Before Hammer's
successful music career and "rags-to-riches-to-rags-and-back saga", Burrell formed a
Christian rap group with singer and musician
Jon Gibson known as the Holy Ghost Boy(s). Hammer and
Tramaine Hawkins performed with Gibson's band, in concerts at various venues such as the Beverly Theatre in
Beverly Hills. Some early
songs produced were "Word", "B-Boy Chill" and "
Stupid Def Yal" (1987). Hammer also produced "Son of the King" during this time, releasing it on his debut album
Feel My Power (1986), as well as the re-released version ''
Let's Get It Started'' (1988). Additionally, "The Wall" featured Hammer (a song Burrell originally identified himself as MC Hammer), which was later released on Gibson's album
Change of Heart (1988). This was
CCM's first
rap hit by a
blue-eyed soul singer and/or duo. In addition to later remixes of early releases, Hammer produced and recorded many rap songs that were never made public, yet are now available on the Internet. Through his record labels such as Bust It Records, Oaktown Records and Full Blast—Hammer has introduced, signed and/or produced new talent including:
Oaktown's 3.5.7, Ho Frat Hoo!, the vocal
quintet Special Generation,
Analise, James Greer, DASIT as seen on ''
Ego Trip's The (White) Rapper Show'', Teabag, Common Unity, Geeman and Pleasure Ellis (all collaborating with him and/or producing music of their own during his career). At around age 12, Oakland native
Keyshia Cole recorded with Hammer and sought career advice from him.
Feel My Power (1986) In the mid-1980s, while rapping in small venues and after a record deal went sour, Hammer borrowed US$20,000 each from former
Oakland A's players
Mike Davis and
Dwayne Murphy to start an
independent record label business. Largely on the strength of tireless
street marketing by Hammer and his wife, in addition to continuous radio play, it achieved considerable popularity at dance clubs in the
San Francisco Bay Area. In spring 1988, Tony Valera (a 107.7
KSOL Radio DJ), played the track "Let's Get It Started" in his mix-shows. The track also gained popularity in
nightclubs. Hammer declared he was "second to none from
Doug E. Fresh,
LL Cool J or
DJ Run" within the song. He would continue to call out other
East Coast rappers in future projects as well. Heartened by his rising prospects, Hammer launched into seven-day-a-week rehearsals with the growing troupe of dancers, musicians and backup vocalists he had hired. It was Hammer's stage show and his infectious stage presence that led to his big break in 1988 while performing in an
Oakland club. There, Hammer impressed a record executive who "didn't know who he was, but knew he was somebody", according to the
New Rolling Stone Encyclopedia of Rock & Roll. Though Hammer had previously received and declined offers from major record labels before, he agreed to a multi-album contract with
Capitol Records with a $1,750,000 advance. It did not take long for Capitol to recoup its investment. "Turn This Mutha Out", "Let's Get It Started" and "They Put Me in the Mix" were the most popular singles from this album (which all charted). Not entirely satisfied with this first
multi-platinum success, Hammer's music underwent a metamorphosis, shifting from the standard rap format. "I decided the next album would be more musical," he said at the time. Purists chastised him for being more dancer than rapper. Sitting in a leopard-print bodysuit before a concert, he defended his style: "People were ready for something different from the traditional rap style. The fact that the record has reached this level indicates the genre is growing." and as such, Hammer was first invited to perform the song "
U Can't Touch This", prior to its release, on
The Arsenio Hall Show in 1989. He also performed "
Dancing Machine" which later appeared in the ''
Please Hammer Don't Hurt 'Em: The Movie'' (1990). Hammer used some of the proceeds from this album to install a rolling
recording studio in the back of his
tour bus, where Hammer recorded much of his second album. was released on February 12, 1990 (with an original release date of January 1, 1990). It included the successful single "
U Can't Touch This" (which
sampled Rick James' "
Super Freak"). It was produced, recorded, and
mixed by
Felton Pilate and James Earley on a
modified tour bus while on tour in 1989. Despite heavy airplay and a No. 27 chart debut, "U Can't Touch This" stopped at No. 8 on the
Billboard Hot 100 chart. However, the album was a No. 1 success for 21 weeks primarily due to this single, the first time ever for a recording on the pop charts. "U Can't Touch This" has been and continues to be used in
many films and television shows and also appears on
soundtrack and
compilation albums (such as
Man of the House and
Back 2 Back Hits). Follow-up successes included a cover of
the Chi-Lites' "
Have You Seen Her" and "
Pray" (a beat sampled from
Prince's "
When Doves Cry" and
Faith No More's "
We Care a Lot"), which was his biggest hit in the US, peaking at No. 2. "Pray" was also a major UK success, peaking at No. 8. The album went on to become the first hip-hop album to earn
diamond status, selling more than 18 million units to date. interpolates
Marvin Gaye's "
Mercy Mercy Me (The Ecology)", and "She's Soft and Wet" also sampled Prince's "
Soft and Wet". All of the songs were complimented by the background vocals of his singing group,
Special Generation: this combination of sound made this album to be successful on radio and video television, with "U Can't Touch This," "Pray" (most successful), "Have You Seen Her", "Here Comes the Hammer" and "Yo!! Sweetness" (
UK only) all charting. The album increased the popularity of hip hop music. It remains the genre's all-time best-selling album. Music videos from this and previous albums began to receive much airplay on
MTV and
VH1. A movie also accompanied the album, and was produced in 1990, entitled ''
Please Hammer Don't Hurt 'Em: The Movie'' (with portions of his
music videos included within the movie). During this same time, Hammer appeared in the West Coast Rap All-Stars
posse cut "
We're All in the Same Gang" (which charted and was nominated at the
33rd Annual Grammy Awards for
Best Rap Performance by a Duo or Group in 1991). Additionally, Hammer released the tracks "This is What We Do" on the
Teenage Mutant Ninja Turtles movie soundtrack (1990) and "That's What I Said" on the
Rocky V soundtrack (1990). Hammer was also featured on "Wanna Be the Man" (included music video) and "
For the Love of You" from
Earth, Wind & Fire's 1990
Heritage album. "For the Love of You" peaked at No. 19 on the
Billboard Hot R&B Singles chart and No. 12 on the
Cashbox Top R&B Singles chart. After Hammer signed One Cause One Effect, "Up with Hope, Down with Dope" (included music video) reached No. 77 on the Hot R&B Singles chart (5 weeks) and "Midnite Lover" (featuring
B Angie B) peaked at No. 58 on the Hot R&B Singles chart (11 weeks). Both songs were from their album
Drop the Axxe (1990), which peaked at No. 51 on the Top R&B/Hip-Hop Albums chart. A
critical backlash began over the repetitive nature of his lyrics, his clean-cut image, and his perceived over-reliance on sampling entire hooks by others for the basis of his singles (criticisms also directed to his contemporary
Vanilla Ice). He was mocked in music videos by
3rd Bass (including a
rap battle with
MC Serch),
The D.O.C., DJ Debranz and
Ice Cube.
Oakland hip-hop group
Digital Underground criticized him in the CD insert of their
Sex Packets album, by placing Hammer's picture in it and referring to him as an unknown
derelict.
Q-Tip criticized him in "
Check the Rhime", saying: "What you say Hammer? Proper. Rap is not pop, if you call it that then stop."
LL Cool J dissed him in "
To da Break of Dawn" (from his
Mama Said Knock You Out album), calling Hammer an "amateur, swinging a Hammer from a body bag [his pants]" and stated: "my old gym teacher ain't supposed to rap." However, it could have been a response to Hammer calling him out in "Let's Get it Started", when he was mentioned along with
Run-DMC and
Doug E. Fresh as rappers that Hammer claimed to be better than. LL Cool J would later compliment and commend Hammer's abilities/talents on
VH-1's
100 Greatest Songs of Hip Hop, which aired in 2008.
Ice-T came to Hammer's defense on his 1991 album
O.G. Original Gangster: "A special shout out to my man MC Hammer. A lot of people diss you man, but they just jealous." Ice-T later explained that he had nothing against people who were
pop rap from the start, but rather
emcees who switch from being hardcore or "dirty" to pop rap, in order to sell more records. Despite the criticisms, Hammer's career continued to be highly successful, including tours in Asia, Europe, Australia, and Russia. Soon after, M.C. Hammer
Mattel dolls, lunchboxes and other merchandise were marketed. He was also given his own
Saturday-morning cartoon, called
Hammerman, which he hosted and voiced.
Too Legit to Quit (1991) After publicly dropping the "MC" from his stage name, Hammer released
Too Legit to Quit (also produced by
Felton Pilate) in 1991. Hammer answered his critics within certain songs from the album. Sales were strong (over five million copies), with the
title track being the biggest
hit single from this record. The album peaked in the Top 5 of the
Billboard 200. Another hit came soon after, with "
Addams Groove" (which appeared on both
The Addams Family motion picture soundtrack and the vinyl and cassette versions of
2 Legit 2 Quit), reaching No. 7 in the US and No. 4 in the
UK. His video for the song appeared after the movie. Hammer set out on a high-profile tour promoting the album which included a stage show loaded with singers, dancers and backup musicians. In 1992,
Boyz II Men joined the tour as an opening act. While traveling the country, their tour manager Khalil Roundtree was murdered in
Chicago, and the group's future performances of "
It's So Hard to Say Goodbye to Yesterday" were dedicated to him. As a result of this unfortunate experience, the song would help advance their success. Ultimately, however, the lavish show proved too expensive to support through album sales and it was cancelled partway through its scheduled run. Music videos were produced for all four singles released from this album (including "
Do Not Pass Me By" and "
This Is The Way We Roll"), all which charted. The
"2 Legit 2 Quit" video featured many celebrity appearances and has been ranked as one of the
most expensive videos ever made. The hand motions used within the song and video also became very popular. "2 Legit to Quit" proved to be successful in the US, peaking in the Top 10 at No. 5 on the
Billboard Hot 100. Despite the album's
multi-platinum certification, the sales were one-third of ''Please Hammer Don't Hurt 'Em''. At the end of the "2 Legit 2 Quit" video, after
James Brown enlists Hammer to get the famous glove of
Michael Jackson, a silver-white sequined glove is shown on the hand of a Michael Jackson look-alike doing the "2 Legit 2 Quit" hand gesture. Hammer and Jackson would later appear, speak and/or perform at the funeral service for
James Brown in 2006. In 1991, Hammer was featured on the single "The Blood" from the
BeBe & CeCe Winans album,
Different Lifestyles. In 1992, the song
peaked at No. 8 on the
Christian charts.
New venture with Oaktown/Giant Records (1992–1993) In 1992, after a four-year hiatus,
Doug E. Fresh signed with Hammer's label, Bust It Records and issued one album, ''
Doin' What I Gotta Do'', which (despite some minor acclaim for his single "Bustin' Out (On Funk)" which sampled the
Rick James 1979 single "Bustin' Out") was a commercial failure. Prior to Hammer's next album,
The Funky Headhunter,
rumors from critics and fans began claiming Hammer had quit the music/entertainment business or had suffered a financial downfall (since a couple of years were passing between his two records), which Hammer denied. Hammer claimed
rumors falsely heralded his downfall were most likely a result of the fact he turned over his "trimmed-down" Bust It Records to his brother and manager Louis Burrell Jr., and his
horse racing interests to his brother Chris and their father, Louis Burrell Sr. In 1993, his production company released the hit rap song "
Gangsta Lean" by
DRS (from their debut album
Gangsta Lean). By this time, Hammer also parted ways with his only female executive music business administration consultant and songwriter, Linda Lou McCall (who previously worked with
the Delfonics and her husband
Louis A. McCall, Sr.'s band
Con Funk Shun). A music industry vet, McCall was hired by Hammer's brother and manager Louis K. Burrell, in 1990. She helped set up his corporate operations and administration, at Bust It Management & Productions Inc. in
Oakland, California. McCall later became Vice President of Hammer's talent management company, overseeing artists like
Heavy D,
B Angie B and
Ralph Tresvant. While at Bust It, she and her husband brought their artist
Keith Martin to Felton's attention, who hired him as a backup musician and vocalist for Hammer's ''
Please Hammer Don't Hurt 'Em and Too Legit to Quit'' world tours. With a new home and daughter, a new record soon to be released and his new business, Hammer claimed that he was happy and far from being broke during a tour of his mansion for
Ebony. "Today there is a more aggressive Hammer, because the '90s require you to be more aggressive," Hammer said of his music style. "There is a harder edge, but I'm no
gangsta. Hammer in the '90s is on the offense, on the move, on the attack. And it's all good."
The Funky Headhunter and Prime Time (1994) In 1993, Hammer began recording his fifth official album. To adapt to the changing landscape of hip-hop, this album was a more aggressive sounding album entitled
The Funky Headhunter. He co-produced this record with funky rapper and producer, Stefan Adamek. While Hammer's appearance changed to keep up with the gangsta rap audience, his lyrics still remained honest and somewhat clean with minor profanity. Yet, as with previous records, Hammer would continue to call out and
disrespect other rappers on this album. As with some earlier songs such as "Crime Story" (from the album ''Please Hammer Don't Hurt 'Em''), the content and reality about "street life" remained somewhat the same, but the sound was different, resulting in Hammer losing favor with fans. This album peaked at number two on the
R&B charts and remained in the Top 30 midway through the year. Hammer debuted the video for "
Pumps and a Bump" during another appearance on
The Arsenio Hall Show during the mid-1990s. Host
Arsenio Hall said to Hammer, "Women in the audience want to know, what's in your speedos in the 'Pumps and a Bump' video?" A clip from the video was then shown, to much approval from the audience. Hammer didn't give a direct answer, but instead laughed. Arsenio then said, "I guess that's why they call you 'Hammer.' It ain't got nothin' to do with
Hank Aaron." The video to the album's first single, "Pumps and a Bump", was banned from heavy rotation on
MTV with censors claiming that the depiction of Hammer in
Speedos (and with what appeared to be an erection) was too graphic. This led to an alternative video being filmed (with Hammer fully clothed) that was directed by
Bay Area native Craig S. Brooks. "
It's All Good" was the second single released from the album. On December 20, 1994,
Deion Sanders released
Prime Time, a rap album on Hammer's Bust It Records label which featured the minor hit "Must Be the Money". "Prime Time Keeps on Tickin'" was also released as a single. Sanders, a friend of Hammer's, had previously appeared in his "
Too Legit to Quit" music video, and his
alter-ego "Prime Time" is also used in Hammer's "
Pumps and a Bump" video. The song "Help Lord (Won't You Come)" appeared in
Kingdom Come.
Inside Out, Death Row Records and Too Tight (1995–1996) In 1995, Hammer released the album
Inside Out. The album sold poorly compared to previous records (peaking at 119 on the Billboard Charts) and
Giant Records dropped him and Oaktown Records from their roster. Songs "Going Up Yonder" and "Sultry Funk" managed to get moderate radio play (even charting on national radio station countdowns). Along with a fickle public, Hammer would go on to explain in this album that he felt many of his so-called friends (who he had helped) had used and betrayed him. Their abuse reportedly contributed to a majority of his financial loss (best explained in the song "Keep On" and the
bio from this album). He would also hint about this again in interviews, including
The Ellen DeGeneres Show in 2009. In 1995, Hammer released "Straight to My Feet" (with
Deion Sanders) from the
Street Fighter soundtrack (released in December 1994). The song charted at No. 57 in the UK. Hammer's relationship with
Suge Knight dates back to 1988. Hammer signed with
Death Row Records by 1995, at the time home to
Snoop Dogg and his close friend,
Tupac Shakur. The label did not release the album of Hammer's music (titled
Too Tight) while he had a career with them, although he did release versions of some tracks on his next album. However, Burrell did record tracks with Shakur and others, most notably the song "
Too Late Playa" (along with
Big Daddy Kane and
Danny Boy). After the death of Shakur in 1996, Burrell left the record company. He later explained his concern about this circumstance in an interview on
Trinity Broadcasting Network since he was in
Las Vegas with Tupac the night of his death.
Return to EMI and Family Affair (1996–1998) In October 1996, Burrell and Oaktown signed with
EMI, which saw the release of a
compilation album of Hammer's
hit singles prior to
The Funky Headhunter. The album, titled
Greatest Hits, featured twelve former hits. In 1998, another "greatest hits" album, called
Back 2 Back Hits, was produced and released by
CEMA. Another compilation version of
Back 2 Back was later released by
Capitol Records in 2006. As Hammer's empire began to collapse when his last album failed to match the sales of its predecessors, and since he unsuccessfully attempted to recast himself in the "
streetwise/hardcore rap" mold of the day, Hammer turned to a
gospel-friendly audience. The album also features a song written for Hammer by
Tupac called "
Unconditional Love". Hammer would later dance and read the lyrics to this song on the first
VH1 Hip Hop Honors in 2004. A
double album mostly about
faith and
family values, additional tracks from
Family Affair are: "Put It Down", "Put Some Stop in Your Game", "Big Man", "Set Me Free", "Our God", "Responsible Father Shout", "He Brought Me Out", (Geeman Intro), "Eye's Like Mine", "Never Without You", "Praise Dance Theme Song", "Shame of the Name", (Smoothout Intro), (Teabag Intro), "Silly Heart", "I Wish U Were Free", (Common Unity Intro), "Someone to Hold to You", "Pray" (1998), "Let's Get It Started" (1998), and with "Hammer Music/Shouts/Tour Info" announcements between songs. The
compact discs are also "
PC Ready" with
interactive features. After this album, new projects were rumored to be in the works, including an album (
War Chest: Turn of the Century) and a
soundtrack to the film
Return to Glory: The Powerful Stirring of the Black Man, but neither appeared.
The Hits and Active Duty (2000–2001) In 2000, another compilation album was released, titled
The Hits. Following the
September 11, 2001 attacks, Hammer released his album,
Active Duty, on his own World Hit Music Group label (the musical enterprise under his Hammertime Holdings Inc. umbrella) to pay homage to the ones lost in the
terrorist attacks. The album followed that theme, and featured two singles (with accompanying videos), "No Stoppin' Us (USA)" and "
Pop Yo Collar" (featuring Wee Wee) which demonstrates "The Phat Daddy Pop", "In Pop Nito", "River Pop", "Deliver The Pop" and "Pop'n It Up" dance moves. The album, like its predecessor, failed to chart and would not sell as many copies as previous projects. Hammer did however promote it on such shows as
The View and produced a video for both singles. This patriotic album, originally planned to be titled
The Autobiography Of MC Hammer, donated portions of the proceeds to
9/11 charities. Hammer shot a video for the anthem "No Stoppin' Us (USA)" in
Washington, D.C., with several members of the
United States Congress, who sang in the song and danced in the video. Present members of the
United States House of Representatives included
J. C. Watts,
Eddie Bernice Johnson,
Thomas M. Davis,
Earl Hilliard,
Alcee Hastings, Rep.
Diane Watson (D-Calif.), Rep.
Corrine Brown (D-Fla.) and
Jesse Jackson Jr. Full Blast (2004) After leaving Capitol Records and EMI for the second time in his career, Hammer decided to move his Oaktown imprint to an independent distributor and released his ninth studio album,
Full Blast (which was completed in late 2003 and released as a complete album in early 2004). The album would feature no charting singles and was not certified by the
RIAA. A video was produced for "Full Blast", a song that attacks
Eminem and
Busta Rhymes for previous disrespect towards him. Some of the original songs didn't end up making the final album release. Guest artists included The Stooge Playaz, Pleasure, Rain, JD Greer and DasIt.
Look Look Look and Platinum MC Hammer (2006–2008) After going
independent, Hammer decided to create a
digital label to release his tenth studio album,
Look Look Look. The album was released in February 2006 and featured production from
Scott Storch. The album featured the title-track single (
Look Look Look) and a
music video. It would sell much better than his previous release (300,000 copies worldwide). "YAY" was produced by
Lil Jon. "What Happened to Our Hood?" (featuring Sam Logan) was originally from
Active Duty. "I Got It From The Town" was used in the
movie but is only present in one scene instead of the originally planned two on
The Fast and the Furious: Tokyo Drift (soundtrack). In June 2007, Hammer released a military-inspired rap song with a political message to President
George W. Bush about sending American troops back home from war, called "Bring Our Brothers Home". The video was filmed at the
Santa Monica Pier. In 2008,
Platinum MC Hammer was released by
EMI Records. The compilation consists of 12 tracks from Hammer's previous albums, with a similar playlist as former "greatest hits" records (with the exception of including a remix of "
Hammer Hammer, They Put Me In A Mix" which includes rap lyrics that "
They Put Me In A Mix" originally did not). An import was released by
Capitol Records.
DanceJamtheMusic (2008–2009) Since his 2006 album, Hammer continued to produce music and released several other raps that appeared on his
social websites (such as
Myspace and Dancejam.com) or in commercials, with another album announced to be launched in late 2008 (via his own record label Fullblast Playhouse). Talks of the tour and a new album were expected in 2009. "
Getting Back to Hetton" was made public in 2008 as a
digital single. It was a departure for Hammer, bringing in funky deep
soul and mixing it with a more
house style. Released through licence on Whippet Digital Recordings, media reviews were said to be "disappointing". However, the song "I Got Gigs" from this album was used in a 2009 ESPN commercial and performed during
Hammertime (as well as played while he danced just prior to introducing
Soulja Boy during
YouTube Live on November 22, 2008). Other tracks and videos from the album included: "I Go" (produced by
Lil Jon), "Keep It In Vegas", "Lookin' Out The Window", "Dem Jeans" (by DASIT), "Stooge Karma Sutra" (by The Stooge Playaz) and "Tried to Luv U" (by DASIT featuring Pleasure Ellis). in 2009 In February 2009, MC Hammer and
Vanilla Ice had a one-off concert at the
McKay Events Center in
Orem, Utah.
Most recent releases (2010–present) "Better Run Run" (2010) MC Hammer promised to release a
track (expected on October 31, 2010) responding to a song by
Kanye West featuring
Jay-Z which attacked him. On the "
So Appalled" track, which features
Swizz Beatz and
RZA, Jay-Z raps a verse targeting Hammer about his
financial dilemma in the 1990s. On it, Jay says: 'Hammer went broke so you know I'm more focused / I lost 30 mil' so I spent another 30 / 'Cause unlike Hammer 30 million can't hurt me'. Hammer addressed his displeasure about the diss on
Twitter, claiming he would react to Jay-Z on
Halloween. Hammer released a sample of his "beef" with Jay-Z in a brief teaser trailer called "Better Run Run" by 'King Hammer'. At one point, it was uncertain if his reaction would be a film video, a
music video or a combination of both. Regardless, he claimed he would show evidence that 'Jigga worships the devil'. It is possible that Jay-Z was offended by an
analogy Hammer was conveying in an earlier interview in response to "
D.O.A. (Death of Auto-Tune)" on
AllHipHop. On November 1, Hammer's song with video called "Better Run Run!" hit the
web in retaliation to Jay-Z's September 2010 diss towards him. Hammer accuses Jigga of being in league (and in the studio) with Satan—and then Hammer defeats the devil and forces Jay to be baptized. Speaking on the video, Jacob O'Gara of
Ethos Magazine wrote: "What's more likely is that this feud is the last chapter in the tragic cautionary tale of MC Hammer, a tale that serves as a warning to all present and future kings of hip-hop. Keep your balance on the pedestal and wear the crown strong or you'll have the
Devil to pay." In an interview with
BBC's
DJ Semtex, Jay said he did not mean the verses as a personal attack. "I didn't know that [Hammer's financial status] wasn't on the table for discussion!" he said. "I didn't know I was the first person ever to say that..." He continued, "When I say things, I think people believe me so much that they take it a different way — it's, like, not rap anymore at that point. I say some great things about him in the book I have coming out [
Decoded] — that wasn't a cheap plug," he laughed. "He's gonna be embarrassed, I said some really great things about him and people's perception of him. But it is what it is, he took it that wrong way, and I didn't know I said anything wrong!"
"See Her Face" (2011) On February 3, 2011, MC Hammer appeared on
The Oprah Winfrey Show premiering the track "See Her Face" via
Flipboard. It was the first time Flipboard included music in the application.
"Raider Nation" and "All in My Mind" (2013–2014) Among other songs, Hammer released "Raider Nation (
Oakland Raiders Anthem)" along with a video in late 2013 and "All in My Mind" (which samples "
Summer Breeze" by
The Isley Brothers) in early 2014, with his newly formed group Oakland Fight Club (featuring
Mistah F.A.B.).
Full Blast Music (2013–2018) Additional
hip-hop,
R&B and
soul tracks released via Hammer's
Full Blast Music label include: "Better Man" (December 2013) by Gentry Kozia of the Oakland Fight Club, "Say It Isn't So" (December 2016) featuring Gentry Kozia, "Perfect Night" (March 2017) featuring Gentry Kozia, "Don't Stop" (September 2017) featuring Pleasure Ellis (
remix from
The Funky Headhunter), "Here We Go Again" (November 2017) featuring Gentry Kozia, "22 Pills" (December 2017) credited as BIG HAMM featuring Gentry Kozia, "Kalifornia Git Down" (December 2017) from the
mixtape The Chronicles of Big Hamm (via
BMI Publishing), "Best Life" (May 2018) featuring Gentry Kozia, and "Lit Up" (October 2018) featuring Booby Hammer and Ace Kayo.
"We Gotta Do Better" (2015) Hammer released a visualizer music video for his song "We Gotta Do Better" featuring Gentry Kozia on April 22, 2015. It was posted on his personal
blogspot via
Vimeo.
"Help the Children" (2017) Hammer released an updated version of his
1990 charting song with a short film video in late 2017.
"U R Everything" (2024) Hammer released "U R Everything" with a music video in December 2024. The song samples "
You Are Everything by
The Stylistics. == Additional business ventures ==