Society Although sometimes applied to other cultures and religions, caste is a uniquely Indian, and Hindu, social institution. All Hindus fall broadly into four castes, or
varnas:
Brahmin, or priests, at the top; below them
Kshatriya, or warriors; further below,
Vaishya, or merchants and farmers; and at the bottom,
Shudra, or the service class. Outside the caste system, and therefore of traditional Hinduism, lie people formerly called "outcastes" or "untouchables," and now
scheduled caste (a term used in India's constitution) or
Dalit, a later self-description of pride, meaning "broken" or "downtrodden". Each caste is further divided into sub-castes, or
jatis, many of which are tied to occupations. The custom of
endogamy, or marrying within one's subcaste, however, makes caste a hereditary label, not of one occupational choice, and has caused the caste system, therefore, to become entrenched. The
Constituent Assembly of India abolished untouchability in 1947, the
Republic of India did more formally in 1950, and India has since enacted other anti-discriminatory laws and social welfare initiatives related to caste. Still, caste-based inequality, discrimination, segregation, and
violence persist. Multi-generational
patrilineal joint families have been the norm in India, though
nuclear families are becoming common in urban areas. A very large majority of Indians have
their marriages arranged by their parents or family elders. Marriage is thought to be for life; and the divorce rate is extremely low; less than one in a thousand marriages end in divorce. Many women marry before reaching 18, which is their legal marriageable age;
child marriages are not uncommon, especially in rural areas. In large parts of Hindu northern India, moreover, a form of territorial
exogamy is observed in which a bride marries out of her natal village and her parents do not visit her in her married home; the annual rite
raksha bandhan, during which married women return to their
natal homes, has served both to affirm bonds with their natal families and offer a recourse in times of marital stress. File:Closeup at Gussadi dance performer.jpg|A member of the
Gond tribe during the
Dandari festival in
Jainoor, Telangana. Some 8.6% of India's population belong to tribal groups. The supercontinent
Gondwana is named after the Gond region of India. Their religion predates the
Hindu synthesis of the mid-first-millennium BCE. File:A smiling member of the Ramnami Samaj (edited).jpg|A member of the
Ramnami Samaj, a movement among
Dalits, whose members worship the Hindu
deity Rama and tattoo their bodies with his name File:Hindu Bride, Ahmedabad, Gujarat.jpg|A Hindu bride in
Ahmedabad, Gujarat
Visual art India has a very ancient tradition of art, which has exchanged many influences with the rest of
Eurasia, especially in the first millennium. During this period
Buddhist art spread with Indian religions to
Central,
East and
Southeast Asia, the last also greatly influenced by Hindu art. Thousands of
seals from the Indus Valley civilisation of the third millennium BCE have been found, usually carved with animals, but also some with human figures. The
Pashupati seal, excavated in
Mohenjo-daro, Pakistan, in 1928–29, is the best known. Virtually no art survives from a long period following the Indus Valley Civilisation. Almost all surviving ancient Indian art thereafter is in various forms of religious
sculpture in durable materials, or coins. There was probably originally far more in wood, which is lost. In north India
Mauryan art is the first imperial movement. Over the following centuries a distinctly Indian style of sculpting the human figure developed, with less interest in articulating precise anatomy than
ancient Greek sculpture but showing smoothly flowing forms expressing
prana ("breath" or life-force). This is often complicated by the need to give figures multiple arms or heads, or represent different genders on the left and right of figures, as with the
Ardhanarishvara form of Shiva and
Parvati. Most of the earliest large sculpture is Buddhist, either excavated from Buddhist
stupas such as
Sanchi,
Sarnath and
Amaravati, or is rock cut
reliefs at sites such as
Ajanta,
Karla and
Ellora. Hindu and Jain sites appear rather later. In spite of this complex mixture of religious traditions, generally, the prevailing artistic style at any time and place has been shared by the major religious groups, and sculptors probably usually served all communities.
Gupta art, at its peak , is often regarded as a classical period whose influence lingered for many centuries after; it saw a new dominance of Hindu sculpture, as at the
Elephanta Caves. Across the north, this became rather stiff and formulaic after , though rich with finely carved detail in the surrounds of statues. But in the South, under the
Pallava and
Chola dynasties, sculpture in both stone and bronze had a
sustained period of great achievement; the large bronzes with Shiva as
Nataraja have become an iconic symbol of India. Ancient paintings have only survived at a few sites, of which the crowded scenes of court life in the
Ajanta Caves are some of the most important. Painted manuscripts of religious texts survive from Eastern India from 10th century onwards, most of the earliest being Buddhist and later Jain. These significantly influenced later artistic styles. The Persian-derived
Deccan painting, starting just before the
Mughal miniature, between them give the first large body of secular painting, with an emphasis on portraits, and the recording of princely pleasures and wars. The style spread to Hindu courts, especially
among the Rajputs, and developed a variety of styles, with the smaller courts often the most innovative, with figures such as
Nihâl Chand and
Nainsukh. As a market developed among European residents, it was supplied by
Company painting by Indian artists with considerable Western influence. In the 19th century, cheap
Kalighat paintings of gods and everyday life, done on paper, were urban
folk art from
Calcutta, which later saw the
Bengal School of Art, reflecting the art colleges founded by the British, the first movement in
modern Indian painting. File:Bhutesvara Yakshis Mathura reliefs 2nd century CE front.jpg|
Bhutesvara Yakshis, Buddhist reliefs from
Mathura, File:MET DT5237 (cropped).jpg|
Gupta terracotta relief,
Krishna Killing the Horse Demon Keshi, 5th century File:Unknown, Kangra, India - Krishna Fluting to the Milkmaids - Google Art Project.jpg|
Krishna Fluting to the Milkmaids,
Kangra painting, 1775–1785 File:Shiva as Lord of the Dance (Nataraja).jpg|
Chola bronze of
Shiva as
Nataraja ("Lord of Dance"),
Tamil Nadu, 10th or 11th century
Mathematics Significant mathematics began in India in the first millennium BCE. The
Śulba Sūtras (literally, "Aphorisms of the Chords" in
Vedic Sanskrit) (c. 700–400 BCE) contain the earliest extant verbal expression of the
Pythagorean theorem (although very likely it had been known to the
Old Babylonians.) All mathematical works were orally transmitted until approximately 500 BCE; thereafter, they were transmitted both orally and in manuscript form. The oldest extant mathematical document produced on the Indian subcontinent is the birch bark
Bakhshali manuscript from the 7th century CE. In the classical period of Indian mathematics (400 CE to 1200 CE), important contributions were made by
Aryabhata,
Brahmagupta,
Bhaskara II,
Varāhamihira, and
Madhava. The
decimal number system in use today was first recorded in Indian mathematics. Indian mathematicians made early contributions to the study of the concept of
zero as a number,
negative numbers,
arithmetic, and
algebra. was further advanced in India, and the modern definitions of
sine and
cosine were developed there. These mathematical concepts were transmitted to the Middle East, China, and Europe. A later landmark in Indian mathematics was the development of the
series expansions for
trigonometric functions (sine, cosine, and
arc tangent) by mathematicians of the
Kerala school in the 15th century CE. Their work, completed two centuries before the invention of
calculus in Europe, provided the first example of a
power series. In the modern era
Srinivasa Ramanujan made fundamental contributions to
number theory.
Music India contains a wide array of musical practices, including many different
folk musics from different regions.
Indian classical music has Vedic origins, and split in the 13th century into the two main traditions of
Hindustani and
Carnatic music. Hindustani is associated with North India and is more
improvisational, featuring instruments such as the
sitar and
tabla, and Carnatic is South Indian and more focused on written
compositions such as the
kriti, while both styles contain common elements such as the
raga melodic framework and
tala rhythmic meter. Indian music has influenced western genres, notably
rock and
jazz musicians during the
1960s counterculture.
Filmi is music written for
Indian cinema, generally composed by
music directors and sung by
playback singers. Modern
Indian pop takes influences from classical, folk, and western pop music. File:Sakunthala 1940 filmposter (2).jpg|
M. S. Subbulakshmi, Carnatic music vocalist and the first Indian musician to perform at the
United Nations in 1966, began her career singing in
Tamil films. File:L Vaidyanathan, L Subramaniam and L Shankar trio with Palghat Mani Iyer on Mridangam.jpg|Carnatic music
mridangam player
Palghat Mani Iyer (left) at a concert with three violinists, from left to right:
L. Vaidyanathan,
L. Subramaniam, and
L. Shankar. File:Allaudin Khan.jpg|
Allauddin Khan, a
Hindustani classical music sarod player was also an influential teacher. Among his students were the
sitarist
Ravi Shankar,
sarod player
Ali Akbar Khan, and flutist
Pannalal Ghosh. File:Ravi Shankar.jpg|
Ravi Shankar playing the
sitar at the
Woodstock music festival, 1972
Dance Dance in India has drawn heavily from
Indian classical dance traditions. Many of these in turn arose in temples or other religious contexts. Their sponsorship and promotion, however, has continued in secular, modern India. India also has local and modern dance traditions. Local dance traditions vary widely across India. In addition to the dance-dramas Chhau and Yakshagana, they include dance-dramas
Raslila of western
Uttar Pradesh and
Terukkuttu of Tamil Nadu; calendrical and festival dances such as the
Bhangra of Punjab, especially at
Vaisakhi, the onset of spring, and
Garba of
Gujarat during
Navratri; and tribal or
Adivasi dances, such as those of the
Santal and
Toda people, the latter, for example, in honour of the god
Ön who brought buffalo to earth. For women it took the form of a
sari, a single piece of cloth many yards long. The use of stitched clothes became widespread after Muslim rule was established by the
Delhi sultanate () and continued by the
Mughal Empire (). Among the garments introduced during this time and still commonly worn are: the
shalwars and
pyjamas, both styles of trousers, and the tunics
kurta and
kameez. When the pants are cut quite narrow, on the
bias, they are called
churidars. The kameez is a long shirt or tunic. Its side seams left open below the waistline. The kurta is traditionally collarless and made of cotton or silk; it is worn plain or with embroidered decoration, such as
chikankari; and typically falls to either just above or just below the wearer's knees. In the last 50 years, fashions have changed a great deal in India. Increasingly, in urban northern India, the sari is no longer the apparel of everyday wear, though they remain popular on formal occasions. The traditional shalwar kameez is rarely worn by younger urban women, who favour churidars or jeans. In office settings, ubiquitous air conditioning allows men to wear sports jackets year-round. For weddings and formal occasions, men in the middle and upper classes often wear bandhgala, or short
Nehru jackets, with pants, with the groom and his
groomsmen sporting
sherwanis and churidars. File:Water pump, Varanasi (15563170660) Cropped.jpg|A man in
dhoti and woollen shawl in
Varanasi File:India School.jpg|Women in
sari at an adult literacy class in
Tamil Nadu File:GroupFromNorthEastIndiaAtTaj.jpg|Female tourists from
Manipur in shawl and
phanek—lower-body garment similar to a
sarong, and made of a rectangular piece of cloth with one pair of opposite sides stitched together File:Women of Puducherry.jpg|Women in
shalwar-kameez in
Puducherry Cuisine The foundation of a typical Indian meal is a cereal cooked plainly and complemented with savoury dishes. The cooked cereal could be steamed rice;
chapati, a thin unleavened bread;
idli, a steamed breakfast cake; or
dosa, a griddled pancake. The savoury dishes might include
lentils,
pulses, vegetables, meat, poultry and fish commonly spiced with
ginger and
garlic, but also
coriander,
cumin,
turmeric,
cinnamon,
cardamom and others. India has distinctive vegetarian cuisines, each a feature of the geographical and cultural histories of its adherents. About 20% to 39% of India's population consists of vegetarians. Although meat is eaten widely, the proportional consumption of meat is low. The most significant import of cooking techniques into India during the last millennium occurred during the
Mughal Empire, spreading into northern India from regions to its northwest, along with dishes such as
pilaf. Onions, garlic, almonds, and spices were added to the simple yogurt marinade of Persia. The diversity of Indian food served worldwide has been partially concealed by the dominance of
Punjabi cuisine. The popularity of
tandoori chicken—cooked in a
tandoor oven, which had traditionally been used for baking bread in the rural Punjab and the Delhi region, especially among Muslims, but which is originally from
Central Asia—dates to the 1950s, and was caused in large part by an entrepreneurial response among people from the Punjab who had been displaced by the 1947 partition. File:South Indian Thali Cropped.jpg|South Indian vegetarian
thali, or platter File:Pabda Jhaal - Home- Kolkata - West Bengal.jpg|
Machher jhol, a spicy fish curry eaten in eastern India, Nepal, and Bangladesh File:Khairdeen, alias Pritam, relishing a mango at the dusk of his life 05.jpg|
Mango, the national fruit of India, is eaten widely in the summer months.
Sports Several traditional indigenous sports such as
kabaddi,
kho kho,
pehlwani and
gilli-danda, and also
martial arts, such as
Kalarippayattu and
marma adi remain popular.
Chess is commonly held to have
originated in India as
chaturaṅga; There has been a rise in the number of Indian
grandmasters.
Viswanathan Anand became the undisputed
Chess World Champion in 2007 and held the status until 2013.
Parcheesi is derived from
Pachisi another traditional Indian pastime, which in early modern times was played on a giant marble court by
Mughal emperor Akbar.
Cricket is the most popular sport in India.
India is one of the more successful cricket teams, having won two
Cricket World Cups, three
T20 World Cups, and three
Champions Trophies.
India has won a record eight
field hockey gold medals in the
summer Olympics. File:Indian-Hockey-Team-Berlin-1936.jpg|The Indian hockey team, captained by
Dhyan Chand (standing second from left), after winning the finals at the
1936 Summer Olympics – their third of six consecutive Olympic golds File:President of Bharat Smt. Droupadi Murmu confers Major Dhyan Chand Khel Ratna Award on Shri Gukesh Dommaraju.jpg|
Gukesh Dommaraju, the reigning world chess champion, receives India's highest sporting honour, the
Dhyan Chand Award from India's president
Droupadi Murmu, January 17, 2025. File:Sachin defends the ball.jpg|Indian
cricket player
Sachin Tendulkar, the highest
run-getter in
test cricket, playing a defensive stroke against Australia in
Bangalore, 2010 == See also ==