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Artemis

In ancient Greek religion and mythology, Artemis is the goddess of hunting, the wilderness, wild animals, transitions, nature, vegetation, childbirth, care of children, and chastity. She was often said to roam the forests and mountains, attended by an entourage of nymphs. The goddess Diana is her Roman equivalent.

Etymology
The etymology of the name "Artemis" (n., f.) remains uncertain, though various origins have been proposed. R.S.P. Beekes suggested the e/i interchange indicates a Pre-Greek origin, a view supported by the Lydian variant Artimus and by Georgios Babiniotis, who notes the name's Mycenaean attestation and possible pre-Greek roots.. this cult was a survival of very old totemic and shamanistic rituals and formed part of a larger bear cult found further afield in other Indo-European cultures (e.g., Gaulish Artio). It is believed that a precursor of Artemis was worshipped in Minoan Crete as the goddess of mountains and hunting, Britomartis. While connection with Anatolian names has been suggested, the earliest attested forms of the name Artemis are the Mycenaean Greek , a-te-mi-to /Artemitos/ (gen.) and , a-ti-mi-te /Artimitei/ (dat.), written in Linear B at Pylos. Charles Anthon argued that the primitive root of the name is probably of Persian origin from *arta, *art, *arte, all meaning "great, excellent, holy", thus Artemis "becomes identical with the great mother of Nature, even as she was worshiped at Ephesus". or, like Plato did in Cratylus, to , artemḗs, i.e. "safe", "unharmed", "uninjured", "pure", "the stainless maiden". A. J. van Windekens tried to explain both and Artemis from , atremḗs, meaning "unmoved, calm; stable, firm" via metathesis. ==Description==
Description
pottery, 675–600 BCE. Hypothetical restoration (only some parts have been preserved). Archaeological Museum of Mykonos. Homer calls Artemis Potnia Theron (), lit. 'the mistress of animals', a title associated with representations in art going back as far as the Bronze Age, showing a woman between a pair of animals. Artemis carries with her certain functions and characteristics of a Minoan form whose history was lost in the myths. On a Greek vase from circa 570 BCE, a winged Artemis stands between a spotted panther and a deer. "Potnia theron" is very close to the daimons and this differentiates her from the other Greek divinities. This is the reason that Artemis was later identified with Hecate, since the daimons were tutelary deities. Hecate was the goddess of crossroads and she was the queen of the witches. In some cults she retains the theriomorphic form of a Pre-Greek goddess who was conceived with the shape of a bear (άρκτος árktos: bear). Kallisto in Arcadia is a hypostasis of Artemis with the shape of a bear, and her cults at Brauron and at Piraeus (Munichia) are remarkable for the arkteia where virgin girls before marriage were disguised as she-bears. Laphria is the Pre-Greek "mistress of the animals" at Delphi and Patras. There was a custom to throw live animals into the annual fire of the fest. Other epithets that relate Artemis to the animals are Amarynthia and Kolainis. Artemis became goddess of marriage and childbirth. She was worshipped with the surname Eucleia in several cities. The female dancers wore masks and were famous in antiquity. The goddess of vegetation was also related to the tree-cult with temples near the holy trees and the surnames Apanchomene, Caryatis and Cedreatis. In spite of her status as a virgin who avoided potential lovers, there are multiple references to Artemis's beauty and erotic aspect. In the Odyssey, Odysseus compares Nausicaa to Artemis in terms of appearance when trying to win her favor; Libanius, when praising the city of Antioch, wrote that Ptolemy was smitten by the beauty of (the statue of) Artemis; her mother, Leto, often took pride in her daughter's beauty. Artemis is rooted to the less developed personality of the Mycenaean goddess of nature. The goddess of nature was concerned with birth and vegetation and had certain chthonic aspects. The Mycenaean goddess was related to the Minoan mistress of the animals, who can be traced later in local cults, however we do not know to what extent we can differentiate between Minoan and Mycenaean religion. Artemis carries with her certain functions and characteristics of a Minoan form whose history was lost in the myths. Some cults of Artemis retained the pre-Greek features which were consecrated by immemorial practices and connected with daily tasks. The Dorians came later in the area, probably from Epirus and the goddess of nature was mostly interpreted as a vegetation goddess who was related to the ecstatic Minoan tree-cult. She was worshipped in orgiastic cults with lascivious and sometimes obscene dances, which have pure Greek elements introduced by the Dorians. The feminine (sometimes male) dancers wore usually masks, and they were famous in antiquity. == Epithets and functions ==
Epithets and functions
, Palermo Artemis had a number of epithets (surnames or titles) applied to her name, reflecting the variety of roles, duties, and aspects ascribed to her. In the Peloponnese, temples of Artemis were built near springs, rivers, and marshes. She was closely related to water and to Poseidon, the god of the sea. Her epithets include Limnnaia, Limnatis, Potamia, and Alphaea. In some cults, she is a healer goddess of women, bearing surnames such as Lousia and Thermia. Artemis, carrying torches, was identified with Hecate, and had the surnames Phosphoros and Selasphoros. In Athens and Tegea, she was worshipped as Artemis Kalliste ('the most beautiful'). Some of the goddess's epithets were names of Amazons like Lyceia or Molpadia. In the Homeric poems, Artemis is mainly the goddess of hunting. An almost formulaic epithet used in the Iliad and Odyssey to describe her is iocheaira, "she who shoots arrows", often translated as "she who delights in arrows" or "she who showers arrows". She is called Artemis Chrysilakatos ('of the golden shafts') or Chrysinios ('of the golden reins'), as a goddess of hunting in her chariot. Aricina (Italy) and Anaitis (Lydia). In the bucolic (pastoral) songs the image of the goddess was discovered in bundles of leaves or dry sticks and she had the surnames Lygodesma and Phakelitis. ==Mythology==
Mythology
Birth All accounts agree that Artemis was the daughter of Zeus and Leto and the twin sister of Apollo. In some sources, the two are born at the same time, and in others one is born before the other. Although traditionally stated to be twins, the author of The Homeric Hymn 3 to Apollo (the oldest extant account of Leto's wandering and the birth of her children) is only concerned with the birth of Apollo, and sidelines Artemis with a later poet, Pindar, speaking of a single pregnancy. The two earliest Greek poets, Homer and Hesiod, confirm Artemis and Apollo's status as full siblings, but neither explicitly makes them twins. According to Callimachus, Hera, who was angry with her husband Zeus for impregnating Leto, forbade her from giving birth on either terra firma (the mainland) or on an island, but the island of Delos disobeyed and allowed Leto to give birth there; this rooted the once freely floating island to one place. According to the Homeric Hymn to Artemis, the island where she and her twin were born was Ortygia. In Cretan mythology, Leto gave birth to Apollo and Artemis on the islands known today as Paximadia. Servius, commenting on Virgil's Aeneid, accounts for the island's archaic name Ortygia by asserting that Zeus transformed Leto into a quail (ortux) to prevent Hera from finding out about his infidelity, and Kenneth McLeish suggested further that in quail form, Leto would have given birth with as few birth-pains as a mother quail suffers when she lays an egg. The myths also differ as to whether Artemis was born first, or Apollo. According to Apollodorus, she was born first, and assisted in the delivery of Apollo. Servius, a late-fourth or early-fifth-century grammarian, wrote that Artemis was born first because at first it was night, whose instrument is the Moon, which Artemis represents, and then day, whose instrument is the Sun, which Apollo represents. Pindar however writes that both twins shone like the Sun when they came into the bright light. After their troubling childbirth, Leto took the twin infants and crossed over to Lycia, in the southwest corner of Asia Minor, where she tried to drink from and bathe the babies in a spring she found there. However, the local Lycian peasants tried to prevent the twins and their mother from making use of the water by stirring up the muddy bottom of the spring, so the three of them could not drink it. Leto, in her anger that the impious Lycians had refused to offer hospitality to a fatigued mother and her thirsty infants, transformed them all into frogs, forever doomed to swim and hop around the spring. Relations with men Painter. Louvre, Paris. When the giant Tityos tried to rape Leto, she called out to her children, who were still young, for help. The twins were quick to respond by raining down their arrows on Tityos, killing him. For his actions against Leto, Tityos was banished to Tartarus, where he was pegged to the rock floor and stretched on an area of , while a pair of vultures feasted daily on his liver or his heart. The twin sons of Poseidon and Iphimedeia, Otos and Ephialtes, known as the Aloadae, grew enormously at a young age. They were aggressive and skilled hunters who could not be killed except by each other. They never stopped growing and boasted that as soon as they could reach heaven, they would kidnap Artemis and Hera and take them as wives. The gods were afraid of them, except for Artemis who captured a fine deer that jumped out between them. In another version of the story, she changed herself into a doe and jumped between them. from Heracles. Detail of an Attic black-figure amphora c. 530–520 BCE. Louvre, Paris Eurystheus commanded Heracles to catch the Ceryneian Hind in the hope that it would enrage Artemis and lead her to punish the hero for his desecration of her sacred animal. The Cerynian hind used to be the Pleiad Taygete, known as the "Mistress of Animals" and a dear companion of Artemis. One day, Zeus pursued Taygete, who invoked her protectress, who in turn saved her from her father by turning her into the hind. As Heracles was returning with the hind to present it to Eurystheus, he encountered Artemis and her brother Apollo. He begged the goddess for forgiveness, explaining that he had snared the hind as part of his penance, but promised to return it to the wild soon thereafter. Convinced by Heracles's earnestness, she forgave him, foiling Eurystheus's plan. The river god Alpheus was in love with Artemis, but as he realized he could do nothing to win her heart, he decided to capture her. When Artemis and her companions at Letrenoi go to Alpheus, she becomes suspicious of his motives and covers her face with mud so he does not recognize her. In another story, Alphaeus tries to rape Artemis's attendant Arethusa. Artemis pities the girl and saves her, transforming her into a spring in the temple Artemis Alphaea in Letrini, where the goddess and her attendants drink. According to Antoninus Liberalis, Siproites was a Cretan who was metamorphized into a woman by Artemis for having seen the goddess bathing while he was hunting. Artemis similarly changed a Calydonian man named Calydon, the son of Ares and Astynome, into a stone when he accidentally saw the goddess bathing naked. Daphnis was a young boy, a son of Hermes, who was accepted by and became a follower of the goddess Artemis; Daphnis would often accompany her in hunting and entertain her with his singing of pastoral songs and playing of the panpipes. Artemis taught a man, Scamandrius, how to be a great archer, and he excelled in the use of a bow and arrow with her guidance. Bouphagos, son of the Titan Iapetus, sees Artemis and thinks about raping her. Reading his sinful thoughts, Artemis strikes him down at Mount Pholoe. Broteas was a famous hunter who refused to honour Artemis, and boasted that nothing could harm him, not even fire. Artemis then drove him mad, causing him to walk into fire, ending his life. Divine retribution Actaeon , Paris. Multiple versions of the Actaeon myth survive, though many are fragmentary. The hunter Actaeon is turned into a stag by Artemis, as punishment for a transgression, and is then killed by hunting dogs. Usually, these dogs are his own, and no longer recognize their master, though they are sometimes said to be the hounds of Artemis. In different sources, Actaeon's transgression is viewing Artemis naked, boasting he is a better hunter than her, or trying to rival Zeus for Semele's affection. Apollodorus, who records this last version, notes that the others are more common. According to Lamar Ronald Lacey's The Myth of Aktaion: Literary and Iconographic Studies, the original version of the myth most likely portrayed Actaeon as the hunting companion of the goddess, who, after seeing her naked in her sacred spring, attempted to force himself on her. For this, he is turned into a stag and devoured by his own hounds. In some surviving versions, though, Actaeon is a stranger who happens upon Artemis. and her nymph surprised by Actaeon.Mosaic, 2nd century CE Ruins of Volubilis, Morocco A single line from Aeschylus's now lost play Toxotides ("female archers") is among the earlier attestations of Actaeon's myth, stating that "the dogs destroyed their master utterly", with no confirmation of Actaeon's metamorphosis or the god he offended (but it is heavily implied to be Artemis, due to the title). Ancient artwork depicting the myth of Actaeon predate Aeschylus. Euripides, coming in a bit later, wrote in the Bacchae that Actaeon was torn to shreds and perhaps devoured by his "flesh-eating" hunting dogs when he claimed to be a better hunter than Artemis. Like Aeschylus, he does not mention Actaeon being deer-shaped when that happens. Callimachus writes that Actaeon chanced upon Artemis bathing in the woods, and she caused him to be devoured by his own hounds for the sacrilege, and he makes no mention of transformation into a deer either. Diodorus Siculus wrote that Actaeon dedicated his prizes in hunting to Artemis, proposed marriage to her, and even tried to forcefully consummate said "marriage" inside the very sacred temple of the goddess; for this he was given the form "of one of the animals which he was wont to hunt", and then torn to shreds by his hunting dogs. Diodorus also mentioned the alternative of Actaeon claiming to be a better hunter than the goddess of the hunt. Hyginus also mentions Actaeon attempting to rape Artemis when he finds her bathing naked, and her transforming him into the doomed deer. Apollodorus wrote that when Actaeon saw Artemis bathing, she turned him into a deer on the spot, and intentionally drove his dogs into a frenzy so that they would kill and devour him. Afterward, Chiron built a sculpture of Actaeon to comfort his dogs in their grief, as they could not find their master no matter how much they looked for him. Pausanias says that Actaeon saw Artemis naked and that she threw a deerskin on him so that his hounds would kill him, to prevent him from marrying Semele. Niobe Niobe, queen of Thebes and wife of Amphion, blasphemously boasted of being superior to Leto. This myth is very old; Homer knew of it and wrote that Niobe had given birth to twelve children, equally divided in six sons and six daughters (the Niobids). Other sources speak of fourteen children, seven sons, and seven daughters. Niobe claimed to be a better mother than Leto, for having more children than Leto's own two, "but the two, though they were only two, destroyed all those others." She also mocked Apollo's effeminate appearance and Artemis's manly appearance. Leto was not slow to catch up on that and grew angry at the queen's hubris. She summoned her children and commanded them to avenge the slight. depicting Niobe attempting to shield her children from Artemis and Apollo. Dallas Museum of Art, Dallas. Swiftly Apollo and Artemis descended on Thebes. While the sons were hunting in the woods, Apollo crept up on them and slew all seven with his silver bow. The dead bodies were brought to the palace. Niobe wept for them, but did not relent, saying that even now she was better than Leto, for she still had seven children, her daughters. On cue, Artemis then started shooting the daughters one by one. Right as Niobe begged for her youngest one to be spared, Artemis killed that last one. Orion Orion was Artemis's hunting companion; after giving up on trying to find Oenopion, Orion met Artemis and her mother Leto, and joined the goddesses in hunting. A great hunter himself, he bragged that he would kill every beast on earth. Gaia, the earth, was not too pleased to hear that, and sent a giant scorpion to sting him. Artemis then transferred him into the stars as the constellation Orion. In one version Orion died after pushing Leto out of the scorpion's way. In another version, Orion tries to violate Opis, one of Artemis's followers from Hyperborea, and Artemis kills him. In a version by Aratus, Orion grabs Artemis's robe and she kills him in self-defense. Other writers have Artemis kill him for trying to rape her or one of her attendants. Istrus wrote a version in which Artemis fell in love with Orion, apparently the only time Artemis ever fell in love. She meant to marry him, and no talk from her brother Apollo would change her mind. Apollo then decided to trick Artemis, and while Orion was off swimming in the sea, he pointed at him (barely a spot in the horizon) and wagered that Artemis could not hit that small "dot". Artemis, ever eager to prove she was the better archer, unwittingly shot Orion, killing him. The waves then brought his body to the shore, and Artemis mourned his death. Afterwards, she placed him among the stars. In Homer's Iliad, the goddess of the dawn Eos seduces Orion, angering the gods who did not approve of immortal goddesses taking mortal men for lovers, causing Artemis to shoot and kill him on the island of Ortygia. Callisto and other nymphs. Antique fresco from Pompeii. National Archaeological Museum, Naples. Callisto, the daughter of Lycaon, King of Arcadia, was one of Artemis's hunting attendants, and, as a companion of Artemis, took a vow of chastity. According to Hesiod in his lost poem Astronomia, Zeus appeared to Callisto, and seduced her, resulting in her becoming pregnant. Though she was able to hide her pregnancy for a time, she was soon found out while bathing. Enraged, Artemis transformed Callisto into a bear, and in this form she gave birth to her son Arcas. Both of them were then captured by shepherds and given to Lycaon, and Callisto thus lost her child. Sometime later, Callisto "thought fit to go into" a forbidden sanctuary of Zeus, and was hunted by the Arcadians, her son among them. When she was about to be killed, Zeus saved her by placing her in the heavens as a constellation of a bear. In his De astronomia, Hyginus, after recounting the version from Hesiod, presents several other alternative versions. The first, which he attributes to Amphis, says that Zeus seduced Callisto by disguising himself as Artemis during a hunting session, and that when Artemis found out that Callisto was pregnant, she replied saying that it was the goddess's fault, causing Artemis to transform her into a bear. This version also has both Callisto and Arcas placed in the heavens, as the constellations Ursa Major and Ursa Minor. Hyginus then presents another version in which, after Zeus lay with Callisto, it was Hera who transformed her into a bear. Artemis later, while hunting, kills the bear, and "later, on being recognized, Callisto was placed among the stars". Hyginus also gives another version, in which Hera tries to catch Zeus and Callisto in the act, causing Zeus to transform her into a bear. Hera, finding the bear, points it out to Artemis, who is hunting; Zeus, in panic, places Callisto in the heavens as a constellation. Ovid gives a somewhat different version: Zeus seduced Callisto once again disguised as Artemis, but she seems to realise that it is not the real Artemis, and she thus does not blame Artemis when, during bathing, she is found out. Callisto is, rather than being transformed, simply ousted from the company of the huntresses, and she thus gives birth to Arcas as a human. Only later is she transformed into a bear, this time by Hera. When Arcas, fully grown, is out hunting, he nearly kills his mother, who is saved only by Zeus placing her in the heavens. In the Bibliotheca, a version is presented in which Zeus raped Callisto, "having assumed the likeness, as some say, of Artemis, or, as others say, of Apollo". He then turned her into a bear himself so as to hide the event from Hera. Artemis then shot the bear, either upon the persuasion of Hera, or out of anger at Callisto for breaking her virginity. Once Callisto was dead, Zeus made her into a constellation, took the child, named him Arcas, and gave him to Maia, who raised him. Pausanias, in his Description of Greece, presents another version, in which, after Zeus seduced Callisto, Hera turned her into a bear, which Artemis killed to please Hera. Hermes was then sent by Zeus to take Arcas, and Zeus himself placed Callisto in the heavens. Minor myths Museum. When the monstrous Typhon attacked Olympus, all the terrified gods except for Zeus transformed into various animals and fled to Egypt. Artemis became a cat, as she was identified by the Greeks with the Egyptian feline goddess Bastet. Artemis saved the infant Atalanta from dying of exposure after her father abandoned her. She sent a female bear to nurse the baby, who was then raised by hunters and grew to model herself after the goddess. In some stories, Artemis later sent a bear to attack Atalanta because others claimed Atalanta was a superior hunter. Among other adventures, Atalanta participated in the Calydonian boar hunt, which Artemis had sent to destroy Calydon because King Oeneus had forgotten her at the harvest sacrifices. In the hunt, Atalanta drew the first blood and was awarded the prize of the boar's hide. She hung it in a sacred grove at Tegea as a dedication to Artemis. After the death of Meleager, Oeneus's son who awarded Atalanta with the hide, Artemis turned his grieving sisters, the Meleagrids, into guineafowl she favours. Cyrene was a fierce Thessalian huntress and companion of Artemis, who had given her two hunting dogs. With the help of these dogs, Cyrene had been able to win the prize in the funeral games of Pelias. When King Eurypylus was still ruling Libya, a monstrous lion had terrorized the citizens greatly, so Apollo brought Cyrene to get rid of it. After she killed the lion, he made her the new ruler of the lands, renamed Cyrene in her honor. In some versions, she was transformed into a nymph so that she could have a long life and keep hunting with Artemis as much as she desired. In a story from Valerius Flaccus, Artemis and her mother Leto stood before Zeus with tearful eyes while Apollo pleaded with him to release Prometheus (the god who had stolen fire from the gods, given it to humans, and been chained in the Caucasus with an eagle feasting on his liver each day as punishment). Moved, Zeus agreed and commanded Heracles to free Prometheus. In some versions of the story of Adonis, Artemis sent a wild boar to kill him as punishment for boasting that he was a better hunter than her. In other versions, Artemis killed Adonis for revenge. In later myths, Adonis is a favorite of Aphrodite, who was responsible for the death of Hippolytus, who had been a hunter of Artemis. Therefore, Artemis killed Adonis to avenge Hippolytus's death. In yet another version, Adonis was not killed by Artemis, but by Ares as punishment for being with Aphrodite. When two of her hunting companions who had sworn to remain chaste and be devoted to her, Rhodopis and Euthynicus, fell in love with each other and broke their vows in a cavern, Artemis turned Rhodopis into a fountain inside that very cavern as punishment. The two had fallen in love not on their own but only after Eros had struck them with his love arrows, commanded by his mother Aphrodite, who had taken offence in that Rhodopis and Euthynicus rejected love and marriage in favour of a chaste life. In Nonnus's Dionysiaca, Aura, the daughter of Lelantos and Periboia, was a companion of Artemis. When out hunting one day with Artemis, she asserts that the goddess's voluptuous body and breasts are too womanly and sensual, and doubts her virginity, arguing that her own lithe body and man-like breasts are better than Artemis's and a true symbol of her own chastity. In anger, Artemis asks Nemesis for help to avenge her dignity. Nemesis agrees, telling Artemis that Aura's punishment will be to lose her virginity, since she dared question that of Artemis. Nemesis then arranges for Eros to make Dionysus fall in love with Aura. Dionysus intoxicates Aura and rapes her as she lies unconscious, after which she becomes a deranged killer. While pregnant, she tries to kill herself or cut open her belly, as Artemis mocks her over it. When she bore twin sons, she ate one, while the other, Iacchus, was saved by Artemis. Chione was a beautiful princess of Phocis. She was beloved by two gods, Hermes and Apollo, and boasted that she was more beautiful than Artemis because she had made two gods fall in love with her at once. Artemis was furious and pierced Chione's blasphemous tongue with an arrow, leaving the girl to choke in her own blood. Polyphonte was a young woman who fled home in pursuit of a free, virginal life with Artemis, as opposed to the conventional life of marriage and children favoured by Aphrodite. As a punishment, Aphrodite cursed her, causing her to mate and have children with a bear. Artemis, seeing that, was disgusted and sent a horde of wild animals against her, causing Polyphonte to flee to her father's house. Her resulting offspring, Agrius and Oreius, were wild cannibals who incurred the hatred of Zeus. Ultimately the entire family was transformed into birds who became ill portents for mankind. Coronis was a princess from Thessaly who became the lover of Apollo and fell pregnant. While Apollo was away, Coronis began an affair with a mortal man named Ischys. When Apollo learnt of this, he sent Artemis to kill the pregnant Coronis, or Artemis had the initiative to kill Coronis on her own accord for the insult done against her brother. The unborn child, Asclepius, was later removed from his dead mother's womb. Trojan War , Greece. Artemis may have been represented as a supporter of Troy because her brother Apollo was the patron god of the city, and she herself was widely worshipped in western Anatolia in historical times. Artemis plays a significant role in the war; like Leto and Apollo, Artemis took the side of the Trojans. In the Iliad, Artemis on her chariot with the golden reins, kills the daughter of Bellerophon. When the Greek fleet was preparing at Aulis to depart for Troy to commence the Trojan War, Artemis becalmed the winds. The seer Calchas erroneously advised Agamemnon that the only way to appease Artemis was to sacrifice his daughter Iphigenia. In some version of the myth, Artemis then snatched Iphigenia from the altar and substituted a deer; in others, Artemis allowed Iphigenia to be sacrificed. In versions where Iphigenia survived, a number of different myths have been told about what happened after Artemis took her; either she was brought to Tauris and led the priests there, or she became Artemis's immortal companion. Crying, Artemis left her bow and arrows where they lay and ran to Olympus to cry at her father Zeus's knees, while her mother Leto picked up her bow and arrows and followed her weeping daughter. ==Worship==
Worship
. The stoa and the sacred spring from the SW. Artemis was worshipped throughout ancient Greece. Her best known cults were on the island of Delos (her birthplace), in Attica at Brauron and Mounikhia (near Piraeus), and in Sparta. The ancient Spartans used to sacrifice to her as one of their patron goddesses before starting a new military campaign. Athenian festivals in honor of Artemis included Elaphebolia, Mounikhia, Kharisteria, and Brauronia. The festival of Artemis Orthia was observed in Sparta. The most frequent name of a month in the Greek calendars was Artemision in Ionic territories or Artemisios or Artamitios in the Doric and Aeolic territories and in Macedonia. Elaphios is also a month name, in Elis, Elaphebolion in Athens, Iasos, Apollonia of Chalkidice, and Munichion in Attica. In the calendars of Aetolia, Phocis and Gytheion there was a month named Laphrios and in Thebes, Corcyra, and Byzantion the month Eucleios. '' in Jerash, Jordan, built during the reign of Antoninus Pius Pre-pubescent and adolescent Athenian girls were sent to the sanctuary of Artemis at Brauron to serve the Goddess for one year. During this time, the girls were known as arktoi, or little she-bears. A myth explaining this servitude states that a bear had formed the habit of regularly visiting the town of Brauron, and the people there fed it, so that, over time, the bear became tame. A girl teased the bear, and, in some versions of the myth, it killed her, while, in other versions, it clawed out her eyes. Either way, the girl's brothers killed the bear, and Artemis was enraged. She demanded that young girls "act the bear" at her sanctuary in atonement for the bear's death. Artemis was worshipped as one of the primary goddesses of childbirth and midwifery along with Eileithyia. Dedications of clothing to her sanctuaries after a successful birth was common in the Classical era. Artemis could be a deity to be feared by pregnant women, as deaths during this time were attributed to her. As childbirth and pregnancy was a very common and important event, there were numerous other deities associated with it, many localized to a particular geographic area, including but not limited to Aphrodite, Hera and Hekate. Despite being primarily known as a goddess of hunting and the wilderness, she was also connected to dancing, music, and song like her brother Apollo; she is often seen singing and dancing with her nymphs, or leading the chorus of the Muses and the Graces at Delphi. In Sparta, girls of marriageable age performed the partheneia (choral maiden songs) in her honor. There was a women's cult at Cyzicus worshiping Artemis, which was called Dolon (Δόλων). Festivals Artemis was born on the sixth day of the month Thargelion (around May), which made it sacred to her. Artemis had many festivals throughout the Greek world, most of which were celebrated during spring. . Archaeological Museum of Piraeus. In Athens, the Elaphebolia festival was celebrated on the sixth day of the ninth Attic month, Elaphebolion. Cakes made from flour, honey, and sesame, including in the shape of stags, were offered to the goddess during the festival. Artemis had a filial cult of Brauronia, near the Acropolis. The festival of Artemis Munichia was celebrated in the Attic harbour town of Piraeus on the 6th or 16th day of the tenth month, Munichion. Young girls were dressed up as bears, as in the Brauronia. In the temple have been found sherds from the Geometric period. The festival commemorated the victory of the Greek fleet over the Persians at Salamis. On the 6th day of the month Boedromion, an armed procession would take a large number of goats to this temple, where they would sacrifice in honor of the victory at the Battle of Marathon. The festival was called "Charisteria," also known as the Athenian "Thanksgiving." who is identified with Artemis Amarysia in Euboia. Some rites and animal sacrifices were probably similar to the rites of Laphria. Halae Araphenides, a deme near Brauron celebrated the Tauropolia in honour of Artemis Tauropolos, during which a human sacrifice was represented in a ritual. The Phocians achieved a great victory and each year they celebrated their victory in the festival. Offerings were burned in an annual fire, recalling the great pyre of the battle. In Delphi in Phocis, the Laphria festival was celebrated in the month of Laphrios. The cult of Artemis Laphria was introduced by the priests of Delphi Lab(r)yaden, who were probably Cretan in origin. Laphria is certainly the Pre-Greek "Mistress of the animals". The Eucleia festival was also celebrated in honour of Artemis at Delphi. According to the Labyaden inscriptions, the offerings darata are determined by the specified gamela and pedēia. At Erineos in Doris, a festival of Artemis Laphria was held, indicated by the month Laphrios in the local calendar. In Thebes in Boeotia a preliminary sacrifice to Artemis Eucleia was made before made a marriage, by the bride and the groom. Acarnania included a cult to Artemis Agrotera in a society of hunters. ns. Artemis holding a deer welcomes Apollo. Cycladic krater (7th cent. BCE) National Archaeological Museum, Athens. At Patras in Achaea, the Laphria festival was celebrated in honour of Artemis. Its characteristic attribute was an annual fire, into which birds, deers, sacrificial animals, young wolves and young bears were thrown alive. Laphria (Pre-Greek name) is the "Mistress of Animals". The Ionians who lived in Ancient Achaea celebrated the annual festival of Artemis Triclaria. Pausanias mentions the legend of human sacrifices to the outraged goddess. The new deity Dionysus, put an end to the sacrifices. The Achaean town of Aigeira held a festival to Artemis Agrotera (huntress). When the Sicyonians attacked the city, the Aigeirians tied torches on all of the goats in the area and set them alight during the night. The Sicyonians, believing Aigeira had a great army, retreated. In Sparta, there was a festival in honour of Artemis Orthia, who was associated with the female initiatory rite Partheneion, in which women performed round dances. According to legend, Theseus stole Helene from the dancing floor of Orthia during the round-dancing. The prize of the competitions was an iron sickle (drepanē), indicating that Orthia was a goddess of vegetation. Near Sparta, on the road to Amyklai, where Artemis Korythalia was a goddess of vegetation, women performed lascivious dances in her honour. This festival was celebrated in round huts covered with leaves; the nurses brought the infants to the temple of Korythalia during the Tithenedia festival. At Messene, a festival of Artemis Limnatis ('of the lake') was celebrated with cymbals and dances. The goddess was worshipped by young women during the festivals of transition from childhood to adulthood. At the Laconian town of Dereion, there was a cult of Artemis Dereatis. A festival there was celebrated with hymns known as calavoutoi and with an obscene dance, callabis. There was also a cult of Artemis Limnatis at the town of Epidauros Limera. It was also the site of an annual festival in honour of Artemis Daphnaia. There was a cult to Artemis Limnatis in Tegea. At Troizen in Argolis, there was a festival to Artemis Saronia. In Apollonia in Chalcidice, the Elaphebolia festival was celebrated in honour of Artemis in the month of Elaphebolion. a temple to Artemis Tauropolos, was built at Oinoe. Another, smaller temenos sacred to Artemis Tauropolos was located on the island's coast. On the island of Cephalonia, there was a cult of Artemis Laphria. On Corcyra, there was a cult in honour of Artemis Laphria. Artemis Ephesia was associated with bees, which appeared on her statue, with her priestesses receiving the name 'Melissa' ('Bee' 'Μέλισσα'), possibly a late Hellenistic addition. At Perga in Ionia, there was a famous festival of Artemis Pergaia; under Roman rule, Diana-Pergaia was identified with Selene. At Iasos in Caria, the Elaphebolia festival was celebrated in honor of Artemis in the month of Elaphebolion The city also held a festival to Artemis Lyaia, in which men came from the countryside to the city in a rustic dress. They carried a deer's antlers on their head and held a shepherd's stab, and sang satirical songs while drinking wine; the festival linked comic performance and the countryside. At Tauromenion in Sicily, there was a festival held in honour of Artemis Eucleia in the month of Eucleios. The festival of Artemis Korythalia included male dancers who wore wooden masks. ==Attributes==
Attributes
Virginity (Athens) dates from the mid-fourth century BCE and was given to sculptor Euphranor. An important aspect of Artemis's persona and worship was her virginity, which may seem contradictory, given her role as a goddess associated with childbirth. The idea of Artemis as a virgin goddess likely is related to her primary role as a huntress. Hunters traditionally abstained from sex prior to the hunt as a form of ritual purity and out of a belief that the scent would scare off potential prey. The ancient cultural context in which Artemis's worship emerged also held that virginity was a prerequisite to marriage, and that a married woman became subservient to her husband. As a mother goddess , Izmir, Turkey Despite her virginity, both modern scholars and ancient commentaries have linked Artemis to the archetype of the mother goddess. Artemis was traditionally linked to fertility and was petitioned to assist women with childbirth. According to Herodotus, Greek playwright Aeschylus identified Artemis with Persephone as a daughter of Demeter. Her worshipers in Arcadia also traditionally associated her with Demeter and Persephone. In Asia Minor, she was often conflated with local mother-goddess figures, such as Cybele, and Anahita in Iran. In Acts of the Apostles, Ephesian metalsmiths who felt threatened by Saint Paul's preaching of Christianity, jealously rioted in her defense, shouting "Great is Artemis of the Ephesians!" Of the 121 columns of her temple, only one composite, made up of fragments, still stands as a marker of the temple's location. As a lunar deity bronze head of a goddess (probably Artemis), wearing a lunate crown, 4th century BCE. Found at Issa, Vis, Croatia). No records have been found of the Greeks referring to Artemis as a lunar deity, as their lunar deity was Selene, but the Romans identified Artemis with Selene, leading them to perceive her as a lunar deity. As the Romans began to associate Apollo more with Helios, the personification of the Sun, it was only natural that the Romans would then begin to identify Apollo's twin sister, Artemis, with Helios's own sister, Selene, the personification of the Moon. Active references to Artemis as an illuminating goddess start much later. Artemis's connection to childbed and women's labour naturally led to her becoming associated with the menstrual cycle in course of time, thus the Moon. Selene, just like Artemis, was linked to childbirth, as it was believed that women had the easiest labours during the full moon, paving thus the way for the two goddesses to be seen as the same. An association with health was another reason for Artemis and Selene's syncretization; Strabo wrote that Apollo and Artemis were connected to the Sun and the Moon, respectively, owing to the changes the two celestial bodies caused to the temperature of the air, as the two gods presided over pestilential diseases and sudden deaths. Roman authors applied Artemis/Diana's byname, "Phoebe", to Luna/Selene, the same way as "Phoebus" was given to Helios due to his identification with Apollo. Another epithet of Artemis that Selene appropriated is "Cynthia", meaning "born in Mount Cynthus." The goddesses Artemis, Selene, and Hecate formed a triad, identified as the same goddess with three avatars: Selene in the sky (moon), Artemis on earth (hunting), and Hecate beneath the earth (Underworld). In Italy, those three goddesses became a ubiquitous feature in depictions of sacred groves, where Hecate/Trivia marked intersections and crossroads along with other liminal deities. The Romans enthusiastically celebrated the multiple identities of Diana as Hecate, Luna, and Trivia. In Virgil's Aeneid, when Nisus addresses Luna/the Moon, he calls her "daughter of Latona." In works of art, the two goddesses were mostly distinguished; Selene is usually depicted as being shorter than Artemis, with a rounder face, and wearing a long robe instead of a short hunting chiton, with a billowing cloak forming an arc above her head. Artemis was sometimes depicted with a lunate crown. As Hecate , Vatican Museums Some scholars believe that Hecate was an aspect of Artemis prior to the latter's adoption into the Olympian pantheon. Artemis would have, at that point, become more strongly associated with purity and maidenhood on the one hand, while her originally darker attributes like her association with magic, the souls of the dead, and the night would have continued to be worshipped separately under her title Hecate. Both goddesses carried torches, and were accompanied by a dog. It seems that the character of Artemis in Arcadia was original. At Acacaesium Artemis Hegemone is depicted holding two torches, and at Lycosura Artemis is depicted holding a snake and a torch. A bitch suitable for hunting was lying down by her side. At Kerameikos in Athens Artemis is clearly identified with Hecate. Pausanias believes that Kalliste (the most beautiful ) is a surname of Artemis carrying a torch. In Thessaly the distinctly local goddess Enodia with the surname Pheraia is identified with Hecate. Artemis Pheraia was worshipped in Argos, Athens and Sicyon. Symbols . Legion of Honor (museum), San Francisco. Deer Deer were the only animals held sacred to Artemis herself. On seeing a deer larger than a bull with horns shining, she fell in love with these creatures and held them sacred. Deer were also the first animals she captured. She caught four golden-horned deer and harnessed them to her chariot. At Lycosura in isolated Arcadia Artemis is depicted holding a snake and a torch and dressed with a deer skin, besides Demeter and Persephone. It seems that the depictions of Artemis and Demeter-Melaina (black) in Arcadia correspond to the earliest conceptions of the first Greeks in Greece. At the fest of Laphria at Delphi the priestess followed the parade on a chariot which was covered with the skin of a deer. Hunting dog In a legend Artemis got her hunting dogs from Pan in the forest of Arcadia. Pan gave Artemis two black-and-white dogs, three reddish ones, and one spotted one – these dogs were able to hunt even lions. Pan also gave Artemis seven bitches of the finest Arcadian race, but Artemis only ever brought seven dogs hunting with her at any one time. In the earliest conceptions of Artemis at Lycosura, a bitch suitable for hunting was lying down by her side. , bronze statue of the 4th century An etiological myth tries to explain the origin of the Arkteia. Every year, a girl between five and ten years of age was sent to Artemis's temple at Brauron. A bear was tamed by Artemis and introduced to the people of Athens. They touched it and played with it until one day a group of girls poked the bear until it attacked them. A brother of one of the girls killed the bear, so Artemis sent a plague in revenge. The Athenians consulted an oracle to understand how to end the plague. The oracle suggested that, in payment for the bear's blood, no Athenian virgin should be allowed to marry until she had served Artemis in her temple (played the bear for the goddess). In a legend of the cult of Munichia if someone killed a bear, then they were to be punished by sacrificing their daughter in the sanctuary. Embaros disguised his daughter dressing her like a bear (arktos), and hid her in the adyton. He placed a goat on the altar and he sacrificed the goat instead of his daughter. Boar The boar is one of the favorite animals of the hunters, and also hard to tame. In honor of Artemis's skill, they sacrificed it to her. Oeneus and Adonis were both killed by Artemis's boar. In The Odyssey, she descends from a peak and she travels along the ridges of Mount Erymanthos, that was sacred to the "Mistress of the animals". When the goddess became wrathful she would send the terrible Erymanthian boar to laid waste the farmer's fields. Heracles managed to kill the terrible creature during his Twelve Labors. In one legend, the Calydonian boar had terrorized the territory of Calydon because Artemis (the mistress of the animals) was offended. The Calydonian boar hunt is one of the great heroic adventures in Greek legend. The most famous Greek heroes including Meleager and Atalanta took part in the expedition. The fierce-hunter virgin Atalanta allied to the goddess Artemis was the first who wounded the Calydonian boar. Bull Artemis is sometimes identified with the mythical bull-goddess in a cult foreign in Greece. The cult can be identified in Halae Araphenides in Attica. At the end of the peculiar fest the sacrifice of a man was represented in a ritual. . Manhattan, New York Torch Artemis is often depicted holding one or two torches. At Acacaesium, Artemis Hegemone ('the leader') is portrayed holding two torches. At Lycosura, she is shown holding a snake and a torch, with a bitch suitable for hunting lying by her side. Sophocles calls Artemis "Elaphebolos, (deer slayer) Amphipyros (with a fire in each end)", recalling the annual fire of the Delphic Laphria festival; the adjective refers also to the twin fires of the two peaks of the Mount Parnassus above Delphi (Phaedriades). On a relief from Sicily, the goddess is depicted holding a torch in one hand and an offering on the other; the torch was used for the ignition of the altar's fire. ==Archaic and classical art==
Archaic and classical art
During the Bronze Age, the "mistress of the animals" is usually depicted between two lions with a peculiar crown on her head. The oldest representations of Artemis in Greek Archaic art, circa 550 BCE, portray her as Potnia Theron ("Queen of the Beasts"): a winged goddess holding a stag and lioness in her hands, or sometimes a lioness and a lion. Potnia theron is the only Greek goddess close to the daimons and sometimes is depicted with a Gorgon head, and the Gorgon is her distant ancestor. This winged Artemis lingered in ex-votos as Artemis Orthia, with a sanctuary close by Sparta. In Greek classical art she is usually portrayed as a maiden huntress, young, tall, and slim, clothed in a girl's short skirt, with hunting boots, a quiver, a golden or silver bow and arrows. Often, she is shown in the shooting pose, and is accompanied by a hunting dog or stag. When portrayed as a lunar deity, Artemis wore a long robe and sometimes a veil covered her head. Her darker side is revealed in some vase paintings, where she is shown as the death-bringing goddess whose arrows fell young maidens and women, such as the daughters of Niobe. As a goddess of maiden dances and songs, Artemis is often portrayed with a lyre in ancient art. She is sometimes depicted with a fishing spear, in connection with her cult as a patron goddess of fishing. Artemis was sometimes represented in Classical art with the crown of the crescent moon, such as also found on Luna and others. On June 7, 2007, a Roman-era bronze sculpture of Artemis and the Stag was sold at Sotheby's auction house in New York state by the Albright-Knox Art Gallery for $25.5 million. == Gallery ==
Gallery
Funeral pithos, Potnia theron, Fortetsa near Knossos, 850-800 BC, AMH, 079075.jpg|Potnia theron, Fortetsa near Knossos, 850–800 BCE Niobid Krater - Niobid massacre.jpg|Apollo and Artemis kill the children of Niobe, 460–450 BCE by the Niobid Painter. Louvre, Paris. Artemis Hekate. Apollonia, Albania.jpg|Artemis Hecate, as a goddess protector of the necropolis. Marble, 3rd century CE, Apollonia, Albania. Plaque votive figurant Artémis ou Hécate.jpg|Votive figure Artemis and Hecate Statuette of Artemis from Delos (1st cent. B.C.) at the National Archaeological Museum of Athens on 27 March 2018.jpg|Artemis Diadoumena. Statuette of Artemis from Delos (1st cent. BCE) at the National Archaeological Museum, Athens Artemis with torch - Museo Chiaramonti - Vatican Museums - DSC00957.jpg|Marble statue of Artemis-Selene with torch, 3rd century. Museo ChiaramontiVatican Museums Scene of sacrifice in honour of Diana. Fresco from the triclinium of House of the Vettii in Pompeii.jpg|Scene from sacrifice in honour of Artemis-Diana who is accompanied by a deer. Fresco from the triclinium of the house of Vettii in Pompeii, Italy, between 62 CE and 79 CE (Destruction of Pompeii). Coin, Artemis with deer and bull, Tauric Chersonesos, 4th-3rd century BC.jpg|Coin from Tauric Chersonesus with Artemis, deer, bull, club and quiver () Artémis Potnia Theron.jpg|Artémis Potnia Theron, 560–550 BCE Getty Villa - Collection (5304597483).jpg|Mixing Vessel with Hermes, Apollo and Artemis. Lucanian, 415–400 BCE, attributed to the Palermo Painter. J. Paul Getty Museum, California Diana and her hound.jpg|Artemis-Diana and her hound Boucher Diane sortant du bain Louvre 2712.jpg|Boucher, Artemis-Diana, Louvre Artemis (BM 1899,0120.160).jpg|Artemis in a landscape Artemis-Endymion-Palais-Garnier.jpg|Artemis-Endymion-Palais-Garnier Orion aveugle cherchant le soleil.jpg|Nicolas Poussin (1658) "Landscape with blind Orion seeking the sun". Metropolitan Museum of Arts, Manhattan, New York. ==Legacy==
Legacy
In astronomy105 Artemis (an asteroid discovered in 1868) • Artemis (crater) (a tiny crater on the Moon, named in 2010) • Artemis Chasma (a nearly circular fracture on the surface of the planet Venus, described in 1980) • Artemis Corona (an oval feature largely enclosed by the Artemis Chasma, also described in 1980) • Acronym (ArTeMiS) for "Architectures de bolometres pour des Telescopes a grand champ de vue dans le domaine sub-Millimetrique au Sol", a large bolometer camera in the submillimeter range that was installed in 2010 at the Atacama Pathfinder Experiment (APEX), located in the Atacama Desert in northern Chile. In taxonomy The taxonomic genus Artemia, which entirely comprises the family Artemiidae, derives from Artemis. Artemia species are aquatic crustaceans known as brine shrimp, the best-known species of which, Artemia salina, or sea monkeys, was first described by Carl Linnaeus in his Systema Naturae in 1758. Artemia species live in salt lakes, and although they are almost never found in an open sea, they do appear along the Aegean coast near Ephesus, where the Temple of Artemis once stood. In modern spaceflight The Artemis program is an ongoing robotic and crewed spaceflight program which has the goal of landing "the first woman and the next man" on the lunar south pole region. The program is being carried out by NASA, U.S. commercial spaceflight companies, and international partners such as the European Space Agency, the Japan Aerospace Exploration Agency, and the Canadian Space Agency. ==Genealogy==
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