s in southern Algeria Tuareg culture is largely
matrilineal. Other distinctive aspects of Tuareg culture include clothing, food, education, language, religion, arts, astronomy, nomadic architecture, traditional weapons, music, films, games, and economic activities.
Clothing In Tuareg society women do not traditionally wear the
face veil, whereas men do. Other forms of knowledge in the socio-cultural sphere were also encouraged, e.g., the mastery of other languages, even including language stays with allies or customers. (This applied to boys, as men were responsible for relations with the outside world.) The promotion of memory was also evident when a Targi remembered a single encounter ten years ago on a desert track that lasted only a few minutes, in a specific place and context that was described in detail. The pursuit of knowledge in many forms, but with the awareness that it should promote mobility, communication, and adaptability, has been noted by many observers. For example, a young Targia from a religious background said that she had received a dual education, in a medersa, a Muslim school in Arabic, and in a French school, in the 1990s. Her father justified this by saying that knowledge was different from religion. For him, knowledge could be found in every culture and had to be sought everywhere.
Language The Tuareg natively speak the
Tuareg languages. A dialect cluster, it belongs to the
Berber branch of the
Afroasiatic family. Tuareg is known as
Tamasheq by western Tuareg in Mali, as
Tamahaq among Algerian and Libyan Tuareg, and as
Tamajeq in the Azawagh and Aïr regions of Niger. French missionary
Charles de Foucauld compiled perhaps the earliest dictionary of the Tuareg language. The Tuaregs compose a great deal of poetry, often elegiac, epigrammatic, and amatory. Charles de Foucauld, and other ethnographers have preserved thousands of these poems, many of which Foucauld translated into French.
Arts in 21 modern variations,
Niger, 2019 As in other rural Berber traditions, jewelry made of silver, coloured glass or iron is a special artform of the Tuareg people. While in
other Berber cultures in the Maghreb jewelry is mainly worn by women, Tuareg men also wear necklaces, amulets and rings. Various pieces indicate a families economic standing and prestige through both quality and quantity. Often passed through generations (typically from mother to daughter) and given as wedding gifts from the groom. A piece worn by both men and women called Grigri is usually either a leather pouch or amulet. And because this is a Muslim culture, the Grigri is rooted in religious tradition and are only made by holy men. There are gender specific pieces of jewelry as well; only men are allowed to wear arm bands (Eweki) and certain pieces of Tcherow. Tcherow were silver ornaments made by the Enaden that served the same protective purpose as the Grigri made by Islamic holy men. These traditional handicrafts are made by the
inadan wan-tizol (makers of weapons and jewelry). Among their products are
tanaghilt or
zakkat (the '
Agadez Cross' or 'Croix d'Agadez'); the Tuareg sword (
takoba), gold and silver necklaces called 'takaza' as well as earrings called 'tizabaten'. Pilgrimage boxes with intricate iron and brass decorations are used to carry items.
Tahatint are made of goat skin. Other such artifacts include metalwork for saddle decoration, called
trik. Most forms of the Agadez Cross are worn as
pendants with varied shapes that either resemble a cross or have the shape of a plate or shield. Historically, the oldest known specimens were made of stone or copper, but subsequently Tuareg blacksmiths also used iron and silver, in the
lost-wax casting technique. According to the article "
The cross of Agadez" by Seligman and Loughran (2006), this piece has become a national and African symbol for Tuareg culture and political rights. Today, these pieces of jewellery are often made for tourists or as items of
ethnic-style fashion for customers in other countries, with certain modern changes. Not only was lost wax casting used to create these pieces, the Enaden also pounded the metals into their desired shapes and would imprint different designs or even verses from the Quran. They were used as a method of spiritual and physical protection. For example, certain materials impacted what they were used for. Silver was understood to bring happiness, various rare agates are thought to have healing properties, and even the shape of a triangle is a protective form from evil. Shells are also included in aiding in fertility when worn in Khomessa amulets. This goes the other way too, as gold is thought to bring misfortune when worn, which is why the primary material is the silver that comes from Austrian coins, 5 franc pieces, and various silver scraps.
Astronomy The clear desert skies allowed the Tuareg to be keen observers. Tuareg celestial objects include: • Azzag Willi (
Venus), which indicates the time for milking the goats • Shet Ahad (
Pleiades), the seven sisters of the night • Amanar (
Orion), the warrior of the desert • Talemt (
Ursa Major), the she-camel wakes up • Awara (
Ursa Minor), the baby camel goes to sleep
Nomadic architecture While living quarters are progressively changing to adapt to a more sedentary lifestyle, Tuareg groups are well known for their nomadic architecture (
tents). There are several documented styles, some covered with animal skin, some with mats. The style tends to vary by location or subgroup. The tent is traditionally constructed for the first time during the marriage ceremony and is considered an extension of the union, to the extent that the phrase "making a tent" is a metaphor for becoming married. Because the tent is considered to be under the ownership of a married woman, sedentary dwellings generally belong to men, reflecting a patriarchal shift in power dynamics. Current documentation suggests a negotiation of common practice in which a woman's tent is set up in the courtyard of her husband's house. It has been suggested that the traditional tent construction and arrangement of living space within it represent a microcosm of the greater world as an aide in the organization of lived experiences An old legend says the Tuareg once lived in grottoes,
akazam, and they lived in foliage beds on the top
acacia trees,
tasagesaget. Other kinds of traditional housing include:
ahaket (Tuareg goatskin red tent),
tafala (a shade made of millet sticks),
akarban also called
takabart (temporary hut for winter),
ategham (summer hut),
taghazamt (
adobe house for long stay), and
ahaket (a dome-shaped house made of mats for the dry season and square shaped roof with holes to prevent hot air).
Traditional weapons •
takoba: 1-meter-long straight sword •
sheru: long dagger •
telek: short dagger kept in a sheath attached to the left forearm •
allagh: 2-meter-long lance •
tagheda: small and sharp
assegai •
taganze: leather-covered wooden bow •
amur: wooden arrow •
taburek: wooden stick •
alakkud or
abartak:
riding crop •
agher: 1.5-meter-tall shield In 2007, Stanford's
Cantor Arts Center opened an exhibition, "Art of Being Tuareg: Sahara Nomads in a Modern World", the first such exhibit in the United States. It was curated by Tom Seligman, director of the center. He had first spent time with the Tuareg in 1971 when he traveled through the Sahara after serving in the
Peace Corps. The exhibition included crafted and adorned functional objects such as camel saddles, tents, bags, swords, amulets, cushions, dresses, earrings, spoons and drums. The exhibition also was shown at the
University of California, Los Angeles Fowler Museum in Angeles and the
Smithsonian's
National Museum of African Art in Washington, D.C. Throughout history, the Tuareg were renowned and respected warriors. Their equipment consisted of a
takoba (sword),
allagh (lance), and
aghar (shield) made of antelope hide. Their decline as a military power came with the introduction of firearms. The French general Hanoteau wrote in 1859:
Music Traditional Tuareg music has two major components: the monochord violin
anzad played often during night parties and a small
tambour covered with goatskin called
tende, performed during camel and horse races, and other festivities. Traditional songs called
Asak and
Tisiway (poems) are sung by women and men during feasts and social occasions. Another popular Tuareg musical genre is
Takamba, characterized by its Afro percussions.
Vocal music •
tisiway: poems •
tasikisikit: songs performed by women, accompanied by tende (drum); the men, on camel-back, circle the women as they sing. •
asak: songs accompanied by anzad monocord violin. •
tahengemmit: slow songs sung by elder men (Tuareg band) from
Mali, taken at the
Nice Jazz Festival in France
Children and youth music from
Djanet, Algeria •
Bellulla: songs made by children playing with the lips •
Fadangama: small monocord instrument for children •
Odili flute: made from trunk of sorghum •
Gidga small: wooden instrument with irons sticks to make strident sounds
Dance •
Tagest: dance made while seated, moving the head, the hands and the shoulders •
Ewegh: strong dance performed by men, in couples and groups •
Agabas: dance for modern ishumar guitars: women and men in groups In the 1980s rebel fighters founded
Tinariwen, a Tuareg band that fuses electric guitars and indigenous musical styles. Especially in areas that were cut off during the
Tuareg rebellion (e.g., Adrar des Iforas), they were practically the only music available, which helped them to regional success. They released their first CD in 2000, and toured in Europe and the United States in 2004. Tuareg guitar groups that followed in their path include Group Inerane and
Group Bombino. The Niger-based band
Etran Finatawa combines Tuareg and
Wodaabe members, playing a combination of traditional instruments and electric guitars.
Music genres, groups and artists Traditional music • Majila Ag Khamed Ahmad: asak singer, from Aduk, Niger • Almuntaha: anzad player, from Aduk • Ajju: anzad player, from Agadez, Niger • Islaman: asak singer, from Abalagh, Niger • Tambatan: asak singer, from Tchin-Tabaraden, Niger • Alghadawiat: anzad player, from Akoubounou, Niger • Taghdu: anzad player, from Aduk
Ishumar music, also known as
Teshumara or
al guitarra music style •
Abdallah Oumbadougou, the "godfather" of the
ishumar genre • In Tayaden, singer and guitar player, Adagh • Abareybon, singer and guitar player in
Tinariwen, Adagh • Kiddu Ag Hossad, singer and guitar player, Adagh • Baly Othmani singer, luth player, Djanet, Azjar • Abdalla Ag Umbadugu, singer, Takrist N'Akal group, Ayr • Hasso Ag Akotey, singer, Ayr
World Music •
Tinariwen, exemplar of the
tishoumaren genre.
Led Zeppelin's
Robert Plant, a major supporter of Tinariwen and the Festival au Désert said of Tinariwen, "When I first heard them, I felt, this was the music I'd been looking for all my life." •
Bombino, guitarist •
Kel Assouf •
Imarhan •
Les Filles de Illighadad, Niger •
Mdou Moctar, guitarist
Music and culture festivals , Algeria. The celebrants brandish takouba swords. in
Timbuktu, just before the
MNLA launched the
Azawadian rebellion later in the same month The
Festival in the Desert in Mali's Timbuktu provides one opportunity to see Tuareg culture and dance and hear their music. Other festivals include: •
Cure Salee Festival in the oasis of
In-Gall, Niger • Sabeiba Festival in Ganat (
Djanet), Algeria • Shiriken Festival in Akabinu (
Akoubounou), Niger • Takubelt Tuareg Festival in Mali •
Ghat Festival in Aghat (Ghat), Libya •
Le Festival au Désert in Mali •
Ghadames Tuareg Festival in Libya
Films •
A Love Apart, was released in 2004 by
Bettina Haasen. •
Akounak Tedalat Taha Tazoughai, was released in 2014 and stars the musician
Mdou Moctar. •
Zerzura is a Tamashek-language film released in 2017 by
Sahel Sounds based on the Northern African
fable of
Zerzura.
Games Tuareg traditional games and plays include: •
Tiddas, played with small stones and sticks. •
Kelmutan: consists of singing and touching each person's leg, where the ends, that person is out: the last person loses the game. •
Temse: comic game try to make the other team laugh and you win. •
Izagag, played with small stones or dried fruits. •
Iswa, played by picking up stones while throwing another stone. •
Melghas, children hide themselves and another tries to find and touch them before they reach the well and drink. •
Tabillant, traditional Tuareg wrestling •
Alamom, wrestling while running •
Solagh, another type of wrestling •
Tammazaga or
Tammalagha, race on camel back •
Takket, singing and playing all night. •
Sellenduq one person to be a jackal and try to touch the others who escape running (tag). •
Takadant, children try to imagine what the others are thinking. •
Tabakoni: clown with a goatskin mask to amuse children. •
Abarad Iqquran: small dressed wooden puppet that tells stories and makes people laugh. •
Maja Gel Gel: one person tries to touch all people standing, to avoid this sit down. •
Bellus: everyone runs not to be touched by the one who plays (tag). •
Tamammalt: pass a burning stick, when it is blown off in one's hands tells who is the lover. •
Ideblan: game with girls, prepare food and go search for water and milk and fruits. •
Seqqetu: play with girls to learn how to build tents, look after babies made of clay. •
Mifa Mifa: beauty contest, girls and boys best dressed. •
Taghmart: children pass from house to house singing to get presents: dates, sugar, etc. •
Melan Melan: try to find a riddle •
Tawaya: play with the round fruit calotropis or a piece of cloth. •
Abanaban: try to find people while eyes are shut (''blind man's bluff''). •
Shishagheren, writing the name of one's lover to see if this person brings good luck. •
Taqqanen, telling
devinettes and enigmas. •
Maru Maru, young people mime how the tribe works.
Economy (Algeria) Tuareg are distinguished in their native language as the
Imouhar, meaning the free people; the overlap of meaning has increased local cultural nationalism. Many Tuareg today are either settled agriculturalists or nomadic cattle breeders, while others are
blacksmiths or
caravan leaders. The Tuareg are a
pastoral people, having an economy based on livestock breeding, trading, and agriculture.
Caravan trade Since prehistoric times, Tuareg peoples have been organising caravans for trading across the Sahara desert. The caravan in Niger from around Agadez to Fachi and Bilma is called
Tarakaft or
Taghlamt in Tamashek, and that in Mali from Timbuktu to Taoudenni,
Azalay. These caravans used first oxen, horses and later camels as a means of transportation. Salt mines or
salines in the desert. • Tin Garaban near Ghat in
Azjar, Libya • Amadghor in Ahaggar, Algeria •
Taoudenni in far northern Mali • Tagidda N Tesemt in Azawagh, Niger •
Fachi in Ténéré desert, Niger •
Bilma in Kawar, eastern Niger A contemporary variant is occurring in northern Niger, in a traditionally Tuareg territory that comprises most of the uranium-rich land of the country. The central government in
Niamey has shown itself unwilling to cede control of the highly profitable mining to indigenous clans. The Tuareg are determined not to relinquish the prospect of substantial economic benefit. The French government has independently tried to defend a French firm, Areva, established in Niger for fifty years and now mining the massive uranium deposit. Additional complaints against Areva are that it is: "...plundering...the natural resources and [draining] the fossil deposits. It is undoubtedly an ecological catastrophe". These mines yield uranium ores, which are then processed to produce
yellowcake, crucial to the nuclear power industry, as well as aspirational nuclear powers. In 2007, some Tuareg people in Niger allied themselves with the
Niger Movement for Justice (MNJ), a rebel group operating in the north of the country. In 2004–2007, U.S. Special Forces teams trained Tuareg units of the
Nigerien Army in the Sahel region as part of the Trans-Sahara Counter-Terrorism Partnership. Some of these trainees are reported to have fought in
the 2007 rebellion within the MNJ. The goal of these Tuareg appears to be economic and political control of ancestral lands, rather than operating from religious and political ideologies. Despite the Sahara's erratic and unpredictable rainfall patterns, the Tuareg have managed to survive in the hostile desert environment for centuries. Over recent years however, depletion of water by the uranium exploitation process combined with the effects of climate change are threatening their ability to subsist. Uranium mining has diminished and degraded Tuareg grazing lands. The mining industry produces radioactive waste that can contaminate crucial sources of ground water resulting in cancer, stillbirths, and genetic defects, and uses up huge quantities of water in a region where water is already scarce. This is exacerbated by the increased rate of desertification thought to be the result of global warming. Lack of water forces the Tuareg to compete with southern farming communities for scarce resources and this has led to tensions and clashes between these communities. The precise levels of environmental and social impact of the mining industry have proved difficult to monitor due to governmental obstruction. ==Genetics==