One of the most important developments that the Enlightenment era brought to the discipline of science was its popularization. An increasingly literate population seeking knowledge and education in both the arts and the sciences drove the expansion of print culture and the dissemination of scientific learning. The new literate population was due to a high rise in the availability of food. This enabled many people to rise out of poverty, and instead of paying more for food, they had money for education. Popularization was generally part of an overarching Enlightenment ideal that endeavoured "to make information available to the greatest number of people." As public interest in natural philosophy grew during the 18th century, public lecture courses and the publication of popular texts opened up new roads to money and fame for amateurs and scientists who remained on the periphery of universities and academies.
British coffeehouses , 17th century An early example of science emanating from the official institutions into the public realm was the British
coffeehouse. With the establishment of coffeehouses, a new public forum for political, philosophical and scientific discourse was created. In the mid-16th century, coffeehouses popped up around
Oxford, where the academic community began to capitalize on the unregulated conversation that the coffeehouse allowed. The new social space began to be used by some scholars as a place to discuss science and experiments outside of the laboratory of the official institution. Coffeehouse patrons were only required to purchase a dish of coffee to participate, leaving the opportunity for many, regardless of financial means, to benefit from the conversation. Education was a central theme and some patrons began offering lessons and lectures to others. The chemist
Peter Staehl provided chemistry lessons at Tilliard's coffeehouse in the early 1660s. As coffeehouses developed in
London, customers heard lectures on scientific subjects, such as astronomy and mathematics, for an exceedingly low price. Notable Coffeehouse enthusiasts included
John Aubrey,
Robert Hooke,
James Brydges, and
Samuel Pepys.
Public lectures Public lecture courses offered some scientists who were unaffiliated with official organizations a forum to transmit scientific knowledge, at times even their own ideas, and the opportunity to carve out a reputation and, in some instances, a living. The public, on the other hand, gained both knowledge and entertainment from demonstration lectures. Between 1735 and 1793, there were over seventy individuals offering courses and demonstrations for public viewers in experimental physics. Class sizes ranged from one hundred to four or five hundred attendees. Courses varied in duration from one to four weeks, to a few months, or even the entire academic year. Courses were offered at virtually any time of day; the latest occurred at 8:00 or 9:00 at night. One of the most popular start times was 6:00 pm, allowing the working population to participate and signifying the attendance of the nonelite. Barred from the universities and other institutions, women were often in attendance at demonstration lectures and constituted a significant number of
auditors. The importance of the lectures was not in teaching complex mathematics or physics, but rather in demonstrating to the wider public the principles of physics and encouraging discussion and debate. Generally, individuals presenting the lectures did not adhere to any particular brand of physics, but rather demonstrated a combination of different theories. New advancements in the study of electricity offered viewers demonstrations that drew far more inspiration among the laity than scientific papers could hold. An example of a popular demonstration used by
Jean-Antoine Nollet and other lecturers was the 'electrified boy'. In the demonstration, a young boy would be suspended from the ceiling, horizontal to the floor, with silk chords. An electrical machine would then be used to electrify the boy. Essentially becoming a magnet, he would then attract a collection of items scattered about him by the lecturer. Sometimes a young girl would be called from the auditors to touch or kiss the boy on the cheek, causing sparks to shoot between the two children in what was dubbed the 'electric kiss'. Such marvels would certainly have entertained the audience, but the demonstration of physical principles also served an educational purpose. One 18th-century lecturer insisted on the utility of his demonstrations, stating that they were "useful for the good of society."
Popular science in print Increasing literacy rates in Europe during the course of the Enlightenment enabled science to enter popular culture through print. More formal works included explanations of scientific theories for individuals lacking the educational background to comprehend the original scientific text.
Sir Isaac Newton's celebrated
Philosophiae Naturalis Principia Mathematica was published in Latin and remained inaccessible to readers without education in the classics until Enlightenment writers began to translate and analyze the text in the vernacular. The first French introduction to Newtonianism and the
Principia was
Eléments de la philosophie de Newton, published by Voltaire in 1738.
Émilie du Châtelet's translation of the
Principia, published after her death in 1756, also helped to spread Newton's theories beyond scientific academies and the university. However, science took an ever greater step towards popular culture before Voltaire's introduction and Châtelet's translation. The publication of
Bernard de Fontenelle's
Conversations on the Plurality of Worlds (1686) marked the first significant work that expressed scientific theory and knowledge expressly for the laity, in the vernacular, and with the entertainment of readers in mind. The book was produced specifically for women with an interest in scientific writing and inspired a variety of similar works. These popular works were written in a discursive style, which was laid out much more clearly for the reader than the complicated articles, treatises, and books published by the academies and scientists.
Charles Leadbetter's
Astronomy (1727) was advertised as "a Work entirely New" that would include "short and easie Rules and Astronomical Tables."
Francesco Algarotti, writing for a growing female audience, published
Il Newtonianism per le dame, which was a tremendously popular work and was translated from Italian into English by
Elizabeth Carter. A similar introduction to Newtonianism for women was produced by
Henry Pembarton. His ''A View of Sir Isaac Newton's Philosophy
was published by subscription. Extant records of subscribers show that women from a wide range of social standings purchased the book, indicating the growing number of scientifically inclined female readers among the middling class. During the Enlightenment, women also began producing popular scientific works themselves. Sarah Trimmer wrote a successful natural history textbook for children entitled The Easy Introduction to the Knowledge of Nature'' (1782), which was published for many years after in eleven editions. The influence of science also began appearing more commonly in poetry and literature during the Enlightenment. Some poetry became infused with
scientific metaphor and imagery, while other poems were written directly about scientific topics.
Sir Richard Blackmore committed the Newtonian system to verse in
Creation, a Philosophical Poem in Seven Books (1712). After Newton's death in 1727, poems were composed in his honour for decades.
James Thomson (1700–1748) penned his "Poem to the Memory of Newton," which mourned the loss of Newton, but also praised his science and legacy: While references to the sciences were often positive, there were some Enlightenment writers who criticized scientists for what they viewed as their obsessive, frivolous careers. Other antiscience writers, including
William Blake, chastised scientists for attempting to use physics, mechanics and mathematics to simplify the complexities of the universe, particularly in relation to God. The character of the evil scientist was invoked during this period in the romantic tradition. For example, the characterization of the scientist as a nefarious manipulator in the work of
Ernst Theodor Wilhelm Hoffmann. == Women in science ==