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Romance and romantic love encompass a number of ideas about love, which are interrelated for historical and cultural reasons:passionate feelings of attraction—a mental state of "being in love", with focused attention (salience) towards a specific individual for courtship or pair bonding; the cultural practice or idealization of initiating intimate relationships for feelings like these, over more practical or ordinary concerns; a relationship or love affair initiated or maintained this way, which may be premarital or absent a commitment; and a love story involving these elements.

General definitions
The meaning of the term "romantic love" has changed considerably throughout history, making it difficult to easily define without examining its cultural origins. The term is used with multiple definitions by academics. In Western culture, the term may be used indiscriminately to refer to almost any attraction between men and women or which includes a sexual component (heterosexual, homosexual, or otherwise), although "romance" and "love" are distinguishable concepts. According to the psychotherapist Robert Johnson, the conflation is based on a kind of confusion over terms, with a cultural history of idealizing falling in love and passion-seeking over more ordinary concerns like affection and commitment. The term is often used to distinguish from other types of interpersonal relationships (conjugal, parental, friendship), and in contrast to the modern interpretation of platonic love (which precludes sexual relations). In academic fields of psychology, the term "romantic love" might be used in reference to any of the common definitions (courtly love, romantic idealization, being in love, etc.). Some of the earliest literature containing themes considered "romantic" in a more modern sense was written by French poets known as troubadours—initially often exploring themes of unrequited love, and emphasizing the worship of a lady (a "cold, cruel mistress"). Poets like Chrétien de Troyes were encouraged by royalty to compose works exemplifying certain ideals (now called "courtly love"), particularly in the town of Poitiers, where Andreas Capellanus also came to write The Art of Courtly Love. Courtly love then became emphasized as a theme for chivalric romance. and initially the term "romantic love" referred to those attitudes and behaviors of courtly love. This is said to have originated from the troubadour poetry and the work by Capellanus, although they were also influenced by even earlier works. Often, stories inspired by this tradition are depictions of tragic or unfulfilled love. Some examples of "romantic love" stories in this vein are Layla and Majnun, works of Arthurian legend (i.e. Lancelot and Guinevere), Tristan and Iseult, Dante and Beatrice (from La Vita Nuova), Romeo and Juliet and The Sorrows of Young Werther. Rather than always being pessimistic, however, others expressed an early "humanistic" perspective on passion—that is, idealizing "human love" in contradiction to religious ideals or social interference—as in the happy ending found in Aucassin and Nicolette. The modern romance novel as it's known today (e.g. by Jane Austen) emerged during the 18th-century period of the larger movement. Modern depictions of this type of love story are in Twilight (Edward Cullen and Bella Swan), and Star Wars (Anakin Skywalker and Padmé Amidala). The courtly and romantic traditions are said to have influenced attitudes towards love in Western culture, attitudes which continue to be present in the modern day. According to the cultural critic Denis de Rougemont, "Happy love has no history—in European literature. And a love that is not mutual cannot pass for a true love." Romantic beliefs In the social sciences, the term "romantic love" has been used to refer to the idealization of a love relationship, reminiscent of the attitudes depicted in the literary tradition. Lovers with romantic beliefs and attitudes tend to idealize their loved one and live in a world of fantasy. They believe in a "soul mate" or "one true love", and believe that "true love" will last forever. has criticized the romantic cultural ideal as being "less critical and evaluative"—therefore underlying "unhealthy extremes" he says of addictive relationships, lovesickness, and limerence. Peele adopts the view of Eric Fromm, that love "chiefly engages a person's concern for others". The biological definition is produced in the ventral tegmental area (VTA) of the brain, and projected to the nucleus accumbens (NAc). Dopamine activity in the NAc is key to the attribution of salience. Romantic love is not necessarily "dyadic", "social" or "interpersonal", despite being related to pair bonding. Romantic love can be experienced outside the context of a relationship, as in the case of unrequited love where the feelings are not reciprocated. People in love experience motivational salience for a loved one (focused attention, associated with "wanting" a rewarding experience), which is mediated by dopamine activity in the brain's reward system. Because of this and other similarities, it has been argued that romantic love is an addiction (which can be positive when reciprocated), but academics do not agree on when this is the case, or on a definition of "love addiction". Some authors also consider companionate love and attachment to be romantic love, or consider romantic love to be an attachment process. According to a contemporary model of the brain systems involved with romantic love, the attachment system is active during the early stage of romantic love, in addition to the later stages of a relationship. Oxytocin may be a source of salience for a loved one, due to its activity in motivation pathways in the brain. Oxytocin is projected from the hypothalamus to reward areas, which is believed to modulate salience in response to social stimuli. Usually romantic love inside a relationship lasts for just about a year or 18 months. People usually have a preferred or "favorite" love style, but this can change over a lifetime, and they can also have different love styles with different people. Lee has stated that the elements of romantic love may actually correspond to several of his love styles: eros (erotic love, or love of beauty), mania (comparable to limerence, obsessive love or love addiction), and ludus (game-playing, non-committal love). Of these, eros and mania most correspond to the experience of "falling" in love. A manic lover falls in love with somebody inappropriate in many cases (a stranger, or even somebody they don't actually like), and tends to experience relationship difficulties. Mania is most closely compared to eros, the romantic style in search of an ideal physical type. Eros lovers are more self-assured and tend to fall in love in a less chaotic way. Eros is considered to be more positive than mania. The most common romantic theme in the literary tradition is tragedy or self-destruction, and Lee associated the ideology of courtly love with the mania love style in particular. Limerence " was coined by the French writer Stendhal to refer to the tendency of a person in love to overemphasize the positive aspects of their loved one and overlook the negative ("love is blind"). "Limerence" is a term coined by the psychology professor Dorothy Tennov, to refer to the kind of love madness or "all-absorbing" infatuated love depicted in romantic love literary works. Tennov identified key components of limerence, including: • idealization (or "crystallization") of the loved one, called the "limerent object", or "LO". • intrusive thoughts and constant fantasizing about the limerent object. • uncertain reciprocation intensifying the feeling and causing emotional volatility. According to Tennov's research, limerence is normal (despite being a madness); however, she also encountered people who had not experienced it (whom she calls "nonlimerent") and were in fact unaware the stories depict a real phenomenon. Tennov indicated limerence may be experienced by 50% of women and 35% of men, and a 2025 survey found that 64% of people had experienced it and 32% "found it so distressing that it was hard to enjoy life". In Tennov's conception, limerence can be reciprocated and result in a relationship, but there must be obstacles (as in Romeo and Juliet) for a mutual preoccupation to intensify. Terms like "romantic love", "passionate love" and "being in love" are all used to refer to limerence, but also to other things. Some informants would also speak of "obsession", yet not report intrusive (unwanted) thoughts, only "frequent and pleasurable" ones. The sociologist John Alan Lee has also commented on semantic issues, like how mania & eros are frequently confused, being lumped together as "romantic love". Lee complains that his research was reviewed by Elaine Hatfield in A New Look at Love inside her chapter on passionate love, when several love styles 'are not "passionate" at all!' Later research, however, showed that the Passionate Love Scale has overly broad questions, measuring both obsessive and non-obsessive components. It is possible to experience love feelings either with or without the obsessive element, and both ways have different trajectories in a relationship. Passionate love with obsession is only associated with satisfaction in short-term relationships, whereas love without obsession may sustain over a longer period. A 2013 study found that unrequited (unequal) love was four times more frequent than equal love, although little research has attempted to study or differentiate it. == Origin of romantic love ==
Origin of romantic love
'', by Marianne Stokes Romantic love is believed to have evolved in hominids about 4.4 or 2 million years ago (depending on the theory), although the exact time has not been identified yet. One prominent evolutionary theory developed by the anthropologist Helen Fisher states that romantic love is a brain system evolved for mammalian mate choice (also called courtship attraction), an aspect of sexual selection, for focusing energy on a preferred mating partner. For example, the anthropologist Audrey Richards lived among the Bemba people in the 1930s, and once told them a folk story about a young prince who "climbed glass mountains, crossed chasms, and fought dragons, all to obtain the hand of a maiden he loved". The Bemba, however, became bewildered by the story, prompting an old chief to ask the question "Why not take another girl?" Margaret Mead studied the Samoans, and also believed that deep attachments between individuals were a foreign idea to such societies: The tribal mentality, according to Nathaniel Branden, is that the family ought to exist for the optimization of physical survival. The individual is subordinate to the tribe "in virtually every aspect of life", with emotional attachments given little importance. This study looked at 166 cultures with relevant ethnographic reports, folklore and other available material from the Standard Cross-Cultural Sample. Romantic love was indicated as present in a culture if at least one account was found of either personal anguish and longing, love songs or folklore highlighting romantic involvement, elopement due to mutual affection, a native's affirmation of passionate love, or an ethnographer's affirmation of romantic love. On that basis, passionate love was documented in 88.5% of cultures. For the other 11.5%, the authors believed the lack of record was probably due to ethnographic oversight rather than a genuine absence. It is therefore argued that although not everyone falls in love, it is the case that in almost every culture some people do, even in those cultures where romantic love is muted or repressed. Despite being evolved and a cross-cultural experience then, the phenomenon is still influenced or constrained by culture in a variety of ways. Chinese culture, for example, does not have a "romantic love" culture equivalent to the United States. It was considered "bourgeois", and even outlawed during the Cultural Revolution. The puritanical injunctions have long since been dismantled, however, a "shyness" remained in the culture, which is not identical to that of the West. Divorce is allowed, but arrangement is also common, and there's much talk of "protecting the family". A cross-cultural survey in the early 1990s found that Chinese people thought Western ideas about love were inaccurate, and that Chinese participants linked "passionate love" to concepts like "infatuation", "unrequited love", "sorrow" and "nostalgia". Many seemed to as much want to "fall in love" as to develop a mental illness. A twin study has investigated genetic and environmental influences using the Love Attitudes Scale, developed to measure Lee's love styles. This study found that individual differences in love attitudes are almost exclusively due to environmental influence, with genetic factors having very little influence for most love attitudes (from most-to-least heritable: mania, storge, pragma & eros), and even no influence at all for others (ludus & agape). The authors interpret the result as meaning that love styles may be influenced by one's childhood familial environment (for shared environment) and unique experiences with parents, peers, adolescent and adult lovers, and so on (for nonshared environment). Of these, the influence from the nonshared environment was larger than the shared environment. According to Lee's earlier observations, typical eros lovers recall a happy childhood, while typical manic lovers recall an unhappy one. Using the Love Attitudes Scale, romantic love styles have also been correlated with different personality measures: eros (with agreeableness, conscientiousness, extraversion & secure attachment), mania (with neuroticism & anxious attachment), and ludus (with avoidant attachment). For other love styles: storge (friendship love, with agreeableness & insecure attachment), pragma (practical love, with conscientiousness & insecure attachment), and agape (selfless love, with secure attachment). The formation of attachment styles is complicated, often being attributed to childhood, but with twin studies finding both genetic and environmental contributions. There's also a problem called a person–situation debate, where people can have different attachment styles with different people, for example, an avoidant partner can make a secure partner feel and act anxious. Romance and sexuality In the Western tradition of ideas, romantic love and sexual desire have been closely linked, although still considered separate. Many writers have used terms like "romantic love", "erotic love" and "sexual love" interchangeably, without the relation being made clear. In the 2000s, a scientific consensus emerged that romantic love and sexual desire are actually functionally-independent systems, with distinct neural substrates. Self-expansion is the human motivation to expand one's physical influence, cognitive complexity, social or bodily identity, and self-awareness. Self-expansion is used to explain the "strong attraction" of romantic love, including intense varieties of passionate love or limerence, when the rate of expansion is rapid and approaches the maximum total possible from all sources. • Similarity, also known as "birds of a feather flock together". • Propinquity, in other words similarity of location, and the mere exposure effect, for example. • Being liked, which tends to also cause liking in return, called reciprocal liking. • Matching of admirable characteristics, so people tend to pair with those who have similar attractiveness, called the matching hypothesis. • Social and cultural influences, which constrain who people are likely to meet, and what is considered attractive or important. According to self-expansion, attraction should result from the opposite of these five predictors (because, for example, similarity would seem to minimize self-expansion—resulting in less attraction). Therefore, the Arons propose that these are five preconditions which make a relationship possible, whereas attraction according to self-expansion increases when an opposite condition is present. For example, a person may be attracted to similarity when it provides the basis for effective communication or predictability, whereas differences provide the basis for self-expansion: new challenges, new experiences, new resources, etc. Self-expansion also suggests that people would prefer to maximize admirable characteristics (rather than matching), and that people would occasionally violate social norms as an opportunity for autonomy. Passion seems to decline when interactions with a love object become frequent, showing that both propinquity and distance can facilitate attraction. Accordingly, in the tradition of medieval romance, the love object was always inaccessible, and modern people still seem to be "obsessed with the unknown, mysterious lover". Barriers to fulfillment It has been reported by many theorists (and even agreed) that adversity actually tends to heighten romantic passion. Obstacles like rejection, parental, spousal or other interference, physical separation, temporary breakups, or uncertain situations spark interest and emotional volatility. The curious phenomenon has been called "the Romeo and Juliet effect", or "frustration attraction". According to Dorothy Tennov, "The recognition that some uncertainty must exist has been commented on and complained about by virtually everyone who has [seriously studied] romantic love." love and slot machines thrive on intermittent reinforcement. Uncertain reciprocation has also been interpreted in terms of attachment anxiety. Helen Fisher believed that obstacles and confusion heighten romantic ardor (as in Romeo and Juliet) because dopamine neurons fire in anticipation of an expected reward which is delayed. Bertrand Russell: "The belief in the immense value of the lady is a psychological effect of the difficulty of obtaining her, and I think it may be laid down that when a man has no difficulty in obtaining a woman, his feeling toward her does not take the form of romantic love." Sigmund Freud believed that romantic love was generated by suppressed (or repressed) sexual desire: "It can easily be shown that the psychical value of erotic needs is reduced as soon as their satisfaction becomes easy. An obstacle is required in order to heighten libido; and where natural resistances to satisfaction have not been sufficient men have at all times erected conventional ones so as to be able to enjoy love. This is true both of individuals and of nations. In times in which there were no difficulties standing in the way of sexual satisfaction, such as perhaps during the decline of the ancient civilizations, love became worthless and life empty". It has been argued that romantic love—in the sense of "being in love", or passionate love—evolved as a "commitment device" which overrides rationality to suppress the search for alternative mates. This ensures one is committed to their partner, even if a more desirable mate becomes available. Romantic love might therefore be the reward one experiences when this problem of commitment is being solved. When real emotions evolve, a niche is created for sham emotions which are less risky to express (like fake facial expressions). An honest signal can evolve without becoming worthless (because of competing fakers) only if it's too expensive to fake. One example in nature is the peacock's tail: a cumbersome display which consumes nutrients. Only a healthy peacock can afford it, so it may have evolved because it was a handicap, signaling health to females of the species. According to the psychologist Steven Pinker, the way to a person's heart is to declare you're in love "because you can't help it", so romantic love might have evolved to signal true commitment. In this story, the two drink a love potion by mistake when Iseult is due to be married to Tristan's uncle, a king, and they become clandestine lovers. A drama ensues when their affair is discovered, Tristan is exiled, and eventually they die. Tristan (which means "child of sadness") is royalty himself, and kills a relative of Iseult's earlier in the story; Tristan and Iseult claim not to even "love" each other, aside from the potion. Iseult exclaims: "You know that you are my lord and my master, and I your slave." Critics of romance have claimed that Tristan and Iseult have a kind of "love of death" (or "liebestod"), rather than loving each other, and use the story as an allegory to claim that passion leads to suffering. In ancient Greece and Rome, they did not marry for love, and both cultures saw passion as a kind of madness. Despite the Greeks having many depictions of love in their art and mythology, if Greek men were to fall in love, it would have likely been extramarital with courtesans, or homosexual love between men. Women were subservient, segregated, and mostly kept inside and isolated. In the Middle Ages, after the fall of Rome, marriage in Europe was also regarded as economic and political. By the 6th century, it was regulated by the Catholic Church in all respects, which declared passionate love and sex to be mortal sin for any other purpose than procreation. In the 11th and 12th centuries, the phenomenon of courtly love emerged to idealize a precursor to romantic love, but only when unconsummated or in the form of adultery, not as a basis for marriage itself. At this point, marriage and love were still believed to be incompatible, and additionally the ideals of courtly love only applied to nobility. It was not until the 18th century that people began to marry for romance. During this period, Romanticism emerged with new perspectives on individuality and egalitarianism, and through the 19th century it became a cultural question whether passion, love and companionship could become a basis for marriage. New norms were adopted, but romantic attitudes later waned and became tame throughout the Victorian era in Europe. During the 18th and 19th centuries, Puritanism also dominated the culture in post-revolutionary America, with an anti-romantic tradition. Romantic love really only flourished as a basis for marriage at the end of the 19th century and into the 20th, when men and women socialized more equally, when dating replaced other structured courtship practices, and romance became more secular and consumerist. During the 20th century, a "transformation of intimacy" occurred, where intimate relationships became less restricted by laws, customs and morals, and feminism paved the way for new kinds of relations between men and women. The rise of the romantic marriage also coincided with the rise of divorce then, due to this heightened expectation, sensitivity to incompatibility, and increasing legal freedom. The sociologist Anthony Giddens calls a major development of this period the "pure relationship": where a relationship is entered for its own sake based on emotional communication, and only continued for as long as both parties are satisfied with the rewards derived from it. A "discourse of intimacy" emerged in the 1960s and '70s, promoted in self-help books as an attempt to ameliorate problems which were a consequence of the restructuring of personal relationships on marriage. Previously, marriage was a contractual obligation which only required adherence to law (and "romance" is seen as something one "falls" into, not an act of will); therefore, a new concept of "commitment" emerged, with the "pure relationship" marriage requiring a new kind of willful involvement previously unconceived of. Much of the discourse also focused on communication as a means to intimacy and a cure for conflict. According to David Shumway, a professor of cultural studies, one of the problems is that as with "romance", "intimacy" is elusive to define. This new conception meant something more than "companionship": it also came to entail emotional, economic, and political equality of the partners, or what Giddens calls a "democratization" of personal life and emotions. The clinical psychologist Frank Tallis has criticized the romantic tradition as a disappointment, citing studies which actually show higher satisfaction among arranged marriages than marriages for love. In Asian and other Eastern cultures where arrangement is preferred, it's assumed that a couple will fall in love, but after their marriage, and often they do. About half of arranged couples claim to stay together for love, albeit probably not for romantic love. Bertrand Russell, a philosopher considered influential in the 20th century, has been critical, but also optimistic about the prospects of romantic love. Despite his assertion that romantic love is only found in the difficulty of its obtainment, he also called it "the source of the most intense delights that life has to offer", and thought it important that it was socially permitted. Russell, however, critiqued the cultural movement that romance ought to be essential for marriage: "Whether the effect has been as good as the innovators hoped may be doubted. [...] In America, where the romantic view of marriage has been taken more seriously than anywhere else, and where law and custom alike are based upon the dreams of spinsters, the result has been an extreme prevalence of divorce and extreme rarity of happy marriages." According to Russell, "it should be understood that the kind of love which will enable a marriage to remain happy and to fulfil its social purpose is not romantic but is something more intimate, affectionate, and realistic". In his view, it's good that romance can lead to marriage, but as a necessity it's "too anarchic", and "forgets that children are what make marriage important". The anthropologist and renowned love researcher Helen Fisher believed the current drive for a more passionate romance in Western partnerships (what she called a return to an "antique habit"—something she believed is natural and evolved) is good news. However, she argued in favor of a longer, more drawn out "pre-commitment" stage prior to marriage, which she called "slow love", for the purpose of becoming familiar before making a lifelong commitment. == Modern romance ==
Modern romance
Susan & Clyde Hendrick studied college students in 1993, and found that a friendship love style was more common than they anticipated. When asked to write about their closest friendship, 44% of participants spontaneously wrote about their significant other. The storge love style (friendship love) was also the most common love style among people who were asked to tell a story about the relationship they're currently in. The Hendricks believe their data suggests that friendship can be present as a component in the early stage of a relationship for many couples (rather than developing more slowly), and can actually precede love feelings in some cases. In 2016, Victor de Munck and David Kronenfield proposed a cultural model for romantic love in the United States, developed with studies of people in upstate New York and New York City. In his 2008 book, British writer Iain King tried to establish basic rules for the early stage of romance, as an improvement over the old maxim "all's fair in love (and war)". He concludes on six initial rules, inspired by what he calls the "Help Principle", which he argues is one good basis for a mutual relationship: "Help someone if your help is worth more to them than it is to you." Helen Fisher has advocated personality matches and online dating services for introductions, which she believed are effective. Contrary to previous research, however, a 2025 study found that couples who met online were actually less satisfied than those who met offline. The difference could be explained by the people meeting online tending to be less similar, or the overabundance of choice in online environments leading to less confident selections, or because of the proliferation of so-called "swipe culture", which focuses more on gamified appearance-based interactions over actual matching algorithms and profile preparation. == Philosophy ==
Philosophy
depicting Eros, the Greek personification of romantic love Plato The philosopher Plato wrote the first major treatment on love in the Symposium, a dialogue in which guests at a dinner party discuss the nature of Eros. Themes introduced by Plato in the Symposium went on to become pervasive in nearly all other writings on the subject of love. In a speech given by Aristophanes in the Symposium, Plato presents an early idea of "merging"—the idea that love is a completion of the whole, or a reunion with one's "other half" (from which one has been separated). Later, this idea became prominent in the Romantic movement. Aristophanes, however, is not viewed as a "spokesperson" for Plato in the dialogue; the speech is ironic. Socrates advocates a different account, that true love is the knowing of absolute beauty (as a metaphysical entity or idea) in which goodness is possessed, rather than only some specific instance of beauty. In Plato's theory of forms, a particular instance of a thing (such as a specific cat) only exists as an imperfect copy of a unique ideal form created by God. This ideal form is "real", whereas a particular is only "apparent". According to Socrates, only a philosopher can possess supreme knowledge of absolute beauty and therefore come to satisfy his version of love. Socrates himself is also said to be suggestive of both the troubadour's lover and their beloved, in different respects. He resembles the troubadour lover in that he defers to a woman, Diotima, as his "instructor in the art of love" and the source of his doctrine. However, Socrates also resembles the troubadour's beloved in his role as the object of affection, particularly of the young man Alcibiades, who states "I had no choice but to do whatever Socrates bade me. . . . I was utterly disconcerted, and wandered about in a state of enslavement". Diotima states that Socrates' love for young men prevents him from knowing absolute beauty, for if he could, he would spend all his time contemplating their beauty instead. The term "courtly love" (French: "amour courtois") was coined by the French medievalist Gaston Paris, in 1883. Under his influence, scholars at the time began to discuss the concept of a "code" or "body of rules" which supposedly pervaded medieval culture. This was further developed by C. S. Lewis in The Allegory of Love (1936), in which Lewis defined its characteristics as humility, courtesy, adultery, and the religion of love. This original formulation of the concept held that courtly love involved fundamentally illicit or adulterous attitudes—exemplified by the works of Chrétien de Troyes (e.g. Lancelot, the Knight of the Cart). This kind of idea was also advanced by the cultural critic Denis de Rougemont in his influential book Love in the Western World (1939), a literary analysis of another story de Troyes was involved with creating (Tristan and Iseult). Initially, courtly love emerged in Provence (Southern France) as a type of literature (poetry) created by poets known as the troubadours. In this earlier southern form, courtly love was often unrequited. Adultery was only introduced as a theme when the phenomenon moved northward to Aquitaine, and later England. The concept of "fin'amors" ("pure love" or "true love") was then invented by the troubadours, The Albigensian Crusade later terminated the activity of the troubadours in Provence, although their poems lived on and spread as a cultural influence. Romanticism Like other historical movements, "Romanticism" is elusive to precisely define. The earliest figure in the movement was Jean-Jacques Rousseau, writing in Geneva, who was mainly important for his "appeal to the heart" (then called "sensibility", meaning proneness to emotion). Rousseau is known for having political ideas which influenced the French Revolution—but also kinds of totalitarianism. The Romantics admired strong passion of any kind; hence, romantic love was approved of, particularly the unfortunate kind. The book is a tragic love story, reprising themes of courtly love. Werther falls in love with Charlotte, who is engaged and then married to another man, Albert. Werther then becomes increasingly disturbed and eventually commits suicide, by shooting himself with a pair of Albert's pistols. Charlotte does not die with Werther, but he thinks she will join him after death in some kind of transcendent union. The book inspired copycat suicides—rumored to be an epidemic, although this was probably exaggerated. One woman drowned herself in a river behind Goethe's own garden, and another killed herself with a copy of the book in her pocket. Romantic idealism had its peak in the poetry of Percy Bysshe Shelley, whose yearning for love is a recurring theme—evidently the most vivid aspect of love he seemed to experience. In an exemplary passage on merging, Shelley states that love is "that powerful attraction towards all that we conceive, or fear, or hope beyond ourselves, when we find within our own thoughts the chasm of an insufficient void and seek to awaken in all things that are a community with what we experience within ourselves. If we reason, we would be understood; if we imagine, we would that the airy children of our brain were born anew within another's; if we feel, we would that another's nerves should vibrate to our own, that the beams of their eyes should kindle at once and mix and melt into our own, that lips of motionless ice should not reply to lips quivering and burning with the heart's best blood. This is Love." Bertrand Russell has claimed that Shelley's kind of optimism rested on "bad psychology", because it was only the obstacles to his desire that led him to write poetry. In a sense, Schopenhauer's philosophy of love mingles with Aristophanes' myth; however, rather than being spiritual or divine, Schopenhauer explains love as nature's reproductive device, so merging serves a biological end. Passionate love is the agency by which the will carries this out, merely deluding the lovers into thinking one another is unique and worthy of their obsessive attention. According to Schopenhauer, once coitus satisfies the need for propagation of the species, the lovers' passion immediately dissipates without lasting joy. As a result, Schopenhauer denies the likelihood that passionate love would lead to a happy marriage, prompting a pessimistic dilemma: if a marriage is to be happy, it would be for reasons other than love (e.g. arrangement); however, this runs counter to the demands of the will. == See also ==
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