Síol nGofraidh and the Crovan dynasty depicting the legendary King Orry Godred's greatest impact on history may have been his foundation of the Crovan dynasty, a vigorous family of sea-kings that ruled in the Isles for almost two centuries, until its extinction in the mid-thirteenth century, when the remaining kingdom was annexed by
Alexander III, King of Scotland. There is uncertainty concerning the political situation in the Isles in the last decade of the eleventh century. It is apparent, however, that the dynasty descended from him soon turned upon itself. Although Godred's eldest son,
Lagmann, appears to have succeeded him during the decade, the latter was soon forced to fend off rivals' factions supporting Godred's younger sons, Aralt in particular. Irish power appears to have encroached into the Isles at about this time as well, and it is evident that the political upheaval and dynastic instability in the wake of Godred's demise eventually provoked
Magnús Óláfsson, King of Norway to forcibly take control of the Isles before the century's end. It wasn't until the about the second decade of the twelfth century that the Crovan dynasty re-established firm control, in the person of
Amlaíb, Godred's youngest son. In the mid-twelfth century, the Isles were partitioned between two rival power blocks. One faction, controlling Mann and the northern Hebrides, was led by the representative of the Crovan dynasty, Gofraid mac Amlaíb, Godred's grandson; the other faction, controlling the southern Hebrides, was ruled by
Somairle mac Gilla Brigte, Lord of Argyll, husband of Ragnailt ingen Amlaíb, Godred's granddaughter. Somairle eventually forced his brother-in-law from power, and ruled the entire kingdom for almost a decade before the Crovan dynasty regained control of their permanently partitioned domain. Although the dynasty expired in the mid-thirteenth century, Somairle's descendants—
Clann Somairle—held power in the Hebrides for centuries to come. In fact, the later mediaeval Clann Somairle
Lordship of the Isles, which survived into the late fifteenth century, was a direct successor of Godred's maritime imperium. The
Chronicle of Mann,
Orkneyinga saga, and later tradition preserved in the eighteenth-century
Book of Clanranald, reveal that it was through Ragnailt's descent that Clann Somairle, and Somairle himself, claimed kingship in the Isles. Godred's place at the royal apex of the two dynasties who contested the kingship of the Isles in the twelfth and thirteenth centuries suggests that he is identical to the like-named man proclaimed as an eminent ancestral figure in two thirteenth-century poems concerning Clann Somairle dynasts. The professed descendants of this Gofraid were poetically conceptualised as ("the seed of Gofraid"), a Gaelic term that, conceivably, originally applied to both the Crovan dynasty and Clann Somairle. and otherwise only specifically attested in later genealogical accounts concerning Clann Somairle. That being said, Godred is possibly the historical prototype of the celebrated King Orry (
Manx Gaelic and ) of
Manx folklore. This legendary figure appears in the earliest example of
Manx literature, the so-called
Manannan Ballad, an eighteenth-century text that appears to contain content of sixteenth-century provenance. This traditional account of Mann asserts that, following King Orry's arrival, and his subsequent introduction of the
island's legal system, thirteen of his descendants ruled in turn as king before Alexander III's takeover. In fact, this tally appears to conform to the number of historical Manx rulers during the Crovan dynasty's floruit. King Orry, and thus Godred himself, is seemingly referred to in Manx legislation dating to the early fifteenth century, as the term "in King Orryes Days" was recorded at the 1422 sitting of
Tynwald. This phrase likely equates to "
time immemorial", a time beyond memory, once defined under
English law as the time before the reign of the celebrated
Richard I, King of England. The site itself is likely prehistoric, although there is a legitimate late-eleventh-century cross-slab found on the island, near
Port Ellen (), that appears to contain motifs from contemporary
Scandinavian and
Irish art. As with Godred on Islay, supposed burial places of King Orry are traditionally marked by prehistoric burial sites on Mann. One such site is the now-mutilated tomb, known as
King Orry's Grave (), located near
Laxey; another is
Cashtal yn Ard (), also known as Cashtal Ree Gorree, located near
Maughold. The so-called Godred Crovan Stone, a massive
granite rock, once located in the
Manx parish of
Malew but destroyed in the nineteenth century, may have owed its name to eighteenth- or nineteenth-century
romanticism. , a ruinous mediaeval fortress traditionally associated with Godred The area surrounding
Dùn Ghùaidhre (), a ruinous mediaeval fortress on Islay, is traditionally associated with Godred, According to local tradition, Godred slew a
dragon at Emaraconart, a site only about from the fortress and ridge. A nearby site is Àiridh Ghutharaidh. The etymology of this place name is uncertain. It could be derived from the Gaelic ("
shieling") and * (a hypothesised Gaelic form of the Old Norse personal name ). The fact that this site is only about from Dùn Ghùaidhre could suggest that the names of both locations refer to Godred. On the other hand, it is possible that the names of the fort, ridge, and shieling are merely the result of
folk etymology. Another Islay site associated with Godred is Conisby (). This place name is derived from the Old Norse * ("king's farm"), a prestigious designation that appears to echo the district's not insignificant size and quality of lands. Whether the site was ever owned by a king is unknown, although local tradition certainly associates it with Godred himself. The eighteenth-century poet
Thomas Chatterton composed
Godred Crovan, a poem that appeared in print in 1769, under the full title
Godred Crovan. A poem. Composed by Dopnal Syrric, Scheld of Godred Crovan, King of the Isle of Man, published in the
Town and Country Magazine. The
poem appears to have influenced the work of the contemporaneous poet
William Blake, particularly Blake's first piece of revolutionary poetry,
Gwin, King of Norway. Whilst Chatterton's composition tells the tale of an invasion of Mann by a tyrannous Norseman named Godred Crovan, Blake's ballad is about a tyrannous Norse king who is slain by a native giant named Gordred. Chatterton's compositions in
Town and Country Magazine were strongly influenced by, and imitative of, the so-called
Ossianic poetry of the contemporaneous poet
James Macpherson. In fact, it was likely through Chatterton's work that Blake was most influenced by Macpherson. Unlike Macpherson, who deceptively insisted that his epic Ossianic corpus was translated from the work of an ancient Celtic
bard, Chatterton did not claim his Ossianic inspired compositions were the remnants of ancient literature. In the wake of Macpherson's publications, several examples of Manx folksongs appear to have first come to light. One particular piece, a Manx Gaelic song called
Fin as Oshin, is the only example of existing in
Manx musical tradition. Surviving in several eighteenth-century manuscripts,
Fin as Oshin tells a tale similar to other poems recounting the story of the burning of Finn's house. A central character in the song is a certain Gorree/Orree/Orree Beg, a hero who corresponds to Garadh/Garaidh in cognate tales. The spelling of this hero's name in
Fin as Oshin suggests that he represents Godred himself, thereby giving the story a native slant. Godred's place in this song probably accounts for its survival in local memory. In
Vindication of the Celtic Character, the nineteenth-century Gaelic poet
William Livingstone offered imaginative accounts of Viking incursions on Islay. One such tale, alleged by Livingstone to have been "handed down from the Danish mythologists of those days", concerns exploits of Godred in the island's
Loch Indaal vicinity. Livingstone's versions of such local traditions appear to be the inspiration behind his epic Gaelic battle-poem
Na Lochlannaich an Ile ("The Norsemen in Islay"). The Gaelic folk song
Birlinn Ghoraidh Chróbhain, sometimes called
Birlinn Ghoraidh Chrobhain and ''Godred Crovan's Galley
, was composed by Duncan Johnston, and released in part one of his 1938 book Cronan nan Tonn''. Johnston's song describes the journey of Godred's royal
birlinn from Mann to Islay, and commemorates the sea-power of the Crovan dynasty. Due to Godred's place in Manx history, he is given a role in the fictional history of
The Island of Sodor in
The Railway Series by
Wilbert Awdry (the name Sodor itself being a reference to the title of
Bishop of Sodor and Man). The station of Crovan's Gate as depicted in the books and the TV adaption
Thomas & Friends is the junction of the North Western Railway and the
narrow gauge Skarloey Railway, and in Awdry's writing was the site of a battle between Godred Crovan and the Norman army. ==Notes==