Haveri, Karnataka The reign of Western Chalukya dynasty was an important period in the development of Deccan architecture. The architecture designed during this time served as a conceptual link between the
Badami Chalukya architecture of the 8th century and the
Hoysala architecture popularised in the 13th century. The art of the Western Chalukyas is sometimes called the "
Gadag style" after the number of ornate temples they built in the Tungabhadra River-Krishna River
doab region of present-day
Gadag district in Karnataka. The dynasty's temple building activity reached its maturity and culmination in the 12th century with over a hundred temples built across the Deccan, more than half of them in present-day central Karnataka. Apart from temples, the dynasty's architecture is well known for the ornate stepped wells (
Pushkarni) which served as ritual bathing places, a few of which are well preserved in Lakkundi. These stepped well designs were later incorporated by the Hoysalas and the Vijayanagara empire in the coming centuries. the
Dodda Basappa Temple at
Dambal (Gadag district), the
Mallikarjuna Temple at Kuruvatti (
Bellary district), the
Kallesvara Temple at Bagali (
Davangere district), the
Siddhesvara Temple at
Haveri (
Haveri district), the Amrtesvara Temple at Annigeri (
Dharwad district), the
Mahadeva Temple at Itagi (
Koppal district), the
Kaitabheshvara Temple at Kubatur, and the
Kedareshvara Temple at
Balligavi are the finest examples produced by the later Chalukya architects. The 12th-century Mahadeva Temple with its well executed sculptures is an exquisite example of decorative detail. The intricate, finely crafted carvings on walls, pillars and towers speak volumes about Chalukya taste and culture. An inscription outside the temple calls it "Emperor of Temples" (
devalaya chakravarti) and relates that it was built by Mahadeva, a commander in the army of king Vikramaditya VI. The Kedareswara Temple (1060) at
Balligavi is an example of a transitional Chalukya-Hoysala architectural style. The Western Chalukyas built temples in
Badami and
Aihole during their early phase of temple building activity, such as Mallikarjuna Temple, the Yellamma Temple and the
Bhutanatha group of Temples. at
Lakkundi dates to the mid-late 11th century The
vimana of their temples (tower over the shrine) is a compromise in detail between the plain stepped style of the early Chalukyas and the decorative finish of the Hoysalas. The artistic wall decor and the general sculptural idiom was
dravidian architecture. This style is sometimes called
Karnata dravida, one of the notable traditions in Indian architecture.
Language inscription from 1112 at Mahadeva Temple in Itagi, Karnataka ascribed to King Vikramaditya VI The local language
Kannada was mostly used in Western (Kalyani) Chalukya inscriptions and epigraphs. Some historians assert that ninety percent of their inscriptions are in the Kannada language while the remaining are in
Sanskrit. More inscriptions in Kannada are attributed to Vikramaditya VI than any other king prior to the 12th century, many of which have been deciphered and translated by historians of the Archaeological Survey of India. At an administrative level, the regional language was used to record locations and rights related to land grants. When bilingual inscriptions were written, the section stating the title, genealogy, origin myths of the king and benedictions were generally done in Sanskrit. Kannada was used to state terms of the grants, including information on the land, its boundaries, the participation of local authorities, rights and obligations of the grantee, taxes and dues, and witnesses. This ensured the content was clearly understood by the local people without any ambiguity. In addition to inscriptions, chronicles called
Vamshavalis were written to provide historical details of dynasties. Writings in Sanskrit included poetry, grammar, lexicon, manuals, rhetoric, commentaries on older works, prose fiction and drama. In Kannada, writings on secular subjects became popular. Some well-known works are
Chandombudhi, a prosody, and
Karnataka Kadambari, a romance, both written by
Nagavarma I, a lexicon called
Rannakanda by Ranna (993), a book on medicine called
Karnataka-Kalyanakaraka by Jagaddala Somanatha, the earliest writing on astrology called
Jatakatilaka by Sridharacharya (1049), a writing on erotics called
Madanakatilaka by Chandraraja, and an encyclopedia called
Lokapakara by Chavundaraya II (1025). ==See also==