Civil architecture Venezia Nuova Ferdinando II de' Medici considered, in 1629, the opportunity to enlarge the town, on project by Giovanni Battista Santi, toward north in an area included among
Fortezza Vecchia and
Fortezza Nuova, in order to give an adequate space to the maritime and commercial activities. There was the need to build a mercantile district, close to
Porto Mediceo, provided with houses and depots to store the merchandise and a system of canals to facilitate their transport. The new
rione (district), called '''', was built in an area gained to the sea, intersected by canals and linked to the town with bridges, for this reason, Venetians skilled workers were recruited. The ''Chiesa di Sant'Anna'', dedicated to
Saint Anne, was built in 1631 on the ground of the Arch confraternity of the Company of the Nativity; in the same year Giovanni Battista Santi died and the control of the project passed to Giovanni Francesco Cantagallina though the works slowed down due to the lack of funds. A new impulse to the works was given in 1656 concerning the distribution of the spaces where to build other houses and stores; consequently arose the problem of the diverse oriented road scheme with respect to the axis of
Piazza d’Arme, it was resolved by adopting a road plan perpendicular to the
Navicelli channel. The paving of the roads and along the canals in
Venezia Nuova was provided in 1668, while the
Pescheria Nuova (New fish market) was built in 1705 close to the
Scali del Pesce where the fish was unloaded. In the 1700s
Venezia Nuova was the district of the Consuls of the Nations and of the most important international retailers who had the warehouses filled with goods from everywhere waiting to be shipped by sea to the most different destinations. The palaces along the canals had the turrets from which to see the ships approaching the port, moreover, they had the stores at the canal level to facilitate the unloading of the goods from the boats. The
Venezia Nuova district retains much of its original town planning and architectural features such as the bridges, narrow
lanes, the houses of the
nobility, churches as
Santa Caterina da Siena and
San Ferdinando, and a dense network of canals that once served to link its warehouses to the port. The
Livorno Courthouse is located in Venezia Nuova.
Monumento dei quattro mori The
Monument of the Four Moors is dedicated to
Ferdinando I de' Medici, Grand Duke of Tuscany, and is one of the most popular monuments of Livorno. Ferdinando I commissioned it to Giovanni Bandini in 1595 to carry out a monument in white
Carrara marble to represent him in the uniform of the
Grand master of the
Order of Saint Stephen which in that period prevailed in several naval battles against the
Barbary pirates. The monument was completed in 1599, shortly before the death of Bandini which occurred on 18 April, and arrived to Livorno by sea from
Carrara in 1601. Ferdinando I projected to add four statues of moors prisoners at the pedestal of his monument and gave the task to
Pietro Tacca in 1602 The monument has been restored recently in 1990 and 2013.
Acquedotto Leopoldino The
Acquedotto Leopoldino and the neoclassical cisterns of Livorno were part of a sophisticated scheme to provide water to Livorno.
La Gran Conserva La Gran Conserva, or
Il Cisternone, situated on what were the outskirts of 19th-century Livorno, is the largest and best known of the city's covered cisterns.
Cisternino di città Cisternino di città is an austere neoclassical design which was approved in 1837 and completed in 1848.
Piazza della Repubblica At the beginning of the 19th century arose the need to connect the Medicean road system of the
Pentagono del Buontalenti to the new eastern districts of the town, on the other side of the
Fosso Reale, and the requirement to dismantle the city gate
Porta a Pisa. The solution adopted in 1844 was that of Luigi Bettarini which considered the coverage of the
Fosso Reale with an imposing
vault, 240 meters long and 90 meters wide, creating an elliptical paving. The portion of the canal covered by the new structure continued to be navigable. The new square was commonly called
Piazza del Voltone until 1850, then
Piazza dei Granduchi in honour of the Lorraine dynasty until 1859, in the period of the
Italian unification was named to
Carlo Alberto until June 1946 when was given the current name
Piazza della Repubblica. The square, adorned with 52 marble benches, 92 pillars and two statues dedicated to
Ferdinand III by Francesco Pozzi were inaugurated on 8 September 1847
Terrazza Mascagni The
Terrazza Mascagni is a wide sinuous belvedere toward the sea with views to the Livorno hills, the
Tuscan Archipelago to
Corsica, and the
Port of Livorno. It is located on the site of the
Forte dei Cavalleggieri (Cavalrymen Fort) built in the 17th century by
Cosimo I de' Medici to deter pirate raids, subsequently replaced by a leisure park in the 1800s, and a heliotherapy centre in the early 1900s. A new
parterre, built between 1925 and 1928 by Enrico Salvais and Luigi Pastore, was formed by a series of flower beds and a walkway which follow the outline of the sea with numerous balustrades named after
Costanzo Ciano. The
Terrazza has a paved surface of 8,700 square meters formed by 34,800 black and white tiles placed as a
checkerboard and 4,100
balusters. In 1932, a
gazebo for musical performances was built in the large square; it was destroyed during World War II. In 1937 the
Livorno Aquarium was constructed. After the war, the
Terrazza was dedicated to
Pietro Mascagni and in 1994 it underwent a complete restoration using the same kind of materials originally employed; the works were completed on 10 July 1998 with the reconstruction of the gazebo.
Palazzo Comunale Livorno was elevated to the status of
city on 19 March 1606 by
Ferdinando I de' Medici, the first
Gonfaloniere Bernardetto Borromei and the Community representatives held their meetings in the Church of Saint Mary and Saint Julia. On 13 June 1646 a building, placed in
Via del Porticciolo, was purchased for the sum of seven thousand
ducats, in order to accommodate the Community. It was evident that it was inadequate to the task and the Council deliberated, on 27 January 1720, the construction of the new town hall on the project by Giovanni del Fantasia. The new neo-renaissance palace, positioned between
Palazzo della Dogana and
Palazzo Granducale on the north side of
Piazza d’Arme, was partially destroyed by the 1742 earthquake. Restored in 1745 by Bernardino Ciurini and Antonio Fabbri a double white marble stairway and a small bell tower on the top of the façade were added. In 1867 the complex was enlarged with the acquisition of three other buildings in the back. With the settlement of the
Podestà in the
fascist period was carried out a new enlargement in 1929 by Enrico Salvais and Luigi Pastore transforming the adjacent former fire station in the council hall. Damaged by the bombing during World War II it was rebuilt and renovated under the direction of Primavera and was inaugurated in 1949 by the mayor Furio Diaz.
Religious architecture Cathedral of Saint Francis of Assisi The cathedral of the town, commonly called
Duomo di Livorno, is dedicated to
Francis of Assisi,
Mary, mother of Jesus, and
Julia of Corsica, and was built in a central position of the
Pentagono del Buontalenti on the south side of Piazza Grande once named Piazza d’Arme. The original plan was drawn up by
Bernardo Buontalenti when he projected the new town. The construction began in June 1581 on a reviewed plan by
Alessandro Pieroni under the direction of Antonio Cantagallina. The church had a rectangular plant with a single nave, the original wooden ceiling, executed from 1610 to 1614, was carved by Vincenzo Ricordati and gilded with seven inserted paintings.
Jacopo Ligozzi,
Domenico Cresti and
Jacopo Chimenti decorated, from 1610 to 1614, three large paintings representing "St Francis with Child and the Virgin", the "Assumption of Mary" and the "Apotheosis of Ste Julia", the other four paintings were works by minor artists. The simply façade had a marble porch with twin Doric columns surmounted by a terrace added in 1605 on a project by Alessandro Pieroni. The church was consecrated on 19 February 1606 by
Monsignor Nunzio Antonio Grimani; on request by
Ferdinando II de' Medici, Grand Duke of Tuscany, in 1629, was elevated to
collegiate church and the
Curato was substituted from a
Proposto having the functions of the Vicar of the
archbishop of Pisa. The cathedral was completely destroyed in 1943 from the Allied bombardment during World War II; it was then rebuilt respecting the original structure except for the two marble porches added to the
transepts and was consecrated on 21 December 1952 by
Bishop Giovanni Piccioni. The church was important as it was a place of worship for foreign communities.
Ferdinando I de' Medici gave the church to the
Franciscan which had the nearby Oratory of Saints Cosmas and Damian. The construction began on 25 March 1607 on a project by
Alessandro Pieroni and was completed in 1611; the church at first was dedicated to
Saint Mary,
Saint Francis and
Saints Cosmas and Damian but in 1638 was dedicated to the
Immaculate Conception following enlargement of the building. The church has a rectangular plan with a single nave and
groin vault, on each side, there are the three altars of the foreign Nations. The altar of the French Nation was built in 1613 and the painting, by Matteo Rosselli, represents
Saint Louis. The altar of the Corsican Nation, which at the time was under the control of the
Republic of Genoa, has a painting representing
John the Evangelist. The altar of the Portuguese Nation, built in the 17th century, had a wooden statue of Saint Mary until 1728 when this was positioned near the main altar and replaced by one of
Anthony of Padua. The altar of the Dutch-German Nation is dedicated to
Andrew the Apostle. Outside the body of the building, separated by a railing, is a Chapel dedicate to the
Madonna di Montenero built in 1631. The simple façade was covered in white marble in 1972.
Church of the Most Holy Annunciation The Church of the
Most Holy Annunciation is located in the central street of
Via della Madonna, not far from the
Armenian community Church of
Gregory the Illuminator and the
Church of the Madonna. The church is called Unite Greeks too because was the worship place for the
Greek community of
Byzantine Rite who once lived in Livorno. At the end of the 16th century, numerous Greeks came to Tuscany to take service aboard the
galleys of the
Order of Saint Stephen. The church was built in 1601 on a project by
Alessandro Pieroni, was completed in 1605 and consecrated on 25 March 1606. The
baroque façade was built in 1708 presumably on a project by
Giovanni Baratta with a triangular
pediment and
Doric order and was decorated by the statues of Meekness and Innocence by Andrea Vaccà. The interior has a single nave and the ceiling is adorned by a
coffer structure with a central painting representing the Annunciation by Giovanni Domenico Ferretti (1750). The precious wooden
Iconostasis in Byzantine style date back to 1641 and has three doors painted by Agostino Wanonbrachen in 1751; on the central door is represented the Most Holy Annunciation and
Basil of Caesarea,
Gregory of Nazianzus,
John Chrysostom and
Athanasius of Alexandria; in the right door is painted the
Nativity of Jesus and the four Apostles, in the left door is represented the
Adoration of the Shepherds. The church was entirely destroyed by the bombings during World War II and the restoration was completed in 1985.
Other Religious Structures •
Santa Caterina da Siena: Baroque church in the centre of Livorno, in
Venezia Nuova district. •
San Ferdinando: Baroque church located also in
Venezia Nuova district next to the Piazza del Luogo Pio. •
San Giovanni Battista:
Baroque-
Mannerist church located at the crossing of
Via San Giovanni and
Via Carraia in central Livorno. •
Santa Maria del Soccorso:
Neoclassical Marian votive church in central Livorno. The tall brick church façade is located scenically at the end of
Via Magenta, and has a park surrounding it. In front is a Monument to Fallen Soldiers (
caduti) in the first World War. •
Old English Cemetery: oldest foreign Protestant burial ground in Italy. It was founded around 1645 and contains over 300 Carrara marble graves of notable people from 10 different nationalities.
Tobias Smollett and
Francis Horner were buried here, but also some of the friends of
Byron and
Shelley and the husband of
Saint Elizabeth Seton. The cemetery was closed in 1839 and a new one, still active, was opened. •
Sanctuary of Montenero: Marian sanctuary atop a hill outside Livorno, dedicated to
Our Lady of Graces, the patron saint of Tuscany, is a destination for
pilgrims. It is famous for the adjacent gallery, decorated with
ex-voto, chiefly related to events of miraculous rescues of people at sea. •
Temple of the Dutch German Congregation: known more simply as the Dutch-German Church, is situated in Livorno, on the stretch of the
Fosso Reale canal that runs between
Piazza della Repubblica and
Piazza Cavour. •
Synagogue of Livorno: main
Jewish place of worship in Livorno, located in
Piazza Elijah Benamozegh.
Military architecture Fortezza Vecchia The origin of
Fortezza Vecchia takes place not far from what once was
Porto Pisano (Pisan Port) where a square tower was built in 1077, on request of
Matilda of Tuscany, on the remains of a Roman tower; in 1241 the Pisans built a massive cylindrical tower, 30 meters high erroneously called
Mastio di Matilde (Matilda keep). Pisa realized the strategic importance of the castle of Livorno which owned since 1103 and in 1377 the
Doge Gambacorti of the
Republic of Pisa built a quadrangular Fort called
Quadratura dei Pisani (Quartered of the Pisans) on plans attributed to
Puccio di Landuccio and
Francesco di Giovanni Giordani. In 1392 this fort was connected to a wall in order to defend better the town and the
Darsena. Livorno, in 1405, was sold to Genoa which reinforced the defences, building three forts under the Quartered, afterwards Livorno was bought from
Florence on 28 August 1421 at the price of 100.000
Tuscan florin. The works started in 1518 on the order of
Cardinal Giulio De' Medici under the supervision of
Nicolao da Pietrasanta. The construction was suspended since the popular revolt forced the
Medici in exile and was resumed in 1530 on their return.
Fortezza Vecchia is a massive fortification completed on 1 April 1534 under ''
Alessandro de' Medici''; it was built in red-brick with sloping walls and the interposition of clear stones, it has a quadrangular plant with a perimeter of 1500 meters and was equipped with 24 cannons to protect each side. In 1629 part of the fortress was demolished to permit the building of the
Venezia Nuova and the
San Marco quarters that was commissioned by
Ferdinando II. The
Fortezza Nuova has been used for military purpose until the end of World War II, inside were built barracks and warehouses and a chapel dedicated to the
Immaculate Conception. The fortress was heavily damaged during World War II with the destruction of most parts of the buildings, the restoration was completed in 1972 and the superior part is used at present as a public park and centre for events and displays.
Pentagono del Buontalenti Francesco I de' Medici gave to
Bernardo Buontalenti in 1575 the task to project the
ideal town in order to transform Livorno from a fishing village in a fortified town to accommodate 12,000 inhabitants, to include the original settlement and the
Fortezza Vecchia, capable to become the trade centre of the
Grand Duchy of Tuscany. The development of the project led to a pentagonal plant as in use in the
Renaissance period, each side 600 meters long, with defensive walls, rampant and five bastions at the vertices, surrounded by canals; the fifth bastion coincided with
Fortezza Vecchia. The plan gave no information regarding the function of the new urban area, indicating only a series of building blocks within a road system absolutely orthogonal,
cardo and
Decumanus Maximus. The road axis from north to south (cardo) underline the direction that united the centre of the town with a significant place as the
Sanctuary of Montenero; the axis from west to east (decumanus) linked the
Baluardo Santa Giulia to
Baluardo Sant’Andrea. In August 1576 was created the Office of the
Fabbrica di Livorno with the task of supervising the construction and Alessandro Puccini was the chief superintendent. Francesco I de' Medici laid the first stone for the construction of the
Baluardo di San Francesco (Saint Francis rampant) of the new town on 28 March 1577; the works went on with several changes compared with the original plan including the construction of the
Fortezza Nuova. In 1594 it was decided to create a huge square, at halfway of
Via Ferdinanda, where to build the church of the new town. The church, which was built in a central position on the south side of
Piazza d’Arme, later
Piazza Grande, was completed in 1602 under the direction of Antonio Cantagaliina and
Alessandro Pieroni.
Piazza d’Arme was completed and enlarged with the old
Porticciolo dei Genovesi (Port of Genovesi) filled up with earth to make room to the building called
Tre Palazzi (Three palaces); the square was adorned with a series of marble arcades attributed to Alessandro Pieroni. The
Palazzo del Picchetto was built, on plan by
Giovanni Battista Foggini and Giovanni del Fantasia in 1707, at the end of
Via Ferdinanda in the proximity of
Porta Pisana.
Accademia Navale The
Italian Naval Academy is a
mixed-sex military university in Livorno, which is responsible for the technical training of military officers of the
Italian Navy.
Main sight •
Acquario comunale Diacinto Cestoni •
Cathedral of Saint Francis of Assisi •
Cisternone •
Fanale dei Pisani •
Fortezza Vecchia •
Fortezza Nuova •
Fosso Reale •
Museo di storia naturale del Mediterraneo •
Museo Civico Giovanni Fattori •
Old English Cemetery •
Orto Botanico del Mediterraneo •
Porto Mediceo •
Sanctuary of Montenero •
Terrazza Mascagni •
Venezia Nuova ==Sport==