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The national flag of Italy, often referred to as the Tricolour, is a flag featuring three equally sized vertical pales of green, white and red, with the green at the hoist side, as defined by Article 12 of the Constitution of the Italian Republic. The Italian law regulates its use and display, protecting its defence and providing for the crime of insulting it; it also prescribes its teaching in Italian schools together with other national symbols of Italy.

History
The French Revolution The Italian tricolour, like other tricolour flags, is inspired by the French one, introduced by the revolution in 1790 on French Navy warships, and is symbolic of the renewal perpetrated by the origins of Jacobinism. Shortly after the French revolutionary events, the ideals of social innovation began to spread widely on the basis of the advocacy of the Declaration of the Rights of Man and of the Citizen of 1789, including in Italy, and subsequently political innovation with the first patriotic ferments addressed to the national self-determination that later led to the Italian unification on the Italian peninsula. For this reason, the French blue, white and red flag became the first reference of the Italian Jacobins and subsequently a source of inspiration for the creation of an Italian identity flag. On 12 July 1789, two days before the storming of the Bastille, the revolutionary journalist Camille Desmoulins, while hailing the Parisian crowd to revolt, asked the protesters what colour to adopt as a symbol of the French Revolution, proposing green, a symbol of hope or the blue of the American Revolution, a symbol of freedom and democracy. The protesters replied "The green! The green! We want green cockades!" Desmoulins then seized a green leaf from the ground and pointed it to the hat as a distinctive sign of the revolutionaries. The French tricolour cockade was then completed on 17 July 1789 with the addition of white, the colour of the House of Bourbon, in deference to King Louis XVI of France, who still ruled despite the violent revolts that raged in the country; the French monarchy was abolished on 10 August 1792. , on which the national colours of Italy were based in 1789 The first documented use of Italian national colours is dated 21 August 1789. In the historical archives of the Republic of Genoa it is reported that eyewitnesses had seen some demonstrators hanging a red, white and green cockade on their clothes. The Italian gazettes of the time had created confusion about the facts of French Revolution, especially on the replacement of green with blue, reporting that the French tricolour was green, white and red. When the correct information on the chromatic composition of the French tricolour arrived in Italy, the Italian Jacobins decided to keep green instead of blue, because it represented nature and therefore metaphorically, also natural rights, or social equality and freedom, both principles dear to them. The red, white and green cockade then reappeared several years later on 13–14 November 1794 worn by a group of students of the University of Bologna, led by Luigi Zamboni and Giovanni Battista De Rolandis who attempted to plot a popular riot to topple the Catholic government of Bologna, a city which was part of the Papal States at the time. Zamboni and De Rolandis defined themselves as "patriots" and wore tricolour cockades to signal they were inspired by Jacobin revolutionary ideals, but modified them also to distinguish themselves from the French cockade. The red, white and green cockade appeared, after the events of Bologna, during Napoleon's entry into Milan, which took place on 15 May 1796. These cockades, having the typical circular shape, possessed red on the outside, green on an intermediate position, and white on the centre. These ornaments were worn by the rioters even during the religious ceremonies officiated inside the Milan Cathedral as thanks for the arrival of Napoleon, who was seen, at least initially, as a liberator. The tricolour cockades then became one of the official symbols of the Milanese National Guard, which was founded on 20 November 1796, and then spread elsewhere along the Italian peninsula. The patriots began to call it "Italian cockade" making it become one of the symbols of the country. On the document the term "green" was subsequently crossed and replaced by "blue", the colour that forms – together with white and red – the French flag. On this document, with reference to its war flag, which followed the French tricolour and which was proposed to Napoleon by the Milanese patriots, it is reported that this military unit would have had a red, white and green banner, colours formerly used by Milanese National Guard as well as on the cockades. In a ceremony at the Piazza del Duomo on 16 November 1796, a military flag was presented to the Lombard Legion. The Lombard Legion was therefore the first Italian military department to equip itself, as a banner, with a tricolour flag. , considered the "father of the Italian flag" For having proposed the green, white and red tricolour flag, Giuseppe Compagnoni is considered the "father of the Italian flag". The congress decision to adopt a green, white and red tricolour flag was then greeted by a jubilant atmosphere, such was the enthusiasm of the delegates, and by a peal of applause. The adoption of the Italian flag by a sovereign Italian state, the Cispadane Republic, was inspired by this Bolognese banner, linked to a municipal reality and therefore still having a purely local scope, and to the previous military banners of the Lombard Legion and Italian Legion. In particular, the Italian Legion was formed by soldiers coming from Emilia and Romagna. The flag of the Cispadane Republic was a horizontal square with red uppermost and, at the heart of the white fess, an emblem composed of a garland of laurel decorated with a trophy of arms and four arrows, representing the four provinces that formed the Republic. In France, due to the Revolution, the flag went from having a "dynastic" and "military" meaning to a "national" one, and this concept, still unknown in Italy, was transmitted by the French to the Italians. '', which later became the council hall of the municipality of Reggio Emilia, where the Italian flag was born on 7 January 1797 The Cispadane Republic and the Transpadane Republic merged in 1797 into the Cisalpine Republic (1797–1802) and adopted the vertical square tricolour without badge in 1798. Originally the colours of the flag of the Cisalpine Republic were arranged horizontally, with green at the top, but on 11 May 1798, the Grand Council of the newborn State chose, as the national banner, an Italian tricolour with the colours arranged vertically. At the formal celebration of the birth in the new republic, which took place on 9 July in Milan, 300,000 people took part, including ordinary citizens, French soldiers and representatives of the major municipalities of the republic. The event was characterised by a riot of tricolour flags and cockades. On this occasion, Napoleon solemnly gave to the military units of the newborn republic, after having reviewed them, their tricolour banners. The flag of the Cisalpine Republic was maintained until 1802, when it was renamed the Napoleonic Italian Republic (1802–1805), and a new flag was adopted, this time with a red field carrying a green square within a white lozenge; the presidential standard of Italy in use since 14 October 2000 was inspired by this flag. In the same year, after Napoleon had crowned himself as the first French Emperor, the Italian Republic was transformed into the first Napoleonic Kingdom of Italy (1805–1814), or Italico, under his direct rule. The flag of the Kingdom of Italy was that of the Republic in rectangular form, charged with the golden Napoleonic eagle. This remained in use until the fall of Napoleon in 1814. Italian unification The revolutions of the 19th century (1848), of which one of the symbols was the tricolour With the fall of Napoleon and the restoration of the absolutist monarchical regimes, the Italian tricolour went underground, becoming the symbol of the patriotic ferments that began to spread in Italy and the symbol which united all the efforts of the Italian people towards freedom and independence. In the Kingdom of Lombardy–Venetia, a state dependent on the Austrian Empire born after the fall of Napoleon, those who exhibited the Italian tricolour were subject to the death penalty. The Austrians' objective was in fact, quoting the textual words of Emperor Franz Joseph I of Austria: Between 1820 and 1861, a sequence of events led to the independence and unification of Italy (except for Veneto and the province of Mantua, Lazio, Trentino-Alto Adige and Julian March, known as Italia irredenta, which were united with the rest of Italy in 1866 after the Third Italian War of Independence, in 1870 after the capture of Rome, and in 1918 after World War I respectively); this period of Italian history is known as the Risorgimento. The Italian tricolour waved for the first time in the history of the Risorgimento on 11 March 1821 in the Cittadella of Alessandria, during the revolutions of the 1820s, after the oblivion caused by the restoration of the absolutist monarchical regimes. in 1848 The green, white and red flag reappeared during the revolutions of 1830, mainly due to Ciro Menotti, the patriot who started the rebellion in Italy. Menotti, in particular, argued that the best form of state for a united Italy was the monarchy with a sovereign chosen by a national congress. The main points of this idea were Rome as the capital of Italy and the tricolour flag as a national banner. On 5 February 1831, during the Forlì uprisings, the patriot Teresa Cattani wrapped herself in the tricolour flag during the assault on the building that was the seat of the Legation of Romagna, challenging the shots of the papal soldiers. In 1831, the tricolour was chosen by Giuseppe Mazzini as the emblem of Young Italy. An original flag of Young Italy is kept at the Museum of the Risorgimento and Mazzinian institute in Genoa. From 1833 to 1834, the symbolism of the tricolour spread more and more along the Italian peninsula, starting from northern and central Italy. Mazzini, regarding the reason why the Italian patriots had participated in the uprisings of 1830–1831, said: The Italian flag also spread among political exiles, becoming the symbol of the struggle for independence and the claim to have more liberal constitutions. In 1834 the tricolour was adopted by the rioters who tried to invade Savoy, while the tricolour flag of Young Italy was brought to South America in 1835 by Giuseppe Garibaldi during his exile. during the First Italian War of Independence (1848–1849). It is displayed at the Royal Armoury of Turin. The Italian flag was also waved during the uprisings of 1837 in Sicily, of 1841 in Abruzzo and of 1843 in Romagna. In 1844, a tricolour of Young Italy accompanied the Bandiera brothers in their failed attempt to raise the population of the Kingdom of the Two Sicilies. The patriots following the two brothers wore a uniform consisting of a blue and green shirt, white trousers, red handguards, a red and green collar, a red leather belt and a cap with an Italian tricolour cockade pinned. Italian tricolours waved, challenging the authorities, who had decreed the ban, also on the occasion of the commemoration of the revolt of the Genoese quarter of Portoria against the Habsburg occupiers during the War of the Austrian Succession. During this event, which took place on 10 December 1847 in Genoa at the square of the santuario della Nostra Signora di Loreto of the Genoese district of Oregina, by Goffredo Mameli and Michele Novaro played for the first time in history; it would become the Italian national anthem from 1946. , in a verse, quotes the Italian flag: These verses, which can be read in the second verse, recall the hope that Italy, still divided into the pre-unification states, would be united in a single nation, gathering under a single flag. Starting from this period the strawberry tree plant began to be considered a national symbol of Italy due to the green leaves, white flowers and red berries, which recall the colours of the Italian flag. The strawberry tree is the national tree of Italy. As the arms, blazoned gules a cross argent, mixed with the white of the flag, it was fimbriated azure, blue being the dynastic colour, although this does not conform to the heraldic rule of tincture. The rectangular civil and state variants were adopted in 1851. A makeshift tricolour consisting of redshirts, green displays and a white sheet was hoisted on the flagpole of the ship that brought Giuseppe Garibaldi back to Italy from South America shortly after the outbreak of the First Italian War of Independence. The patriots who had gathered at the port of Genoa to welcome her return gave Anita Garibaldi, in front of 3,000 people, a tricolour to be given to Giuseppe Garibaldi so that he could plant it on Lombard soil. The Grand Duchy of Tuscany in the act of granting the constitution (17 February 1848) did not change the national banner ("The State retains its flag and its colours") but later granted the Tuscan militias, by decree, the use of a tricolour scarf next to the symbols of the Grand Duchy (25 March 1848). The Grand Duke, following the pressure of the Tuscan patriots, then adopted the tricolour flag also as a state banner and as a military banner for the troops sent to help Charles Albert of Piedmont-Sardinia. Similar measures were adopted by the Duchy of Parma and Piacenza and by the Duchy of Modena and Reggio. in Venice (1848), event that was characterised by a waving of tricolour flags The flag of the Constitutional Kingdom of the Two Sicilies, a white field charged with the coats of arms of Castile, Leon, Aragon, Two Sicilies, and Granada, was modified by Ferdinand II through the addition of a red and green border. This flag lasted from 3 April 1848 until 19 May 1849. The Provisional Government of Sicily, which lasted from 12 January 1848 to 15 May 1849 during the Sicilian Revolution, adopted the Italian tricolour, defaced with the trinacria, or triskelion. The Republic of San Marco, proclaimed independent in 1848 by the Austrian Empire, also adopted the tricolour. The flags that they adopted marked the link to Italian independence and unification efforts. The former, the Italian tricolour undefaced, and the latter, charged with the winged lion of St. Mark, from the flag of the Republic of Venice (maritime republic which existed from 697 AD until 1797 AD), on a white canton. A chronicler of the time described the final moments of the subsequent capitulation of the Republic of San Marco by the Austrian troops, which took place on 22 August 1849: The tricolour flag of 1848 that greeted the expulsion of the Austrians from Venice is kept in the Museum of the Risorgimento and the Venetian 19th century. in Piazza del Popolo (1848) in Rome among a profusion of tricolour flags In 1849, the Roman Republic, formed following the revolt against the Papal State that dethroned the Pope, adopted as its national banner a green, white and red flag with a republican Roman eagle at the tip of the pole. This lasted for four months, while the Papal States of the Church was in abeyance. The Roman Republic resisted until 4 July 1849, when it was capitulated by the French Army. The troops from beyond the Alps, as a last act, entered the municipality of Rome where the last members of the republican assembly not yet captured were barricaded. Their secretary Quirico Filopanti surrendered wearing a tricolour scarf. The tricolour also flew over the barricades of the Ten Days of Brescia, a revolt of the citizens of the Lombard city against the Austrian Empire, and in many other centres such as Varese, Gallarate, Como, Melegnano, Cremona, Monza, Udine, Trento, Verona, Rovigo, Vicenza, Belluno and Padua. This spread throughout the Italian peninsula and demonstrated that the tricolour flag had by then assumed a consolidated symbolism valid throughout the national territory. The iconography of the Italian flag then began to spread not only in the vexillological and military fields, but also in some everyday objects such as scarves and clothing fabrics. This turning point lasted until the failure of revolutions and the end of the First Italian War of Independence (1849), which ended with the defeat of the Piedmont-Sardinian Army of Charles Albert; after this, the ancient flags were restored. Only the Kingdom of Piedmont-Sardinia confirmed the Italian tricolour as the national flag of the state even after the First Italian War of Independence ended. After the defeat in the First Italian War of Independence in 1849, Charles Albert abdicated in favour of his son Victor Emmanuel II. From the unification of Italy to World War I and Napoleon III of France entered Milan during the Second Italian War of Independence (1859). On 14 April 1855, before the departure for the Crimean War, the Italian tricolour flags were solemnly entrusted to the soldiers of the Sardinian Expeditionary Corps in the Crimean War by King Victor Emmanuel II of Piedmont-Sardinia with the following farewell sentence: One of the Italian flags that participated in the Crimean War is kept in the Royal Armoury of Turin. In 1857, an Italian flag with the pole surmounted by a Phrygian cap and with an archipendulum, a symbol of social balance, was a symbol of the Sapri expedition, or rather the failed attempt to trigger a revolt in the Kingdom of the Two Sicilies perpetrated by Carlo Pisacane. In order not to be captured, Pisacane committed suicide, and was reported to be bandaged with the tricolour flag. On 10 January 1859, King Victor Emmanuel II of Piedmont-Sardinia, in front of the members of parliament, announced the imminent entry into war of the Kingdom of Piedmont-Sardinia against the Austrian Empire: (1860–1861) When the Second Italian War of Independence (1859) broke out, volunteers from all over Italy were enrolled in the Piedmont-Sardinian army. During the Second Italian War of Independence, the cities that were gradually conquered by Victor Emmanuel II of Piedmont-Sardinia and Napoleon III of France greeted the two sovereigns as liberators in a riot of flags and tricolour cockades; even the centres about to ask for annexation to the Kingdom of Piedmont-Sardinia through plebiscites underlined their desire to be part of a united Italy with the waving of the tricolour. The Italian flag waved in Lombardy, annexed following the victory of the Kingdom of Piedmont-Sardinia in the Second Italian War of Independence, as well as in Tuscany, Emilia, Marche and Umbria, annexed in the following year to the Kingdom of Piedmont-Sardinia through plebiscites, but also in cities that would have had to wait some time before being annexed, such as Rome and Naples. The enthusiasm of the population toward the tricolour grew in addition to the army of the Kingdom of Piedmont-Sardinia and the troops of volunteers who participated in the Second Italian War of Independence, the green, white and red flag spread widely available in newly conquered or annexed regions by plebiscites, appearing on house windows, in shop windows and in public places such as hotels and taverns. The tricolour was also the flag of the United Provinces of Central Italy, a short-lived military government established by the Kingdom of Piedmont-Sardinia that was formed by a union of the former Grand Duchy of Tuscany, Duchy of Parma, Duchy of Modena, and the Papal Legations, after their monarchs were ousted by popular revolutions. The United Provinces of Central Italy existed from 1859 to 1860, when they were annexed to the Kingdom of Piedmont-Sardinia. (1861) among a profusion of tricolour flags The tricolour accompanied, although not officially, also the volunteers of the Expedition of the Thousand (1860–1861) led by Giuseppe Garibaldi, whose goal was to conquer the Kingdom of the Two Sicilies. Garibaldi, in particular, had an absolute deference and respect for the Italian flag. Shortly after the loss of Sicily, on 25 June 1860, trying to limit the damage given the growing participation of the population in the Expedition of the Thousand, King Francis II of the Two Sicilies, decreed that the green, white and red flag was also the official banner of his Kingdom, with the House of Bourbon-Two Sicilies coat of arms superimposed on the white. Adopted on 21 June 1860, this lasted until 17 March 1861, when the Two Sicilies was incorporated into the Kingdom of Piedmont-Sardinia, after its defeat in the Expedition of the Thousand. Ironically, in the final phase of the Expedition of the Thousand, the tricolour of the Kingdom of the Two Sicilies fluttered in antagonism to the tricolour flag of the Kingdom of Piedmont-Sardinia. Two of the original tricolours that flew on the Lombardo steamship that participated, together with Piedmont, in the Expedition of the Thousand, are preserved, respectively, inside the Central Museum of the Risorgimento at the Vittoriano in Rome and the Museum of the Risorgimento in Palermo. from 1829 to 1871 On 17 March 1861, there was the proclamation of the Kingdom of Italy, a formal act that sanctioned, with a normative act of the Kingdom of Piedmont-Sardinia, the birth of the unified Kingdom of Italy. On 15 April 1861, the flag of the Kingdom of Piedmont-Sardinia was declared the flag of the newly formed Kingdom of Italy. The tricolour therefore continued to be the national flag also of the new State, although not officially recognised by a specific law, but regulated with regard to the shape of military banners. This Italian tricolour, with the armorial bearings of the former Royal House of Savoy, was the first national flag and lasted in that form for 85 years until the birth of the Italian Republic in 1946. entering Venice during the Third Italian War of Independence (1866) among a profusion of tricolour flags The tricolore had a universal, transversal meaning, shared by both monarchists and republicans, progressives and conservatives and Guelphs as well as by the Ghibellines. The tricolour was chosen as the flag of a united Italy also for this reason. After the Unification of Italy, the use of the tricolour became increasingly widespread among the population as the flag and its colours began to appear on the labels of commercial products, school notebooks, the first cars and cigar packages. Even among the aristocrats it was successful; the most important families often had a flag bearer installed on the main façade of their mansions where they placed the Italian tricolour. It then began to appear outside public buildings, schools, judicial offices and post offices. During this period, tricolour bands were introduced for mayors and the jurors of the assize court during this period. Following the Third Italian War of Independence in 1866, Veneto and Friuli were annexed to the Kingdom of Italy; the entry of the Italian Army troops into Venice, which took place on 19 October 1866, was greeted by a profusion of tricolour flags. Since the promulgation of a resolution of its municipal council, dated 5 November 1866, Vicenza is the only city in Italy to have adopted the tricolour flag as its own gonfalon, instead of the civic banner, loaded with the coat of arms of the municipality. The Venetian city decided to patriotically change the nature of its sign shortly before the visit of King Victor Emmanuel II, who arrived in the city for the awarding of the Gold Medal of Military Valour earned by the Venetian municipality with the battle of Monte Berico, fought on 10 June 1848 in the outskirts of the city. The occasion of the Sovereign's visit, Vicenza presented Victor Emmanuel II not with his own banner but, a decision from which his subsequent resolution was to originate, the Italian tricolour. Every year, on the third Sunday in June, the remembrance of the war episode is celebrated in Oliosi. At the military parade on 2 June 2011, held in via dei Fori Imperiali in Rome on the occasion of the celebrations for the 150th anniversary of the unification of Italy, the Tricolore di Oliosi was paraded on a cannon carriage along with five other historic Italian flags. Massimo d'Azeglio was among the first to recognise the importance of the tricolour flag as a tool for forming a widespread national awareness. In this regard he declared: "The flag is a privileged symbol in the pedagogy of a nation". Tricolour flags then greeted the Italian Army during the march toward Rome, which ended with the capture of Rome on 20 September 1870, and the annexation of Lazio to the Kingdom of Italy. Rome officially became the capital of Italy on 1 January 1871, while the establishment of the royal court and the Savoy government took place on 6 July of the same year. From this date, the Italian flag flies from the highest flagpole of the Quirinal Palace. sent from the Italian Eritrea in 1907 and depicting an eagle flying an Italian flag The first Italian colony was founded in 1882, the Assab bay, which became the first outpost of the future Italian Eritrea, where the flag of Italy waved in an Italian colony for the first time. Subsequently, the tricolour also waved in the Italian Somaliland, in the Italian Libya, in the Italian concession of Tientsin and in the Italian Islands of the Aegean. In 1897, the Italian flag had its 100th anniversary. The centennial celebration in Reggio Emilia, where the tricolour was created on 7 January 100 years earlier, Giosuè Carducci, who later became the first Italian to win the Nobel Prize in Literature in 1906, defined the flag as "blessed" and kissed it at the end of the speech. during the opening parade of the XXXIV Immigrant's Festival Around 1880 began large waves of Italian diaspora, especially towards the Americans. The tricolour, often carried in the suitcases of migrants, began to wave outside the national borders, especially in the Little Italies that were forming around the world. This bond with the land of origin did not fade with the passing of generations—often still alive in the third or fourth generation. Several years earlier in 1861, U.S. president Abraham Lincoln reviewed some military units that were participating in the American Civil War—among them was a Garibaldi Guard, made up of Italian immigrants, which had as its military banner the tricolour flag. In 1885, the tricolour jersey was introduced for the cyclist who won the title of champion of Italy. Conceptually, this recognition is similar to the placement of a tricolour shield, the scudetto, on the jerseys of the team champion of Italy in football, rugby, volleyball and basketball. The idea of affixing a scudetto on the shirts of the winning sports teams of the respective national championships was Gabriele D'Annunzio. In football, the first sport to use it, it was introduced in 1924. The king was shot four times by the Italian-American anarchist Gaetano Bresci. Bresci claimed he wanted to avenge the people killed in Milan during the suppression of the riots of May 1898. Umberto I was succeeded by his son Victor Emmanuel III of Italy. The two world wars and the interwar period Italy entered World War I in 1915 with the aim of completing national unity, and for this reason, the Italian intervention in World War I is also considered the Fourth Italian War of Independence in a historiographical perspective that identifies in the latter the conclusion of the unification of Italy, whose military actions began during the revolutions of 1848 with the First Italian War of Independence. King Victor Emmanuel III of Italy, the day the Kingdom of Italy entered the war, appeared from the balcony of the Quirinal Palace while waving the tricolour shouting "Long live Italy". Victor Emmanuel III then made an official proclamation shortly before leaving for the Italian war front, which read, in its final part: The tricolour flag was a symbol in both the trenches and in the civil sphere. The colours green, white and red were widely used as a stimulus to the general mobilisation and moral sustenance of the civilian population, which was climbing a path that would have led to a very difficult situation, characterised by many deprivations. In the trenches, the tricolour was a fundamental symbol to spur the soldiers, while on the home front it was important for compacting and strengthening civil society. , celebrates the Italian victory over Austria-Hungary in World War I with a tricolour over the newly conquered city of Trieste. During the flight over Vienna, on 9 August 1918 aerial flyer Gabriele D'Annunzio launched the tricolour leaflet over Vienna with which he exhorted the enemy to surrender and end the war. The Italian troops then entered Trieste in November 1918 following the victory in the battle of Vittorio Veneto, which ended the conflict with the retreat and the definitive defeat of the Austrians. The War Bulletin No. 1267 of 3 November 1918 by General Armando Diaz announced the Bollettino della Vittoria and the Bollettino della Vittoria Navale by few days, read: After World War I, the Italian flag was also a symbol of the Impresa di Fiume, led by D'Annunzio, and a consequence of the so-called "mutilated victory", a term used to describe the dissatisfaction concerning territorial rewards in favour of Italy at the end of World War I, shouted: "raise the flag: wave the tricolour!" During the Italian Regency of Carnaro (1919–1920), a state entity that administered the city of Fiume, now part of modern-day Croatia, D'Annunzio defined the Italian flag "the garment of the eternal nation" and urged the Italians to rebel against those responsible for the defeat of Caporetto by waving the "tricolour across the sky". In particular, Italy, as a peace agreement at the conclusion of World War I, signed the Treaty of Saint-Germain-en-Laye (1919) and the Treaty of Rapallo (1920), which allowed the annexation of Trentino Alto-Adige, Julian March, Istria, Kvarner, with the cities of Trieste, Trento, Gorizia, Pola, as well as the Dalmatian city of Zara. The subsequent Treaty of Rome (1924) led to the annexation of the city of Fiume to Italy. The coffin of the Italian Unknown Soldier was placed on the gun carriage of a cannon and wrapped in a tricolour flag during its journey from the Basilica di Santa Maria Assunta, Aquileia to the Altare della Patria in Rome, which took place in 1921 on a railway hearse. This historic flag is kept inside the Central Museum of the Risorgimento at the Vittoriano in Rome. . (1943–1945) With the March on Rome in 1922, and the establishment of the fascist dictatorship, the Italian flag lost its symbolic uniqueness partly obscured by the iconography of the regime. When it was used, as the symbol of the National Fascist Party, its history was distorted, given that the tricolour was born as a symbol of freedom and civil rights. Despite this supporting role, with the royal decree nº 2072 of 24 September 1923 and subsequently with the law nº2264 of 24 December 1925, the tricolour officially became the national flag of the Kingdom of Italy. On 31 January 1923, the salute to the flag by the students of Italian schools was instituted by the Ministry of Public Education whereby every Saturday morning, at the end of the lesson, the students paid homage to the flag with the Roman salute and with the performance of patriotic musical pieces. In 1926, the Fascist regime attempted to have the Italian national flag redesigned by having the fasces, the symbol used by the Fascist movement, included on the flag. This attempt by the Fascist government to change the Italian flag to incorporate the fasces was stopped by strong opposition to the proposal by Italian monarchists. (1943–1945) In 1926, an Italian flag was first brought to the North Pole by the Norge airship during the expedition led by Umberto Nobile and Roald Amundsen; the tricolours then greeted Italo Balbo in his oceanic seaplane crossings. The Azione Cattolica, which made the Italian flag its banner in 1931, grouped the children of its organisation dedicated to children into three categories, which were based on age group and colours of the Italian flag: "green flames", "white flames" and "red flames". In August 1933, the Italian ocean liner SS Rex, which had just won the Blue Riband, arrived in New York City setting the record for Atlantic Ocean crossing in the shortest time (four days) was greeted by the waving of tricolour flags. Trains covered with tricolour flags carried the settlers to the new cities founded after the reclamation of the Pontine Marshes, while on 5 May 1936 there was the solemn flag-raising in Addis Ababa, Italian Ethiopia, which greeted the founding of the Italian Empire. The flag in Addis Ababa was then lowered in November 1941 at the end of the East African campaign, which was fought during World War II. remembered together with the period of the unification of Italy on a propaganda poster of the Italian Social Republic. In the background, a tricolour is waving. Italy entered World War II on 10 June 1940 with the speech by Benito Mussolini delivered from the main balcony of Palazzo Venezia in Rome, but the climate was different from that which characterised Italy's entry into World War I. The king did not appear on the balcony of the Quirinal Palace waving the flag as he did in 1915. During World War II, the Italian flag came back strongly after the Armistice of Cassibile of 8 September 1943, where it was taken as a symbol by the two sides who faced each other in the Italian Civil War in an attempt to recall the unification of Italy and its cultural tradition. In particular, it was used by the partisans as a symbol of the struggle against tyrants and emblem of the dream of a free Italy. Even the communist partisan brigades, which had the red flag as the official banner, often waved the Italian flag. Tricolour flags were also the official banners of the Italian Partisan Republics and of the National Liberation Committee, as well as their antagonists, the Republicans in an attempt to recall the period of the unification of Italy and its cultural background. The national flag of the short-lived Fascist state in northern Italy, the Italian Social Republic (1943–1945), or "Republic of Salò" as it was commonly known, was identical to the flag of the modern Italian Republic, as both republics used the previous flag of the Kingdom of Italy with the coat of arms of Savoy removed. This flag was rarely seen, while the war flag, charged with a silver/black eagle clutching horizontally placed fascio littorio (literally, bundles of the lictors), was very common in propaganda. Italian fascism derived its name from the fasces, which symbolised imperium, or power and authority, in ancient Rome. Roman legions had carried the aquila, or eagle, as signa militaria. The Italian tricolour was also used for propaganda. The Italian Social Republic, for example, used it on a poster depicting Goffredo Mameli, the author of the lyrics of , the national anthem of Italy from 1946, with an unsheathed sword and a tricolour behind him while he launches towards an assault. This poster bears the words "Brothers of Italy / Italy has woken!" and "1849–1944 The spirit of Goffredo Mameli/Defend the Social Republic". On 25 April 1945, the government of Mussolini fell. This event is commemorated by Liberation Day. With the liberation, the tricolour appeared in public places such as the towers of town halls, on bell towers of churches, and in factories. Remembering these events, Francesco Cossiga, at the time president of the Senate of the Republic, in a speech delivered on 28 June 1984, said: In the eastern Italian territories occupied by the Yugoslav partisan militias, the Italian flag was used with a red star in the centre as a model of the flag used by the partisan Garibaldi Brigades initially in the city of Fiume in 1943, then extended to all the territories where the Italian ethnic minority (Istrian Italians and Dalmatian Italians) resided. Having entered Yugoslavia, this flag remained official until 1992, when it was officially replaced by the flag adopted by the Italian state. Following the defeat of Italy in World War II and the Paris Treaties of 1947, Istria, Kvarner and most of Julian March, with the cities of Pola, Fiume and Zara, passed to Yugoslavia, and after the latter's dissolution, to Croatia, causing the Istrian-Dalmatian exodus which led to the emigration of between 230,000 and 350,000 of local ethnic Italians (Istrian Italians and Dalmatian Italians), the others being ethnic Slovenians, ethnic Croatians, and ethnic Istro-Romanians, choosing to maintain Italian citizenship. After World War II, Gorizia was divided in two: one part remained with Italy while the other, which was renamed "Nova Gorica", passed first to Yugoslavia and then to Slovenia. Italian Republic On 13 June 1946, the Italian Republic was officially founded and the last king of Italy Umberto II, who succeeded his father Victor Emmanuel III on 9 May 1946, left the country on 13 June into exile. On the same day, the tricolour with the Savoy coat of arms in the centre was lowered from the Quirinal Palace. The Italian flag was modified with the decree of the president of the Council of Ministers No. 1 of 19 June 1946. Compared to the monarchic banner, the Savoy coat of arms was eliminated. This decision was later confirmed in the session of 24 March 1947 by the Constituent Assembly, which decreed the insertion of article 12 of the Italian Constitution, subsequently ratified by the Italian Parliament, which states: The members of the Constituent Assembly were deeply moved when they approved this article, and as a sign of joy and respect, stood up and applauded at length shortly after the approval. Shortly before the officialisation of the flag in the constitution, on 7 January 1947, the tricolour turned 150. The role of master of ceremonies that belonged to Giosuè Carducci 50 years earlier was assumed by Luigi Salvatorelli, whose speech, uttered during the Reggio Emilia official celebrations in the presence of Enrico De Nicola, Provisional Head of State, alluded to the delicate phase that post-war Italy was going through with particular reference to the humiliations suffered by the country in World War II: '' due to its length. The Republican tricolour was then officially and solemnly delivered to the Italian military corps on 4 November 1947 on the occasion of National Unity and Armed Forces Day. The universally adopted ratio is 2:3, while the war flag is squared (1:1). Each comune also has a gonfalone bearing its coat of arms. On 27 May 1949, a law was passed that described and regulated the way the flag was displayed outside public buildings and during national holidays. During the republican era, the tricolour greeted important events in Italian history. The flag was hoisted at the top of K2 during the Italian expedition in 1954 that led Achille Compagnoni and Lino Lacedelli to be the first people to reach the summit of this mountain—the second highest in the world after Mount Everest, and was brought in 2011 to the International Space Station by astronaut Roberto Vittori on the occasion of the 150th anniversary of the unification of Italy. A profusion of Italian flags greeted the return of Trieste to Italy in 1954, which took place following the agreements signed between the governments of Italy, the United Kingdom, the United States and Yugoslavia concerning the status of the Free Territory of Trieste, an independent territory situated between northern Italy and Yugoslavia. The territory, under the direct responsibility of the United Nations Security Council in the aftermath of World War II, established on 10 February 1947 by a protocol of the Treaty of Peace with Italy. The Italian naval ensign comprises the national flag defaced with the arms of the Italian Navy; the mercantile marine (and private citizens at sea) use the civil ensign, differenced by the absence of the mural crown and the lion holding open the gospel, bearing the inscription, PAX TIBI MARCE EVANGELISTA MEVS instead of a sword. The shield is quartered, symbolic of the four great thalassocracies of Italy, the repubbliche marinare of Venice (represented by the lion passant, top left), Genoa (top right), Amalfi (bottom left), and Pisa (represented by their respective crosses); the rostrata crown was proposed by Admiral Cavagnari in 1939 to acknowledge the Navy's origins in ancient Rome. The tricolour flag was the official banner of the Italian Trust Administration of Somalia (1950–1960), which was granted on a UN mandate, and which was the first peacekeeping mission of the Italian Army. The tricolour continues to represent Italy in all peacekeeping missions in which the Italian Armed Forces participate. , honours the flag of Cispadane Republic, first Italian flag, during the Tricolour Day on 7 January 2004 in Reggio Emilia. In 1997, on its bicentenary, 7 January was declared Tricolour Day; it is intended as a celebration, though not a public holiday. On 31 December 1996, with the same law that established the Tricolour Day, a celebration held on 7 January of each year in memory of the adoption of the red, white and green flag by the Cispadane Republic (7 January 1797), established a national committee of 20 members that would have the objective of organising the first solemn commemoration of the birth of the Italian flag. Among the events celebrating the bicentenary of the Italian flag, was the longest tricolour in history, which also entered the Guinness World Records at long, wide and had an area of , and paraded in Rome from the Colosseum to the Capitoline Hill. During the celebrations for the 140 years of national unity, on 4 November 2001, in San Martino della Battaglia, during the National Unity and Armed Forces Day, in reference to the tricolour, the former president of the Italian Republic, Carlo Azeglio Ciampi, said: In 2003, a state ensign was created specifically for non-military vessels engaged in non-commercial government service whereby the Italian tricolour is defaced with the national coat of arms. Since 1914, the Italian Air Force have also used a roundel of concentric rings in the colours of the tricolour as aircraft marking, substituted, from 1923 to 1943, by encircled fasces. The , officially known as the 313º Gruppo Addestramento Acrobatico, is its aerobatic demonstration team. The law n. 222 of 23 November 2012, concerning "Rules on the acquisition of knowledge and skills in the field of" Citizenship and Constitution "and on the teaching of the Mameli hymn in schools", prescribes the study in schools of the Italian flag and other national symbols of Italy. ==Historical evolution of the flag==
Historical evolution of the flag
File:Flag of the Cispadane Republic.svg|Flag of the Cispadane Republic (1797) File:Flag of the Repubblica Cisalpina 1797–1798.svg|Flag of the Cisalpine Republic (1797–1798) File:Flag of the Repubblica Cisalpina.svg|Flag of the Cisalpine Republic (1798–1802) File:Flag of the Italian Republic (1802).svg|Flag of the Italian Republic (1802–1805) File:Flag of the Napoleonic Kingdom of Italy.svg|Flag of the Kingdom of Italy (1805–1814) File:Flag of Italy.svg|Flag of the Italian United Provinces (1831) File:Flag of the Kingdom of the Two Sicilies (1848).svg|Flag of the Kingdom of the Two Sicilies (1848–1849) File:Flag of the Republic of San Marco.svg|Flag of the Republic of San Marco (1848–1849) File:Flag of the Kingdom of Sardinia (1848-1851).svg|Flag of the Kingdom of Piedmont-Sardinia (1848–1851) File:Flag of Sicilian Kingdom 1848.svg|Flag of the Kingdom of Sicily (1848–1849) File:State Flag of the Grand Duchy of Tuscany (1848-1849).svg|Flag of the Grand Duchy of Tuscany (1848–1849) File:Flag of the Roman Republic (19th century).svg|Flag of the Roman Republic (1849) File:Military flag of the Roman Republic (19th century).svg|War flag of the Roman Republic (1849) File:Flag_of_the_Free_Cities_of_Menton_and_Roquebrune_(1848-1849).svg|Flag of the Free Cities of Menton and Roquebrune (1848–1849) File:Flag of Italy (1861-1946) crowned.svg|Flag of the Kingdom of Piedmont-Sardinia (1851–1861) Flag of Italy.svg|Flag of the United Provinces of Central Italy (1859–1860) File:Flag of the Kingdom of the Two Sicilies (1860).svg|Flag of the Kingdom of the Two Sicilies (1860–1861) File:Flag of Italy (1861-1946) crowned.svg|State flag of the Kingdom of Italy (1861–1946) File:Flag_of_Italy_(1861–1946).svg|Civil flag of the Kingdom of Italy. National and merchant flag in the period (1861–1946) File:Flag of Giustizia e Liberta.svg|Flag of the Colonna Italiana (1936–1945) File:Flag of Italy.svg|Flag of the Italian Social Republic (1943–1945) File:Bandiera di combattimento per le Forze Armate della Repubblica Sociale Italiana.svg|Flag of the National Republican Army (1 December 1943 to 7 May 1945) File:War flag of the Italian Social Republic.svg|War flag of the Italian Social Republic (28 January 1944 to 7 May 1945) File:Flag of Italian Committee of National Liberation.svg|Flag of the National Liberation Committee (1943–1945) File:Bandiera delle Brigate Garibaldi partigiane (1943-1945).svg|Flag of the Brigate Garibaldi (1943–1945) File:Flag of SFR Yugoslav Italian Minority.svg|Flag of the Italian ethnic minority (Istrian Italians and Dalmatian Italians) in Yugoslavia (1945–1990) File:Flag of Italy (1946–2003).svg|Flag of the Trust Territory of Somaliland (1950–1960) File:Flag of Italy (1-2).svg|Flag of Italians of Croatia (1990–present) File:Flag of Italy (1946–2003).svg|Flag of the Italian Republic (1946–2003) File:Flag of Italy (2003–2006).svg|Flag of the Italian Republic (2003–2006) File:Flag of Italy.svg|Flag of the Italian Republic (2006–present) == Description ==
Description
Colours , now in the custody of Historical Archives of the president of the Italian Republic The colours of the Italian flag are indicated in article 12 of the Constitution of the Italian Republic, published in the Gazzetta Ufficiale No. 298, extraordinary edition, of 27 December 1947, and came into force on 1 January 1948: • green; • white; • red. If the flag is exposed horizontally, the green part should be placed at the hoist side, with the white one in a central position and the red one outside, while if the banner is exposed vertically the green section should be placed above. Chromatic definition The need to precisely define the colours was born from an event that happened at the Justus Lipsius building, seat of the Council of the European Union, of the European Council and of their Secretariat, when an Italian MEP, in 2002, noticed that the colours of the Italian flag were unrecognisable with red, for example, which had a shade that turned towards orange. For this reason the government, following the report of this MEP, decided to specifically define the colours of the Italian national flag. The shades of green, white and red were first specified by these official documents: • circulaire of the Undersecretary of State for the Presidency of the Council of Ministers of 18 September 2002; • circulaire by the State Secretary for the Presidency of the Council of Ministers of 17 January 2003; • • • New documents then replaced the previous ones: • circulaire of the Presidency of the Council of Ministers No. EU 3.3.1 / 14545/1 of 2 June 2004; • decree of the President of the Council of Ministers of 14 April 2006, "General provisions relating to ceremonial and precedence among public offices" • • • The chromatic tones of the three colours, on polyester stamina, are enshrined in paragraph 1 of article n. 31 "Colour definition of the colours of the flag of the Republic", of Section V "Flag of Republic, National Anthem, National Feasts and State Funeral", of Chapter II "General provisions relating to ceremonial", of the annex "Presidency of the Council of Ministers – State Ceremonial Department", to the decree of the president of the Council of Ministers of 14 April 2006 "General provisions on ceremonial and precedence between public offices", published in the Gazzetta Ufficiale No. 174 of 28 July 2006. : == Other official flags ==
Other official flags
Governmental standards , modified in 2000 The president of the Italian Republic has an official standard. The current version is based on the square flag of the Napoleonic Italian Republic, on a field of blue, charged with the emblem of Italy in gold. The square shape with a Savoy blue border symbolise the four Italian Armed Forces, namely the Italian Air Force, the Carabinieri, the Italian Army and the Italian Navy, of which the president is the commander. Blue in heraldry also metaphorically symbolises command. The first version of the standard, adopted in 1965 and used until 1990 was very similar to the current version only without the red, white and green. The emblem was also much larger. This version of the standard was replaced in 1990 by then President Francesco Cossiga. Cossiga's new version of the standard contained the same royal blue background but now with a squared Italian national flag in the centre and no emblem. This version was short-lived as only two years later it was replaced by the 1965 standard, only with a smaller emblem. This version lasted until 2000 from when it was replaced by the current version. After the Republic was proclaimed, the national flag was provisionally adopted as the head of state in place of the royal standard. On the initiative of the Ministry of Defence, a project was prepared in 1965 to adopt a distinct flag. Opportunity suggested the most natural solution was the Italian tricolour defaced with the coat of arms—but under conditions of poor visibility, this could easily be mistaken for the standard of the president of Mexico, which is also that country's national flag. The standard is kept in the custody of the Commander of the Reggimento Corazzieri of the Arma dei Carabinieri, along with the war flag (assigned to Regiment in 1878). A separate insignia for the president of the Senate, in exercise of duties as acting head of state under Article 86, was created in 1986. This has a white square on the blue field, charged with the arms of the Republic in silver. Distinguishing insignia for former presidents of the Republic was created in 2001; a tricolour in the style of the presidential standard, it is emblazoned with the Cypher of Honour of the president of the Republic. The standard of president of the Council of Ministers of Italy, introduced for the first time in 1927 by Benito Mussolini, in its first form a littorio beam appeared in the middle of the drape. The sign was abolished in 1943, while the current one was defined in 2008 by Silvio Berlusconi. It consists of a blue drapery bordered by two gold-coloured borders in the centre of which stands the emblem of the Republic. The banner should be exposed to every official engagement of the president and on the vehicles that carry it, but it is almost never used. The main colours are blue and gold, which have always been considered colours linked to the command. File:Substitute President standard of Italy.svg|Standard of a substitute president of the Italian Republic File:Standard of Presidents Emeritus of Italy.svg|Standard of a president emeritus of the Italian Republic File:Flag of the Prime Minister of Italy.svg|Standard of the president of the Council of Ministers of Italy File:Flag of the Italian Defence minister.svg|Standard of the Minister of Defence Maritime flags The naval ensigns are defaced to distinguish themselves from the flag of Mexico: • the naval ensign bears the arms of the Navy: a shield, surmounted by a turreted and rostrum crown, which brings together in four parts the arms of four ancient maritime republics: Republic of Venice (where the Lion of Saint Mark carries the sword), Republic of Genoa, Republic of Pisa and Republic of Amalfi; • the civil ensign bears a coat of arms identical to that of the Navy, but without a crown and in which the lion of Saint Mark carries the book; • the government ensign, adopted in 2003, bears the emblem of the Italian Republic. File:Naval jack of Italy (1879-ca. 1900).svg|Jack of the (former) File:Civil Ensign of Italy.svg|Italian civil ensign File:State ensign of Italy.svg|Italian government ensign File:Naval Ensign of Italy.svg|Italian naval ensign File:Naval Jack of Italy.svg|Italian naval jack (recto) == Protocol ==
Protocol
Obligation to exhibit , Piazza Venezia, Rome , Rome, the main official residence of the President of the Italian Republic. From left to right, the presidential standard of Italy, the flag of Italy and the flag of the European Union. The law, implementing Article 12 of the Constitution and following of Italy's membership of the European Union, lays down the general provisions governing the use and display of the flag of the Italian Republic and the flag of European Union (in its territory). In particular, in public buildings the flag of the Italian Republic, the flag of the European Union and the portrait of the president of the Italian Republic must be displayed in the offices of the most important Italian institutional offices. The flag of Italy must also be displayed outside all schools of all levels, outside university complexes, outside the buildings that host the voting operations, outside the prefectures, police headquarters, palaces of justice and outside the central post offices. The flag of Italy must also be displayed on all public offices on the Tricolour Day (7 January), the Anniversary of the Lateran Treaty (11 February), the Anniversary of the Liberation (25 April), the Labour Day (1 May), the Europe Day (9 May), the Feast of the Italian Republic (2 June), the commemoration of the Four days of Naples (28 September), the feast of the patron saint of Italy (Francis of Assisi, 4 October), United Nations Day (24 October; here the tricolour must fly together with the flag of the United Nations) and National Unity and Armed Forces Day (4 November). When displayed alongside other flags, the flag of Italy takes the position of honour; it is raised first and lowered last. Other national flags should be arranged in alphabetical order. Where two (or more than three) flags appear together, the national flag should be placed to the right (left of the observer); in a display of three flags in line, the national flag occupies the central position. The European flag is also flown from government buildings on a daily basis. In the presence of a foreign visitor belonging to a member state, this takes precedence over the Italian flag. As a sign of mourning, flags flown externally shall be lowered to half-mast; two black ribbons may be attached to those otherwise displayed. Exposure mode The tricolour flags displayed must always be in excellent condition, fully extended and must never touch water or land. when the tricolour participates in funeral ceremonies. In public ceremonies, the tricolour must always parade first. Flag-folding There is a precise way to fold the tricolour correctly, by taking into account the three vertical bands of which the banner is composed. The flag must be folded according to the boundaries of the colour bands: first the red band and then the green band must be folded over the white one in order to leave only the latter two colours visible; only subsequently should it be folded further in order to completely cover the red and white with green—the only colour that must be visible at the time of the closure of the cloth. Legal protection Article 292 of the Italian Penal Code ("Insult or damage to the flag or other emblem of the State") protects the Italian flag by providing for the crime of insulting it, or other banners bearing the national colours, thus providing: == Flag-raising ==
Flag-raising
in Munich, Germany The flag-raising of the tricolour takes place at the first light of dawn, with the flag which is made to slide quickly and resolutely up to the end of the flagpole. In the military sphere, it is announced by trumpet blasts and is performed on the notes of the national anthem. The flagship, which takes place in the evening, is instead slower and more solemn so as not to make it seem a rapid lowering. The tricolour can be exposed also during the night only if the place where it is flying is conveniently illuminated. In the presence of other flags, as well as receiving the most important honour position, it must be hoisted first and lowered last. ==Meaning of the Colours of the Flag==
Meaning of the Colours of the Flag
smoke trails, above the Altare della Patria in Rome As the similarity suggests, the Italian tricolour derives from the flag of France, which was born during the French Revolution from the union of white – the colour of the monarchy – with red and blue – the colours of Paris, and which became the symbol of social and political renewal perpetrated by the original Jacobinism. A more religious and philosophical interpretation is that green represents hope, white represents faith, and red represents charity (love), in reference to the three theological virtues. == Tricolour Day ==
Tricolour Day
, Sergio Mattarella, during his entry into the Sala del Tricolore on the occasion of the Tricolour Day on 7 January 2017 To commemorate the birth of the Italian flag, the Tricolour Day was established on 31 December 1996, which is known in Italian as the Festa del Tricolore. In Rome, at the Quirinal Palace, the ceremonial foresees instead the change of the Guard of honour in solemn form with the deployment and the parade of the Corazzieri Regiment in gala uniform and the Fanfare of the Carabinieri Cavalry Regiment. This solemn rite is carried out only on three other occasions, during the anniversary of the unification of Italy (17 March), the Festa della Repubblica (2 June) and the National Unity and Armed Forces Day (4 November). == The flag in museums ==
The flag in museums
, located in Rome There are many museums that host at least one historic Italian flag. Located throughout the Italian peninsula, they are mainly located in northern Italy. The most important exhibition space that hosts Italian tricolour flags is found in the architectural complex of the Altare della Patria in Rome. Inside the "Central Museum of the Risorgimento at the Vittoriano", there are about 700 historical flags belonging to the Italian Army, Italian Navy and Italian Air Force departments, as well as the tricolour flag with which it was wrapped in 1921 coffin of the Unknown Soldier on his journey to the Altar of the Patria. The oldest tricolour preserved in the Central Museum of the Risorgimento dates back to 1860: it is one of the original tricolours that flew on the Lombardo steamship which, together with Piedmont steamship, participated in the expedition of the Thousand. in Reggio Emilia, the city that saw the birth of the Italian flag in 1797 Other exhibition spaces that also host historical tricolour flags in Rome include, the Historical Museum of the Carabinieri, the Historical Museum of the Bersaglieri, the Historical Museum of the Infantry, the Historical Museum of the Sardinian Grenadiers, the Historical Museum of the Military engineering, the Historical Museum of the Guardia di Finanza and the Historical Museum of Military Motorization. The Tricolour Flag Museum in Reggio nell'Emilia, the city that saw the birth of the Italian flag in 1797, was founded in 2004. It is located within the town hall of the Emilian city, adjacent to the Sala del Tricolore where documents and memorabilia attributable to the period between the arrival of Napoleon Bonaparte in Reggio (1796) and 1897, the year of the first centenary of the Italian flag are kept. Other exhibition spaces that also host historical tricolour flags in Emilia-Romagna are the Museum of the Risorgimento and of the Resistance in Ferrara, the Civic Museum of the Risorgimento in Modena, the Museum of the Resistance in Montefiorino, the Civic Museum of the Risorgimento in Bologna, the Museum of the Risorgimento in Imola and the Museum of the Risorgimento in Piacenza. The National Museum of the Italian Risorgimento in Turin, the only one of Risorgimento that officially has the title of "national", house a rich collection of tricolours, including some dating back to the revolutions of 1848. Among the relics of the Royal Armory of Turin there is a flag of 1855, a relic in the Crimean War, in which the Russian Empire lost to an alliance of the Ottoman Empire, France, Britain and Kingdom of Piedmont-Sardinia. In Piedmont, there are also other museums that host Italian flags in their collections: the National Historical Museum of Artillery in Turin, the Historical Museum of the Cavalry in Pinerolo and the Badogliano Historical Museum in Grazzano Badoglio. In Liguria, there is the Museum of the Risorgimento and Mazzinian Institute in Genoa which preserves, among other things, an original flag of the Young Italy, while in La Spezia there is the Naval Technical Museum of the Navy, founded in the 15th century by Amadeus VIII, Duke of Savoy. The Museum of the Risorgimento in Milan houses several tricolours from the Napoleonic era, including a flag of the Lombard Legion dating back to 1797 and delivered to the cohort of hunters on horseback only after the aforementioned ceremony in Piazza del Duomo, Milan, on 6 November 1796. Inside the Milanese museum there is also the tricolour flag dating back to the Five Days of Milan that flew from the Milan Cathedral on 20 March 1848. Near Mantua, in Solferino, is the Museum of the Risorgimento of Solferino and San Martino, which celebrates the 1859 military battle of the same name and which houses many relics of the event, including several tricolour flags. Other exhibition spaces that also host historical tricolour flags in Lombardy include the International Museum of the Red Cross in Castiglione delle Stiviere, the Museum of the Risorgimento in Bergamo, the Museum of the Risorgimento in Brescia, the Museum of the Risorgimento in Como, the Vittoriale degli Italiani in Gardone Riviera, the Museum of the Risorgimento in Mantua, the Museum of the Risorgimento in Pavia and the Museum of the Risorgimento in Voghera. In Venice, the Museum of the Risorgimento and the Venetian 19th century preserves the tricolour flag of 1848 which greeted the expulsion of the Austrians from the city; Venice also hosts the Naval History Museum, which has an importance comparable to the homonymous exhibition space in La Spezia. The description of the Triveneto museums is completed by the Italian War History Museum in Rovereto, dedicated to World War I, which houses many relics, including several tricolour flags; the Historical Museum of Trento, which preserves items dedicated to the Alpini troops, the Museum of the Risorgimento and of the contemporary age in Padua, the Museum of the Risorgimento and of the Resistance in Vicenza. In Trieste, there is the Museum of the Risorgimento and the shrine of Oberdan. In Sardinia, in addition to the Museum of the Risorgimento of the State Archives in Cagliari, there is the Museum of the Risorgimento Duca d'Aosta in Sanluri, set up at the castle of Eleonora D'Arborea, which preserves, among the numerous patriotic and the historical flags, the tricolour that on 3 November 1918 flew first in the Trieste just reconquered by Italy after the victory in World War I. Other exhibition spaces that also host historical tricolour flags in other regions of Italy include the Domus Mazziniana in Pisa, the Marche museum of the Risorgimento and the Resistance in Macerata, the Museum of the Risorgimento in Palermo, which also preserves one of the original tricolour flags belonging to the Lombardo steamship which participated in the Expedition of the Thousand, and the museum of the State Archives in Naples which houses, among other things, twelve of the twenty-one tricolour flags requisitioned by the Bourbon general Carlo Filangieri from the Sicilian patriots of Caltagirone, Catania, Leonforte and Syracuse during the Sicilian revolution of 1848. == Similar national flags ==
Similar national flags
The Italian national flag belongs to the family of flags derived from the French tricolour, with all the meanings attached, as mentioned, to the ideals of the French Revolution. Due to the common arrangement of the colours, at first sight, it seems that the only difference between the Italian and the Mexican flag is only the coat of arms of Mexico present in the latter; in reality the Italian tricolour uses lighter shades of green and red, and has different proportions than the Mexican flag—those of the Italian flag are equal to 2:3, while the proportions of the Mexican flag are 4:7. The similarity between the two flags posed a serious problem in maritime transport, given that originally the Mexican mercantile flag was devoid of arms and therefore was consequently identical to the Italian Republican tricolour of 1946; to obviate the inconvenience, at the request of the International Maritime Organization, both Italy and Mexico adopted naval flags with different crests. The Hungarian flag has the same colours as the Italian one, but on the Magyar banner the red, white and green tricolour is arranged horizontally. Another banner chromatically similar to the Italian one is the flag of Bulgaria; similarly to the Hungarian flag, the Bulgarian banner has the white, green and red tricolour (starting from the top) in horizontal stripes, and therefore also in this case there is no confusion with the Italian tricolour. Similar to the Hungarian banner is the flag of Iran, but green and red are reversed. In the flag of Madagascar green and red are in horizontal bands while white is in vertical band. The flag of Oman is similar to the Bulgarian banner, but the green and red colours are reversed (the flag of Oman may also be similar to the flag of Hungary, but the red and white colours are reversed), while the flag of Tajikistan is similar to the Hungarian banner. Finally, they present other combinations of the three colours, the flags of Madagascar, Suriname, and Burundi. The flag of Suriname has a very specific composition of horizontal tricolour bands: the central red band (loaded with a gold star) and flanked by white and green bands. The flag of Burundi instead has a white Saint Andrew's Cross that divides the cloth into four triangular sections, the upper and lower ones red and the lateral ones green. == The flag in the arts ==
The flag in the arts
In the visual arts Famous paintings dating back to the unification of Italy whose subject revolves around the tricolour are Pasquale Sottocorno assaulting the Military Engineering Palace during the Five Days of Milan (1860) by Pietro Bouvier, Charles Albert of Piedmont-Sardinia on the balcony of the Greppi Palace (1848) by Carlo Bossoli, Little patriots (1862) by Gioacchino Toma, Garibaldi lands in Marsala (late 19th century), The departure of the volunteers (1877–1878), The departure of the Garibaldine (1860), The departure of the conscripts in 1866 (1878) The return of the wounded soldier (1854), all by Gerolamo Induno, The first Italian flag brought to Florence (1859) by Francesco Saverio Altamura, The wounded soldier (1865–1870) by Angelo Trezzini, ''Episode of the Five Days in Piazza Sant'Alessandro by Carlo Stragliati (late 19th century), The breach of Porta Pia (1880) by Carlo Ademollo, On 26 April 1859 (1861) by Odoardo Borrani, and Garibaldi's Burial'' (1862–64) by Filippo Liardo. The tricolour often recurs in the paintings of Italian painters adhering to futurism. In particular, Giacomo Balla has often used the symbol of the Italian flag in some patriotic works such as Flag Waving, Interventionist Demonstration and Demonstration 20th September. In music The first songs on the tricolour started to be composed shortly after its official adoption on 7 January 1797. The most famous popular musical composition written in this period and dedicated to the Italian flag is To the tricolour, which reads: Most of the songs dedicated to the Italian flag were written during the unification of Italy. The most famous is The flag of the three colours, sung in all Italian primary schools for decades: During the battle of Aspromonte (29 August 1862), the notes of The tricolour flag, by an unknown author, rang out; the flag is also mentioned in ''Garibaldi's hymn'', a 1859 song by Luigi Mercantini, which accompanied the Expedition of the Thousand. Other pieces from the unification of Italy celebrating the tricolour are Giuseppe Bertoldi's Liberation of Milan, O Ardent young people by an anonymous author and Luigi Mercantini's War Hymn of 1848–49. The Italian flag is then mentioned in the musical composition The bell of San Giusto and in the piece Faccetta Nera, written by Renato Micheli and set to music by Mario Ruccione in April 1935 on the occasion of the Second Italo-Ethiopian War (1935–1936). The 1961 song The Flag by Domenico Modugno was also dedicated to the flag. In 1965, singer Ivan Della Mea recalled the tricolour as a symbol of national unity in the song 9th May. The song refers to the event organised on 9 May 1965 in memory of the 20eth anniversary of the Liberation of Italy (1943–1945). In March 2007, singer-songwriter Graziano Romani published the album Three colours, inspired by the Italian flag and the occasion in which the tricolour was adopted in his hometown, Reggio Emilia. In literature Many romantic poets treated the tricolour flag in their literary works, drawing juxtapositions and symbolisms: == See also ==
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