Cuisine Maharashtrian cuisine includes a variety of dishes ranging from mild to very spicy ones. Wheat, rice,
jowar,
bajri, vegetables, lentils and fruit form
staple food of the Maharashtrian diet. Some of the popular traditional dishes include
puran poli,
ukdiche modak,
Thalipeeth. Street food items like
Batata wada, Misal Pav,
Pav Bhaji and
Vada pav are very popular among the locals and are usually sold on stalls and in small hotels. Meals (mainly lunch and dinner) are served on a plate called
thali. Each food item served on the
thali is arranged in a specific way. All non-vegetarian and vegetarian dishes are eaten with boiled rice,
chapatis or with
bhakris, made of jowar, bajra or rice flours. A typical vegetarian thali is made of
chapati or
bhakri (Indian flat bread),
dal, rice (varan bhaat), amti,
bhaji or usal,
chutney,
koshimbir (salad) and
buttermilk or
Sol kadhi. A
bhaji is a vegetable dish made of a particular vegetable or combination of vegetables.
Aamti is variant of the curry, typically consisting of a lentil (
tur) stock, flavoured with goda masala and sometimes with tamarind or amshul, and
jaggery (
gul). Kolhapur is famous for Tambda Pandhra rassa, a dish made of either chicken or mutton. Rice and seafood are the staple foods of the coastal Konkani people. Among seafood, the most popular is a fish variety called the
Bombay duck (also known as bombil in Marathi).
Attire Traditionally, Marathi women commonly wore the
sari, often distinctly designed according to local cultural customs. disappearing from the markets due to a lack of demand. Older women wear the five-yard sari. In urban areas, the five-yard sari, especially the
Paithani, is worn by younger women for special occasions such as marriages and religious ceremonies. Among men, western dressing has greater acceptance. Men also wear traditional costumes such as the
dhoti, and
pheta on cultural occasions. The
Gandhi cap is the popular headgear among older men in rural Maharashtra. In urban areas, western attire is dominant among women and men.
Music Maharashtra and Maharashtrian artists have been influential in preserving and developing
Hindustani classical music for more than a century. Notable practitioners of
Kirana or
Gwalior style called Maharashtra their home. The
Sawai Gandharva Bhimsen Festival in Pune started by
Bhimsen Joshi in the 1950s is considered the most prestigious Hindustani music festival in India, if not one of the largest. Cities like Kolhapur and Pune have been playing a major role in the preservation of music like
Bhavageet and
Natya Sangeet, which are inherited from Indian classical music. The biggest form of Indian
popular music is songs from films produced in Mumbai. Film music, in 2009 made up 72% of the music sales in India. Many the influential music composers and singers have called Mumbai their home. In recent decades, the music scene in Maharashtra, and particularly in Mumbai has seen a growth of newer music forms such as rap. The city also holds festivals in western music genres such as
blues. In 2006, the
Symphony Orchestra of India was founded, housed at the
NCPA in Mumbai. It is today the only professional symphony orchestra in India and presents two concert seasons per year, with world-renowned conductors and soloists. Maharashtra has a long and rich tradition of folk music. Some of the most common forms of folk music in practice are Bhajan, Bharud, Kirtan, Gondhal, and
Koli Geet.
Dance Marathi dance forms draw from folk traditions.
Lavani is popular form of dance in the state. The Bhajan, Kirtan and
Abhangas of the
Warkari sect (Vaishanav Devotees) have a long history and are part of their daily rituals.
Koli dance (called 'Koligeete') is among the most popular dances of Maharashtra. As the name suggests, it is related to the fisher folk of Maharashtra, who are called
Koli. Popular for their unique identity and liveliness, their dances represent their occupation. This type of dance is represented by both men and women. While dancing, they are divided into groups of two. These fishermen display the movements of waves and casting of the nets during their koli dance performances.
Theatre Modern Theatre in Maharashtra can trace its origins to the British colonial era in the middle of the 19th century. It is modelled mainly after the western tradition but also includes forms like
Sangeet Natak (musical drama). In recent decades, Marathi
Tamasha has also been incorporated in some experimental plays. The repertoire of Marathi theatre ranges from humorous social plays,
farces, historical plays, and musical, to experimental plays and serious drama. Marathi Playwrights such as
Vijay Tendulkar,
Purushottam Laxman Deshpande,
Mahesh Elkunchwar,
Ratnakar Matkari, and
Satish Alekar have influenced theatre throughout India. Besides Marathi theatre, Maharashtra and particularly, Mumbai, has had a long tradition of theatre in other languages such as Gujarati, Hindi, and English. The
National Centre for the Performing Arts (NCP) is a multi-venue, multi-purpose cultural centre in Mumbai which hosts events in music, dance, theatre, film, literature, and photography from India as well other places. It also presents new and innovative work in the performing arts field.
Literature (at centre), one of the most popular authors in Marathi language Maharashtra's regional literature is about the lives and circumstances of
Marathi people in specific parts of the state. The Marathi language, which boasts a rich literary heritage, is written in the
Devanagari script. The earliest instance of Marathi literature is
Dnyaneshwari, a commentary on the Bhagavad Gita by 13th-century
Bhakti Saint
Dnyaneshwar and devotional poems called
abhangs by his contemporaries such as
Namdev, and
Gora Kumbhar. Devotional literature from the
Early modern period includes compositions in praise of the God
Pandurang by
Bhakti saints such as
Tukaram,
Eknath, and
Rama by
Ramdas respectively. 19th century
Marathi literature includes mainly
Polemic works of social and political activists such as
Balshastri Jambhekar,
Bal Gangadhar Tilak,
Gopal Hari Deshmukh,
Mahadev Govind Ranade,
Jyotirao Phule, and
Vishnushastri Krushnashastri Chiplunkar.
Keshavasuta was a pioneer in modern Marathi poetry. The
Hindutva proponent,
Vinayak Damodar Savarkar was a prolific writer. His work in English and Marathi consists of many essays, two novels, poetry, and plays. Four Marathi writers have been honoured with the
Jnanpith Award, India's highest literary award. They include novelists,
Vishnu Sakharam Khandekar, and
Bhalchandra Nemade,
Vishnu Vaman Shirwadkar (Kusumagraj) and
Vinda Karandikar. The last two were known for their poetry as well. Other notable writers from the early and mid 20th century include playwright
Ram Ganesh Gadkari, novelist
Hari Narayan Apte, poet, and novelist
B. S. Mardhekar,
Pandurang Sadashiv Sane,
Vyankatesh Madgulkar,
Pralhad Keshav Atre,
Chintamani Tryambak Khanolkar, and
Lakshman Shastri Joshi.
Vishwas Patil,
Ranjit Desai, and
Shivaji Sawant are known for novels based on Maratha history. P. L. Deshpande gained popularity in the period after independence for depicting the urban middle class society. His work includes humour, travelogues, plays, and biographies.
Narayan Gangaram Surve,
Shanta Shelke,
Durga Bhagwat,
Suresh Bhat, and
Narendra Jadhav are some of the more recent authors.
Dalit literature originally emerged in the Marathi language as a literary response to the everyday oppressions of caste in mid-twentieth-century independent India, critiquing caste practices by experimenting with various literary forms. In 1958, the term "Dalit literature" was used for the first conference of
Maharashtra Dalit Sahitya Sangha (Maharashtra Dalit Literature Society) in Mumbai. Maharashtra, and particularly the cities in the state such as Mumbai and Pune are diverse with different languages being spoken. Mumbai is called home by writers in English such as
Rohinton Mistry,
Shobha De, and
Salman Rushdie. Their novels are set with Mumbai as the backdrop. Many eminent
Urdu poets such as
Kaifi Azmi,
Jan Nisar Akhtar,
Gulzar, and
Javed Akhtar have been residents of Mumbai.
Cinema of
Bollywood, called "the biggest film star in the world". Maharashtra is a prominent location for the Indian entertainment industry, with enormous films, television series, books, and other media production companies being set there. Mumbai has numerous film production studios and facilities to produce films. Mainstream
Hindi films are popular in Maharashtra, especially in urban areas. Mumbai is the largest centre for film and television production and a third of all Indian films are produced in the state. Multimillion-dollar
Bollywood productions, with the most expensive costing up to , are filmed there. The first Indian feature-length film,
Raja Harishchandra, was made in Maharashtra by
Dadasaheb Phalke in 1913. Phalke is widely considered the father of
Indian cinema. The
Dadasaheb Phalke Award is India's highest award in cinema, given annually by the
Government of India for lifetime contribution to
Indian cinema. The
Marathi film industry, initially located in Kolhapur, has spread throughout Mumbai. Well known for its
art films, the early Marathi film industry included acclaimed directors such as Dadasaheb Phalke,
V. Shantaram,
Raja Thakur,
Bhalji Pendharkar,
Pralhad Keshav Atre,
Baburao Painter, and
Dada Kondke. Some of the directors who made acclaimed films in Marathi are
Jabbar Patel,
Mahesh Manjrekar,
Amol Palekar, and
Sanjay Surkar.
Durga Khote was one of the first women from respectable families to enter the film industry, thus breaking a social taboo.
Lalita Pawar,
Sulabha Deshpande, and Usha Kiran featured in Hindi and Marathi movies. In 70s and 80s,
Smita Patil,
Ranjana Deshmukh,
Reema Lagoo featured in both art and mainstream movies in Hindi and Marathi.
Rohini Hattangadi starred in a number of acclaimed movies, and is the only Indian actress to win the
BAFTA Award for Best Actress in a Supporting Role for her performance as
Kasturba Gandhi in
Gandhi (1982).
Bhanu Athaiya was the first Indian to win an Oscar in
Best Costume Design category for
Gandhi (1982). In 90s and 2000s,
Urmila Matondkar and
Madhuri Dixit starred in critically acclaimed and high grossing films in Hindi and Marathi. In earliest days of Marathi cinema,
Suryakant Mandhare was a leading star. In later years,
Shriram Lagoo,
Nilu Phule,
Vikram Gokhale,
Dilip Prabhavalkar played character roles in theatre, and Hindi and Marathi films.
Ramesh Deo and
Mohan Joshi played leading men in Mainstream Marathi movies. In 70s and 80s,
Sachin Pilgaonkar,
Ashok Saraf,
Laxmikant Berde and
Mahesh Kothare created a "comedy film wave" in Marathi Cinema. ==Media==