Beginning in the 16th century, Italian states came under the political control of more powerful European monarchies; however, Italy continued to be a source of creative energy in art, science, music and medicine.
Enlightenment thinkers, like Renaissance thinkers, were interested in pre-Christian Greek and Roman thought.
Aloysius Lilius (1510 – 1576), also variously referred to as Luigi Lilio or Luigi Giglio, was an Italian doctor, astronomer, philosopher and chronologist, who is recognized as the primary developer of the
Gregorian Calendar reform of 1582 which, since then, has been used worldwide.
Galileo, born in 1564 in
Pisa, was the most famous scientist of his age, and played a major role in the
Scientific Revolution. He is often referred to as the "Father of Modern Science". His achievements include a greatly improved telescope, which he employed in making astronomical observations supporting the heliocentric theory of
Copernicus; and also the experiments he carried out leading to his law of falling bodies, which was of key importance in
Newton's synthesis of his own famous three laws of motion.
Bonaventura Cavalieri, a Jesuit priest and mathematician, born in 1598, is known for his work on indivisibles, a precursor of
infinitesimal calculus, and for
Cavalieri's principle in geometry, which partially anticipated
integral calculus.
Joseph-Louis Lagrange, born Giuseppe Luigi Lagrangia (1736–1813), was a mathematician and astronomer. He originated the
Calculus of Variations and made significant contributions to the fields of analysis, number theory, and both classical and celestial mechanics. Lagrange was also a member of the committee of the Académie des Sciences that developed the
Metric System. , an
astronomer,
physicist,
engineer, and
polymath, played a major role in the
Scientific Revolution. He is considered the "father" of
observational astronomy, modern physics, the
scientific method, and
modern science.
Alessandro Volta, born in Como in 1745, invented the first true electrical battery, known as the voltaic pile. It provided a continuous source of electric current, which greatly benefitted
Ampere,
Ohm and other electrical experimenters in their development of basic electrical theory. A unit of electricity (volt) is named in his honour. Italians such as
Fallopio,
Eustachi,
Malpighi,
Morgagni and
Valsalva were important pioneers of modern anatomy at the
University of Bologna and
University of Padua, which drew students from all over Europe. Padua's famous anatomical theatre was renowned in Europe at the time, and the great English medical scientist
William Harvey received his education there.
Cesare Beccaria, a philosopher, jurist and marquis wrote
On Crimes and Punishments (1754), dealing with the abolition of
torture and
capital punishment, which had a great impact throughout Europe and in the United States. It strongly influenced intellectuals and politicians in the Age of Enlightenment and led to a revolution and reform of judiciary systems to the prevailing modern concept. In 1786,
Grand Duchy of Tuscany was the first to abolish capital punishment.
Giordano Bruno had a great influence on 17th-century scientific and philosophical thought and, ever since, his ideals have been absorbed by many philosophers. Bruno's freedom of thought inspired European liberal movements of the 19th century. The significance of Bruno's work lies in his cosmological theories, which anticipated some fundamental aspects of the modern concept of the universe; his ethical ideas, in contrast with religious ascetical ethics, which appealed to modern humanistic activism; and his ideals of religious and philosophical tolerance.
Giambattista Vico was a
political philosopher,
rhetorician,
historian, and
jurist, who is recognized as one of the great
Enlightenment thinkers. He criticized the expansion and development of modern rationalism and was an apologist of classical antiquity. His major work,
Scienza Nuova, published in 1725, has been highly influential in the philosophy of history, into the 20th century.
Opera originated in Italy at the end of the 16th century (with the opera
Dafne, which was composed by
Jacopo Peri, and produced in Florence in 1598), and soon spread to the rest of Europe. Italian opera was adapted by French, German and Russian composers, who developed their own national schools of opera. Italian instrumental music was studied and emulated all over Europe. The
sonata,
concerto,
sinfonia,
oratorio and other musical forms all originated in Italy. Italian terminology defining the tempo and mood of a musical passage was universally adopted in Western music. The music of Italian composers, such as
Corelli,
Scarlatti, and
Vivaldi, was studied or transcribed by many other composers of the day, most notably
Bach. In addition, many composers, such as
Handel,
Gluck and
Mozart studied or worked in Italy, and subsequently became famous for their instrumental music and operas. " in Italy. The
fortepiano, the fore-runner of the modern
piano, was invented by
Bartolomeo Cristofori in Florence around 1725, and soon replaced the harpsichord as a solo and ensemble keyboard instrument. The family of stringed instruments, consisting of the violin, viola, cello and contrabass evolved in Italy in the mid-16th century.
Antonio Stradivari,
Andrea Guarneri,
Nicolo Amati and other
master instrument makers crafted stringed instruments that were highly prized, widely imitated, but never equalled. The education of upper-class young men was expected to be completed by a "
grand tour" of Italy to be exposed to the visible legacies of its classical culture, as well as to its contemporary culture of music, literature, art and architecture. Famous examples included
Goethe,
Keats,
Lord Byron and
Shelley. Many of the nobility and royalty of the time visited Italy as a part of their education. Keats said that the country was a "paradise of exiles".
John Ruskin was a Victorian Italophile who respected the concepts of morality held in Italy. is famous for the novel
The Betrothed (1827), generally ranked among the masterpieces of world literature. He contributed to the nationwide use of the Italian language. Romanticism coincided with some ideas of the
Risorgimento, the patriotic movement that brought Italy political unity and freedom from foreign domination. Italian writers embraced Romanticism in the early 19th century. The time of Italy's rebirth was heralded by the poets
Vittorio Alfieri,
Ugo Foscolo, and
Giacomo Leopardi. The works by
Alessandro Manzoni, the leading Italian Romantic, are a symbol of the Italian unification for their patriotic message and because of his efforts in the development of the modern, unified Italian language; his novel
The Betrothed was the first Italian historical novel to glorify Christian values of justice and Providence, and it is generally ranked among the masterpieces of
world literature. Italian universities and medical schools attracted students and scholars from across Europe. Some historical figures who made a large impact on science, including
Copernicus and
Harvey, were educated in Italy. At the end of the eighteenth century, Italiophilia was not uncommon among the founders of the United States, and some of the creators of the U.S. Constitution, such as
Thomas Jefferson and
Benjamin Franklin, looked to Roman models upon which to base the American systems of government and law. The founding fathers were also interested in Renaissance political thinkers and humanists like Machiavelli, and how Italian republics functioned. Jefferson was among the most conspicuous of the early American Italophiles. He was especially impressed with Italian architecture, and based the design of his Virginia residence, Monticello, on prints by
Palladio, the 16th-century Italian architect. The
Jefferson Memorial in Washington DC, erected in honour of Jefferson, is a neo-Palladian imitation of the
Pantheon in Rome. The Palladian style of architecture appears elsewhere in the U.S. Capital, and the White House itself was inspired by it. (Congressional Resolution n. 259 of 6 December 2010 recognized Palladio as the Father of American Architecture.) The influence of Italian culture and artistry during this era is expressed by Luigi Barzini: In addition to the
Philhellene movement, the young English
Romantic poets of the early 19th century were also deeply drawn to Italy and its rich culture and history.
John Keats' poem
Isabella, or the Pot of Basil was directly inspired by a story in
Giovanni Bocaccio's
Decameron.
Percy Bysshe Shelley's
The Cenci is a retelling of the life of the 16th-century Italian noblewoman
Beatrice Cenci, who murdered her abusive father. Part of
Lord Byron's epic poem ''
Childe Harold's Pilgrimage'' is set in Italy and was inspired by his
Grand Tour journeys to Italy and the Near East. All three poets spent a substantial part of their careers in Italy. Keats moved to Rome for health reasons in late 1820 and would die there six months later. Shelley wandered around the cities of Italy in self-imposed exile from 1818 onwards, during which he wrote some of his most acclaimed works. He drowned in a boating accident off
La Spezia in 1822. Both men are buried in the
Protestant Cemetery in Rome. Keats' apartment on the
Spanish Steps is now known as the
Keats–Shelley Memorial House, a museum dedicated to the life and works of Keats and Shelley as well as some of their near-contemporaries. == Modern era ==