Early years 's map of New York and its suburbs, made for
Henry Moore, royal governor of New York, when Greenwich was more than 2 miles (3 km) from the city. In the 16th century,
Lenape referred to its farthest northwest corner, by the cove on the Hudson River at present-day Gansevoort Street, as
Sapokanikan ("tobacco field"). The land was cleared and turned into pasture by the Dutch and their enslaved Africans, who named their settlement (also spelled , "North district", equivalent to 'North
wich/Northwick'). In the 1630s, Governor
Wouter van Twiller farmed tobacco on here at his "Farm in the Woods". The English conquered the Dutch settlement of
New Netherland in 1664, and Greenwich Village developed as a hamlet separate from the larger New York City to the south on land that would eventually become the
Financial District. In 1644, the eleven Dutch African settlers in the area were granted half freedoms after the first Black legal protest in America. All received parcels of land in what is now Greenwich Village, in an area that became known as the
Land of the Blacks. The earliest known reference to the Village's name as "Greenwich" dates back to 1696, in the will of Yellis Mandeville of Greenwich, who before relocating to Manhattan had long resided by another settlement of that same name on Long Island; however, the Village was not mentioned in the city records until 1713.
Sir Peter Warren began accumulating land in 1731 and built a frame house capacious enough to hold sittings of the
New York General Assembly when smallpox rendered the city dangerous in 1739 and subsequent years; on one occasion in 1746, the house of Mordecai Gomez was used. Warren's house, which survived until the
Civil War era, overlooked the
North River from a bluff; its site on the block bounded by Perry and Charles Streets, Bleecker and West 4th Streets, can still be recognized by its mid-19th century rowhouses inserted into a neighborhood still retaining many houses of the 1830–37 boom. The Greek federal style stretched to 11th street as well, the style being implemented in townhouses like the one at
11 West 11th Street.
Newgate Prison From 1797 until 1829, the bucolic village of Greenwich was the location of New York State's first
penitentiary, Newgate Prison, on the Hudson River at what is now
West 10th Street, Although the intention of its first warden,
Quaker prison reformer
Thomas Eddy, was to provide a rational and humanitarian place for retribution and rehabilitation, the prison soon became an overcrowded and pestilent place, subject to frequent riots by the prisoners which damaged the buildings and killed some inmates. Since the prison was north of the New York City boundary at the time, being sentenced to Newgate became known as being "sent up the river". This term became popularized once prisoners started being sentenced to
Sing Sing Prison, in the town of
Ossining upstream of New York City.
Isaacs-Hendricks House The oldest house remaining in Greenwich Village is the Isaacs-Hendricks House, at 77 Bedford Street (built 1799, much altered and enlarged 1836, third story 1928). When the
Church of St. Luke in the Fields was founded in 1820, it stood in fields south of the road (now Christopher Street) that led from Greenwich Lane (now
Greenwich Avenue) down to a landing on the North River. In 1822, a
yellow fever epidemic in New York encouraged residents to flee to the healthier air of Greenwich Village, and afterwards many stayed. The future site of
Washington Square was a
potter's field from 1797 to 1823 when up to 20,000 of New York's poor were buried here, and still remain. The handsome Greek revival rowhouses on the north side of Washington Square were built about 1832, establishing the fashion of Washington Square and lower Fifth Avenue for decades to come. Well into the 19th century, the district of Washington Square was considered separate from Greenwich Village. In 1825, the
Commercial Advertiser was writing that "Greenwich is no longer a country village. Such has been the growth of our city that the building of one block more will connect the two places" of Greenwich and New York. Street By 1850, the city had developed entirely around Greenwich Village such that the two were no longer considered separate.
Reputation as urban bohemia at the corner of Waverly Place; the street's name refers to a colonial family, not the LGBTQ character of Greenwich Village Greenwich Village historically was known as an important landmark on the map of American
bohemian culture in the early and mid-20th century. The neighborhood was known for its colorful, artistic residents and the alternative culture they propagated. Due in part to the progressive attitudes of many of its residents, the Village was a focal point of new movements and ideas, whether political, artistic, or cultural. This tradition as an enclave of
avant-garde and
alternative culture was established during the 19th century and continued into the 20th century, when small presses, art galleries, and experimental theater thrived. In 1969, enraged members of the gay community, in search for equality, started the
Stonewall riots. The
Stonewall Inn was later recognized as a
National Historic Landmark for having been the location where the gay rights movement originated. On June 27, 2019, the
National LGBTQ Wall of Honor was inaugurated at the Stonewall Inn; and on June 28, 2024, the
Stonewall National Monument Visitors Center opened, as the first official national visitors center dedicated to the LGBTQ+ experience to open anywhere in the world. Numerous politicians and celebrities participated in the inauguration ceremonies, and the
New York City Subway's Christopher Street–Sheridan Square station was renamed the
Christopher Street–Stonewall station on the same day. The
Tenth Street Studio Building was situated at 51 West 10th Street, between
Fifth and
Sixth Avenues. The building was commissioned by James Boorman Johnston and designed by
Richard Morris Hunt. Its innovative design soon represented a national architectural prototype, and featured a domed central gallery, from which interconnected rooms radiated. Hunt's studio within the building housed the first architectural school in the United States. Soon after its completion in 1857, the building helped to make Greenwich Village central to the arts in New York City, drawing artists from all over the country to work, exhibit, and sell their art. In its initial years
Winslow Homer took a studio there, as did
Edward Lamson Henry, and many of the artists of the
Hudson River School, including
Frederic Church and
Albert Bierstadt. , at 8–12
West 8th Street, between
Fifth Avenue and
MacDougal Street; currently home to the
New York Studio School of Drawing, Painting and Sculpture. From the late 19th century until the present, the
Hotel Albert has served as a cultural icon of Greenwich Village. Opened during the 1880s and originally located at 11th Street and University Place, called the Hotel St. Stephan and then, after 1902, called the Hotel Albert while under the ownership of William Ryder, it served as a meeting place, restaurant and dwelling for several important artists and writers from the late 19th century well into the 20th century. After 1902, the owner's brother
Albert Pinkham Ryder lived and painted there. Some other noted guests who lived there include:
Augustus St. Gaudens,
Robert Louis Stevenson,
Mark Twain,
Hart Crane,
Walt Whitman,
Anaïs Nin,
Thomas Wolfe,
Robert Lowell,
Horton Foote,
Salvador Dalí,
Philip Guston,
Jackson Pollock, and
Andy Warhol. During the golden age of
bohemianism, Greenwich Village became famous for such eccentrics as
Joe Gould (profiled at length by
Joseph Mitchell) and
Maxwell Bodenheim, dancer
Isadora Duncan, writer
William Faulkner, and playwright
Eugene O'Neill. Political rebellion also made its home here, whether serious (
John Reed) or frivolous (
Marcel Duchamp and friends set off balloons from atop
Washington Square Arch, proclaiming the founding of "The Independent Republic of Greenwich Village" on January 24, 1917). is located in Greenwich Village. is the world's largest
Halloween parade, with millions of spectators annually, and has its roots in
New York's queer community. In 1924, the
Cherry Lane Theatre was established. Located at 38 Commerce Street, it is New York City's oldest continuously running
Off-Broadway theater. A landmark in Greenwich Village's cultural landscape, it was built as a farm silo in 1817, and also served as a tobacco warehouse and box factory before
Edna St. Vincent Millay and other members of the
Provincetown Players converted the structure into a theatre they christened the Cherry Lane Playhouse, which opened on March 24, 1924, with the play
The Man Who Ate the Popomack. During the 1940s
The Living Theatre,
Theatre of the Absurd, and the Downtown Theater movement all took root there, and it developed a reputation as a showcase for aspiring
playwrights and emerging voices. In one of the many Manhattan properties that
Gertrude Vanderbilt Whitney and her husband owned, Gertrude Whitney established the
Whitney Studio Club at 8 West 8th Street in 1914, as a facility where young artists could exhibit their works. By the 1930s it had evolved into her greatest legacy, the
Whitney Museum of American Art, on the site of today's
New York Studio School of Drawing, Painting and Sculpture. The Whitney was founded in 1931, as an answer to the
Museum of Modern Art, founded 1928, and its collection of mostly European
modernism and its neglect of
American Art. Gertrude Whitney decided to put the time and money into the museum after the New York
Metropolitan Museum of Art turned down her offer to contribute her twenty-five-year collection of
modern art works. In 1936, the renowned
Abstract Expressionist artist and teacher
Hans Hofmann moved his
art school from East 57th Street to 52 West 9th Street. In 1938, Hofmann moved again to a more permanent home at 52 West 8th Street. The school remained active until 1958, when Hofmann retired from teaching. On January 8, 1947,
stevedore Andy Hintz was fatally shot by hitmen
John M. Dunn,
Andrew Sheridan, and Danny Gentile in front of his apartment. Before he died on January 29, he told his wife that "Johnny Dunn shot me." The three gunmen were immediately arrested. Sheridan and Dunn were executed. The Village hosted the nation's first racially integrated
nightclub, when
Café Society was opened in 1938 at 1 Sheridan Square by
Barney Josephson. Café Society showcased
African American talent and was intended to be an American version of the political
cabarets that Josephson had seen in Europe before
World War I. Notable performers there included:
Pearl Bailey,
Count Basie,
Nat King Cole,
John Coltrane,
Miles Davis,
Ella Fitzgerald,
Coleman Hawkins,
Billie Holiday,
Lena Horne,
Burl Ives,
Lead Belly,
Anita O'Day,
Charlie Parker,
Les Paul and
Mary Ford,
Paul Robeson,
Kay Starr,
Art Tatum,
Sarah Vaughan,
Dinah Washington,
Josh White,
Teddy Wilson,
Lester Young, and
the Weavers, who also in Christmas 1949, played at the
Village Vanguard. The annual
Greenwich Village Halloween Parade, initiated in 1974 by Greenwich Village
puppeteer and mask maker
Ralph Lee, is the world's largest
Halloween parade and America's only major Halloween nighttime parade, attracting more than 60,000
costumed participants, two million in-person spectators, and a worldwide television audience of over 100 million. The parade has its roots in New York's queer community. Among the first venues for what would soon be called "Off-Off-Broadway" (a term supposedly coined by
critic Jerry Tallmer of the
Village Voice) were coffeehouses in Greenwich Village, in particular, the
Caffe Cino at 31 Cornelia Street, operated by the eccentric
Joe Cino, who early on took a liking to actors and playwrights and agreed to let them stage plays there without bothering to read the plays first, or to even find out much about the content. Also integral to the rise of Off-Off-Broadway were
Ellen Stewart at
La MaMa, originally located at 321 E. 9th Street, and
Al Carmines at the Judson Poets' Theater, located at
Judson Memorial Church on the south side of
Washington Square Park. The Village had a cutting-edge cabaret and music scene.
The Village Gate, the
Village Vanguard, and the
Blue Note (since 1981) regularly hosted some of the biggest names in
jazz. Greenwich Village also played a major role in the development of the
folk music scene of the 1960s. Music clubs included ''
Gerde's Folk City, The Bitter End,
Cafe Au Go Go, Cafe Wha?, The Gaslight Cafe and The Bottom Line''. Three of the four members of
the Mamas & the Papas met there. Guitarist and folk singer
Dave Van Ronk lived there for many years. Village resident and cultural icon
Bob Dylan by the mid-60s had become one of the world's foremost popular songwriters, and often developments in Greenwich Village would influence the simultaneously occurring
folk rock movement in
San Francisco and elsewhere, and vice versa. Dozens of other cultural and popular icons got their start in the Village's nightclub, theater, and coffeehouse scene during the 1950s, 1960s, and early 1970s. Many artists garnered critical acclaim, some before and some after, performed in the Village. This list includes
Eric Andersen,
Joan Baez,
Jackson Browne,
the Clancy Brothers and Tommy Makem,
Richie Havens,
Jimi Hendrix,
Janis Ian, the
Kingston Trio, the
Lovin' Spoonful,
Bette Midler,
Liza Minnelli,
Joni Mitchell,
Maria Muldaur,
Laura Nyro,
Phil Ochs,
Tom Paxton,
Peter, Paul, and Mary,
Carly Simon,
Simon & Garfunkel,
Nina Simone,
Barbra Streisand,
James Taylor, and the
Velvet Underground. The Greenwich Village of the 1950s and 1960s was at the center of
Jane Jacobs's book
The Death and Life of Great American Cities, which defended it and similar communities, while criticizing common
urban renewal policies of the time. Founded by New York-based artist
Mercedes Matter and her students, the
New York Studio School of Drawing, Painting and Sculpture is an art school formed in the mid-1960s in the Village. Officially opened September 23, 1964, the school is still active, at 8 W. 8th Street, the site of the original
Whitney Museum of American Art. Greenwich Village was home to a safe house used by the radical
anti-war movement known as the
Weather Underground.
On March 6, 1970, their safehouse was destroyed when an explosive device they were constructing was accidentally detonated, killing three of their members (
Ted Gold,
Terry Robbins, and
Diana Oughton). The Village has been a center for movements that challenged the wider American culture, most notably its seminal role in sparking the
gay liberation movement. The
Stonewall riots were a series of spontaneous, violent protests by members of the
gay community against a
police raid that took place in the early morning hours of June 28, 1969, at the
Stonewall Inn, 53
Christopher Street. Considered together, the demonstrations are widely considered to constitute the single most important event leading to the
gay liberation movement and the modern fight for
LGBTQ rights in the United States. On June 23, 2015, the Stonewall Inn was the first landmark in New York City to be recognized by the
New York City Landmarks Preservation Commission on the basis of its status in LGBTQ history, and on June 24, 2016, the
Stonewall National Monument was named the first
U.S. National Monument dedicated to the LGBTQ-rights movement. Greenwich Village contains the world's oldest gay and lesbian bookstore,
Oscar Wilde Bookshop, founded in 1967, while The Lesbian, Gay, Bisexual & Transgender Community Center – best known as simply "The Center" – has occupied the former Food & Maritime Trades High School at 208 West 13th Street since 1984. In 2006, the Village was the scene of
an assault involving seven lesbians and a straight man that sparked appreciable media attention, with strong statements defending both sides of the case. On June 20, 2023, the intersection of
Fifth Avenue and
Washington Square North was officially renamed Edie Windsor and Thea Speyer Way at the state level by
New York Governor Kathy Hochul, in honor of the Greenwich Village plaintiffs who prevailed at the
United States Supreme Court in 2013, in finding the
Defense of Marriage Act, which had limited the definition of marriage as being valid strictly between one man and one woman, to be
unconstitutional.
Preservation , an unofficial icon of Greenwich Village and nearby New York University Since the end of the 20th century, many artists and local historians have mourned the fact that the
bohemian days of Greenwich Village are long gone, because of the extraordinarily high housing costs in the neighborhood. The artists fled to other New York City neighborhoods including
SoHo,
Tribeca,
Dumbo,
Williamsburg, and
Long Island City. Nevertheless, residents of Greenwich Village still possess a strong community identity and are proud of their neighborhood's unique history and fame, and its well-known liberal live-and-let-live attitudes. while other citizen groups fought to keep traffic out of Washington Square Park, and
Jane Jacobs, using the Village as an example of a vibrant urban community, advocated to keep it that way. Since then, preservation has been a part of the Village ethos. Shortly after the New York City Landmarks Preservation Commission (LPC) was established in 1965, it acted to protect parts of Greenwich Village, designating the small
Charlton-King-Vandam Historic District in 1966, which contains the city's largest concentration of row houses in the Federal style, as well as a significant concentration of Greek Revival houses, and the even smaller
MacDougal-Sullivan Gardens Historic District in 1967, a group of 22 houses sharing a common back garden, built in the Greek Revival style and later renovated with Colonial Revival façades. In 1969, the LPC designated the Greenwich Village Historic District – which remained the city's largest for four decades – despite preservationists' advocacy for the entire neighborhood to be designated an historic district. Advocates continued to pursue their goal of additional designation, spurred in particular by the increased pace of development in the 1990s.
Rezoned areas The
Greenwich Village Society for Historic Preservation (GVSHP), a
nonprofit organization dedicated to the architectural and cultural character and heritage of the neighborhood, successfully proposed new districts and individual landmarks to the LPC. Those include: • Gansevoort Market Historic District was the first new historic district in Greenwich Village in 34 years. The 112 buildings on 11 blocks protect the city's distinctive
Meatpacking District with its cobblestone streets, warehouses and rowhouses. About 70 percent of the area proposed by GVSHP in 2000 was designated a historic district by the LPC in 2003, while the entire area was listed on the State and National Registers of Historic Places in 2007. •
Weehawken Street Historic District, designated in 2006, is a 14-building, three-block district near the Hudson River centering on tiny Weehawken Street and containing an array of architecture including a sailors' hotel, former stables, and a wooden house. • Greenwich Village Historic District Extension I, designated in 2006, brought 46 more buildings on three blocks into the district, thus protecting warehouses, a former public school and police station, and early 19th century rowhouses. Both the Weehawken Street Historic District and the Greenwich Village Historic District Extension I were designated by the LPC in response to the larger proposal for a Far West Village Historic District submitted by GVSHP in 2004. •
South Village Historic District, designated in 2013, covers 235 buildings on 13 blocks, representing the largest single expansion of landmark protections in Greenwich Village since 1969. It includes well-preserved and renovated 19th century houses, colorful tenements, and a variety of sites important to the area's rich immigrant, artistic, and Italian-American history, as well as several low-rise, historically significant New York University buildings on Washington Square South. The Landmarks Preservation Commission designated as landmarks several individual sites proposed by the Greenwich Village Society for Historic Preservation, including the former Bell Telephone Labs Complex (1861–1933), now
Westbeth Artists' Housing, designated in 2011; the
Silver Towers/University Village Complex (1967), designed by
I.M. Pei and including the Picasso sculpture
Portrait of Sylvette, designated in 2008; and three early 19th-century federal houses at 127, 129 and 131 MacDougal Street. Several contextual rezonings were enacted in Greenwich Village in recent years to limit the size and height of allowable new development in the neighborhood, and to encourage the preservation of existing buildings. The following were proposed by the GVSHP and passed by the
City Planning Commission: • Far West Village Rezoning, approved in 2005, was the first downzoning in Manhattan in many years, putting in place new height caps, thus ending construction of high-rise waterfront towers in much of the Village and encouraging the reuse of existing buildings. • Washington and Greenwich Street Rezoning, approved in 2010, was passed in near-record time to protect six blocks from out-of-scale hotel development and maintain the low-rise character.
NYU dispute in Greenwich Village
New York University and Greenwich Village preservationists have frequently become embroiled in conflicts between the university's campus expansion efforts and the preservation of the scale and character of the Village. As one press critic put it in 2013, "For decades, New York University has waged architectural war on Greenwich Village." In recent years, the university has clashed most prominently with community groups such as the Greenwich Village Society for Historic Preservation over the construction of new NYU academic buildings and residence halls. During the design of Furman Hall in 2000, the site of which is adjacent to the
Judson Memorial Church, community groups sued the university, claiming the construction of a 13-story tower on the site would "loom behind the campanile of [the church]" and "mar the historic silhouette of Greenwich Village as viewed from Washington Square Park". Despite a justice in State Supreme Court dismissing the case, the university agreed to a settlement with the groups to avoid future appeals, which included reducing the building to 9 stories and restoring the facades of two historic houses located on the site, the Judson House and a red-brick town house where
Edgar Allan Poe once lived, which NYU reconstructed as they appeared in the 19th century. Another dispute arose during the construction of the 26-story Founders Hall, a residence hall planned to be constructed on the site of St. Ann's Church at 120 East Twelfth Street. Amidst protests of the demolition of the church, the university decided to maintain and restore the facade and steeple of the building, parts of which were deteriorating or missing, and it now stands freely directly in front of the 12th Street entrance of the building. Further controversy also arose over the height of the building, as well as how the university would integrate the church's facade into the building's uses; however, in 2006, NYU began construction and the new dorm was completed in December 2008. In recent years, the most conflict has arisen over the proposed NYU 2031 plan, which the university released in 2010 as its plan for long-term growth, both within and outside of Greenwich Village. This included a court battle over the City of New York's right to transfer three plots of Department of Transportation-owned land to the university for constructing staging, which plaintiffs claimed required the consent of the state legislature. Ultimately, the Appellate Division of New York's Supreme Court ruled in the university's favor after a lower court blocked the expansion plan; however, so far, the university has only begun construction on
181 Mercer Street, the first building in the planned expansion southwards. ==Demographics==