History of interpretation In the
Second Temple period (500 BCE–70 CE), the character of Job began to be transformed into something more patient and steadfast, with his suffering a test of virtue and a vindication of righteousness for the glory of God. The process of "sanctifying" Job began with the Greek
Septuagint translation () and was furthered in the apocryphal
Testament of Job (1st century BCE–1st century CE), which makes him the hero of patience. This reading pays little attention to the Job of the dialogue sections of the book, but it was the tradition taken up by the
Epistle of James in the
New Testament, which presents Job as one whose patience and endurance should be emulated by believers (
James 5:7–11). When Christians began interpreting Job 19:23–29 (verses concerning a "redeemer" who Job hopes can save him from God) as a prophecy of Christ, the predominant Jewish view became "Job the blasphemer", with some rabbis even saying that he was rightly punished by God because he had stood by while Pharaoh massacred the innocent Jewish infants.
Augustine of Hippo recorded that Job had prophesied the coming of Christ, and
Pope Gregory I offered him as a model of right living worthy of respect. The medieval Jewish scholar
Maimonides declared his story a parable, and the medieval Christian
Thomas Aquinas wrote a detailed commentary declaring it true history. In the
Protestant Reformation,
Martin Luther explained how Job's confession of sinfulness and worthlessness underlay his saintliness, and
John Calvin's interpretation of Job demonstrated the doctrine of the resurrection and the ultimate certainty of divine justice. The contemporary movement known as creation theology, an
ecological theology valuing the needs of all creation, interprets God's speeches in Job 38–41 to imply that his interests and actions are not exclusively focused on humankind. Some modern-day Christians also hold the view that one of the functions of the Book of Job is to highlight the way in which religious people often blame the sufferings of an individual on the sins of the individual, particularly if those sins remain 'unconfessed'. Right from the beginning of the Job story, however, the reader has been given a 'look behind the scenes', as it were, showing them that actually the reasons for Job's sufferings have nothing at all to do with Job himself, and especially not with regard to anything he has done or not done, nor sins he has committed. Indeed, if anything, the context shows that Job is suffering because he is actually a righteous man, not someone hiding unconfessed sins. When read with this concept in mind, the flowery speeches of Job's friends are beautiful declarations of God's glory and righteousness, yes, but they also become a risible commentary on the friends' own self-righteous loquacity, their inherent judgmentalism and even accusatory tendencies, all the time disregarding the known (and indeed affirmed by God) righteousness of the very man they are criticising and accusing, even though they know him really well; they are Job's friends, after all. They really should know him better than that. This reflects and mimics the actions of self-righteous religious people all down through the ages and even up to the present day. The Christians who hold this view see this as good evidence supporting the timeless nature of the Christian Scriptures, in that it presents clear evidence that human nature remains unchanged since Job's time, at least in terms of people's innate judgmentalism.
Liturgical use Jewish liturgy does not use readings from the Book of Job in the manner of the
Pentateuch,
Prophets, or
Five Megillot, although it is quoted at funerals and times of mourning. However, there are some Jews, particularly the
Spanish and Portuguese Jews, who do hold public readings of Job on the
Tisha B'Av fast (a day of mourning over the destruction of the
First and
Second Temples and other tragedies). The
cantillation signs for the large poetic section in the middle of the Book of Job differ from those of most of the biblical books, using a system shared with it only by
Psalms and
Proverbs. The
Eastern Orthodox Church reads from Job and Exodus during
Holy Week; Exodus prepares for the understanding of Christ's exodus to His Father and his fulfillment of the whole history of salvation, while Job, the sufferer, is viewed as the Old Testament icon of Christ. The
Roman Catholic Church reads from Job during
Matins in the first two weeks of September and in the Office of the Dead, and in the revised
Liturgy of the Hours Job is read during the Fifth, Twelfth, and Twenty Sixth Week in
Ordinary Time. In the modern
Roman Rite, the Book of Job is read during: • 5th and 12th Sunday in Ordinary Time –
Year B • Weekday Reading for the 26th Week in Ordinary Time –
Year II Cycle • Ritual Masses for the Anointing of the Sick and Viaticum –
First Reading options • Masses for the Dead –
First Reading options
In music, art, literature, and film ,
Job Mocked by his Wife The Book of Job has been deeply influential in Western culture, to such an extent that no list could be more than representative. Musical settings from Job include
Orlande de Lassus's 1565 cycle of
motets, the , and
George Frideric Handel's use of Job 19:25 ("I know that my redeemer liveth") as an aria in his 1741 oratorio
Messiah. Modern works based on the book include
Ralph Vaughan Williams's
Job: A Masque for Dancing; French composer
Darius Milhaud's
Cantata From Job; and Joseph Stein's Broadway interpretation
Fiddler on the Roof, based on the
Tevye the Dairyman stories by
Sholem Aleichem. Neil Simon wrote ''
God's Favorite'', which is a modern retelling of the Book of Job. Breughel and
Georges de La Tour depicted Job visited by his wife.
William Blake produced an entire cycle of
illustrations for the book. It was
adapted for Australian radio in 1939. Strong parallels between the Book of Job and the novel
The Trial by
Franz Kafka have been pointed out by many people. Some scholars think Kafka deliberately based
The Trial on the Book of Job. Archibald MacLeish's drama
JB, one of the most prominent uses of the Book of Job in modern literature, was awarded the Pulitzer Prize in 1959. Verses from the Book of Job figure prominently in the plot of the film
Mission: Impossible (1996). Job's influence can also be seen in the
Coen brothers' 2009 film,
A Serious Man, which was nominated for two
Academy Awards.
Terrence Malick's 2011 film
The Tree of Life, which won the
Palme d'Or, is heavily influenced by the themes of the Book of Job, with the film starting with a quote from the beginning of God's speech to Job. The Russian film
Leviathan also draws themes from the Book of Job. The 2014 Indian
Malayalam-language action-drama film
Iyobinte Pusthakam () by
Amal Neerad tells the story of a rich landowner named Iyob (the Malayalam equivalent of Job) and his relationship with his 3 sons during the late 1940s. The plot and characters of the film were inspired by King Lear and the Brothers Karamazov as well the Book of Job itself. "The Sire of Sorrow (Job's Sad Song)" is the final track on Joni Mitchell's 15th studio album,
Turbulent Indigo. In 2015 two Ukrainian composers Roman Grygoriv and Illia Razumeiko created the opera-requiem
IYOV. The premiere of the opera was held on 21 September 2015 on the main stage of the international multidisciplinary festival
Gogolfest. In the 3rd episode of the 15th season of
ER, the lines of Job 3:23 are quoted by doctor Abby Lockhart shortly before she and her husband (Dr. Luka Covac) leave the series forever. In season two of
Good Omens, the tale of Job and his struggles with good and evil are demonstrated and debated as the demon Crowley is sent to plague Job and his family by destroying his property and children, and the angel Aziraphale struggles with the implications of the actions of God. In the
South Park episode
Cartmanland,
Kyle Broflovski, who is
Jewish, experiences a major crisis of faith.
His parents try to cheer him up by reading from the Book of Job, which only serves to demoralize Kyle even more, who despairs at Job's horrific trials by God to prove a point to Satan. In a series of (now deleted) cryptic
tweets detailing the story of an unconfirmed meeting with
Bob Dylan, comedian
Norm Macdonald makes allusions and references to The Book of Job, calling it his favorite book of the Bible. Dylan allegedly preferred
Ecclesiastes.
In Islam and Arab folk tradition Job () is one of the 25 prophets mentioned by name in the
Quran, where he is lauded as a steadfast and upright worshipper (
Q.38:44). His story has the same basic outline as in the Bible, although the three friends are replaced by his brothers, and his wife stays by his side. In Lebanon the Muwahideen (or
Druze) community have a shrine built in the Shouf area that allegedly contains Job's tomb. In
Turkey, Job is known as , and he is supposed to have lived in
Şanlıurfa. There is also a tomb of Job outside the city of
Salalah in Oman. ==See also==