1940–1958: Early roles, schooling and martial arts initiation '' (1950) poster featuring 9-year-old Bruce Lee Lee's father was a Cantonese opera star. As a result, Junior Lee was introduced to the world of cinema at a very young age and appeared in several films as a child. Lee had his first role as a baby who was carried onto the stage in the film
Golden Gate Girl. He took his Chinese stage name as 李小龍, lit. "Lee the Little Dragon", for the fact that he was born in both the hour and the year of the
Dragon by the
Chinese zodiac. At age seven, Lee began practicing
tai chi together with his father. As a nine-year-old, he co-starred with his father in
The Kid in 1950, which was based on a comic book character, "Kid Cheung", and was his first leading role. By the time he was 18, he had appeared in 20 films. In the early 1950s, Lee's father became an
opium addict. In 1956, due to poor academic performance (and possibly poor conduct), Lee was transferred to
St. Francis Xavier's College. He was mentored by Brother Edward Muss,
F.M.S., a Bavarian-born teacher and coach of the school
boxing team. in 1958 In 1953, Lee's friend
William Cheung introduced him to
Ip Man. According to Cheung, Lee's European background on his mother's side led him to be rejected, initially, from learning
Wing Chun kung fu under Ip Man because of the long-standing rule in the
Chinese martial arts world not to teach foreigners. Cheung spoke on his behalf and Lee was accepted into the school and began training in Wing Chun with Ip Man. Ip tried to keep his students from fighting in the street gangs of Hong Kong by encouraging them to fight in organized competitions. After a year of his training with
Ip Man, most of the other students refused to train with Lee. They had learned of his mixed ancestry, and the Chinese were generally against teaching their martial arts techniques to non-Asians. Lee's sparring partner, Hawkins Cheung, states, "Probably fewer than six people in the whole Wing Chun clan were personally taught, or even partly taught, by
Ip Man". However, Lee showed a keen interest in Wing Chun and continued to train privately with Ip Man,
William Cheung, and
Wong Shun-leung. In 1958, Lee won the Hong Kong schools boxing tournament,
knocking out the previous champion, Gary Elms, in the final.
1959–1964: Move to Seattle In his late teens, Lee's street fights became more frequent and included beating the son of a feared
triad family. In 1958, after students from a rival
Choy Li Fut martial arts school challenged Lee's
Wing Chun school, he engaged in a fight on a rooftop. In response to an unfair punch by another boy, he beat him so badly that one of his teeth was knocked out, leading to the boy's parents making a complaint to the police. Lee's mother had to go to a police station and sign a document saying that she would take full responsibility for his actions if they released him into her custody. Though she did not mention the incident to her husband, she suggested that her son return to the United States to claim his U.S. citizenship at the age of 18. Lee's father agreed as Lee's college prospects were not very promising if he remained in Hong Kong. In 1959, Lee started to teach martial arts. He called what he taught Jun Fan Gung Fu (literally Bruce Lee's Kung Fu). It was his approach to
Wing Chun. Lee opened his first martial arts school, named the Lee Jun Fan Gung Fu Institute, in Seattle. Lee completed his high school education and received his diploma from
Edison Technical School on
Capitol Hill in Seattle. In March 1961, Lee enrolled at the
University of Washington. Despite what Lee himself and many others have stated, Lee's official major was drama rather than philosophy, according to a 1999 article in the university's alumni publication. In his junior year, he took two classes in psychology and two classes in philosophy; both of these became core interests for him for the rest of his life. He socialized with wealthy young people, but lived in relative poverty and worked as a dishwasher in a Chinese restaurant.
1964–1965: Oakland Lee dropped out of university in early 1964 and moved to
Oakland to live with
James Yimm Lee. James Lee was twenty years senior to Lee and a well-known Chinese martial artist in the area. Together, they founded the second Jun Fan martial arts studio in Oakland. James Lee was responsible for introducing Lee to
Ed Parker, an American martial artist. At the invitation of Parker, Lee appeared in the 1964
Long Beach International Karate Championships. He performed repetitions of two-finger push-ups, using the thumb and the index finger of one hand, with feet at approximately shoulder-width apart. In the same Long Beach event, he also performed the "
one-inch punch". At the Long Beach event, he also publicly criticized a number of classical
karate and
kung fu styles and argued for modernizing martial arts. This was a highly controversial presentation that convinced some spectators, while offending others. Subsequently, he appeared at the Sun Sing Theatre to present his new approach to the
Chinatown, Oakland, community. More traditional kung fu practitioners took Lee's claims as an open challenge. In 1964, Lee had a controversial private match with
Wong Jack-man. Jack-man was a direct student of Ma Kin Fung, known for his mastery of
Xingyiquan,
Northern Shaolin, and
tai chi. According to Lee, the Chinese community issued an ultimatum to him to stop teaching non-Chinese people. When he refused to comply, he was challenged to a combat match with Wong. The arrangement was that if Lee lost, he would have to shut down his school, while if he won, he would be free to teach white people, or anyone else. Wong denied this, stating that he requested to fight Lee after Lee boasted during one of his demonstrations at a Chinatown theater that he could beat anyone in San Francisco, and that Wong himself did not discriminate against whites or other non-Chinese people. Lee commented, "That paper had all the names of the
sifu from Chinatown, but they don't scare me". Individuals known to have witnessed the match include Cadwell, James Lee (Bruce Lee's associate, no relation), and William Chen, a teacher of tai chi. Wong and William Chen stated that the fight lasted an unusually long 20–25 minutes. Wong claims that although he had originally expected a serious but polite bout, Lee aggressively attacked him with the intent to kill. When Wong presented the traditional handshake, Lee appeared to accept the greeting, but instead, Lee allegedly thrust his hand as a spear aimed at Wong's eyes. Forced to defend his life, Wong asserted that he refrained from striking Lee with killing force when the opportunity presented itself because it could have earned him a prison sentence, but used illegal cufflings under his sleeves. According to Michael Dorgan's 1980 book ''Bruce Lee's Toughest Fight'', the fight ended due to Lee's "unusually winded" condition, as opposed to a decisive blow by either fighter.
1966–1970: American roles and creating Jeet Kune Do in 1966 From 1966 to 1967, Lee played the role of
Kato alongside the title character played by
Van Williams in the TV series produced and narrated by
William Dozier titled
The Green Hornet, based on the
radio show by the same name.
The Green Hornet introduced the adult Bruce Lee to an American audience and became the first popular American show presenting Asian-style
martial arts. The show's director wanted Lee to fight in the typical American style using fists and punches. As a professional martial artist, Lee refused, insisting that he should fight in the style of his expertise. At first, Lee moved so fast that his movements could not be caught on film, so he had to slow them down. The American martial arts community promoted the TV show and viewed Lee as their first mainstream star. During the show's production, Lee became friends with
Gene LeBell, who worked as a stuntman in the show. The two trained together and exchanged martial arts knowledge from their respective specialties. After the show was canceled in 1967, Lee wrote to Dozier thanking him for starting "my career in show business". After filming one season of
The Green Hornet, Lee found himself out of work and opened the Jun Fan Gung Fu Institute in
Chinatown, Los Angeles. The controversial match with Wong Jack-man influenced Lee's philosophy about martial arts. Lee concluded that the fight had lasted too long and that he had failed to live up to his potential using his
Wing Chun techniques. He took the view that traditional martial arts techniques were too rigid and formalized to be practical in scenarios of chaotic
street fighting. Lee decided to develop a system with an emphasis on "practicality, flexibility, speed, and efficiency". He started to use different methods of training such as
weight training for strength, running for endurance, stretching for flexibility, and many others, which he constantly adapted, including
fencing and basic
boxing techniques. Jeet Kune Do originated in 1967. The name means "way of the intercepting fist" in
Cantonese. This was a new hybrid system that took
footwork from
boxing, kicks from kung fu, and technique from
fencing. Lee emphasized what he called "the style of no style". This consisted of getting rid of the formalized approach that Lee claimed was indicative of traditional styles. Lee felt that even the system he now called Jun Fan Gung Fu was too restrictive, and it eventually evolved into a philosophy and martial art he would come to call
Jeet Kune Do or the
Way of the Intercepting Fist. It is a term he would later regret, because Jeet Kune Do implied specific parameters that styles connote, whereas the idea of his martial art was to exist outside of parameters and limitations. At the time, two of Lee's martial arts students were Hollywood script writer
Stirling Silliphant and actor
James Coburn. In 1969, the three worked on a script for a film titled
The Silent Flute, and they went together on a location-hunt to India. The project was not realized at the time, but the 1978 film
Circle of Iron, starring
David Carradine, was based on the same plot. In 2010, producer Paul Maslansky was reported to have planned and received funding for a film based on the original script for
The Silent Flute. In 1969, Lee made a brief appearance in the Silliphant-penned film
Marlowe, where he played a hoodlum hired to intimidate private detective
Philip Marlowe, played by
James Garner, who uses his martial arts abilities to commit acts of vandalization to intimidate Marlowe. The same year, he was credited as the karate advisor in
The Wrecking Crew, the fourth installment of the
Matt Helm comedy
spy-fi film starring
Dean Martin. Also that year, Lee acted in one episode of
Here Come the Brides and
Blondie. In 1970, Lee was responsible for producing the fight choreography of
A Walk in the Spring Rain, starring
Ingrid Bergman and
Anthony Quinn, again written by Silliphant.
1971–1973: Hong Kong films, stardom, and Hollywood breakthrough In 1971, Lee appeared in four episodes of the television series
Longstreet, written by Silliphant. Lee played Li Tsung, the martial arts instructor of the title character Mike Longstreet, played by
James Franciscus, and important aspects of his martial arts philosophy were written into the script. According to statements made by Lee, and also by
Linda Lee Cadwell after Lee's death, Lee pitched a television series of his own in 1971, tentatively titled
The Warrior, discussions of which were confirmed by
Warner Bros. During a December 9, 1971, television interview on
The Pierre Berton Show, Lee stated that both
Paramount and Warner Bros. wanted him "to be in a modernized type of a thing and that they think the Western idea is out, whereas I want to do the Western". According to Cadwell, Lee's concept was retooled and renamed
Kung Fu, but
Warner Bros. gave Lee no credit. Warner Bros. states that they had for some time been developing an identical concept, created by two writers and producers,
Ed Spielman and Howard Friedlander in 1969, as stated also by Lee's biographer
Matthew Polly. According to these sources, the reason Lee was not cast was because he had a thick accent, but
Fred Weintraub attributes that to his ethnicity. The role of the
Shaolin monk in
Kung Fu was eventually awarded to then-non-martial artist David Carradine. In an interview with
The Pierre Berton Show, Lee stated he understood Warner Bros.' attitudes towards casting in the series: "They think that business-wise it is a risk. I don't blame them. If the situation were reversed, and an American star were to come to Hong Kong, and I was the man with the money, I would have my own concerns as to whether the acceptance would be there". Producer Fred Weintraub had advised Lee to return to Hong Kong and make a feature film that he could showcase to executives in Hollywood. Not happy with his supporting roles in the US, Lee returned to Hong Kong. Unaware that
The Green Hornet had been played to success in Hong Kong and was unofficially referred to as "The Kato Show", he was surprised to be recognized as the star of the show. After negotiating with both
Shaw Brothers Studio and
Golden Harvest, Lee signed a film contract to star in two films produced by Golden Harvest. '' (1972), displayed at the
Hong Kong Heritage Museum Lee played his first leading role in
The Big Boss (1971), which proved to be an enormous box-office success across Asia and catapulted him to instant stardom in Hong Kong. He followed up with
Fist of Fury (1972), which broke the box office records set previously by
The Big Boss, with film critic Blake Howard writing that Lee was "cresting the wave of international super-stardom". Having finished his initial two-year contract, Lee negotiated a new deal with Golden Harvest. Lee later formed his own company,
Concord Production Inc., with Chow. For his third film,
The Way of the Dragon (1972), he was given complete control of the film's production as the writer, director, star, and
choreographer of the fight scenes. In 1964, at a demonstration in
Long Beach, California, Lee met karate champion
Chuck Norris. In
The Way of the Dragon Lee introduced Norris to moviegoers as his opponent. Their showdown has been characterized as "one of the best fight scenes in
martial arts and
film history".
Fist of Fury and
Way of the Dragon grossed an estimated and worldwide, respectively. From August to October 1972, Lee began work on his fourth Golden Harvest film,
Game of Death. He began filming some scenes, including his fight sequence with American basketball star
Kareem Abdul-Jabbar, a former student. Production stopped in November 1972 when Warner Bros. offered Lee the opportunity to star in
Enter the Dragon, the first film to be produced jointly by Concord, Golden Harvest, and Warner Bros. Filming began in Hong Kong in February 1973 and was completed in April 1973. One month into the filming, another production company, Starseas Motion Pictures, promoted Lee as a leading actor in
Fist of Unicorn, although he had merely agreed to choreograph the fight sequences in the film as a favor to his long-time friend
Unicorn Chan. Lee planned to sue the production company but retained his friendship with Chan. However, only a few months after the completion of
Enter the Dragon, and six days before its release, July 26, 1973, Lee died. the equivalent of $4 million adjusted for inflation as of 2007.
Enter the Dragon is estimated to have grossed over worldwide, the equivalent of over adjusted for inflation . The TV show
Kung Fu starring
David Carradine debuted in February 1972, reaching #1 by mid-1973 further contributing to a
fad in martial arts. The song "
Kung Fu Fighting" and Marvel's
Master of Kung Fu comic book came out in 1974.
1978–present: posthumous work Robert Clouse, the director of
Enter the Dragon, together with Golden Harvest, revived Lee's unfinished film
Game of Death. Lee had shot over 100 minutes of footage, including
outtakes, for
Game of Death before shooting was stopped to allow him to work on
Enter the Dragon. In addition to Abdul-Jabbar,
George Lazenby, Hapkido master
Ji Han-jae, and another of Lee's students,
Dan Inosanto, appeared in the film, which culminated in Lee's character, Hai Tien, clad in a yellow tracksuit taking on a series of different challengers on each floor as they make their way through a five-level pagoda. In a controversial move, Robert Clouse finished the film using a Lee
look-alike (
Kim Tai Chung, with
Yuen Biao as a stunt double) and
archive footage of Lee from his other films with a new storyline and cast. It was released in 1978. The cobbled-together film contained only fifteen minutes of actual footage of Lee. In 2015, Perfect Storm Entertainment and Bruce Lee's daughter,
Shannon Lee, announced that the series
The Warrior would be produced and would air on
Cinemax. Filmmaker
Justin Lin was chosen to direct the series. Production began in October 2017, in
Cape Town, South Africa. In April 2019, Cinemax renewed the series for a second season. The series ended after three seasons, in 2023. In March 2021, it was announced that producer
Jason Kothari had acquired the rights to
The Silent Flute "to become a
miniseries, which would have
John Fusco as a screenwriter and executive producer.
Unproduced works Lee had also worked on several scripts himself. A tape containing a recording of Lee narrating the basic storyline to a film tentatively titled
Southern Fist/Northern Leg exists, showing some similarities with the canned script for
The Silent Flute (
Circle of Iron). Another script had the title
Green Bamboo Warrior, set in San Francisco, planned to co-star
Bolo Yeung and to be produced by
Andrew Vajna. Photoshoot costume tests were organized for some of these planned film projects. == Martial arts and fitness ==