The Eras Tour

on the Reputation Stadium Tour (2018), the highest-grossing North American concert tour before the Eras Tour Taylor Swift's last concert tour, the Reputation Stadium Tour (2018), broke the record for the highest-grossing US tour in history. She cancelled a planned concert tour in support of her seventh studio album Lover (2019), due to the outbreak of the COVID-19 pandemic in 2020, and subsequently released three new studio albums: Folklore (2020), Evermore (2020), and Midnights (2022). As part of her re-recording project to claim ownership over the masters of her past albums, she released two re-recorded albums, ''Fearless (Taylor's Version) and Red (Taylor's Version)'', in 2021. Messina Touring Group, an Anschutz Entertainment Group (AEG) partner, was the tour's promoter. She first announced 27 US shows from March to August 2023, beginning in Glendale, Arizona, and ending in Inglewood, California. The opening acts were Paramore, Haim, Phoebe Bridgers, Beabadoobee, Girl in Red, Muna, Gayle, Gracie Abrams, and Owenn, each two of whom shared a tour date. Popular demand led Swift to announce eight additional US shows on November 4, and 17 the following week. A second US leg was announced on August 4, 2023, with Abrams as the opener. On June 2, 2023, Swift announced the Latin American shows of the Eras Tour, with Sabrina Carpenter as the opening act. A third show in Buenos Aires was announced on June 6, hours after the public sale commenced, due to high demand. Louta was announced as an additional opening act. Additional shows in Mexico City, Rio de Janeiro, and São Paulo were announced on June 12. Shows in Asia, Australia, and Europe were announced on June 20. and two to Australia. In Europe, eight shows were added initially, followed by fourteen more, then two in London; Paramore was announced as the leg's opening act. In February 2024, a second show was added in Madrid after the venue's football club, Real Madrid, asked La Liga to reschedule their match to cover the "extraordinary demand". Several politicians and government officials demanded the tour be brought to their country or city. Places such as Canada and Chile were expected to be part of the tour but were absent in Swift's announcement on June 20, drawing dismay and demands from fans and officials. Across Southeast Asia, fans decried the lack of shows in countries like the Philippines, Malaysia, Thailand and Hong Kong and demanded the tour be brought to there. In particular, her return to the Philippines had been highly anticipated. Some journalists and fans opined that unlike venues in Japan and Singapore—the only Asian countries that are a part of the Eras Tour—those in Hong Kong, the Philippines and Thailand might not have the proper infrastructure that is required to host the tour. In addition, Hong Kong and mainland China reopened to foreigners much later than most other places following the COVID-19 pandemic lockdowns, which may have affected touring plans, as per South China Morning Post. In Malaysia, legal opposition to LGBT rights and the ban on pop concerts during Ramadan were cited as potential reasons. == Ticket sales ==

Ticket sales for the Eras Tour were handled by various ticketing agencies around the world, such as Ticketmaster, over several dates. Met with unprecedented, record-setting demand, tickets at every venue sold out in hours. Jay Marciano, CEO of AEG, stated that Swift outright refused to impose dynamic pricing on the tickets in the purview of her fans. US and Canada The first US leg was set to go on sale to the general public on November 18, 2022. Due to Swift's multi-year partnership with Capital One, their cardholders had presale access, which was set to begin on November 15. Fans registered for the Ticketmaster Verified Fan program from November 1 through 9 to receive a presale code that granted exclusive access to the TaylorSwiftTix Presale on November 15; those who purchased merchandise from Swift's website received "boosts", and previous Lover Fest ticket holders also received preferred access to the presale if they registered using the same Ticketmaster account. Swift confirmed ticket prices in advance, abandoning the "platinum ticket" model; they ranged from to $449, while VIP packages ranged from $199 to $899. It also noted that if demand from the program "exceeds supply", it is possible that "verified fans may be selected at random to participate in the presale." It later reported that it received a record 3.5 million verified fan registrations for the Eras Tour. Ahead of the second leg's presale on August 11, Ticketmaster estimated that 14 million users were vying for roughly 625,000 tickets. Ticketmaster handled the Canadian sales as well, using the Verified Fan program. An estimated 31 million people registered for the Toronto Verified Fan presale, equal to over 77 percent of Canada's population. Latin America Latin American tickets went on sale in early June 2023. around one million customers were reported to have queued for the 24,000 available presale tickets for the Buenos Aires shows, and over three million during the general sale. DF Entertainment served as Swift's tour promotion partner in Argentina; CEO Diego Finkelstein called the demand "unprecedented", based on which Perfil opined that Swift could fill the stadium 36 times if she wanted to. On the day of the show, more than 1 million users tried to get last-minute seats. In Mexico, ticket presale was handled by Ticketmaster's Verified Fan program; registrations ran from June 2 through June 7, followed by a general public on-sale. In Brazil, previous Lover Fest ticket holders and C6 Bank Mastercard holders gained access to presales on June 6 and 10, respectively. Instantly after the announcement of the shows on June 2, people camped outside Allianz Parque to purchase physical tickets to the São Paulo shows that would not go on sale to the general public until June 12. The Mastercard presale tickets sold out in 30 minutes, with over one million customers queueing. On June 12, over two million users queued for the general sale online. Asia-Pacific Tickets in Japan were sold by Lawson under their Loppi ticket system. Unlike other countries, all Japanese tickets were only sold as lottery tickets. The pre-sale for American Express card holders began from June 23 to 26, 2023, and pre-sale for Lawson began from June 27 to July 10. Due to the high demand, Lawson announced the second lottery pre-sale, which began from July 28 to August 3. The additional general sale took place on August 22, 2023, and immediately sold out. In Australia, tickets were only available via Ticketek. Guardian Australia reported that the Australian leg was met with unprecedented demand as well. Within 12 hours, over one million people signed up for presale codes. American Express cardholders purchased VIP packages from June 26 to 28; the website crashed within half an hour, and all packages sold out on June 26. Following the scalping highlighted by Australian consumer organization Choice, the Victoria State Government declared the Eras Tour in Melbourne a "major event", a legal provision penalizing scalping and misleading advertisement in Victoria. Because reselling a ticket for more than 10% above the original price had already been illegal in New South Wales, the government investigated the ticket resale platform Viagogo after the scalping reports. On June 28, those registered with Frontier Touring Company gained access to a presale for which over four million users queued, setting a national record; tickets sold out within three hours. Ticketek stated it neutralized over 500 million bot purchase attempts during the presale. The public on-sale began on June 30, with tickets selling out that day. A second sale on November 10 sold out within two hours for Sydney and under one hour for Melbourne. A third sale for a limited number of tickets, including restricted view seats, occurred on February 13, 2024. For the Singaporean shows, United Overseas Bank (UOB) cardholders in Singapore, Malaysia, Thailand, Indonesia and Vietnam had presale access on July 5, 2023, with over one million users in the virtual queue. The Straits Times reported that Swift's fans in Singapore and other eligible Southeast Asian countries began "scrambling" to sign up for UOB cards. Around 22 million users registered for access to the 330,000 available tickets during the July 7 general sale, which happened both virtually and via Singapore Post offices; tickets sold out immediately despite website crashes. Klook, an official experience partner for the Singapore leg, sold travel packages along with tickets, which were purchased by dozens of Filipino fans and instantly sold out. Marina Bay Sands sold tickets coupled with hotel stays and other experiences. Europe The Lisbon shows went on sale on July 12 and 27, 2023, via See Tickets, with transferrable access codes mailed to registered users, who were limited to four tickets per code. Standard tickets for both shows sold out within 2.5 hours. Following popular demand for an additional show in Madrid, Spain, La Liga approved football club Real Madrid's request to move their match from May 26 to May 25, 2024, to make way for a second Eras Tour show at the Santiago Bernabéu Stadium on May 29. Three million people queued for tickets in Germany, and 600,000 registered for the Warsaw shows. All 170,000 tickets for the three Vienna shows sold out within a few hours, marking the largest and fastest ticket sale ever in Austria. In France, TF1 reported the highest demand ever for a presale. Angelo Gopee, head of Live Nation France, stated, "the demand is such that many have found themselves in a virtual queue just to subscribe to the mailing list which, potentially, will open access to the ticket office. From memory, we had never seen that in France". The Paris presale opened on July 11, 2023, to over one million queued users. Ticketmaster suspended both Paris and Lyon presales within an hour after reports of login glitches; they were rescheduled to July 17 to 21. Over 250,000 tickets were sold for the six French dates, with AEG France executive Arnaud Meersseman estimating Swift could have done twelve shows due to the overwhelming demand. According to RMC, the capacity for the four shows at Paris La Défense Arena was also increased from 41,500 to 45,000, meaning Swift will perform for 180,000 attendees in Paris alone. Ticketmaster and AXS handled the United Kingdom sale. Those who had previously pre-ordered Midnights were able to access presales from July 10 to 12. Cardiff's Principality Stadium tickets were pre-sold on July 14. In addition to website malfunctions, Forbes reported widespread scalping of the tour's UK tickets, with immediate re-listing on sites like StubHub and Viagogo for extortionate prices. Viagogo responded that the demand of the tour's European leg is something the company had not seen "since the Beatles". The UK general sale took place from July 17 to 19. In Scotland, the City of Edinburgh Council granted organizers permission to increase Murrayfield Stadium's capacity from 67,130 to 72,990 for Swift's three shows. In Ireland, around 500,000 people registered for the Dublin shows. On account of the website crashes during the UK sale, Ticketmaster announced staggered on-sale times for Dublin on July 20, 2023; tickets sold out in minutes. The Irish Times highlighted that, unlike the UK, "the practice of reselling tickets above face value has been illegal in Ireland since 2021", so no scalping was reported. == Production ==

The Eras Tour was produced by Swift's in-house tour production company, Taylor Swift Touring. The company hired around 90 trucks to haul staging, costumes and other equipment for the shows. Canadian production designer Ethan Tobman served as the tour's creative director. a main stage with a giant, curved widescreen; and a rectangular stage that along with the ramp forms a T-shape at the middle of the floor. The stages feature various visuals and effects throughout the show. The tour's concept centers on worldbuilding, featuring a diverse set of props and performing styles to convey the varying moods and aesthetics of Swift's albums. with the main and middle stages having mobile blocks that manually rise from the center to form platforms of different shapes, The tour's "massive" production is heavily inspired by Broadway theatre. smoke machines, fire cannons, indoor fireworks, PixMob LED bracelets, Some media outlets dubbed the Eras Tour the "greatest hits" tour of an artist still in her commercial prime. According to the music journalist Alexis Petridis, the Eras Tour is a musically eclectic production, consisting of "dubstep-inspired, dark-hued pop; tweedy folk; monster-chorus-sporting anthems and acoustic guitar-driven songs that show her Nashville grounding". The concert ensemble included 15 backup dancers, choreographed by Mandy Moore, and Swift's live band of six instrumentalists who have been touring with her since 2007 and four female backing vocalists. Moore was recommended by Swift's friend, American actress Emma Stone, who had worked with Moore on the musical film La La Land (2016). To prepare for the tour physically, Swift trained using a custom workout routine designed by personal trainer Kirk Myers; Swift sang the entire set list daily while running on a treadmill, trained in dance for three months leading up to the first show, and forwent the consumption of alcohol. Fashion Swift's wardrobe at the Eras Tour was a subject of widespread media coverage. Her costumes and those of her accompanying dancers, as well as her microphones and guitars, paid homage to her 10 albums. They were inspired by previous performances, music videos, and public appearances, intended to align with the overarching themes and palette of the era Swift referenced in an act, showcasing the various sonic and visual aesthetics she had adopted in her career. Attire and accessories were mostly custom-made by fashion houses Swift had worked with before, such as Atelier Versace, Roberto Cavalli, Etro, Nicole + Felicia Couture, Zuhair Murad, Elie Saab, Ashish, Alberta Ferretti, Jessica Jones, and Oscar de la Renta. Fausto Puglisi, a designer for Roberto Cavalli, stated that he took an "artisanal approach to craftsmanship" while customizing the outfits, claiming "everything must be eye-catching" when designing for concerts. The sequined tulle ball gown that Murad designed for the Speak Now act required "over 350 hours of atelier handwork". Ferretti used chiffon and micro-beading for the Folklore era dresses, while the Midnights Oscar de la Renta fringed bodysuit was hand-adorned with more than 5,300 beads and crystals. The New York Times chief fashion critic Vanessa Friedman considered the Eras Tour a fashion show beyond merely live music and praised Swift's "fabulous" but purposeful wardrobe choices for setting the bar high for future concerts by other artists. == Concert synopsis ==

A typical show of the Eras Tour lasted 3 hours and 15 minutes. It consisted of between 44 and 46 songs, grouped into 10 acts, representing each "musical era" of her discography. Each act was characterized by a specific color scheme, costume, and stage design, and transitions between acts were facilitated by on-screen interlude visuals and marked by costume changes with negligible intermissions. March 2023 to March 2024 The show commenced with the Lover act. A clock on-screen counted down to show time as Dusty Springfield's "You Don't Own Me" (1964) played. Surrounded by dancers in pastel-colored, fan-like tapestry, Swift emerged from the platform at mid-stage in a bodysuit and boots. followed by a stripped-down rendition of "The Archer" alone on the ramp. Snakes visuals and dimming lights started the Reputation act. She delivered a high-energy performance of "...Ready for It?" with female dancers wearing black-dark red gothic leotards, "Delicate", She transitioned to "Look What You Made Me Do", which featured on-screen visuals of Swift from all of her eras trapped in glass boxes and dancers dressed in some of Swift's older looks. Swift, in a ball gown, walked in from the screen and performed "Enchanted" with female dancers; since July 7, 2023, she also performed "Long Live" with her band. Swift sang "We Are Never Ever Getting Back Together" and "I Knew You Were Trouble" with male dancers next, dressed in a red-black romper. Swift returned to the cabin to perform "Cardigan", ending the act with fireflies as the cabin retreated. The final act, Midnights, began with a wave from the illusion crashing against the screen; Swift woke up from a bed and climbed a ladder into a cloud. The lower screen split, and dancers carried out clouds as Swift reemerged in a purple faux fur coat, a glittery oversized shirt, and dark blue boots to sing "Lavender Haze". and "Mastermind" with the entire dance crew wearing black robes. The Speak Now and Red acts were brought forward as the fourth and third acts, while the acts for Folklore and Evermore, which are considered "sister albums", merged into one. The Tortured Poets Department act was placed between the 1989 act and acoustic set. The Tortured Poets Department act featured predominantly black-and-white graphics, It began with the screen showing pieces of furniture descending from the sky alongside paper pieces, which then transform into a deserted road and the furniture crash down. She performed "Who's Afraid of Little Old Me?" on a moving glass-plated block and appeared to levitate in an illusion, which ended with the screen depicting an evil-possessed Swift. A UFO then appeared on screen and attempted to abduct Swift, who started singing "Down Bad" on the moving block that hovered over a digital galaxy. At the end of the last shows of the tour, Swift exited the stage in the direction of a bright orange door on the screen. == Critical reception ==

The tour received "overwhelmingly positive" reviews from music and entertainment critics, who praised both the high-end spectacle and "polished artistry" of the tour. Billboard described the Eras Tour as "the must-see blockbuster of the year". Neil McCormick of The Daily Telegraph, Keiran Southern of The Times, Adrian Horton of The Guardian, Kelsey Barnes of The Independent, Ilana Kaplan of the i, and Erica Campbell of NME gave the Eras Tour total five-star ratings. McCormick called the show "one of the most ambitious, spectacular, and charming stadium pop shows ever seen", lauding Swift's musicianship, vocals, and energy. Horton praised the "rapturous" music selection, concept, "extravagant" staging, and Swift's stamina and vocals. Campbell praised the storytelling aspect of the show that ties all the 10 acts together, enhanced by staging, cinematic ambience and fashion. Australian Financial Review James Thomson opined, "Swift works the massive stage like a master, cycling through countless costume changes and several elaborate sets, all while belting out 44 songs over three-and-a-half hours." The versatility of the show's music, visuals, and performance art was often a point of praise in its reviews. Journalists Rebecca Lewis and Carson Mlnarik of Hello! and MTV, respectively, commended Swift's stage presence and commitment to her artistry; Lewis described Swift's alter egos during the tour as shifting from "country ingénue to pop princess and folklore witch", The Week and Dallas Observer critics agreed, highlighting the "jaw-dropping" visuals and "bedazzled" fashion. whereas The Atlantic Spencer Kornhaber complimented the show's art direction, suspense, and the sequencing of the acts. Mikael Wood of Los Angeles Times described the show as a "masterclass in pop ambition", showcasing Swift's range. Critics also appreciated the tour's production value and artistic direction. Philip Cosores of Uproxx dubbed it the "most impressive stadium show ever conceived". The revamped tour, following the release of The Tortured Poets Department, continued to receive rave reviews. Annabel Nugent of The Independent and Fiona Sheperd of The Scotsman praised the tour's choreography, state-of-the-art production, song selection, and Swift's consistent energy. McCormick declared, "there's no doubt that Taylor Swift is the best in the world right now." Critics Mark Sutherland and Anna Leszkiewicz opined that the tour's scale and performances continued to impress despite crossing 100 shows and being available as a film on streaming; Leszkiewicz, in New Statesman, described Swift as "a talented actress" with a "high camp" stage presence—"whether flashing faux-coy smiles, luxuriating in overdramatic eyerolls, or throwing herself into theatrical Wicked Witch of the West arm movements." Petridis described the tour in The Guardian as "an astonishing, risk-taking, strangely intimate extravaganza", adding it is pointless to review the tour anymore as "every conceivable detail has already been dissected and discussed in depth." == Commercial performance ==

Box score The Eras Tour has broken a string of ticket sales records worldwide. In the first day of the US presale alone, the tour sold over 2.4 million tickets, the most sold by an artist in a single day, surpassing Robbie Williams, who had sold 1.6 million tickets for his Close Encounters Tour in 2005. Billboard reported on December 15 that the Eras Tour had already grossed an estimated , and projected the US leg to finish with $591 million, surpassing the former all-time female record set by Madonna's Sticky & Sweet Tour ($407 million) in 2008–2009. Following the tour's launch, Swift rose to number one on Pollstar Artist Power Index chart. MetLife Stadium named her their "No. 1 best-selling artist" of all time after the tour's third East Rutherford show, which was the 100th concert in the stadium's history. Pollstar estimates projected a $1.4 billion gross. Bloomberg News reported that the average gross per show on the US leg was $13 million. According to Forbes, the Eras Tour has grossed $780 million from 56 shows as of August 2023, making it the highest-grossing tour by a woman in history based on its first North American leg alone, surpassing Beyoncé's Renaissance World Tour. In November 2023, Billboard estimated a gross of over $900 million from the tour thus far and that the total could nearly double after the 2024 shows. Swift's team stated they do not intend to announce the box score, but Pollstar reported in December 2023 an estimated gross of $1,039,263,762 from 60 shows that year, making the Eras Tour the highest-grossing concert tour ever and the first to reach the $1 billion mark. In June 2024, the BBC News estimated 11 million tickets sold across the entire tour. In October 2024, Forbes reported that the tour had grossed an additional $1.15 billion from 65 shows in 2024, bringing the tour's estimated gross up to $1.93 billion. After the tour concluded in December 2024, The New York Times published the first gross reported by Taylor Swift Touring, Swift's production company. The publication revealed that the tour grossed $2.07 billion with an attendance of 10.1 million. With an average of 67,487 tickets, she broke U2 360° Tour's record for highest attendance per show. Venue records == Spin-off media ==

Swift unveiled various musical works during the tour. On the day of the opening show, she released four songs to celebrate the tour's launch: the re-recordings of "Eyes Open" and "Safe & Sound", both originally from the 2012 soundtrack The Hunger Games: Songs from District 12 and Beyond; a re-recording of "If This Was a Movie", one of the deluxe tracks from Speak Now (2010); and "All of the Girls You Loved Before", a previously unreleased outtake of Lover. A special CD edition of Midnights, subtitled The Late Night Edition, was released during the Eras Tour. It was only purchasable in-person at merchandise stands at certain shows, beginning in East Rutherford, New Jersey, on May 26, 2023. It exclusively contained the bonus track "You're Losing Me", which became a "ravenously anticipated" song; Variety reported that "fans were so eager to get their hands" on the CD, causing queues at the stadium the day before the merchandise store opened. On May 5, 2023, at the first Nashville show of the tour, Swift announced her third re-recorded album, ''Speak Now (Taylor's Version), and its release date as July 7. A digital deluxe version of Speak Now (Taylor's Version) contained two live recordings from the tour as bonus tracks. She also premiered two music videos, both of which she wrote and directed, during the tour. She premiered the videos for "Karma" featuring American rapper Ice Spice and "I Can See You" before the acoustic set at the first East Rutherford show and first Kansas City show, respectively. On August 9, at the final Los Angeles show, Swift announced 1989 (Taylor's Version) as her fourth re-recorded album, which was released on October 27, exactly nine years after the release of the original 1989 album. On November 3, Hits'' reported that a live album of the tour was discussed. On October 13, 2023, Swift released the self-produced concert film, Taylor Swift: The Eras Tour, directed by Sam Wrench, to theaters worldwide. It was produced from the footage recorded at the tour's Los Angeles shows. The film, in an unprecedented move, had Swift partnering directly with the theaters to both distribute and exhibit the film instead of a major film studio. It received critical acclaim for capturing the spectacle and energy of the show and became the highest-grossing concert film of all time. On February 16, 2024, at the first Melbourne show, Swift announced a second variant of The Tortured Poets Department, with a bonus track titled "The Bolter". She announced another variant of the album, with the bonus track "The Albatross" on February 23, at the first Sydney show. The fourth variant of the album, containing the bonus track "The Black Dog", was announced on March 3, at the second Singapore show of the tour. On August 20, Swift premiered the music video for "I Can Do It with a Broken Heart", a song inspired by the tour after leaving the stage at the end of the eighth show in London. The video features footage of tour performances, rehearsals, audiences, and backstage moments. Throughout the tour Swift released limited-time digital deluxe versions of The Tortured Poets Department, each with a different live recording of songs from the album. On October 15, 2024, Swift announced her first-ever book, The Eras Tour Book. Dubbed "the official retrospective" of the tour, it is a 256-page photo book with over 500 on-stage and behind-the-scenes images, as well as Swift's personal reflections and notes. Concurrently, Swift launched her in-house publishing imprint, Taylor Swift Publications. The book was released exclusively in Target stores on a Black Friday—November 29, 2024. Selling over a million copies in its first week in the US alone, the book became the best-selling book of 2024. On January 16, 2025, Swift released three limited-time digital versions of Lover (Live from Paris), each with a live recording of a song from Lover performed on the tour. A documentary series, The End of an Era, premiered through Disney+ on December 12, 2025, released over the course of a three-week period, concluding on December 23. Directed by Don Argott and produced by Object & Animal, the six-episode series features an "intimate look" at Swift's life while on tour. Additionally, a second concert film documenting the tour was released on December 12. Directed by Glenn Weiss and filmed at the tour's final show in Vancouver in December 2024, The Eras Tour: The Final Show includes The Tortured Poets Department act, which was absent from the first concert film. == Accolades ==

The Eras Tour had an impact on the music industry, entertainment and beyond. It was described as one of the most prominent cultural phenomena of the 21st century, generating a level of attention similar to the 1960s' Beatlemania. The tour elevated the economy of its stops by revitalizing local businesses and tourism, dominated news cycles and social media, inspired tributes from governments and organizations. Critics often described the Eras Tour as a monocultural event demonstrating Swift's impact on popular culture. Swift's net worth, which was $740 million before the tour began, was updated to $1.1 billion after the first 57 shows of the tour; Swift became the first billionaire in history with music as the main source of income. Sportico reported that the NFL stadiums Swift performed at garnered substantial revenue from concessions and merchandise sales, and parking permits. == Controversies ==

US ticket sales crash proposed to outlaw junk fees in the country following the controversy.|alt=Federal Trade Commission Building in 2007 On November 15, the day of the first US presale, Ticketmaster's website crashed following what Variety called "historically unprecedented demand". Live Nation, the parent company of Ticketmaster, said they prepared for 1.5 million verified fans, but 14 million turned up; published a statement saying they had been "unprepared" to accommodate them; and cancelled any further sales, citing inability to meet demand. The fiasco was the subject of public criticism and political scrutiny. Customers and fans criticized Ticketmaster for its allegedly flawed systems and inefficient technical resolutions. US lawmakers, including attorneys general and members of Congress, took notice of the issue, which became the focus of multiple state, federal and congressional inquiries, and an antitrust lawsuit. Venue management in Brazil , where the incident took place|alt=Estádio Olímpico João Havelange Unrest was reported on June 11, 2023, outside the Brazilian venues' box offices, as scalpers attempted to cut in line, including some armed scalpers who threatened violence, until the police intervened. The agency responsible for the tour in Brazil, T4F – Time For Fun (T4F), was reported over 100 times to authorities for their inaction. On June 20, federal lawmakers in Brazil filed the "Taylor Swift Law", which would penalize scalpers with up to four years in prison and a fine of up to 100 times the value of the ticket. On November 17, 2023, before the start of the first Rio de Janeiro show, T4F reportedly prohibited concertgoers from bringing their own water bottles inside the venue. It was one of the hottest days in the city, with a heat index of 59.3 °C (138.74 °F), as part of a heat wave in the country. Videos posted to social media by fans showed thousands of queued concertgoers waiting for hours in the sun before entry into the stadium; Swift and her team arranged and distributed water bottles to the crowd. A concert attendee, Ana Clara Benevides, died while being taken to a hospital after she fainted during the first few minutes of the show. Swift grieved Benevides' death on social media. He criticized Singapore for excluding other member countries of the ASEAN from witnessing Swift. The Singapore Tourism Board responded that they did provide a "grant" to bring the Eras Tour to Singapore, and that the Ministry of Culture, Community and Youth worked with the tour's promoter, Anschutz Entertainment Group (AEG), but did not reveal the size of the grant or attached conditions due to "business confidentiality". Minister Edwin Tong commented, the alleged sum of the grant was "nowhere as high as what is being speculated". Joey Salceda, member of the House of Representatives of the Philippines, criticized Singapore and demanded that the Philippine Department of Foreign Affairs seek an explanation from the Embassy of Singapore, Manila. Sandiaga Uno, Indonesian minister of Tourism and Creative Economy, also expressed his disappointment, stating "Indonesia was eager to replicate the success of Swiftonomics". Subsequently, Lee Hsien Loong, Prime Minister of Singapore since 2004, assured that the exclusivity grant did not have an hostile intention. Swift included neither the People's Republic of China nor the Republic of China (Taiwan) in the Eras Tour. The tour skipping Taiwan was a topic of political debate during the campaigns preceding the 2024 Taiwanese presidential and legislative body elections. Jaw Shaw-kong, vice-presidential candidate of the opposition (Kuomintang party), claimed he invited Swift to perform at the Taipei Dome and that she initially agreed to perform but later declined due to "geopolitical risks" of the sensitive Cross-Strait relations. The Taiwanese Ministry of Culture commented on the issue but neither denied nor confirmed Jaw's claims. Kaohsiung mayor Chen Chi-mai described Jaw's claims about Swift as an attempt at manipulating the voters. Security in Europe set afire by rioters following a fatal stabbing attack on children in a Swiftie workshop in Southport, United Kingdom On July 18, 2024, a suspected stalker of Swift, who was accused of threatening her and her boyfriend, American football player Travis Kelce, on social media was detained and arrested as he attempted to enter the second of Swift's shows in Gelsenkirchen. The same month, three children were killed at a mass stabbing attack at a Swiftie workshop in Southport, Merseyside, UK. The incident caused public unrest in Southport, and over the next few days, escalated into nationwide protests and riots. Police arrested three teenagers who were "radicalized on the Internet" and plotted to kill "tens of thousands" at the concerts. Initially, Austrian public security director Franz Ruf stated that the shows would take place as scheduled, with additional security measures in place. However, event organizer Barracuda Music announced that all three shows would be cancelled with tickets refunded, after confirmation from the Government of Austria of an elaborate terrorist plan. With Swift's permission, the Austrian public broadcaster ORF aired the tour's accompanying concert film on August 10 on ORF 1 television for free. The tour's next stop, London, increased its security for the shows. In October 2024, controversy ensued in the UK when it was reported that politicians of the ruling Labour Party were gifted with over £20,000 in free tickets to the Eras Tour after Swift's demands for the highest level of security were denied, with the politicians allegedly pressuring the Metropolitan Police to give in to the demands. In advance of the London dates, Swift's team had reportedly demanded additional "VVIP" security from the Metropolitan Police's Special Escort Group and threatened to cancel the London shows if not provided. However, the police subsequently reversed its decision and provided Swift with the requested protection. Both the police and the government denied the allegations of bribery; Starmer's spokesperson described it as a conflict of interest. == Philanthropy ==

Swift donated to food bank units at every stop of the Eras Tour, as reported by the respective organizations, and exclusively employed various local businesses to fulfill her crew's daily requirements. At the conclusion of the first US leg, Swift gave "unprecedented" bonus payments totaling over $55 million to her entire touring crew, including $100,000 to each of the 50 truck drivers involved in transporting the stage setup and production equipment. By the end of the tour, Swift distributed $197 million in bonus payments to her crew. A spokesperson for Swift said she purchased more than double the carbon credits needed to offset emissions generated by her travel throughout the tour. In October 2023, Swift donated Eras Tour tickets to the Rare Impact Fund, a charity and mental health awareness initiative by American singer Selena Gomez's cosmetic company, Rare Beauty. The auctioned tickets sold for $15,000 and were the "biggest ticket item of the event". On April 27, 2024, four Eras Tour tickets raised $80,000 at auction in a gala benefiting the 15 and The Mahomies Foundation, a charity by the American football player Patrick Mahomes. == Standard set list ==

March 2023 to March 2024 This set list was taken from the show in Glendale on March 17, 2023. It does not represent all shows throughout the tour. ;Act I – Lover • "Miss Americana & the Heartbreak Prince" • "Cruel Summer" • "The Man" • "You Need to Calm Down" • "Lover" • "The Archer" ;Act II – Fearless • "Fearless" • "You Belong with Me" • "Love Story" ;Act III – Evermore • "Tis the Damn Season" • "Willow" • "Marjorie" • "Champagne Problems" • "Tolerate It" ;Act IV – Reputation • "...Ready for It?" • "Delicate" • "Don't Blame Me" • "Look What You Made Me Do" ;Act V – Speak Now • "Enchanted" ;Act VI – Red • "22" • "We Are Never Ever Getting Back Together" • "I Knew You Were Trouble" • "All Too Well (10 Minute Version)" ;Act VII – Folklore • "Seven" (spoken interlude) / "Invisible String" • "Betty" • "The Last Great American Dynasty" • "August" • "Illicit Affairs" • "My Tears Ricochet" • "Cardigan" ;Act VIII – 1989 • "Style" • "Blank Space" • "Shake It Off" • "Wildest Dreams" • "Bad Blood" ;Act IX – Acoustic set • Guitar surprise song • Piano surprise song ;Act X – Midnights • "Lavender Haze" • "Anti-Hero" • "Midnight Rain" • "Vigilante Shit" • "Bejeweled" • "Mastermind" • "Karma" Alterations • "The 1" replaced "Invisible String" starting from the Arlington shows, • "Nothing New" was added before "All Too Well (10 Minute Version)" at shows opened by Phoebe Bridgers, who performed the song with Swift. • At the three East Rutherford shows, Swift performed the remix of "Karma" with Ice Spice. • "Long Live" was added after "Enchanted" as part of the Speak Now act after the release of ''Speak Now (Taylor's Version)'', until May 2024. • "No Body, No Crime" replaced "Tis the Damn Season" at shows opened by Haim, who performed the song with Swift. May to December 2024 This set list was taken from the show in Nanterre on May 9, 2024. It does not represent all shows throughout the tour. 'Act I – Lover''''' • "Miss Americana & the Heartbreak Prince" • "Cruel Summer" • "The Man" • "You Need to Calm Down" • "Lover" 'Act II – Fearless''''' • "Fearless" • "You Belong with Me" • "Love Story" 'Act III – Red''''' • "22" • "We Are Never Ever Getting Back Together" • "I Knew You Were Trouble" • "All Too Well (10 Minute Version)" 'Act IV – Speak Now''''' • "Enchanted" 'Act V – Reputation''''' • "...Ready for It?" • "Delicate" • "Don't Blame Me" • "Look What You Made Me Do" 'Act VI – Folklore & Evermore''''' • "Cardigan" • "Betty" • "Champagne Problems" • "August" • "Illicit Affairs" • "My Tears Ricochet" • "Marjorie" • "Willow" 'Act VII – 1989''''' • "Style" • "Blank Space" • "Shake It Off" • "Wildest Dreams" • "Bad Blood" 'Act VIII – The Tortured Poets Department''''' • "But Daddy I Love Him" / "So High School" • "Who's Afraid of Little Old Me?" • "Down Bad" • "Fortnight" • "The Smallest Man Who Ever Lived" • "I Can Do It with a Broken Heart" Act IX – Acoustic set • Guitar surprise song • Piano surprise song 'Act X – Midnights''''' • "Lavender Haze" • "Anti-Hero" • "Midnight Rain" • "Vigilante Shit" • "Bejeweled" • "Mastermind" • "Karma" Alterations • At the last London show and the three Miami shows, Swift performed "Florida!!!" with Florence Welch of Florence and the Machine before "Who's Afraid of Little Old Me?" == Surprise songs ==

Swift performed two numbers from her discography, as either a standalone song or a mashup, at each show as "surprise songs" in the ninth act—the first on acoustic guitar and the second on piano. Over the course of the tour, Swift played every song in her discography, with the exception of "That's When", "Bye Bye Baby", "Girl at Home", "Ronan", "Forever Winter" and "Soon You'll Get Better". 2023 2024 Notes • At the third Tampa show and the second Pittsburgh show, Swift reversed the order of the instruments she used to perform the surprise songs, playing the first on piano with Aaron Dessner and the second on acoustic guitar. • At the second Cincinnati show, Swift performed "I Miss You, I'm Sorry" on acoustic guitar with Gracie Abrams on piano between the first and second surprise songs. == Tour dates ==

Cancelled shows == Personnel ==

Adapted from the credits of Taylor Swift: The Eras Tour concert film. • Taylor Swift – lead vocals, guitar, piano Band & Vocalists • Mike Meadows – co-band leader, guitar, keyboards, cello, harmonica, mandolin, background vocals • Max Bernstein – co-band leader, guitar, keyboards, pedal steel • Paul Sidoti – guitar • Amos Heller – bass, keyboard bass • Matthew Billingslea – drums • Karina DePiano – keyboards • Melanie Nyema – background vocalist section leader • Kamilah Marshall – background vocalist dance captain • Jeslyn Gorman – background vocals (except shows in Seattle, Latin America, Tokyo, and Melbourne due to breast cancer diagnosis) • Eliotte Woodford – background vocals (except shows in Hamburg, Munich, Warsaw, London nights 4-8, Miami, New Orleans, Indianapolis, and Toronto night 1) Dancers • Amanda Balen – dance captain • Tori Evans • Audrey Douglass • Jan Ravnik • Taylor Banks • Sydney Moss • Natalie Lecznar • Whyley Yoshimura • Raphael Thomas • Kevin Scheitzbach • Kameron Saunders • Natalie Peterson • Tamiya Lewis • Sam McWilliams • Karen Chuang == See also ==