Education , private educational school The first shogun Ieyasu set up Confucian academies in his
shinpan domains and other
daimyos followed suit in their own domains, establishing what's known as
han schools (藩校,
hankō). Within a generation, almost all samurai were literate, as their careers often required knowledge of literary arts. One estimate of literacy in Edo suggest that up to a fifth of males could read, along with a sixth of women. According to another estimate, around 1800, almost 100% of the samurai class and about 50% to 60% of the
chōnin (craftsmen and merchants) class and
nōmin (peasants) class were literate.
Philosophy and religion , a Japanese-made clockwatch, 18th century The flourishing of Neo-Confucianism was the major intellectual development of the Tokugawa period. The "Christian problem" was, in effect, a problem of controlling both the Christian
daimyo in
Kyūshū and their trade with the
Europeans. By 1612, the
shōguns retainers and residents of Tokugawa lands had been ordered to forswear Christianity. More restrictions came in 1616 (the restriction of foreign trade to
Nagasaki and
Hirado, an island northwest of Kyūshū), 1622 (the execution of 120 missionaries and converts), 1624 (the expulsion of the
Jesuits), and 1629 (the execution of thousands of Christians). The shogunate perceived Christianity as a destabilizing factor, and decided to target it. The
Shimabara Rebellion of 1637–1638, in which discontented Catholic samurai and peasants rebelled against the bakufu—and Edo called in Dutch ships to bombard the rebel stronghold—marked the end of the Christian movement, this intervention was however largely ineffective, with the Dutch canons proving too small for the castle walls and their bombardment causing little success. During the
Shimabara Rebellion an estimated 37,000 people (mostly Christians) were massacred. The last Jesuit was either killed or committed
apostasy by 1644 and the last organized missionary activity ended mid-century. For more than two centuries until the ban on Christianity was lifted in the 19th century, Christianity's political, economic, and religious influence on Japan became quite limited. Some Christians survived by going underground, the so-called
Kakure Kirishitan. To avoid detection, they hid in the remote regions of
Kyushu and disguised their practices from government officials and informants. By the 1640s, all Jesuits and other missionaries were executed, expelled, apostatized and forced seclusion. In 1865, after more than two centuries of hiding, a group of Kakure Kirishitan revealed themselves when Japan was forced to end its isolationist policies. During the period, Japan studied Western sciences and techniques (called
rangaku, "Dutch studies") through the information and books received through the Dutch traders in Dejima. The main areas that were studied included geography, medicine, natural sciences, astronomy, art, languages, physical sciences such as the study of electrical phenomena, and mechanical sciences as exemplified by the development of Japanese clockwatches, or
wadokei, inspired by Western techniques. Among those who studied mechanical science at that time,
Tanaka Hisashige, the founder of
Toshiba, is worthy of special mention. Because of the technical originality and sophistication of his
Myriad year clock and
karakuri puppet, they are difficult to restore even today, and are considered a highly mechanical heritage prior to Japan's modernization.
Art, culture and entertainment '' by
Ogata Kōrin, 1712–1716 In the field of art, the
Rinpa school became popular. Paintings and crafts of the Rinpa school are characterized by highly decorative and showy designs using
gold and silver leaves, bold compositions with simplified objects, repeated patterns, and a playful spirit. Important figures in the Rinpa school include
Hon'ami Kōetsu,
Tawaraya Sōtatsu,
Ogata Kōrin,
Sakai Hōitsu and
Suzuki Kiitsu. Other than the Rinpa school,
Maruyama Ōkyo and
Itō Jakuchū are famous for their realistic painting techniques. They produced their works under the patronage of wealthy merchants newly emerging from the economic development of this period. Following the
Azuchi-Momoyama period, the painters of the
Kano school drew pictures on the walls and
fusumas of
castles and temples with the support of powerful people.
decorated with lacquer of maki-e'' technique. 18th century Due to the end of the period of civil war and the development of the economy, many crafts with high artistic value were produced. Among the samurai class, arms came to be treated like works of art, and
Japanese sword mountings and
Japanese armour beautifully decorated with
lacquer of
maki-e technique and metal carvings became popular. Each
han (
daimyo domain) encouraged the production of crafts to improve their finances, and crafts such as furnishings and
inro beautifully decorated with lacquer, metal or ivory became popular among rich people. The
Kaga Domain, which was ruled by the
Maeda clan, was especially enthusiastic about promoting crafts, and the area still boasts a reputation that surpasses
Kyoto in crafts even today. For the first time, urban populations had the means and leisure time to support a new mass culture. Their search for enjoyment became known as
ukiyo (the floating world), an ideal world of fashion, popular entertainment, and the discovery of aesthetic qualities in objects and actions of everyday life. This increasing interest in pursuing recreational activities helped to develop an array of new industries, many of which could be found in an area known as
Yoshiwara. The district was known for being the center of Edo's developing sense of elegance and refinement. Established in 1617 as the city's shogunate-sanctioned prostitution district, it kept this designation about 250 years. Yoshiwara was home to mostly women who, due to unfortunate circumstances, found themselves working in this secluded environment. Professional female entertainers (
geisha), music, popular stories,
Kabuki (theater) and
bunraku (puppet theater), poetry, a rich literature, and art, exemplified by beautiful woodblock prints (known as
ukiyo-e), were all part of this flowering of culture. Literature also flourished with the talented examples of the playwright
Chikamatsu Monzaemon (1653–1724) and the poet, essayist, and travel writer
Matsuo Bashō (1644–1694). '', full-colour
ukiyo-e woodblock print,
Hokusai, Ukiyo-e is a genre of painting and printmaking that developed in the late 17th century, at first depicting the entertainments of the
pleasure districts of Edo, such as courtesans and kabuki actors.
Harunobu produced the first full-colour
nishiki-e prints in 1765, a form that has become synonymous to most with ukiyo-e. The genre reached a peak in technique towards the end of the century with the works of such artists as
Kiyonaga and
Utamaro. As the Edo period came to an end a great diversity of genres proliferated: warriors, nature, folklore, and the landscapes of
Hokusai and
Hiroshige. The genre declined throughout the rest of the century in the face of modernization that saw ukiyo-e as both old-fashioned and laborious to produce compared to Western technologies. Ukiyo-e was a primary part of the wave of
Japonisme that swept Western art in the late 19th century. The Edo period was characterized by an unprecedented series of economic developments (despite termination of contact with the outside world) and cultural maturation, especially in terms of theater, music, and other entertainment. For example, a poetic meter for music called kinsei kouta-chō was invented during this time and is still used today in folk songs. Music and theater were influenced by the social gap between the noble and commoner classes, and different arts became more defined as this gap widened. Several different types of
kabuki emerged. Some, such as
shibaraku, were only available at a certain time of year, while some companies only performed for nobles. Fashion trends, satirization of local news stories, and advertisements were often part of kabuki theater, as well. The most popular sport was
sumo. Eating out became popular due to urbanization. Particularly popular among ordinary people were
stalls serving fast food such as
soba,
sushi,
tempura, and
unagi,
tofu restaurants, teahouses and
izakaya (Japanese-style pubs). A number of
ryotei also opened to serve high-class food. People enjoyed eating at restaurants by buying books that listed restaurant ratings that imitated sumo rankings. Gardening was a popular pastime. Especially in Edo, residences of daimyo (feudal lords) of each domain were gathered, and many gardeners existed to manage these gardens, which led to the development of horticultural techniques. Among people,
cherry blossoms,
morning glories,
Japanese irises and
chrysanthemums were especially popular, and
bonsai using deep pots became popular. Not only did people buy plants and appreciate flowers, but they were also enthusiastic about improving the varieties of flowers, so specialized books were published one after another. For example, Matsudaira Sadatomo produced 300 varieties of iris and published a technical book. Traveling became popular among people because of the improvement of roads and post towns. The main destinations were famous temples and
Shinto shrines around the country, and eating and drinking at the inns and prostitution were one of the main attractions. What people admired most was the visit to
Ise Grand Shrine and the summit of
Mount Fuji, which are considered the most sacred places in Japan. The Ise Grand Shrine in particular has been visited by an enormous number of visitors. Historical documents record that 3.62 million people visited the shrine in 50 days in 1625. 1.18 million people visited it in three days in 1829 when the grand festival held every 20 years (
Shikinen Sengu) was held. It was a once-in-a-lifetime event for people living in remote areas, so they set up a joint fund for each village, saved their travel expenses, and went on a group trip. Local residents of
Ise Grand Shrine and
Mount Fuji used to send specialized advertising personnel to various parts of Japan to solicit trips to local areas to make money from tourism.was very expensive, so a bright red garment was an ostentatious display of wealth. Indian fabrics, brought to Japan by
Dutch importers, were received with enthusiasm and found many uses. Japanese designers started printing designs that were influenced by the Indian patterns. Some garments used fabric imported from Britain or France. Ownership of these exotic textiles signified wealth and taste, but they were worn as undergarments where the designs would not be seen.
Inro and
netsuke became popular as accessories among men. Originally, inro was a portable case to put a seal or medicine, and netsuke was a fastener attached to the case, and both were practical tools. However, from the middle of the Edo period, products with high artistic value appeared and became popular as male accessories. Especially samurai and wealthy merchants competed to buy inro of high artistic value. At the end of the Edo period, the artistic value of inro further increased and it became regarded as an art collection. ==End of the shogunate==